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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E19BC6 it is the complementary color #1E6439. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E19BC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E19BC6 shade: #E69BC1, #F7ADD4, #FFBFE7, #FFD1FA and #FFE3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E19BC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E19BC6 shade: #E19BC6, #D089B3, #BF77A0, #AE658D and #9D537A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E19BC6 shade: #E29DC7, #E29DB5, #E29DA2 and #E29D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E19BC6 shade: #E29DC7, #E29DDA, #D79DE2, #C59DE2 and #B29DE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E19BC6 shade matches the following richer shades: #E29DC7, #EC93C9 and #F688CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E19BC6 shade: #E29DC7, #D7A7C5, #CDB1C2, #C3BCC0 and #B8C6BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E19BC6 shade: #D79DE2, #E29DDA, #E29DC7, #E29DB5 and #E29DA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E19BC6 shade: #CF5DA3, #D87DB5, #E29DC7, #EBBDD9 and #F5DCEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E19BC6 shade: #E19BC6, #E2C59D and #9DE2E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E19BC6 shade: #E19BC6, #C7E29D and #9DC7E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E19BC6 shade: #E19BC6, #E2C59D, #9DE2B7 and #9DBAE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E19BC6 shade: #E19BC6, #E2DA9D, #9DE2B7 and #9DA5E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 12 / 12

HEX #E19BC6

RGB 225 155 198

HSL 323.14, 0.54%, 0.75%

LAB 71.91, 32.53, -11.51

 

Complementary color

CMYK 70 / 0 / 43 / 61

HEX #1E6439

RGB 30 100 57

HSL 143.14, 0.54%, 0.25%

LAB 37.27, -32.42, 18.22

 

CMYK 0 / 33 / 16 / 10

HEX #E69BC1

RGB 230 155 193

HSL 329.6, 0.6%, 0.75%

LAB 72.31, 33.44, -8.11

 

CMYK 0 / 30 / 14 / 3

HEX #F7ADD4

RGB 247 173 212

HSL 328.38, 0.82%, 0.82%

LAB 78.7, 32.73, -8.8

 

CMYK 0 / 25 / 9 / 0

HEX #FFBFE7

RGB 255 191 231

HSL 322.5, 1%, 0.87%

LAB 84.12, 29.05, -10.88

 

CMYK 0 / 18 / 2 / 0

HEX #FFD1FA

RGB 255 209 250

HSL 306.52, 1%, 0.91%

LAB 88.81, 22.85, -13.95

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 31 / 12 / 12

HEX #E19BC6

RGB 225 155 198

HSL 323.14, 0.54%, 0.75%

LAB 71.91, 32.53, -11.51

 

CMYK 0 / 34 / 14 / 18

HEX #D089B3

RGB 208 137 179

HSL 324.51, 0.43%, 0.68%

LAB 65.4, 33.25, -10.85

 

CMYK 0 / 38 / 16 / 25

HEX #BF77A0

RGB 191 119 160

HSL 325.83, 0.36%, 0.61%

LAB 58.8, 34.02, -10.12

 

CMYK 0 / 42 / 19 / 32

HEX #AE658D

RGB 174 101 141

HSL 327.12, 0.31%, 0.54%

LAB 52.1, 34.83, -9.3

 

CMYK 0 / 47 / 22 / 38

HEX #9D537A

RGB 157 83 122

HSL 328.38, 0.31%, 0.47%

LAB 45.3, 35.67, -8.33

 

CMYK 0 / 31 / 12 / 11

HEX #E29DC7

RGB 226 157 199

HSL 323.48, 0.54%, 0.75%

LAB 72.5, 31.96, -11.18

 

CMYK 0 / 31 / 20 / 11

HEX #E29DB5

RGB 226 157 181

HSL 339.13, 0.54%, 0.75%

LAB 71.97, 29.12, -2.01

 

