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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1AF7B it is the complementary color #1E5084. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1AF7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1AF7B shade: #E6AF76, #F7C189, #FFD39C, #FFE5AF and #FFF7C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1AF7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1AF7B shade: #E1AF7B, #D09D68, #BF8B55, #AE7942 and #9D672F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1AF7B shade: #E1AE7A, #E1937A and #E17A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1AF7B shade: #E1AE7A, #E1CA7A, #DCE17A, #C0E17A and #A4E17A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1AF7B shade matches the following richer shades: #E1AE7A, #EEAF6D and #FBAF60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1AF7B shade: #E1AE7A, #D4AE87, #C6AE94, #B9AEA2 and #ACADAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1AF7B shade: #E17A7D, #E1927A, #E1AD7A, #E1C97A and #DDE17A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1AF7B shade: #D28637, #D99A58, #E1AE7A, #E8C39C and #F0D7BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1AF7B shade: #E1AF7B, #99E17A and #847AE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1AF7B shade: #E1AF7B, #7AE1AD and #AD7AE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1AF7B shade: #E1AF7B, #99E17A, #7AADE1 and #C27AE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1AF7B shade: #E1AF7B, #7AE17A, #7AADE1 and #E17AE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 45 / 12

HEX #E1AF7B

RGB 225 175 123

HSL 30.59, 0.63%, 0.68%

LAB 74.89, 11.76, 33.6

 

Complementary color

CMYK 77 / 39 / 0 / 48

HEX #1E5084

RGB 30 80 132

HSL 210.59, 0.63%, 0.32%

LAB 33.31, 2.59, -33.95

 

CMYK 0 / 24 / 49 / 10

HEX #E6AF76

RGB 230 175 118

HSL 30.54, 0.69%, 0.68%

LAB 75.32, 13.29, 36.88

 

CMYK 0 / 22 / 45 / 3

HEX #F7C189

RGB 247 193 137

HSL 30.55, 0.87%, 0.75%

LAB 81.69, 12.44, 35.55

 

CMYK 0 / 17 / 39 / 0

HEX #FFD39C

RGB 255 211 156

HSL 33.33, 1%, 0.81%

LAB 87.12, 8.2, 33.02

 

CMYK 0 / 10 / 31 / 0

HEX #FFE5AF

RGB 255 229 175

HSL 40.5, 1%, 0.84%

LAB 91.86, 1.18, 29.62

 

CMYK 0 / 3 / 24 / 0

HEX #FFF7C2

RGB 255 247 194

HSL 52.13, 1%, 0.88%

LAB 96.69, -5.44, 26.5

 

CMYK 0 / 22 / 45 / 12

HEX #E1AF7B

RGB 225 175 123

HSL 30.59, 0.63%, 0.68%

LAB 74.89, 11.76, 33.6

 

CMYK 0 / 25 / 50 / 18

HEX #D09D68

RGB 208 157 104

HSL 30.58, 0.53%, 0.61%

LAB 68.4, 12.65, 34.96

 

CMYK 0 / 27 / 55 / 25

HEX #BF8B55

RGB 191 139 85

HSL 30.57, 0.45%, 0.54%

LAB 61.82, 13.68, 36.42

 

CMYK 0 / 30 / 62 / 32

HEX #AE7942

RGB 174 121 66

HSL 30.56, 0.45%, 0.47%

LAB 55.14, 14.89, 37.94

 

CMYK 0 / 34 / 70 / 38

HEX #9D672F

RGB 157 103 47

HSL 30.55, 0.54%, 0.4%

LAB 48.35, 16.34, 39.48

 

CMYK 0 / 23 / 46 / 12

HEX #E1AE7A

RGB 225 174 122

HSL 30.29, 0.63%, 0.68%

LAB 74.63, 12.19, 33.79

 

CMYK 0 / 35 / 46 / 12

HEX #E1937A

RGB 225 147 122

HSL 14.56, 0.63%, 0.68%

LAB 68.23, 26.65, 25.37

 

