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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1AE77 it is the complementary color #1E5188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1AE77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1AE77 shade: #E6AE72, #F7C085, #FFD298, #FFE4AB and #FFF6BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1AE77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1AE77 shade: #E1AE77, #D09C64, #BF8A51, #AE783E and #9D662B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1AE77 shade: #E1AD75, #E19075 and #E17575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1AE77 shade: #E1AD75, #E1CA75, #DAE175, #BDE175 and #A0E175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1AE77 shade matches the following richer shades: #E1AD75, #EEAD67 and #FCAE5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1AE77 shade: #E1AD75, #D3AC83, #C5AC90, #B8AB9E and #AAABAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1AE77 shade: #E17577, #E19075, #E1AD75, #E1C975 and #DBE175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1AE77 shade: #D28531, #D99953, #E1AD75, #E8C197 and #F0D5B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1AE77 shade: #E1AE77, #94E175 and #8275E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1AE77 shade: #E1AE77, #75E1AD and #AD75E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1AE77 shade: #E1AE77, #94E175, #75A9E1 and #C275E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1AE77 shade: #E1AE77, #75E177, #75A9E1 and #E175DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 47 / 12

HEX #E1AE77

RGB 225 174 119

HSL 31.13, 0.64%, 0.67%

LAB 74.58, 11.9, 35.3

 

Complementary color

CMYK 78 / 40 / 0 / 47

HEX #1E5188

RGB 30 81 136

HSL 211.13, 0.64%, 0.33%

LAB 33.85, 3.52, -35.54

 

CMYK 0 / 24 / 50 / 10

HEX #E6AE72

RGB 230 174 114

HSL 31.03, 0.7%, 0.67%

LAB 75.02, 13.46, 38.57

 

CMYK 0 / 22 / 46 / 3

HEX #F7C085

RGB 247 192 133

HSL 31.05, 0.88%, 0.75%

LAB 81.38, 12.57, 37.22

 

CMYK 0 / 18 / 40 / 0

HEX #FFD298

RGB 255 210 152

HSL 33.79, 1%, 0.8%

LAB 86.81, 8.29, 34.67

 

CMYK 0 / 11 / 33 / 0

HEX #FFE4AB

RGB 255 228 171

HSL 40.71, 1%, 0.84%

LAB 91.54, 1.21, 31.24

 

CMYK 0 / 4 / 25 / 0

HEX #FFF6BE

RGB 255 246 190

HSL 51.69, 1%, 0.87%

LAB 96.36, -5.48, 28.09

 

CMYK 0 / 23 / 47 / 12

HEX #E1AE77

RGB 225 174 119

HSL 31.13, 0.64%, 0.67%

LAB 74.58, 11.9, 35.3

 

CMYK 0 / 25 / 52 / 18

HEX #D09C64

RGB 208 156 100

HSL 31.11, 0.53%, 0.6%

LAB 68.1, 12.82, 36.69

 

CMYK 0 / 28 / 58 / 25

HEX #BF8A51

RGB 191 138 81

HSL 31.09, 0.46%, 0.53%

LAB 61.52, 13.9, 38.15

 

CMYK 0 / 31 / 64 / 32

HEX #AE783E

RGB 174 120 62

HSL 31.07, 0.47%, 0.46%

LAB 54.84, 15.17, 39.67

 

CMYK 0 / 35 / 73 / 38

HEX #9D662B

RGB 157 102 43

HSL 31.05, 0.57%, 0.39%

LAB 48.06, 16.68, 41.15

 

CMYK 0 / 23 / 48 / 12

HEX #E1AD75

RGB 225 173 117

HSL 31.11, 0.64%, 0.67%

LAB 74.3, 12.24, 36

 

CMYK 0 / 36 / 48 / 12

HEX #E19075

RGB 225 144 117

HSL 15, 0.64%, 0.67%

LAB 67.46, 27.76, 27.09

 

CMYK 0 / 48 / 48 / 12

HEX #E17575

RGB 225 117 117

HSL 0, 0.64%, 0.67%

LAB 61.67, 41.86, 19.31

 

CMYK 0 / 23 / 48 / 12

HEX #E1AD75

RGB 225 173 117

HSL 31.11, 0.64%, 0.67%

LAB 74.3, 12.24, 36

 

CMYK 0 / 10 / 48 / 12

HEX #E1CA75

RGB 225 202 117

HSL 47.22, 0.64%, 0.67%

LAB 81.58, -3, 45.13

 

CMYK 3 / 0 / 48 / 12

HEX #DAE175

RGB 218 225 117

HSL 63.89, 0.64%, 0.67%

LAB 87.02, -17.4, 51.6

 

CMYK 16 / 0 / 48 / 12

HEX #BDE175

RGB 189 225 117

HSL 80, 0.64%, 0.67%

LAB 84.97, -28.6, 48.65

 

CMYK 29 / 0 / 48 / 12

HEX #A0E175

RGB 160 225 117

HSL 96.11, 0.64%, 0.67%

LAB 83.24, -39.1, 46.13

 

CMYK 0 / 23 / 48 / 12

HEX #E1AD75

RGB 225 173 117

HSL 31.11, 0.64%, 0.67%

LAB 74.3, 12.24, 36

 

CMYK 0 / 27 / 57 / 7

HEX #EEAD67

RGB 238 173 103

HSL 31.11, 0.8%, 0.67%

LAB 75.48, 16.34, 44.94

 

CMYK 0 / 31 / 64 / 1

HEX #FCAE5A

RGB 252 174 90

HSL 31.11, 0.96%, 0.67%

LAB 77.1, 20.65, 53.59

 