CMYK 0 / 31 / 28 / 11

HEX #E29DA2

RGB 226 157 162

HSL 355.65, 0.54%, 0.75%

LAB 71.48, 26.4, 7.79

 

CMYK 0 / 31 / 31 / 11

HEX #E29D9D

RGB 226 157 157

HSL 0, 0.54%, 0.75%

LAB 71.36, 25.73, 10.39

 

CMYK 0 / 31 / 12 / 11

HEX #E29DC7

RGB 226 157 199

HSL 323.48, 0.54%, 0.75%

LAB 72.5, 31.96, -11.18

 

CMYK 0 / 31 / 4 / 11

HEX #E29DDA

RGB 226 157 218

HSL 306.96, 0.54%, 0.75%

LAB 73.12, 35.23, -20.69

 

CMYK 5 / 31 / 0 / 11

HEX #D79DE2

RGB 215 157 226

HSL 290.43, 0.54%, 0.75%

LAB 72.26, 33.18, -26.48

 

CMYK 13 / 31 / 0 / 11

HEX #C59DE2

RGB 197 157 226

HSL 274.78, 0.54%, 0.75%

LAB 70.51, 27.52, -29.33

 

CMYK 21 / 31 / 0 / 11

HEX #B29DE2

RGB 178 157 226

HSL 258.26, 0.54%, 0.75%

LAB 68.8, 21.69, -32.1

 

CMYK 0 / 31 / 12 / 11

HEX #E29DC7

RGB 226 157 199

HSL 323.48, 0.54%, 0.75%

LAB 72.5, 31.96, -11.18

 

CMYK 0 / 38 / 15 / 7

HEX #EC93C9

RGB 236 147 201

HSL 323.6, 0.7%, 0.75%

LAB 71.5, 40.94, -13.67

 

CMYK 0 / 45 / 17 / 4

HEX #F688CC

RGB 246 136 204

HSL 322.91, 0.86%, 0.75%

LAB 70.57, 50.25, -16.61

 

CMYK 0 / 31 / 12 / 11

HEX #E29DC7

RGB 226 157 199

HSL 323.48, 0.54%, 0.75%

LAB 72.5, 31.96, -11.18

 

CMYK 0 / 22 / 8 / 16

HEX #D7A7C5

RGB 215 167 197

HSL 322.5, 0.38%, 0.75%

LAB 73.62, 22.44, -8.52

 

CMYK 0 / 14 / 5 / 20

HEX #CDB1C2

RGB 205 177 194

HSL 323.57, 0.22%, 0.75%

LAB 75.03, 12.98, -4.9

 

CMYK 0 / 4 / 2 / 24

HEX #C3BCC0

RGB 195 188 192

HSL 325.71, 0.06%, 0.75%

LAB 76.91, 3.18, -1.15

 

CMYK 7 / 0 / 4 / 22

HEX #B8C6BE

RGB 184 198 190

HSL 145.71, 0.11%, 0.75%

LAB 78.63, -6.29, 2.35

 

CMYK 5 / 31 / 0 / 11

HEX #D79DE2

RGB 215 157 226

HSL 290.43, 0.54%, 0.75%

LAB 72.26, 33.18, -26.48

 

CMYK 0 / 31 / 4 / 11

HEX #E29DDA

RGB 226 157 218

HSL 306.96, 0.54%, 0.75%

LAB 73.12, 35.23, -20.69

 

CMYK 0 / 31 / 12 / 11

HEX #E29DC7

RGB 226 157 199

HSL 323.48, 0.54%, 0.75%

LAB 72.5, 31.96, -11.18

 

CMYK 0 / 31 / 20 / 11

HEX #E29DB5

RGB 226 157 181

HSL 339.13, 0.54%, 0.75%

LAB 71.97, 29.12, -2.01

 

CMYK 0 / 31 / 28 / 11

HEX #E29DA3

RGB 226 157 163

HSL 354.78, 0.54%, 0.75%

LAB 71.51, 26.53, 7.28

 