CMYK 0 / 46 / 46 / 12

HEX #E17A7A

RGB 225 122 122

HSL 0, 0.63%, 0.68%

LAB 62.79, 39.8, 18

 

CMYK 0 / 23 / 46 / 12

HEX #E1AE7A

RGB 225 174 122

HSL 30.29, 0.63%, 0.68%

LAB 74.63, 12.19, 33.79

 

CMYK 0 / 10 / 46 / 12

HEX #E1CA7A

RGB 225 202 122

HSL 46.6, 0.63%, 0.68%

LAB 81.65, -2.53, 42.72

 

CMYK 2 / 0 / 46 / 12

HEX #DCE17A

RGB 220 225 122

HSL 62.91, 0.63%, 0.68%

LAB 87.23, -16.14, 49.51

 

CMYK 15 / 0 / 46 / 12

HEX #C0E17A

RGB 192 225 122

HSL 79.22, 0.63%, 0.68%

LAB 85.23, -26.94, 46.62

 

CMYK 27 / 0 / 46 / 12

HEX #A4E17A

RGB 164 225 122

HSL 95.53, 0.63%, 0.68%

LAB 83.52, -37.12, 44.12

 

CMYK 0 / 23 / 46 / 12

HEX #E1AE7A

RGB 225 174 122

HSL 30.29, 0.63%, 0.68%

LAB 74.63, 12.19, 33.79

 

CMYK 0 / 26 / 54 / 7

HEX #EEAF6D

RGB 238 175 109

HSL 30.7, 0.79%, 0.68%

LAB 76.03, 15.75, 42.58

 

CMYK 0 / 30 / 62 / 2

HEX #FBAF60

RGB 251 175 96

HSL 30.58, 0.95%, 0.68%

LAB 77.29, 20.09, 50.89

 

CMYK 0 / 23 / 46 / 12

HEX #E1AE7A

RGB 225 174 122

HSL 30.29, 0.63%, 0.68%

LAB 74.63, 12.19, 33.79

 

CMYK 0 / 18 / 36 / 17

HEX #D4AE87

RGB 212 174 135

HSL 30.39, 0.47%, 0.68%

LAB 73.56, 8.41, 25.22

 

CMYK 0 / 12 / 25 / 22

HEX #C6AE94

RGB 198 174 148

HSL 31.2, 0.3%, 0.68%

LAB 72.51, 4.62, 16.53

 

CMYK 0 / 6 / 12 / 27

HEX #B9AEA2

RGB 185 174 162

HSL 31.3, 0.14%, 0.68%

LAB 71.69, 1.86, 7.56

 

CMYK 2 / 1 / 0 / 31

HEX #ACADAF

RGB 172 173 175

HSL 220, 0.02%, 0.68%

LAB 70.7, 0.03, -1.16

 

CMYK 0 / 46 / 44 / 12

HEX #E17A7D

RGB 225 122 125

HSL 358.25, 0.63%, 0.68%

LAB 62.85, 40.1, 16.38

 

CMYK 0 / 35 / 46 / 12

HEX #E1927A

RGB 225 146 122

HSL 13.98, 0.63%, 0.68%

LAB 68, 27.18, 25.07

 

CMYK 0 / 23 / 46 / 12

HEX #E1AD7A

RGB 225 173 122

HSL 29.71, 0.63%, 0.68%

LAB 74.38, 12.72, 33.47

 

CMYK 0 / 11 / 46 / 12

HEX #E1C97A

RGB 225 201 122

HSL 46.02, 0.63%, 0.68%

LAB 81.39, -2.01, 42.4

 

CMYK 2 / 0 / 46 / 12

HEX #DDE17A

RGB 221 225 122

HSL 62.33, 0.63%, 0.68%

LAB 87.3, -15.75, 49.62

 

