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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1CF9F it is the complementary color #1E3060. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1CF9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1CF9F shade: #E6CF9A, #F7E1AD, #FFF3C0, #FFFFD3 and #FFFFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1CF9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1CF9F shade: #E1CF9F, #D0BD8C, #BFAB79, #AE9966 and #9D8753

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1CF9F shade: #E0CE9E, #E0BC9E, #E0AB9E and #E09E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1CF9F shade: #E0CE9E, #E0E09E, #CFE09E, #BDE09E and #ABE09E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1CF9F shade matches the following richer shades: #E0CE9E, #EBD394 and #F5D889

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1CF9F shade: #E0CE9E, #D6CAA8, #CCC5B3, #C1C0BD and #B7BCC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1CF9F shade: #E0AA9E, #E0BC9E, #E0CE9E, #E0DF9E and #D0E09E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1CF9F shade: #CDAF5F, #D6BF7F, #E0CE9E, #EADEBD and #F4EEDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1CF9F shade: #E1CF9F, #A4E09E and #B39EE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1CF9F shade: #E1CF9F, #9EE0CE and #CE9EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1CF9F shade: #E1CF9F, #A4E09E, #9EB1E0 and #DB9EE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1CF9F shade: #E1CF9F, #9EE0AC, #9EB1E0 and #E09ED2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 29 / 12

HEX #E1CF9F

RGB 225 207 159

HSL 43.64, 0.52%, 0.75%

LAB 83.51, -0.92, 26.17

 

Complementary color

CMYK 69 / 50 / 0 / 62

HEX #1E3060

RGB 30 48 96

HSL 223.64, 0.52%, 0.25%

LAB 20.96, 10.2, -30.8

 

CMYK 0 / 10 / 33 / 10

HEX #E6CF9A

RGB 230 207 154

HSL 41.84, 0.6%, 0.75%

LAB 83.85, 0.37, 29.3

 

CMYK 0 / 9 / 30 / 3

HEX #F7E1AD

RGB 247 225 173

HSL 42.16, 0.82%, 0.82%

LAB 90.16, -0.04, 28.23

 

CMYK 0 / 5 / 25 / 0

HEX #FFF3C0

RGB 255 243 192

HSL 48.57, 1%, 0.88%

LAB 95.65, -3.71, 26.09

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 0 / 8 / 29 / 12

HEX #E1CF9F

RGB 225 207 159

HSL 43.64, 0.52%, 0.75%

LAB 83.51, -0.92, 26.17

 

CMYK 0 / 9 / 33 / 18

HEX #D0BD8C

RGB 208 189 140

HSL 43.24, 0.42%, 0.68%

LAB 77.1, -0.53, 27.26

 

CMYK 0 / 10 / 37 / 25

HEX #BFAB79

RGB 191 171 121

HSL 42.86, 0.35%, 0.61%

LAB 70.58, -0.07, 28.41

 

CMYK 0 / 12 / 41 / 32

HEX #AE9966

RGB 174 153 102

HSL 42.5, 0.31%, 0.54%

LAB 63.95, 0.47, 29.64

 

CMYK 0 / 14 / 47 / 38

HEX #9D8753

RGB 157 135 83

HSL 42.16, 0.31%, 0.47%

LAB 57.19, 1.11, 30.95

 

CMYK 0 / 8 / 29 / 12

HEX #E0CE9E

RGB 224 206 158

HSL 43.64, 0.52%, 0.75%

LAB 83.16, -0.92, 26.19

 

CMYK 0 / 16 / 29 / 12

HEX #E0BC9E

RGB 224 188 158

HSL 27.27, 0.52%, 0.75%

LAB 78.63, 8.52, 19.99

 

CMYK 0 / 24 / 29 / 12

HEX #E0AB9E

RGB 224 171 158

HSL 11.82, 0.52%, 0.75%

LAB 74.47, 17.59, 14.2

 

