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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1C112 it is the complementary color #1E3EED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1C112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1C112 shade: #E6C10D, #F7D320, #FFE533, #FFF746 and #FFFF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1C112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1C112 shade: #E1C112, #D0AF00, #BF9D00, #AE8B00 and #9D7900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1C112 shade: #E2C212, #E28A12, #E25212, #E21A12 and #E21212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1C112 shade: #E2C212, #CBE212, #92E212, #5AE212 and #22E212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1C112 shade matches the following richer shades: #E2C212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1C112 shade: #E2C212, #CFB526, #BBA73A, #A7994E and #938C62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1C112 shade: #E25112, #E28812, #E2C012, #CEE212 and #96E212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1C112 shade: #96810C, #BCA20F, #E2C212, #EED130 and #F1D956

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1C112 shade: #E1C112, #12E219 and #6D12E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1C112 shade: #E1C112, #12E2C0 and #C012E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1C112 shade: #E1C112, #12E219, #1235E2 and #E212DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1C112 shade: #E1C112, #12E258, #1235E2 and #E2129D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 92 / 12

HEX #E1C112

RGB 225 193 18

HSL 50.72, 0.85%, 0.48%

LAB 78.57, -3.4, 77.97

 

Complementary color

CMYK 87 / 74 / 0 / 7

HEX #1E3EED

RGB 30 62 237

HSL 230.72, 0.85%, 0.52%

LAB 37.55, 53.89, -88.97

 

CMYK 0 / 16 / 94 / 10

HEX #E6C10D

RGB 230 193 13

HSL 49.77, 0.89%, 0.48%

LAB 79.04, -1.29, 79.17

 

CMYK 0 / 15 / 87 / 3

HEX #F7D320

RGB 247 211 32

HSL 49.95, 0.93%, 0.55%

LAB 85.23, -2.93, 81.58

 

CMYK 0 / 10 / 80 / 0

HEX #FFE533

RGB 255 229 51

HSL 52.35, 1%, 0.6%

LAB 90.57, -8.12, 81.8

 

CMYK 0 / 3 / 73 / 0

HEX #FFF746

RGB 255 247 70

HSL 57.41, 1%, 0.64%

LAB 95.26, -16.27, 80.37

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF59

RGB 255 255 89

HSL 60, 1%, 0.67%

LAB 97.43, -19.21, 75.87

 

CMYK 0 / 14 / 92 / 12

HEX #E1C112

RGB 225 193 18

HSL 50.72, 0.85%, 0.48%

LAB 78.57, -3.4, 77.97

 

CMYK 0 / 16 / 100 / 18

HEX #D0AF00

RGB 208 175 0

HSL 50.48, 1%, 0.41%

LAB 72.28, -1.66, 74.73

 

CMYK 0 / 18 / 100 / 25

HEX #BF9D00

RGB 191 157 0

HSL 49.32, 1%, 0.37%

LAB 65.9, 0.34, 69.46

 

CMYK 0 / 20 / 100 / 32

HEX #AE8B00

RGB 174 139 0

HSL 47.93, 1%, 0.34%

LAB 59.4, 2.41, 64.11

 

CMYK 0 / 23 / 100 / 38

HEX #9D7900

RGB 157 121 0

HSL 46.24, 1%, 0.31%

LAB 52.78, 4.58, 58.65

 

CMYK 0 / 14 / 92 / 11

HEX #E2C212

RGB 226 194 18

HSL 50.77, 0.85%, 0.48%

LAB 78.92, -3.48, 78.27

 

CMYK 0 / 39 / 92 / 11

HEX #E28A12

RGB 226 138 18

HSL 34.62, 0.85%, 0.48%

LAB 65.27, 26.14, 68.16

 

CMYK 0 / 64 / 92 / 11

HEX #E25212

RGB 226 82 18

HSL 18.46, 0.85%, 0.48%

LAB 54.29, 53.67, 60.46

 

CMYK 0 / 88 / 92 / 11

HEX #E21A12

RGB 226 26 18

HSL 2.31, 0.85%, 0.48%

LAB 48.2, 70.55, 56.5

 

CMYK 0 / 92 / 92 / 11

HEX #E21212

RGB 226 18 18

HSL 0, 0.85%, 0.48%

LAB 47.81, 71.67, 56.26

 

CMYK 0 / 14 / 92 / 11

HEX #E2C212

RGB 226 194 18

HSL 50.77, 0.85%, 0.48%

LAB 78.92, -3.48, 78.27

 

CMYK 10 / 0 / 92 / 11

HEX #CBE212

RGB 203 226 18

HSL 66.63, 0.85%, 0.48%

LAB 85.57, -29.04, 82.56

 

CMYK 35 / 0 / 92 / 11

HEX #92E212

RGB 146 226 18

HSL 83.08, 0.85%, 0.48%

LAB 82.13, -50.94, 78.38

 

CMYK 60 / 0 / 92 / 11

HEX #5AE212

RGB 90 226 18

HSL 99.23, 0.85%, 0.48%

LAB 79.96, -67.52, 75.7

 

CMYK 85 / 0 / 92 / 11

HEX #22E212

RGB 34 226 18

HSL 115.38, 0.85%, 0.48%

LAB 78.91, -76.55, 74.41

 

CMYK 0 / 14 / 92 / 11

HEX #E2C212

RGB 226 194 18

HSL 50.77, 0.85%, 0.48%

LAB 78.92, -3.48, 78.27

 

CMYK 0 / 14 / 92 / 11

HEX #E2C212

RGB 226 194 18

HSL 50.77, 0.85%, 0.48%

LAB 78.92, -3.48, 78.27

 