CMYK 0 / 36 / 74 / 18

HEX #D28637

RGB 210 134 55

HSL 30.58, 0.63%, 0.52%

LAB 62.53, 22.57, 52.63

 

CMYK 0 / 29 / 59 / 15

HEX #D99A58

RGB 217 154 88

HSL 30.7, 0.63%, 0.6%

LAB 68.44, 16.68, 43.53

 

CMYK 0 / 23 / 46 / 12

HEX #E1AE7A

RGB 225 174 122

HSL 30.29, 0.63%, 0.68%

LAB 74.63, 12.19, 33.79

 

CMYK 0 / 16 / 33 / 9

HEX #E8C39C

RGB 232 195 156

HSL 30.79, 0.62%, 0.76%

LAB 81.06, 7.65, 24.52

 

CMYK 0 / 10 / 21 / 6

HEX #F0D7BD

RGB 240 215 189

HSL 30.59, 0.63%, 0.84%

LAB 87.39, 4.65, 15.99

 

CMYK 0 / 22 / 45 / 12

HEX #E1AF7B

RGB 225 175 123

HSL 30.59, 0.63%, 0.68%

LAB 74.89, 11.76, 33.6

 

CMYK 32 / 0 / 46 / 12

HEX #99E17A

RGB 153 225 122

HSL 101.94, 0.63%, 0.68%

LAB 82.93, -40.87, 43.25

 

CMYK 41 / 46 / 0 / 12

HEX #847AE1

RGB 132 122 225

HSL 245.83, 0.63%, 0.68%

LAB 56.35, 28.84, -51.37

 

CMYK 0 / 22 / 45 / 12

HEX #E1AF7B

RGB 225 175 123

HSL 30.59, 0.63%, 0.68%

LAB 74.89, 11.76, 33.6

 

CMYK 46 / 0 / 23 / 12

HEX #7AE1AD

RGB 122 225 173

HSL 149.71, 0.63%, 0.68%

LAB 82.38, -41.73, 16.28

 

CMYK 23 / 46 / 0 / 12

HEX #AD7AE1

RGB 173 122 225

HSL 269.71, 0.63%, 0.68%

LAB 60.1, 39.61, -45.17

 

CMYK 0 / 22 / 45 / 12

HEX #E1AF7B

RGB 225 175 123

HSL 30.59, 0.63%, 0.68%

LAB 74.89, 11.76, 33.6

 

CMYK 32 / 0 / 46 / 12

HEX #99E17A

RGB 153 225 122

HSL 101.94, 0.63%, 0.68%

LAB 82.93, -40.87, 43.25

 

CMYK 46 / 23 / 0 / 12

HEX #7AADE1

RGB 122 173 225

HSL 210.29, 0.63%, 0.68%

LAB 69.08, -3.11, -31.43

 

CMYK 14 / 46 / 0 / 12

HEX #C27AE1

RGB 194 122 225

HSL 281.94, 0.63%, 0.68%

LAB 62.36, 45.48, -41.47

 

CMYK 0 / 22 / 45 / 12

HEX #E1AF7B

RGB 225 175 123

HSL 30.59, 0.63%, 0.68%

LAB 74.89, 11.76, 33.6

 

CMYK 46 / 0 / 46 / 12

HEX #7AE17A

RGB 122 225 122

HSL 120, 0.63%, 0.68%

LAB 81.51, -50.45, 41.16

 

CMYK 46 / 23 / 0 / 12

HEX #7AADE1

RGB 122 173 225

HSL 210.29, 0.63%, 0.68%

LAB 69.08, -3.11, -31.43

 

CMYK 0 / 46 / 0 / 12

HEX #E17AE1

RGB 225 122 225

HSL 300, 0.63%, 0.68%

LAB 66.03, 54.31, -35.46

 

Description

Color code: HEX #E1AF7B | qconv.com Color code: HEX #E1AF7B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 175 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 175 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 45 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 45% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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