CMYK 0 / 29 / 29 / 12

HEX #E09E9E

RGB 224 158 158

HSL 0, 0.52%, 0.75%

LAB 71.4, 24.58, 9.86

 

CMYK 0 / 8 / 29 / 12

HEX #E0CE9E

RGB 224 206 158

HSL 43.64, 0.52%, 0.75%

LAB 83.16, -0.92, 26.19

 

CMYK 0 / 0 / 29 / 12

HEX #E0E09E

RGB 224 224 158

HSL 60, 0.52%, 0.75%

LAB 87.79, -10.11, 32.41

 

CMYK 8 / 0 / 29 / 12

HEX #CFE09E

RGB 207 224 158

HSL 75.45, 0.52%, 0.75%

LAB 86.53, -16.47, 30.5

 

CMYK 16 / 0 / 29 / 12

HEX #BDE09E

RGB 189 224 158

HSL 91.82, 0.52%, 0.75%

LAB 85.3, -23, 28.65

 

CMYK 24 / 0 / 29 / 12

HEX #ABE09E

RGB 171 224 158

HSL 108.18, 0.52%, 0.75%

LAB 84.19, -29.26, 26.96

 

CMYK 0 / 8 / 29 / 12

HEX #E0CE9E

RGB 224 206 158

HSL 43.64, 0.52%, 0.75%

LAB 83.16, -0.92, 26.19

 

CMYK 0 / 10 / 37 / 8

HEX #EBD394

RGB 235 211 148

HSL 43.45, 0.69%, 0.75%

LAB 85.19, -0.46, 34.26

 

CMYK 0 / 12 / 44 / 4

HEX #F5D889

RGB 245 216 137

HSL 43.89, 0.84%, 0.75%

LAB 87.16, -0.27, 42.54

 

CMYK 0 / 8 / 29 / 12

HEX #E0CE9E

RGB 224 206 158

HSL 43.64, 0.52%, 0.75%

LAB 83.16, -0.92, 26.19

 

CMYK 0 / 6 / 21 / 16

HEX #D6CAA8

RGB 214 202 168

HSL 44.35, 0.36%, 0.75%

LAB 81.49, -1.26, 18.5

 

CMYK 0 / 3 / 12 / 20

HEX #CCC5B3

RGB 204 197 179

HSL 43.2, 0.2%, 0.75%

LAB 79.63, -0.63, 9.89

 

CMYK 0 / 1 / 2 / 24

HEX #C1C0BD

RGB 193 192 189

HSL 45, 0.03%, 0.75%

LAB 77.7, -0.2, 1.62

 

CMYK 8 / 6 / 0 / 22

HEX #B7BCC7

RGB 183 188 199

HSL 221.25, 0.13%, 0.75%

LAB 76.17, 0.41, -6.14

 

CMYK 0 / 24 / 29 / 12

HEX #E0AA9E

RGB 224 170 158

HSL 10.91, 0.52%, 0.75%

LAB 74.23, 18.13, 13.87

 

CMYK 0 / 16 / 29 / 12

HEX #E0BC9E

RGB 224 188 158

HSL 27.27, 0.52%, 0.75%

LAB 78.63, 8.52, 19.99

 

CMYK 0 / 8 / 29 / 12

HEX #E0CE9E

RGB 224 206 158

HSL 43.64, 0.52%, 0.75%

LAB 83.16, -0.92, 26.19

 

CMYK 0 / 0 / 29 / 12

HEX #E0DF9E

RGB 224 223 158

HSL 59.09, 0.52%, 0.75%

LAB 87.53, -9.61, 32.07

 

CMYK 7 / 0 / 29 / 12

HEX #D0E09E

RGB 208 224 158

HSL 74.55, 0.52%, 0.75%

LAB 86.6, -16.1, 30.61

 

