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Color name
HEX #E1A05B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1A05B it is the complementary color #1E5FA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1A05B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1A05B shade: #E6A056, #F7B269, #FFC47C, #FFD68F and #FFE8A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1A05B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1A05B shade: #E1A05B, #D08E48, #BF7C35, #AE6A22 and #9D580F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1A05B shade: #E1A05B, #E17C5B and #E15B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1A05B shade: #E1A05B, #E1C45B, #DAE15B, #B6E15B and #92E15B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1A05B shade matches the following richer shades: #E1A05B and #F1A14C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1A05B shade: #E1A05B, #D1A06B, #C29F7B, #B29F8A and #A29E9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1A05B shade: #E15B60, #E17A5B, #E19E5B, #E1C25B and #DDE15B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1A05B shade: #C57724, #DB8C38, #E1A05B, #E7B47E and #EEC9A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1A05B shade: #E1A05B, #83E15B and #695BE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1A05B shade: #E1A05B, #5BE19E and #9E5BE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1A05B shade: #E1A05B, #83E15B, #5B9EE1 and #B95BE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1A05B shade: #E1A05B, #5BE15B, #5B9EE1 and #E15BE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 60 / 12

HEX #E1A05B

RGB 225 160 91

HSL 30.9, 0.69%, 0.62%

LAB 70.81, 17.01, 45.04

 

Complementary color

CMYK 82 / 42 / 0 / 36

HEX #1E5FA4

RGB 30 95 164

HSL 210.9, 0.69%, 0.38%

LAB 39.82, 5.48, -42.92

 

CMYK 0 / 30 / 63 / 10

HEX #E6A056

RGB 230 160 86

HSL 30.83, 0.74%, 0.62%

LAB 71.31, 18.74, 48.25

 

CMYK 0 / 28 / 57 / 3

HEX #F7B269

RGB 247 178 105

HSL 30.85, 0.9%, 0.69%

LAB 77.66, 17.52, 46.8

 

CMYK 0 / 23 / 51 / 0

HEX #FFC47C

RGB 255 196 124

HSL 32.98, 1%, 0.74%

LAB 83.02, 12.85, 44.04

 

CMYK 0 / 16 / 44 / 0

HEX #FFD68F

RGB 255 214 143

HSL 38.04, 1%, 0.78%

LAB 87.65, 5.3, 40.34

 

CMYK 0 / 9 / 36 / 0

HEX #FFE8A2

RGB 255 232 162

HSL 45.16, 1%, 0.82%

LAB 92.39, -1.86, 36.93

 

CMYK 0 / 29 / 60 / 12

HEX #E1A05B

RGB 225 160 91

HSL 30.9, 0.69%, 0.62%

LAB 70.81, 17.01, 45.04

 

CMYK 0 / 32 / 65 / 18

HEX #D08E48

RGB 208 142 72

HSL 30.88, 0.59%, 0.55%

LAB 64.34, 18.31, 46.51

 

CMYK 0 / 35 / 72 / 25

HEX #BF7C35

RGB 191 124 53

HSL 30.87, 0.57%, 0.48%

LAB 57.8, 19.81, 47.92

 

CMYK 0 / 39 / 80 / 32

HEX #AE6A22

RGB 174 106 34

HSL 30.86, 0.67%, 0.41%

LAB 51.18, 21.56, 49.03

 

CMYK 0 / 44 / 90 / 38

HEX #9D580F

RGB 157 88 15

HSL 30.85, 0.83%, 0.34%

LAB 44.49, 23.6, 49.27

 

CMYK 0 / 29 / 60 / 12

HEX #E1A05B

RGB 225 160 91

HSL 30.9, 0.69%, 0.62%

LAB 70.81, 17.01, 45.04

 

CMYK 0 / 45 / 60 / 12

HEX #E17C5B

RGB 225 124 91

HSL 14.78, 0.69%, 0.62%

LAB 62.66, 36.11, 35.16

 

CMYK 0 / 60 / 60 / 12

HEX #E15B5B

RGB 225 91 91

HSL 0, 0.69%, 0.62%

LAB 56.33, 52.25, 27.14

 

CMYK 0 / 29 / 60 / 12

HEX #E1A05B

RGB 225 160 91

HSL 30.9, 0.69%, 0.62%

LAB 70.81, 17.01, 45.04

 

CMYK 0 / 13 / 60 / 12

HEX #E1C45B

RGB 225 196 91

HSL 47.01, 0.69%, 0.62%

LAB 79.75, -2.01, 55.37

 

CMYK 3 / 0 / 60 / 12

HEX #DAE15B

RGB 218 225 91

HSL 63.13, 0.69%, 0.62%

LAB 86.76, -19.48, 62.96

 

CMYK 19 / 0 / 60 / 12

HEX #B6E15B

RGB 182 225 91

HSL 79.25, 0.69%, 0.62%

LAB 84.25, -33.66, 59.5

 

CMYK 35 / 0 / 60 / 12

HEX #92E15B

RGB 146 225 91

HSL 95.37, 0.69%, 0.62%

LAB 82.23, -46.62, 56.67

 

CMYK 0 / 29 / 60 / 12

HEX #E1A05B

RGB 225 160 91

HSL 30.9, 0.69%, 0.62%

LAB 70.81, 17.01, 45.04

 

CMYK 0 / 33 / 68 / 5

HEX #F1A14C

RGB 241 161 76

HSL 30.91, 0.85%, 0.62%

LAB 72.7, 22.16, 54.92

 

CMYK 0 / 29 / 60 / 12

HEX #E1A05B

RGB 225 160 91

HSL 30.9, 0.69%, 0.62%

LAB 70.81, 17.01, 45.04

 

