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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1DB90 it is the complementary color #1E246F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1DB90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1DB90 shade: #E6DB8B, #F7ED9E, #FFFFB1, #FFFFC4 and #FFFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1DB90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1DB90 shade: #E1DB90, #D0C97D, #BFB76A, #AEA557 and #9D9344

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1DB90 shade: #E0DA8F, #E0C48F, #E0AE8F, #E0988F and #E08F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1DB90 shade: #E0DA8F, #D0E08F, #BAE08F, #A4E08F and #8FE08F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1DB90 shade matches the following richer shades: #E0DA8F, #ECE483 and #F7EE78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1DB90 shade: #E0DA8F, #D5D09A, #C9C7A6, #BEBDB2 and #B2B3BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1DB90 shade: #E0AE8F, #E0C48F, #E0DA8F, #D1E08F and #BCE08F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1DB90 shade: #CFC54E, #D7D06F, #E0DA8F, #E9E5AF and #F2EFD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1DB90 shade: #E1DB90, #8FE098 and #B98FE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1DB90 shade: #E1DB90, #8FE0DA and #DA8FE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1DB90 shade: #E1DB90, #8FE098, #8F96E0 and #E08FD7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1DB90 shade: #E1DB90, #8FE0B1, #8F96E0 and #E08FBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 36 / 12

HEX #E1DB90

RGB 225 219 144

HSL 55.56, 0.57%, 0.72%

LAB 86.35, -8.88, 37.65

 

Complementary color

CMYK 73 / 68 / 0 / 56

HEX #1E246F

RGB 30 36 111

HSL 235.56, 0.57%, 0.28%

LAB 18.74, 24.7, -44.19

 

CMYK 0 / 5 / 40 / 10

HEX #E6DB8B

RGB 230 219 139

HSL 52.75, 0.65%, 0.72%

LAB 86.68, -7.49, 40.67

 

CMYK 0 / 4 / 36 / 3

HEX #F7ED9E

RGB 247 237 158

HSL 53.26, 0.85%, 0.79%

LAB 92.93, -7.88, 39.52

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 3 / 36 / 12

HEX #E1DB90

RGB 225 219 144

HSL 55.56, 0.57%, 0.72%

LAB 86.35, -8.88, 37.65

 

CMYK 0 / 3 / 40 / 18

HEX #D0C97D

RGB 208 201 125

HSL 54.94, 0.47%, 0.65%

LAB 79.99, -8.51, 38.82

 

CMYK 0 / 4 / 45 / 25

HEX #BFB76A

RGB 191 183 106

HSL 54.35, 0.4%, 0.58%

LAB 73.54, -8.07, 40.02

 

CMYK 0 / 5 / 50 / 32

HEX #AEA557

RGB 174 165 87

HSL 53.79, 0.35%, 0.51%

LAB 66.97, -7.54, 41.25

 

CMYK 0 / 6 / 57 / 38

HEX #9D9344

RGB 157 147 68

HSL 53.26, 0.4%, 0.44%

LAB 60.3, -6.88, 42.46

 

CMYK 0 / 3 / 36 / 12

HEX #E0DA8F

RGB 224 218 143

HSL 55.56, 0.57%, 0.72%

LAB 85.99, -8.88, 37.68

 

CMYK 0 / 13 / 36 / 12

HEX #E0C48F

RGB 224 196 143

HSL 39.26, 0.57%, 0.72%

LAB 80.35, 2.44, 30.27

 

CMYK 0 / 22 / 36 / 12

HEX #E0AE8F

RGB 224 174 143

HSL 22.96, 0.57%, 0.72%

LAB 74.89, 14.09, 22.92

 

CMYK 0 / 32 / 36 / 12

HEX #E0988F

RGB 224 152 143

HSL 6.67, 0.57%, 0.72%

LAB 69.67, 25.9, 15.73

 

CMYK 0 / 36 / 36 / 12

HEX #E08F8F

RGB 224 143 143

HSL 0, 0.57%, 0.72%

LAB 67.63, 30.71, 12.88

 

CMYK 0 / 3 / 36 / 12

HEX #E0DA8F

RGB 224 218 143

HSL 55.56, 0.57%, 0.72%

LAB 85.99, -8.88, 37.68

 

CMYK 7 / 0 / 36 / 12

HEX #D0E08F

RGB 208 224 143

HSL 71.85, 0.57%, 0.72%

LAB 86.36, -18.01, 37.91

 

CMYK 17 / 0 / 36 / 12

HEX #BAE08F

RGB 186 224 143

HSL 88.15, 0.57%, 0.72%

LAB 84.86, -26.16, 35.68

 

CMYK 27 / 0 / 36 / 12

HEX #A4E08F

RGB 164 224 143

HSL 104.44, 0.57%, 0.72%

LAB 83.54, -33.88, 33.7

 

CMYK 36 / 0 / 36 / 12

HEX #8FE08F

RGB 143 224 143

HSL 120, 0.57%, 0.72%

LAB 82.45, -40.69, 32.06

 

CMYK 0 / 3 / 36 / 12

HEX #E0DA8F

RGB 224 218 143

HSL 55.56, 0.57%, 0.72%

LAB 85.99, -8.88, 37.68

 

CMYK 0 / 3 / 44 / 7

HEX #ECE483

RGB 236 228 131

HSL 55.43, 0.73%, 0.72%

LAB 89.37, -10.47, 48.1

 

CMYK 0 / 4 / 51 / 3

HEX #F7EE78

RGB 247 238 120

HSL 55.75, 0.89%, 0.72%

LAB 92.7, -12.05, 57.5

 

CMYK 0 / 3 / 36 / 12

HEX #E0DA8F

RGB 224 218 143

HSL 55.56, 0.57%, 0.72%

LAB 85.99, -8.88, 37.68

 

