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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1ED3E it is the complementary color #1E12C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1ED3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1ED3E shade: #E6ED39, #F7FF4C, #FFFF5F, #FFFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1ED3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1ED3E shade: #E1ED3E, #D0DB2B, #BFC918, #AEB705 and #9DA500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1ED3E shade: #E1ED40, #EDCA40, #ED9C40, #ED6D40 and #ED4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1ED3E shade: #E1ED40, #B3ED40, #84ED40, #55ED40 and #40ED59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1ED3E shade matches the following richer shades: #E1ED40 and #F0FE2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1ED3E shade: #E1ED40, #D3DC51, #C4CB62, #B6BA72 and #A7AA83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1ED3E shade: #ED9C40, #EDCB40, #E2ED40, #B3ED40 and #85ED40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1ED3E shade: #BBC813, #DBEA1A, #E1ED40, #E7F165 and #EDF48B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1ED3E shade: #E1ED3E, #40ED6E and #B340ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1ED3E shade: #E1ED3E, #40E2ED and #ED40E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1ED3E shade: #E1ED3E, #40ED6E, #4B40ED and #ED40BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1ED3E shade: #E1ED3E, #40EDA2, #4B40ED and #ED408B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 74 / 7

HEX #E1ED3E

RGB 225 237 62

HSL 64.11, 0.83%, 0.59%

LAB 90.29, -24.02, 77.43

 

Complementary color

CMYK 84 / 91 / 0 / 24

HEX #1E12C1

RGB 30 18 193

HSL 244.11, 0.83%, 0.41%

LAB 25.44, 60.36, -83.66

 

CMYK 3 / 0 / 76 / 7

HEX #E6ED39

RGB 230 237 57

HSL 62.33, 0.83%, 0.58%

LAB 90.64, -22.18, 79.4

 

CMYK 3 / 0 / 70 / 0

HEX #F7FF4C

RGB 247 255 76

HSL 62.68, 1%, 0.65%

LAB 96.75, -23.07, 79.6

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 5 / 0 / 74 / 7

HEX #E1ED3E

RGB 225 237 62

HSL 64.11, 0.83%, 0.59%

LAB 90.29, -24.02, 77.43

 

CMYK 5 / 0 / 80 / 14

HEX #D0DB2B

RGB 208 219 43

HSL 63.75, 0.71%, 0.51%

LAB 84.09, -23.08, 76.8

 

CMYK 5 / 0 / 88 / 21

HEX #BFC918

RGB 191 201 24

HSL 63.39, 0.79%, 0.44%

LAB 77.83, -21.96, 75.18

 

CMYK 5 / 0 / 97 / 28

HEX #AEB705

RGB 174 183 5

HSL 63.03, 0.95%, 0.37%

LAB 71.47, -20.65, 72.23

 

CMYK 5 / 0 / 100 / 35

HEX #9DA500

RGB 157 165 0

HSL 62.91, 1%, 0.32%

LAB 65.02, -19.11, 67.44

 

CMYK 5 / 0 / 73 / 7

HEX #E1ED40

RGB 225 237 64

HSL 64.16, 0.83%, 0.59%

LAB 90.3, -23.94, 76.81

 

CMYK 0 / 15 / 73 / 7

HEX #EDCA40

RGB 237 202 64

HSL 47.86, 0.83%, 0.59%

LAB 82.17, -1.58, 69.42

 

CMYK 0 / 34 / 73 / 7

HEX #ED9C40

RGB 237 156 64

HSL 31.91, 0.83%, 0.59%

LAB 70.98, 22.56, 58.33

 

CMYK 0 / 54 / 73 / 7

HEX #ED6D40

RGB 237 109 64

HSL 15.61, 0.83%, 0.59%

LAB 61.06, 46.63, 47.95

 

CMYK 0 / 73 / 73 / 7

HEX #ED4040

RGB 237 64 64

HSL 0, 0.83%, 0.59%

LAB 54.07, 65.29, 40.24

 

CMYK 5 / 0 / 73 / 7

HEX #E1ED40

RGB 225 237 64

HSL 64.16, 0.83%, 0.59%

LAB 90.3, -23.94, 76.81

 

CMYK 24 / 0 / 73 / 7

HEX #B3ED40

RGB 179 237 64

HSL 80.12, 0.83%, 0.59%

LAB 87.25, -41.96, 72.84

 

CMYK 44 / 0 / 73 / 7

HEX #84ED40

RGB 132 237 64

HSL 96.42, 0.83%, 0.59%

LAB 84.92, -58.04, 69.76

 

CMYK 64 / 0 / 73 / 7

HEX #55ED40

RGB 85 237 64

HSL 112.72, 0.83%, 0.59%

LAB 83.37, -70.1, 67.71

 

CMYK 73 / 0 / 62 / 7

HEX #40ED59

RGB 64 237 89

HSL 128.67, 0.83%, 0.59%

LAB 83.11, -71.58, 57.79

 

CMYK 5 / 0 / 73 / 7

HEX #E1ED40

RGB 225 237 64

HSL 64.16, 0.83%, 0.59%

LAB 90.3, -23.94, 76.81

 

CMYK 6 / 0 / 81 / 0

HEX #F0FE2F

RGB 240 254 47

HSL 64.06, 0.99%, 0.59%

LAB 95.84, -26.49, 86.85

 

CMYK 5 / 0 / 73 / 7

HEX #E1ED40

RGB 225 237 64

HSL 64.16, 0.83%, 0.59%

LAB 90.3, -23.94, 76.81

 