CMYK 0 / 23 / 49 / 18

HEX #D1A06B

RGB 209 160 107

HSL 31.18, 0.53%, 0.62%

LAB 69.3, 11.72, 34.53

 

CMYK 0 / 18 / 37 / 24

HEX #C29F7B

RGB 194 159 123

HSL 30.42, 0.37%, 0.62%

LAB 67.8, 7.87, 23.66

 

CMYK 0 / 11 / 22 / 30

HEX #B29F8A

RGB 178 159 138

HSL 31.5, 0.21%, 0.62%

LAB 66.59, 3.55, 13.5

 

CMYK 0 / 2 / 5 / 36

HEX #A29E9A

RGB 162 158 154

HSL 30, 0.04%, 0.62%

LAB 65.33, 0.71, 2.59

 

CMYK 0 / 60 / 57 / 12

HEX #E15B60

RGB 225 91 96

HSL 357.76, 0.69%, 0.62%

LAB 56.42, 52.61, 24.36

 

CMYK 0 / 46 / 60 / 12

HEX #E17A5B

RGB 225 122 91

HSL 13.88, 0.69%, 0.62%

LAB 62.24, 37.15, 34.63

 

CMYK 0 / 30 / 60 / 12

HEX #E19E5B

RGB 225 158 91

HSL 30, 0.69%, 0.62%

LAB 70.33, 18.08, 44.47

 

CMYK 0 / 14 / 60 / 12

HEX #E1C25B

RGB 225 194 91

HSL 46.12, 0.69%, 0.62%

LAB 79.24, -0.97, 54.79

 

CMYK 2 / 0 / 60 / 12

HEX #DDE15B

RGB 221 225 91

HSL 61.79, 0.69%, 0.62%

LAB 86.99, -18.27, 63.28

 

CMYK 0 / 40 / 82 / 23

HEX #C57724

RGB 197 119 36

HSL 30.93, 0.69%, 0.46%

LAB 57.26, 24.43, 54.92

 

CMYK 0 / 36 / 74 / 14

HEX #DB8C38

RGB 219 140 56

HSL 30.92, 0.69%, 0.54%

LAB 65.04, 23.19, 55.09

 

CMYK 0 / 29 / 60 / 12

HEX #E1A05B

RGB 225 160 91

HSL 30.9, 0.69%, 0.62%

LAB 70.81, 17.01, 45.04

 

CMYK 0 / 22 / 45 / 9

HEX #E7B47E

RGB 231 180 126

HSL 30.86, 0.69%, 0.7%

LAB 76.76, 11.81, 34.57

 

CMYK 0 / 16 / 32 / 7

HEX #EEC9A1

RGB 238 201 161

HSL 31.17, 0.69%, 0.78%

LAB 83.19, 7.43, 24.87

 

CMYK 0 / 29 / 60 / 12

HEX #E1A05B

RGB 225 160 91

HSL 30.9, 0.69%, 0.62%

LAB 70.81, 17.01, 45.04

 

CMYK 42 / 0 / 60 / 12

HEX #83E15B

RGB 131 225 91

HSL 102.09, 0.69%, 0.62%

LAB 81.53, -51.48, 55.69

 

CMYK 53 / 60 / 0 / 12

HEX #695BE1

RGB 105 91 225

HSL 246.27, 0.69%, 0.62%

LAB 46.87, 41.29, -66.72

 

CMYK 0 / 29 / 60 / 12

HEX #E1A05B

RGB 225 160 91

HSL 30.9, 0.69%, 0.62%

LAB 70.81, 17.01, 45.04

 

CMYK 60 / 0 / 30 / 12

HEX #5BE19E

RGB 91 225 158

HSL 150, 0.69%, 0.62%

LAB 81.04, -51.85, 22.1

 

CMYK 30 / 60 / 0 / 12

HEX #9E5BE1

RGB 158 91 225

HSL 270, 0.69%, 0.62%

LAB 52.05, 52.45, -58.1

 

CMYK 0 / 29 / 60 / 12

HEX #E1A05B

RGB 225 160 91

HSL 30.9, 0.69%, 0.62%

LAB 70.81, 17.01, 45.04

 

CMYK 42 / 0 / 60 / 12

HEX #83E15B

RGB 131 225 91

HSL 102.09, 0.69%, 0.62%

LAB 81.53, -51.48, 55.69

 

CMYK 60 / 30 / 0 / 12

HEX #5B9EE1

RGB 91 158 225

HSL 210, 0.69%, 0.62%

LAB 63.44, -1.47, -40.33

 

CMYK 18 / 60 / 0 / 12

HEX #B95BE1

RGB 185 91 225

HSL 282.09, 0.69%, 0.62%

LAB 55.31, 58.82, -52.69

 

CMYK 0 / 29 / 60 / 12

HEX #E1A05B

RGB 225 160 91

HSL 30.9, 0.69%, 0.62%

LAB 70.81, 17.01, 45.04

 

CMYK 60 / 0 / 60 / 12

HEX #5BE15B

RGB 91 225 91

HSL 120, 0.69%, 0.62%

LAB 80.08, -62.28, 53.66

 

CMYK 60 / 30 / 0 / 12

HEX #5B9EE1

RGB 91 158 225

HSL 210, 0.69%, 0.62%

LAB 63.44, -1.47, -40.33

 

CMYK 0 / 60 / 0 / 12

HEX #E15BE1

RGB 225 91 225

HSL 300, 0.69%, 0.62%

LAB 60.72, 68.56, -43.78

 

Description

Color code: HEX #E1A05B | qconv.com Color code: HEX #E1A05B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 160 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 160 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 60 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 60% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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