CMYK 0 / 23 / 48 / 12

HEX #E1AD75

RGB 225 173 117

HSL 31.11, 0.64%, 0.67%

LAB 74.3, 12.24, 36

 

CMYK 0 / 18 / 38 / 17

HEX #D3AC83

RGB 211 172 131

HSL 30.75, 0.48%, 0.67%

LAB 72.89, 8.61, 26.45

 

CMYK 0 / 13 / 27 / 23

HEX #C5AC90

RGB 197 172 144

HSL 31.7, 0.31%, 0.67%

LAB 71.82, 4.75, 17.74

 

CMYK 0 / 7 / 14 / 28

HEX #B8AB9E

RGB 184 171 158

HSL 30, 0.15%, 0.67%

LAB 70.72, 2.45, 8.37

 

CMYK 1 / 0 / 0 / 33

HEX #AAABAB

RGB 170 171 171

HSL 180, 0.01%, 0.67%

LAB 69.9, -0.35, -0.13

 

CMYK 0 / 48 / 47 / 12

HEX #E17577

RGB 225 117 119

HSL 358.89, 0.64%, 0.67%

LAB 61.71, 42.05, 18.23

 

CMYK 0 / 36 / 48 / 12

HEX #E19075

RGB 225 144 117

HSL 15, 0.64%, 0.67%

LAB 67.46, 27.76, 27.09

 

CMYK 0 / 23 / 48 / 12

HEX #E1AD75

RGB 225 173 117

HSL 31.11, 0.64%, 0.67%

LAB 74.3, 12.24, 36

 

CMYK 0 / 11 / 48 / 12

HEX #E1C975

RGB 225 201 117

HSL 46.67, 0.64%, 0.67%

LAB 81.33, -2.48, 44.81

 

CMYK 3 / 0 / 48 / 12

HEX #DBE175

RGB 219 225 117

HSL 63.33, 0.64%, 0.67%

LAB 87.09, -17, 51.71

 

CMYK 0 / 37 / 77 / 18

HEX #D28531

RGB 210 133 49

HSL 31.3, 0.64%, 0.51%

LAB 62.25, 22.86, 54.95

 

CMYK 0 / 29 / 62 / 15

HEX #D99953

RGB 217 153 83

HSL 31.34, 0.64%, 0.59%

LAB 68.14, 16.87, 45.69

 

CMYK 0 / 23 / 48 / 12

HEX #E1AD75

RGB 225 173 117

HSL 31.11, 0.64%, 0.67%

LAB 74.3, 12.24, 36

 

CMYK 0 / 17 / 35 / 9

HEX #E8C197

RGB 232 193 151

HSL 31.11, 0.64%, 0.75%

LAB 80.48, 8.09, 26.36

 

CMYK 0 / 11 / 23 / 6

HEX #F0D5B9

RGB 240 213 185

HSL 30.55, 0.65%, 0.83%

LAB 86.81, 5.12, 17.28

 

CMYK 0 / 23 / 47 / 12

HEX #E1AE77

RGB 225 174 119

HSL 31.13, 0.64%, 0.67%

LAB 74.58, 11.9, 35.3

 

CMYK 34 / 0 / 48 / 12

HEX #94E175

RGB 148 225 117

HSL 102.78, 0.64%, 0.67%

LAB 82.61, -43.15, 45.22

 

CMYK 42 / 48 / 0 / 12

HEX #8275E1

RGB 130 117 225

HSL 247.22, 0.64%, 0.67%

LAB 54.97, 31.29, -53.57

 

CMYK 0 / 23 / 47 / 12

HEX #E1AE77

RGB 225 174 119

HSL 31.13, 0.64%, 0.67%

LAB 74.58, 11.9, 35.3

 

CMYK 48 / 0 / 23 / 12

HEX #75E1AD

RGB 117 225 173

HSL 151.11, 0.64%, 0.67%

LAB 82.19, -42.99, 15.99

 

CMYK 23 / 48 / 0 / 12

HEX #AD75E1

RGB 173 117 225

HSL 271.11, 0.64%, 0.67%

LAB 59.01, 42.35, -46.9

 

CMYK 0 / 23 / 47 / 12

HEX #E1AE77

RGB 225 174 119

HSL 31.13, 0.64%, 0.67%

LAB 74.58, 11.9, 35.3

 

CMYK 34 / 0 / 48 / 12

HEX #94E175

RGB 148 225 117

HSL 102.78, 0.64%, 0.67%

LAB 82.61, -43.15, 45.22

 

CMYK 48 / 25 / 0 / 12

HEX #75A9E1

RGB 117 169 225

HSL 211.11, 0.64%, 0.67%

LAB 67.72, -2.09, -33.56

 

CMYK 14 / 48 / 0 / 12

HEX #C275E1

RGB 194 117 225

HSL 282.78, 0.64%, 0.67%

LAB 61.33, 48.11, -43.09

 

CMYK 0 / 23 / 47 / 12

HEX #E1AE77

RGB 225 174 119

HSL 31.13, 0.64%, 0.67%

LAB 74.58, 11.9, 35.3

 

CMYK 48 / 0 / 47 / 12

HEX #75E177

RGB 117 225 119

HSL 121.11, 0.64%, 0.67%

LAB 81.27, -52.26, 42.29

 

CMYK 48 / 25 / 0 / 12

HEX #75A9E1

RGB 117 169 225

HSL 211.11, 0.64%, 0.67%

LAB 67.72, -2.09, -33.56

 

CMYK 0 / 48 / 1 / 12

HEX #E175DF

RGB 225 117 223

HSL 301.11, 0.64%, 0.67%

LAB 65.01, 56.41, -35.94

 

Description

Color code: HEX #E1AE77 | qconv.com Color code: HEX #E1AE77 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 174 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 174 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 47 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 47% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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