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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1BC09 it is the complementary color #1E43F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1BC09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1BC09 shade: #E6BC04, #F7CE17, #FFE02A, #FFF23D and #FFFF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1BC09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1BC09 shade: #E1BC09, #D0AA00, #BF9800, #AE8600 and #9D7400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1BC09 shade: #E1BC09, #E18209, #E14809, #E10E09 and #E10909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1BC09 shade: #E1BC09, #CCE109, #92E109, #58E109 and #1DE109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1BC09 shade matches the following richer shades: #E1BC09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1BC09 shade: #E1BC09, #CEB01C, #BBA32F, #A89742 and #958A55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1BC09 shade: #E14709, #E18009, #E1BA09, #CFE109 and #96E109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1BC09 shade: #927A06, #BA9B08, #E1BC09, #F6D11E and #F7D946

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1BC09 shade: #E1BC09, #09E10D and #6309E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1BC09 shade: #E1BC09, #09E1BA and #BA09E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1BC09 shade: #E1BC09, #09E10D, #0931E1 and #E109DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1BC09 shade: #E1BC09, #09E14E, #0931E1 and #E1099D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 96 / 12

HEX #E1BC09

RGB 225 188 9

HSL 49.72, 0.92%, 0.46%

LAB 77.28, -0.91, 78.09

 

Complementary color

CMYK 88 / 73 / 0 / 4

HEX #1E43F6

RGB 30 67 246

HSL 229.72, 0.92%, 0.54%

LAB 39.49, 54.09, -90.84

 

CMYK 0 / 18 / 98 / 10

HEX #E6BC04

RGB 230 188 4

HSL 48.85, 0.97%, 0.46%

LAB 77.76, 1.22, 79.17

 

CMYK 0 / 17 / 91 / 3

HEX #F7CE17

RGB 247 206 23

HSL 49.02, 0.93%, 0.53%

LAB 83.95, -0.53, 82.2

 

CMYK 0 / 12 / 84 / 0

HEX #FFE02A

RGB 255 224 42

HSL 51.27, 1%, 0.58%

LAB 89.27, -5.87, 82.98

 

CMYK 0 / 5 / 76 / 0

HEX #FFF23D

RGB 255 242 61

HSL 55.98, 1%, 0.62%

LAB 93.93, -14.19, 81.94

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF50

RGB 255 255 80

HSL 60, 1%, 0.66%

LAB 97.37, -19.67, 79.05

 

CMYK 0 / 16 / 96 / 12

HEX #E1BC09

RGB 225 188 9

HSL 49.72, 0.92%, 0.46%

LAB 77.28, -0.91, 78.09

 

CMYK 0 / 18 / 100 / 18

HEX #D0AA00

RGB 208 170 0

HSL 49.04, 1%, 0.41%

LAB 70.98, 0.98, 73.82

 

CMYK 0 / 20 / 100 / 25

HEX #BF9800

RGB 191 152 0

HSL 47.75, 1%, 0.37%

LAB 64.59, 3.03, 68.55

 

CMYK 0 / 23 / 100 / 32

HEX #AE8600

RGB 174 134 0

HSL 46.21, 1%, 0.34%

LAB 58.08, 5.17, 63.19

 

CMYK 0 / 26 / 100 / 38

HEX #9D7400

RGB 157 116 0

HSL 44.33, 1%, 0.31%

LAB 51.45, 7.41, 57.74

 

CMYK 0 / 16 / 96 / 12

HEX #E1BC09

RGB 225 188 9

HSL 49.72, 0.92%, 0.46%

LAB 77.28, -0.91, 78.09

 

CMYK 0 / 42 / 96 / 12

HEX #E18209

RGB 225 130 9

HSL 33.61, 0.92%, 0.46%

LAB 63.34, 29.84, 68.29

 

CMYK 0 / 68 / 96 / 12

HEX #E14809

RGB 225 72 9

HSL 17.5, 0.92%, 0.46%

LAB 52.58, 57.31, 61.5

 

CMYK 0 / 94 / 96 / 12

HEX #E10E09

RGB 225 14 9

HSL 1.39, 0.92%, 0.46%

LAB 47.42, 71.77, 58.73

 

CMYK 0 / 96 / 96 / 12

HEX #E10909

RGB 225 9 9

HSL 0, 0.92%, 0.46%

LAB 47.27, 72.21, 58.65

 

CMYK 0 / 16 / 96 / 12

HEX #E1BC09

RGB 225 188 9

HSL 49.72, 0.92%, 0.46%

LAB 77.28, -0.91, 78.09

 

CMYK 9 / 0 / 96 / 12

HEX #CCE109

RGB 204 225 9

HSL 65.83, 0.92%, 0.46%

LAB 85.36, -28.27, 83.33

 

CMYK 35 / 0 / 96 / 12

HEX #92E109

RGB 146 225 9

HSL 81.94, 0.92%, 0.46%

LAB 81.83, -50.67, 79.07

 

CMYK 61 / 0 / 96 / 12

HEX #58E109

RGB 88 225 9

HSL 98.06, 0.92%, 0.46%

LAB 79.58, -67.82, 76.33

 

CMYK 87 / 0 / 96 / 12

HEX #1DE109

RGB 29 225 9

HSL 114.44, 0.92%, 0.46%

LAB 78.54, -76.87, 75.05

 

CMYK 0 / 16 / 96 / 12

HEX #E1BC09

RGB 225 188 9

HSL 49.72, 0.92%, 0.46%

LAB 77.28, -0.91, 78.09

 

CMYK 0 / 16 / 96 / 12

HEX #E1BC09

RGB 225 188 9

HSL 49.72, 0.92%, 0.46%

LAB 77.28, -0.91, 78.09

 