CMYK 0 / 15 / 54 / 20

HEX #CDAF5F

RGB 205 175 95

HSL 43.64, 0.52%, 0.59%

LAB 72.54, 0.93, 44.61

 

CMYK 0 / 11 / 41 / 16

HEX #D6BF7F

RGB 214 191 127

HSL 44.14, 0.51%, 0.67%

LAB 77.93, -0.72, 35.25

 

CMYK 0 / 8 / 29 / 12

HEX #E0CE9E

RGB 224 206 158

HSL 43.64, 0.52%, 0.75%

LAB 83.16, -0.92, 26.19

 

CMYK 0 / 5 / 19 / 8

HEX #EADEBD

RGB 234 222 189

HSL 44, 0.52%, 0.83%

LAB 88.64, -1.16, 17.68

 

CMYK 0 / 2 / 9 / 4

HEX #F4EEDD

RGB 244 238 221

HSL 44.35, 0.51%, 0.91%

LAB 94.14, -0.84, 8.93

 

CMYK 0 / 8 / 29 / 12

HEX #E1CF9F

RGB 225 207 159

HSL 43.64, 0.52%, 0.75%

LAB 83.51, -0.92, 26.17

 

CMYK 27 / 0 / 29 / 12

HEX #A4E09E

RGB 164 224 158

HSL 114.55, 0.52%, 0.75%

LAB 83.79, -31.6, 26.36

 

CMYK 20 / 29 / 0 / 12

HEX #B39EE0

RGB 179 158 224

HSL 259.09, 0.52%, 0.75%

LAB 69.05, 20.97, -30.61

 

CMYK 0 / 8 / 29 / 12

HEX #E1CF9F

RGB 225 207 159

HSL 43.64, 0.52%, 0.75%

LAB 83.51, -0.92, 26.17

 

CMYK 29 / 0 / 8 / 12

HEX #9EE0CE

RGB 158 224 206

HSL 163.64, 0.52%, 0.75%

LAB 84.5, -24.53, 2.15

 

CMYK 8 / 29 / 0 / 12

HEX #CE9EE0

RGB 206 158 224

HSL 283.64, 0.52%, 0.75%

LAB 71.53, 29.39, -26.6

 

CMYK 0 / 8 / 29 / 12

HEX #E1CF9F

RGB 225 207 159

HSL 43.64, 0.52%, 0.75%

LAB 83.51, -0.92, 26.17

 

CMYK 27 / 0 / 29 / 12

HEX #A4E09E

RGB 164 224 158

HSL 114.55, 0.52%, 0.75%

LAB 83.79, -31.6, 26.36

 

CMYK 29 / 21 / 0 / 12

HEX #9EB1E0

RGB 158 177 224

HSL 222.73, 0.52%, 0.75%

LAB 72.29, 4.09, -25.77

 

CMYK 2 / 29 / 0 / 12

HEX #DB9EE0

RGB 219 158 224

HSL 295.45, 0.52%, 0.75%

LAB 72.82, 33.53, -24.5

 

CMYK 0 / 8 / 29 / 12

HEX #E1CF9F

RGB 225 207 159

HSL 43.64, 0.52%, 0.75%

LAB 83.51, -0.92, 26.17

 

CMYK 29 / 0 / 23 / 12

HEX #9EE0AC

RGB 158 224 172

HSL 132.73, 0.52%, 0.75%

LAB 83.74, -31.16, 18.95

 

CMYK 29 / 21 / 0 / 12

HEX #9EB1E0

RGB 158 177 224

HSL 222.73, 0.52%, 0.75%

LAB 72.29, 4.09, -25.77

 

CMYK 0 / 29 / 6 / 12

HEX #E09ED2

RGB 224 158 210

HSL 312.73, 0.52%, 0.75%

LAB 72.86, 32.62, -16.71

 

Description

Color code: HEX #E1CF9F | qconv.com Color code: HEX #E1CF9F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 207 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 207 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 29 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 29% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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