CMYK 0 / 13 / 82 / 19

HEX #CFB526

RGB 207 181 38

HSL 50.77, 0.69%, 0.48%

LAB 73.84, -4.57, 69.23

 

CMYK 0 / 11 / 69 / 27

HEX #BBA73A

RGB 187 167 58

HSL 50.7, 0.53%, 0.48%

LAB 68.39, -5.12, 56.53

 

CMYK 0 / 8 / 53 / 35

HEX #A7994E

RGB 167 153 78

HSL 50.56, 0.36%, 0.48%

LAB 62.97, -4.92, 40.84

 

CMYK 0 / 5 / 33 / 42

HEX #938C62

RGB 147 140 98

HSL 51.43, 0.2%, 0.48%

LAB 57.89, -4.14, 23.42

 

CMYK 0 / 64 / 92 / 11

HEX #E25112

RGB 226 81 18

HSL 18.17, 0.85%, 0.48%

LAB 54.13, 54.09, 60.35

 

CMYK 0 / 40 / 92 / 11

HEX #E28812

RGB 226 136 18

HSL 34.04, 0.85%, 0.48%

LAB 64.82, 27.2, 67.83

 

CMYK 0 / 15 / 92 / 11

HEX #E2C012

RGB 226 192 18

HSL 50.19, 0.85%, 0.48%

LAB 78.41, -2.45, 77.89

 

CMYK 9 / 0 / 92 / 11

HEX #CEE212

RGB 206 226 18

HSL 65.77, 0.85%, 0.48%

LAB 85.79, -27.81, 82.82

 

CMYK 34 / 0 / 92 / 11

HEX #96E212

RGB 150 226 18

HSL 81.92, 0.85%, 0.48%

LAB 82.34, -49.53, 78.63

 

CMYK 0 / 14 / 92 / 41

HEX #96810C

RGB 150 129 12

HSL 50.87, 0.85%, 0.32%

LAB 54.25, -2.98, 57.2

 

CMYK 0 / 14 / 92 / 26

HEX #BCA20F

RGB 188 162 15

HSL 50.98, 0.85%, 0.4%

LAB 66.95, -3.5, 68.06

 

CMYK 0 / 14 / 92 / 11

HEX #E2C212

RGB 226 194 18

HSL 50.77, 0.85%, 0.48%

LAB 78.92, -3.48, 78.27

 

CMYK 0 / 12 / 80 / 7

HEX #EED130

RGB 238 209 48

HSL 50.84, 0.85%, 0.56%

LAB 83.96, -5.33, 76.3

 

CMYK 0 / 10 / 64 / 5

HEX #F1D956

RGB 241 217 86

HSL 50.71, 0.85%, 0.64%

LAB 86.5, -6.41, 65.33

 

CMYK 0 / 14 / 92 / 12

HEX #E1C112

RGB 225 193 18

HSL 50.72, 0.85%, 0.48%

LAB 78.57, -3.4, 77.97

 

CMYK 92 / 0 / 89 / 11

HEX #12E219

RGB 18 226 25

HSL 122.02, 0.85%, 0.48%

LAB 78.81, -77.46, 73.22

 

CMYK 52 / 92 / 0 / 11

HEX #6D12E2

RGB 109 18 226

HSL 266.25, 0.85%, 0.48%

LAB 36.32, 73.12, -84.56

 

CMYK 0 / 14 / 92 / 12

HEX #E1C112

RGB 225 193 18

HSL 50.72, 0.85%, 0.48%

LAB 78.57, -3.4, 77.97

 

CMYK 92 / 0 / 15 / 11

HEX #12E2C0

RGB 18 226 192

HSL 170.19, 0.85%, 0.48%

LAB 80.92, -52.81, 3.89

 

CMYK 15 / 92 / 0 / 11

HEX #C012E2

RGB 192 18 226

HSL 290.19, 0.85%, 0.48%

LAB 48.42, 83.01, -64.27

 

CMYK 0 / 14 / 92 / 12

HEX #E1C112

RGB 225 193 18

HSL 50.72, 0.85%, 0.48%

LAB 78.57, -3.4, 77.97

 

CMYK 92 / 0 / 89 / 11

HEX #12E219

RGB 18 226 25

HSL 122.02, 0.85%, 0.48%

LAB 78.81, -77.46, 73.22

 

CMYK 92 / 77 / 0 / 11

HEX #1235E2

RGB 18 53 226

HSL 229.9, 0.85%, 0.48%

LAB 34.33, 54.77, -88.06

 

CMYK 0 / 92 / 3 / 11

HEX #E212DC

RGB 226 18 220

HSL 301.73, 0.85%, 0.48%

LAB 53.78, 87.47, -51.95

 

CMYK 0 / 14 / 92 / 12

HEX #E1C112

RGB 225 193 18

HSL 50.72, 0.85%, 0.48%

LAB 78.57, -3.4, 77.97

 

CMYK 92 / 0 / 61 / 11

HEX #12E258

RGB 18 226 88

HSL 140.19, 0.85%, 0.48%

LAB 79.17, -72.81, 53.61

 

CMYK 92 / 77 / 0 / 11

HEX #1235E2

RGB 18 53 226

HSL 229.9, 0.85%, 0.48%

LAB 34.33, 54.77, -88.06

 

CMYK 0 / 92 / 31 / 11

HEX #E2129D

RGB 226 18 157

HSL 319.9, 0.85%, 0.48%

LAB 50.73, 79.64, -20.09

 

Description

Color code: HEX #E1C112 | qconv.com Color code: HEX #E1C112 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 193 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 193 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 92 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 92% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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