CMYK 0 / 15 / 86 / 19

HEX #CEB01C

RGB 206 176 28

HSL 49.89, 0.76%, 0.46%

LAB 72.4, -2.66, 70.54

 

CMYK 0 / 13 / 75 / 27

HEX #BBA32F

RGB 187 163 47

HSL 49.71, 0.6%, 0.46%

LAB 67.25, -3.54, 59.67

 

CMYK 0 / 10 / 61 / 34

HEX #A89742

RGB 168 151 66

HSL 50, 0.44%, 0.46%

LAB 62.38, -4.38, 46.05

 

CMYK 0 / 7 / 43 / 42

HEX #958A55

RGB 149 138 85

HSL 49.69, 0.27%, 0.46%

LAB 57.29, -3.78, 29.83

 

CMYK 0 / 68 / 96 / 12

HEX #E14709

RGB 225 71 9

HSL 17.22, 0.92%, 0.46%

LAB 52.44, 57.69, 61.42

 

CMYK 0 / 43 / 96 / 12

HEX #E18009

RGB 225 128 9

HSL 33.06, 0.92%, 0.46%

LAB 62.9, 30.89, 68

 

CMYK 0 / 17 / 96 / 12

HEX #E1BA09

RGB 225 186 9

HSL 49.17, 0.92%, 0.46%

LAB 76.77, 0.13, 77.72

 

CMYK 8 / 0 / 96 / 12

HEX #CFE109

RGB 207 225 9

HSL 65, 0.92%, 0.46%

LAB 85.57, -27.03, 83.59

 

CMYK 33 / 0 / 96 / 12

HEX #96E109

RGB 150 225 9

HSL 80.83, 0.92%, 0.46%

LAB 82.03, -49.25, 79.32

 

CMYK 0 / 16 / 96 / 43

HEX #927A06

RGB 146 122 6

HSL 49.71, 0.92%, 0.3%

LAB 51.89, -1.05, 56.32

 

CMYK 0 / 17 / 96 / 27

HEX #BA9B08

RGB 186 155 8

HSL 49.55, 0.92%, 0.38%

LAB 64.88, -0.74, 67.43

 

CMYK 0 / 16 / 96 / 12

HEX #E1BC09

RGB 225 188 9

HSL 49.72, 0.92%, 0.46%

LAB 77.28, -0.91, 78.09

 

CMYK 0 / 15 / 88 / 4

HEX #F6D11E

RGB 246 209 30

HSL 49.72, 0.92%, 0.54%

LAB 84.63, -2.37, 81.46

 

CMYK 0 / 12 / 72 / 3

HEX #F7D946

RGB 247 217 70

HSL 49.83, 0.92%, 0.62%

LAB 86.92, -4.74, 72.16

 

CMYK 0 / 16 / 96 / 12

HEX #E1BC09

RGB 225 188 9

HSL 49.72, 0.92%, 0.46%

LAB 77.28, -0.91, 78.09

 

CMYK 96 / 0 / 94 / 12

HEX #09E10D

RGB 9 225 13

HSL 121.11, 0.92%, 0.46%

LAB 78.43, -77.87, 74.53

 

CMYK 56 / 96 / 0 / 12

HEX #6309E1

RGB 99 9 225

HSL 265, 0.92%, 0.46%

LAB 34.57, 73.53, -86.93

 

CMYK 0 / 16 / 96 / 12

HEX #E1BC09

RGB 225 188 9

HSL 49.72, 0.92%, 0.46%

LAB 77.28, -0.91, 78.09

 

CMYK 96 / 0 / 17 / 12

HEX #09E1BA

RGB 9 225 186

HSL 169.17, 0.92%, 0.46%

LAB 80.43, -54.23, 6.36

 

CMYK 17 / 96 / 0 / 12

HEX #BA09E1

RGB 186 9 225

HSL 289.17, 0.92%, 0.46%

LAB 47.07, 82.88, -65.95

 

CMYK 0 / 16 / 96 / 12

HEX #E1BC09

RGB 225 188 9

HSL 49.72, 0.92%, 0.46%

LAB 77.28, -0.91, 78.09

 

CMYK 96 / 0 / 94 / 12

HEX #09E10D

RGB 9 225 13

HSL 121.11, 0.92%, 0.46%

LAB 78.43, -77.87, 74.53

 

CMYK 96 / 78 / 0 / 12

HEX #0931E1

RGB 9 49 225

HSL 228.89, 0.92%, 0.46%

LAB 33.33, 56.37, -89.14

 

CMYK 0 / 96 / 1 / 12

HEX #E109DE

RGB 225 9 222

HSL 300.83, 0.92%, 0.46%

LAB 53.47, 88.34, -53.59

 

CMYK 0 / 16 / 96 / 12

HEX #E1BC09

RGB 225 188 9

HSL 49.72, 0.92%, 0.46%

LAB 77.28, -0.91, 78.09

 

CMYK 96 / 0 / 65 / 12

HEX #09E14E

RGB 9 225 78

HSL 139.17, 0.92%, 0.46%

LAB 78.73, -73.99, 57.3

 

CMYK 96 / 78 / 0 / 12

HEX #0931E1

RGB 9 49 225

HSL 228.89, 0.92%, 0.46%

LAB 33.33, 56.37, -89.14

 

CMYK 0 / 96 / 30 / 12

HEX #E1099D

RGB 225 9 157

HSL 318.89, 0.92%, 0.46%

LAB 50.26, 80.25, -20.82

 

Description

Color code: HEX #E1BC09 | qconv.com Color code: HEX #E1BC09 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 188 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 188 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 96 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 96% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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