CMYK 0 / 55 / 21 / 19

HEX #CF5DA3

RGB 207 93 163

HSL 323.16, 0.54%, 0.59%

LAB 55.82, 53.03, -16.13

 

CMYK 0 / 42 / 16 / 15

HEX #D87DB5

RGB 216 125 181

HSL 323.08, 0.54%, 0.67%

LAB 63.84, 42.64, -14.24

 

CMYK 0 / 31 / 12 / 11

HEX #E29DC7

RGB 226 157 199

HSL 323.48, 0.54%, 0.75%

LAB 72.5, 31.96, -11.18

 

CMYK 0 / 20 / 8 / 8

HEX #EBBDD9

RGB 235 189 217

HSL 323.48, 0.53%, 0.83%

LAB 81.33, 20.96, -7.73

 

CMYK 0 / 10 / 4 / 4

HEX #F5DCEB

RGB 245 220 235

HSL 324, 0.56%, 0.91%

LAB 90.14, 11.13, -4.19

 

CMYK 0 / 31 / 12 / 12

HEX #E19BC6

RGB 225 155 198

HSL 323.14, 0.54%, 0.75%

LAB 71.91, 32.53, -11.51

 

CMYK 0 / 13 / 31 / 11

HEX #E2C59D

RGB 226 197 157

HSL 34.78, 0.54%, 0.75%

LAB 81.04, 4.41, 23.86

 

CMYK 31 / 0 / 0 / 11

HEX #9DE2E1

RGB 157 226 225

HSL 179.13, 0.54%, 0.75%

LAB 85.5, -21.63, -6.43

 

CMYK 0 / 31 / 12 / 12

HEX #E19BC6

RGB 225 155 198

HSL 323.14, 0.54%, 0.75%

LAB 71.91, 32.53, -11.51

 

CMYK 12 / 0 / 31 / 11

HEX #C7E29D

RGB 199 226 157

HSL 83.48, 0.54%, 0.75%

LAB 86.49, -20.52, 30.87

 

CMYK 31 / 12 / 0 / 11

HEX #9DC7E2

RGB 157 199 226

HSL 203.48, 0.54%, 0.75%

LAB 78.17, -7.59, -17.91

 

CMYK 0 / 31 / 12 / 12

HEX #E19BC6

RGB 225 155 198

HSL 323.14, 0.54%, 0.75%

LAB 71.91, 32.53, -11.51

 

CMYK 0 / 13 / 31 / 11

HEX #E2C59D

RGB 226 197 157

HSL 34.78, 0.54%, 0.75%

LAB 81.04, 4.41, 23.86

 

CMYK 31 / 0 / 19 / 11

HEX #9DE2B7

RGB 157 226 183

HSL 142.61, 0.54%, 0.75%

LAB 84.47, -30.4, 14.21

 

CMYK 31 / 18 / 0 / 11

HEX #9DBAE2

RGB 157 186 226

HSL 214.78, 0.54%, 0.75%

LAB 74.68, -0.63, -23.21

 

CMYK 0 / 31 / 12 / 12

HEX #E19BC6

RGB 225 155 198

HSL 323.14, 0.54%, 0.75%

LAB 71.91, 32.53, -11.51

 

CMYK 0 / 4 / 31 / 11

HEX #E2DA9D

RGB 226 218 157

HSL 53.04, 0.54%, 0.75%

LAB 86.38, -6.44, 31.07

 

CMYK 31 / 0 / 19 / 11

HEX #9DE2B7

RGB 157 226 183

HSL 142.61, 0.54%, 0.75%

LAB 84.47, -30.4, 14.21

 

CMYK 31 / 27 / 0 / 11

HEX #9DA5E2

RGB 157 165 226

HSL 233.04, 0.54%, 0.75%

LAB 69.16, 10.98, -31.68

 

Description

Color code: HEX #E19BC6 | qconv.com Color code: HEX #E19BC6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 155 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 155 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 12 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 12% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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