CMYK 0 / 2 / 28 / 16

HEX #D5D09A

RGB 213 208 154

HSL 54.92, 0.41%, 0.72%

LAB 82.7, -6.67, 27.5

 

CMYK 0 / 1 / 17 / 21

HEX #C9C7A6

RGB 201 199 166

HSL 56.57, 0.24%, 0.72%

LAB 79.62, -4.83, 16.8

 

CMYK 0 / 1 / 6 / 25

HEX #BEBDB2

RGB 190 189 178

HSL 55, 0.08%, 0.72%

LAB 76.41, -1.62, 5.67

 

CMYK 6 / 5 / 0 / 26

HEX #B2B3BD

RGB 178 179 189

HSL 234.55, 0.08%, 0.72%

LAB 73.14, 1.58, -5.2

 

CMYK 0 / 22 / 36 / 12

HEX #E0AE8F

RGB 224 174 143

HSL 22.96, 0.57%, 0.72%

LAB 74.89, 14.09, 22.92

 

CMYK 0 / 13 / 36 / 12

HEX #E0C48F

RGB 224 196 143

HSL 39.26, 0.57%, 0.72%

LAB 80.35, 2.44, 30.27

 

CMYK 0 / 3 / 36 / 12

HEX #E0DA8F

RGB 224 218 143

HSL 55.56, 0.57%, 0.72%

LAB 85.99, -8.88, 37.68

 

CMYK 7 / 0 / 36 / 12

HEX #D1E08F

RGB 209 224 143

HSL 71.11, 0.57%, 0.72%

LAB 86.43, -17.63, 38.02

 

CMYK 16 / 0 / 36 / 12

HEX #BCE08F

RGB 188 224 143

HSL 86.67, 0.57%, 0.72%

LAB 84.99, -25.44, 35.87

 

CMYK 0 / 5 / 62 / 19

HEX #CFC54E

RGB 207 197 78

HSL 55.35, 0.57%, 0.56%

LAB 78.31, -10.93, 59.09

 

CMYK 0 / 3 / 48 / 16

HEX #D7D06F

RGB 215 208 111

HSL 55.96, 0.57%, 0.64%

LAB 82.22, -10.66, 48.63

 

CMYK 0 / 3 / 36 / 12

HEX #E0DA8F

RGB 224 218 143

HSL 55.56, 0.57%, 0.72%

LAB 85.99, -8.88, 37.68

 

CMYK 0 / 2 / 25 / 9

HEX #E9E5AF

RGB 233 229 175

HSL 55.86, 0.57%, 0.8%

LAB 90.07, -7.05, 26.89

 

CMYK 0 / 1 / 14 / 5

HEX #F2EFD0

RGB 242 239 208

HSL 54.71, 0.57%, 0.88%

LAB 93.95, -4.09, 15.37

 

CMYK 0 / 3 / 36 / 12

HEX #E1DB90

RGB 225 219 144

HSL 55.56, 0.57%, 0.72%

LAB 86.35, -8.88, 37.65

 

CMYK 36 / 0 / 32 / 12

HEX #8FE098

RGB 143 224 152

HSL 126.67, 0.57%, 0.72%

LAB 82.6, -39.25, 27.65

 

CMYK 17 / 36 / 0 / 12

HEX #B98FE0

RGB 185 143 224

HSL 271.11, 0.57%, 0.72%

LAB 66.01, 31.18, -35.28

 

CMYK 0 / 3 / 36 / 12

HEX #E1DB90

RGB 225 219 144

HSL 55.56, 0.57%, 0.72%

LAB 86.35, -8.88, 37.65

 

CMYK 36 / 0 / 3 / 12

HEX #8FE0DA

RGB 143 224 218

HSL 175.56, 0.57%, 0.72%

LAB 84.08, -26.03, -4.91

 

CMYK 3 / 36 / 0 / 12

HEX #DA8FE0

RGB 218 143 224

HSL 295.56, 0.57%, 0.72%

LAB 69.42, 41.24, -29.73

 

CMYK 0 / 3 / 36 / 12

HEX #E1DB90

RGB 225 219 144

HSL 55.56, 0.57%, 0.72%

LAB 86.35, -8.88, 37.65

 

CMYK 36 / 0 / 32 / 12

HEX #8FE098

RGB 143 224 152

HSL 126.67, 0.57%, 0.72%

LAB 82.6, -39.25, 27.65

 

CMYK 36 / 33 / 0 / 12

HEX #8F96E0

RGB 143 150 224

HSL 234.81, 0.57%, 0.72%

LAB 64.19, 15.08, -38.39

 

CMYK 0 / 36 / 4 / 12

HEX #E08FD7

RGB 224 143 215

HSL 306.67, 0.57%, 0.72%

LAB 69.75, 41.48, -24.19

 

CMYK 0 / 3 / 36 / 12

HEX #E1DB90

RGB 225 219 144

HSL 55.56, 0.57%, 0.72%

LAB 86.35, -8.88, 37.65

 

CMYK 36 / 0 / 21 / 12

HEX #8FE0B1

RGB 143 224 177

HSL 145.19, 0.57%, 0.72%

LAB 83.09, -34.76, 15.31

 

CMYK 36 / 33 / 0 / 12

HEX #8F96E0

RGB 143 150 224

HSL 234.81, 0.57%, 0.72%

LAB 64.19, 15.08, -38.39

 

CMYK 0 / 36 / 15 / 12

HEX #E08FBE

RGB 224 143 190

HSL 325.19, 0.57%, 0.72%

LAB 68.9, 37.28, -11.59

 

Description

Color code: HEX #E1DB90 | qconv.com Color code: HEX #E1DB90 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 219 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 219 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 36 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 36% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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