CMYK 4 / 0 / 63 / 14

HEX #D3DC51

RGB 211 220 81

HSL 63.88, 0.67%, 0.59%

LAB 84.81, -20.54, 64.84

 

CMYK 3 / 0 / 52 / 20

HEX #C4CB62

RGB 196 203 98

HSL 64, 0.5%, 0.59%

LAB 79.23, -16.99, 50.89

 

CMYK 2 / 0 / 39 / 27

HEX #B6BA72

RGB 182 186 114

HSL 63.33, 0.34%, 0.59%

LAB 73.73, -12.4, 36.02

 

CMYK 2 / 0 / 23 / 33

HEX #A7AA83

RGB 167 170 131

HSL 64.62, 0.19%, 0.59%

LAB 68.46, -7.72, 19.8

 

CMYK 0 / 34 / 73 / 7

HEX #ED9C40

RGB 237 156 64

HSL 31.91, 0.83%, 0.59%

LAB 70.98, 22.56, 58.33

 

CMYK 0 / 14 / 73 / 7

HEX #EDCB40

RGB 237 203 64

HSL 48.21, 0.83%, 0.59%

LAB 82.43, -2.09, 69.66

 

CMYK 5 / 0 / 73 / 7

HEX #E2ED40

RGB 226 237 64

HSL 63.82, 0.83%, 0.59%

LAB 90.37, -23.53, 76.91

 

CMYK 24 / 0 / 73 / 7

HEX #B3ED40

RGB 179 237 64

HSL 80.12, 0.83%, 0.59%

LAB 87.25, -41.96, 72.84

 

CMYK 44 / 0 / 73 / 7

HEX #85ED40

RGB 133 237 64

HSL 96.07, 0.83%, 0.59%

LAB 84.96, -57.73, 69.82

 

CMYK 7 / 0 / 91 / 22

HEX #BBC813

RGB 187 200 19

HSL 64.31, 0.83%, 0.43%

LAB 77.23, -23.26, 75.39

 

CMYK 6 / 0 / 89 / 8

HEX #DBEA1A

RGB 219 234 26

HSL 64.33, 0.83%, 0.51%

LAB 88.91, -26.12, 84.58

 

CMYK 5 / 0 / 73 / 7

HEX #E1ED40

RGB 225 237 64

HSL 64.16, 0.83%, 0.59%

LAB 90.3, -23.94, 76.81

 

CMYK 4 / 0 / 58 / 5

HEX #E7F165

RGB 231 241 101

HSL 64.29, 0.83%, 0.67%

LAB 92.06, -21.32, 64.84

 

CMYK 3 / 0 / 43 / 4

HEX #EDF48B

RGB 237 244 139

HSL 64, 0.83%, 0.75%

LAB 93.7, -17.18, 49.62

 

CMYK 5 / 0 / 74 / 7

HEX #E1ED3E

RGB 225 237 62

HSL 64.11, 0.83%, 0.59%

LAB 90.29, -24.02, 77.43

 

CMYK 73 / 0 / 54 / 7

HEX #40ED6E

RGB 64 237 110

HSL 135.95, 0.83%, 0.59%

LAB 83.33, -69.03, 48.76

 

CMYK 24 / 73 / 0 / 7

HEX #B340ED

RGB 179 64 237

HSL 279.88, 0.83%, 0.59%

LAB 51.11, 71.52, -66.24

 

CMYK 5 / 0 / 74 / 7

HEX #E1ED3E

RGB 225 237 62

HSL 64.11, 0.83%, 0.59%

LAB 90.29, -24.02, 77.43

 

CMYK 73 / 5 / 0 / 7

HEX #40E2ED

RGB 64 226 237

HSL 183.82, 0.83%, 0.59%

LAB 82.7, -36.9, -17.29

 

CMYK 0 / 73 / 5 / 7

HEX #ED40E2

RGB 237 64 226

HSL 303.82, 0.83%, 0.59%

LAB 59.12, 81.12, -46.74

 

CMYK 5 / 0 / 74 / 7

HEX #E1ED3E

RGB 225 237 62

HSL 64.11, 0.83%, 0.59%

LAB 90.29, -24.02, 77.43

 

CMYK 73 / 0 / 54 / 7

HEX #40ED6E

RGB 64 237 110

HSL 135.95, 0.83%, 0.59%

LAB 83.33, -69.03, 48.76

 

CMYK 68 / 73 / 0 / 7

HEX #4B40ED

RGB 75 64 237

HSL 243.82, 0.83%, 0.59%

LAB 40.04, 55.93, -84.77

 

CMYK 0 / 73 / 19 / 7

HEX #ED40BF

RGB 237 64 191

HSL 315.95, 0.83%, 0.59%

LAB 57.49, 76.24, -29.38

 

CMYK 5 / 0 / 74 / 7

HEX #E1ED3E

RGB 225 237 62

HSL 64.11, 0.83%, 0.59%

LAB 90.29, -24.02, 77.43

 

CMYK 73 / 0 / 32 / 7

HEX #40EDA2

RGB 64 237 162

HSL 153.99, 0.83%, 0.59%

LAB 84.1, -60.19, 24.13

 

CMYK 68 / 73 / 0 / 7

HEX #4B40ED

RGB 75 64 237

HSL 243.82, 0.83%, 0.59%

LAB 40.04, 55.93, -84.77

 

CMYK 0 / 73 / 41 / 7

HEX #ED408B

RGB 237 64 139

HSL 333.99, 0.83%, 0.59%

LAB 55.62, 70.37, -1.84

 

Description

Color code: HEX #E1ED3E | qconv.com Color code: HEX #E1ED3E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 237 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 237 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 74 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 74% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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