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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E19BB6 it is the complementary color #1E6449. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E19BB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E19BB6 shade: #E69BB1, #F7ADC4, #FFBFD7, #FFD1EA and #FFE3FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E19BB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E19BB6 shade: #E19BB6, #D089A3, #BF7790, #AE657D and #9D536A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E19BB6 shade: #E29DB7, #E29DA5 and #E29D9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E19BB6 shade: #E29DB7, #E29DCA, #E29DDD, #D49DE2 and #C29DE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E19BB6 shade matches the following richer shades: #E29DB7, #EC93B5 and #F688B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E19BB6 shade: #E29DB7, #D7A7BA, #CDB1BC, #C3BCBE and #B8C6C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E19BB6 shade: #E29DDD, #E29DCB, #E29DB8, #E29DA6 and #E2A69D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E19BB6 shade: #CF5D89, #D87DA0, #E29DB7, #EBBDCF and #F5DCE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E19BB6 shade: #E19BB6, #E2D49D and #9DD4E2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E19BB6 shade: #E19BB6, #B8E29D and #9DB8E2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E19BB6 shade: #E19BB6, #E2D49D, #9DE2C6 and #9DABE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E19BB6 shade: #E19BB6, #DBE29D, #9DE2C6 and #A49DE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 19 / 12

HEX #E19BB6

RGB 225 155 182

HSL 336.86, 0.54%, 0.75%

LAB 71.44, 29.99, -3.36

 

Complementary color

CMYK 70 / 0 / 27 / 61

HEX #1E6449

RGB 30 100 73

HSL 156.86, 0.54%, 0.25%

LAB 37.61, -28.78, 9.1

 

CMYK 0 / 33 / 23 / 10

HEX #E69BB1

RGB 230 155 177

HSL 342.4, 0.6%, 0.75%

LAB 71.85, 31.02, 0.08

 

CMYK 0 / 30 / 21 / 3

HEX #F7ADC4

RGB 247 173 196

HSL 341.35, 0.82%, 0.82%

LAB 78.26, 30.29, -0.77

 

CMYK 0 / 25 / 16 / 0

HEX #FFBFD7

RGB 255 191 215

HSL 337.5, 1%, 0.87%

LAB 83.67, 26.48, -2.99

 

CMYK 0 / 18 / 8 / 0

HEX #FFD1EA

RGB 255 209 234

HSL 327.39, 1%, 0.91%

LAB 88.35, 20.1, -6.19

 

CMYK 0 / 11 / 1 / 0

HEX #FFE3FD

RGB 255 227 253

HSL 304.29, 1%, 0.95%

LAB 93.14, 13.99, -9.07

 

CMYK 0 / 31 / 19 / 12

HEX #E19BB6

RGB 225 155 182

HSL 336.86, 0.54%, 0.75%

LAB 71.44, 29.99, -3.36

 

CMYK 0 / 34 / 22 / 18

HEX #D089A3

RGB 208 137 163

HSL 338.03, 0.43%, 0.68%

LAB 64.92, 30.74, -2.53

 

CMYK 0 / 38 / 25 / 25

HEX #BF7790

RGB 191 119 144

HSL 339.17, 0.36%, 0.61%

LAB 58.31, 31.55, -1.61

 

CMYK 0 / 42 / 28 / 32

HEX #AE657D

RGB 174 101 125

HSL 340.27, 0.31%, 0.54%

LAB 51.6, 32.43, -0.57

 

CMYK 0 / 47 / 32 / 38

HEX #9D536A

RGB 157 83 106

HSL 341.35, 0.31%, 0.47%

LAB 44.79, 33.35, 0.66

 

CMYK 0 / 31 / 19 / 11

HEX #E29DB7

RGB 226 157 183

HSL 337.39, 0.54%, 0.75%

LAB 72.03, 29.42, -3.04

 

CMYK 0 / 31 / 27 / 11

HEX #E29DA5

RGB 226 157 165

HSL 353.04, 0.54%, 0.75%

LAB 71.55, 26.81, 6.24

 

CMYK 0 / 31 / 31 / 11

HEX #E29D9D

RGB 226 157 157

HSL 0, 0.54%, 0.75%

LAB 71.36, 25.73, 10.39

 

CMYK 0 / 31 / 19 / 11

HEX #E29DB7

RGB 226 157 183

HSL 337.39, 0.54%, 0.75%

LAB 72.03, 29.42, -3.04

 

CMYK 0 / 31 / 11 / 11

HEX #E29DCA

RGB 226 157 202

HSL 320.87, 0.54%, 0.75%

LAB 72.59, 32.46, -12.69

 

CMYK 0 / 31 / 2 / 11

HEX #E29DDD

RGB 226 157 221

HSL 304.35, 0.54%, 0.75%

LAB 73.22, 35.76, -22.18

 

CMYK 6 / 31 / 0 / 11

HEX #D49DE2

RGB 212 157 226

HSL 287.83, 0.54%, 0.75%

LAB 71.96, 32.23, -26.97

 

CMYK 14 / 31 / 0 / 11

HEX #C29DE2

RGB 194 157 226

HSL 272.17, 0.54%, 0.75%

LAB 70.23, 26.59, -29.79

 

CMYK 0 / 31 / 19 / 11

HEX #E29DB7

RGB 226 157 183

HSL 337.39, 0.54%, 0.75%

LAB 72.03, 29.42, -3.04

 

CMYK 0 / 38 / 23 / 7

HEX #EC93B5

RGB 236 147 181

HSL 337.08, 0.7%, 0.75%

LAB 70.9, 37.94, -3.46

 

CMYK 0 / 45 / 27 / 4

HEX #F688B3

RGB 246 136 179

HSL 336.55, 0.86%, 0.75%

LAB 69.79, 46.72, -3.83

 

CMYK 0 / 31 / 19 / 11

HEX #E29DB7

RGB 226 157 183

HSL 337.39, 0.54%, 0.75%

LAB 72.03, 29.42, -3.04

 

CMYK 0 / 22 / 13 / 16

HEX #D7A7BA

RGB 215 167 186

HSL 336.25, 0.38%, 0.75%

LAB 73.3, 20.58, -2.95

 

CMYK 0 / 14 / 8 / 20

HEX #CDB1BC

RGB 205 177 188

HSL 336.43, 0.22%, 0.75%

LAB 74.86, 11.93, -1.87

 

CMYK 0 / 4 / 3 / 24

HEX #C3BCBE

RGB 195 188 190

HSL 342.86, 0.06%, 0.75%

LAB 76.85, 2.82, -0.14

 

CMYK 7 / 0 / 3 / 22

HEX #B8C6C1

RGB 184 198 193

HSL 158.57, 0.11%, 0.75%

LAB 78.71, -5.72, 0.85

 

CMYK 0 / 31 / 2 / 11

HEX #E29DDD

RGB 226 157 221

HSL 304.35, 0.54%, 0.75%

LAB 73.22, 35.76, -22.18

 

CMYK 0 / 31 / 10 / 11

HEX #E29DCB

RGB 226 157 203

HSL 320, 0.54%, 0.75%

LAB 72.62, 32.63, -13.19

 

CMYK 0 / 31 / 19 / 11

HEX #E29DB8

RGB 226 157 184

HSL 336.52, 0.54%, 0.75%

LAB 72.06, 29.57, -3.55

 

CMYK 0 / 31 / 27 / 11

HEX #E29DA6

RGB 226 157 166

HSL 352.17, 0.54%, 0.75%

LAB 71.58, 26.95, 5.72

 

CMYK 0 / 27 / 31 / 11

HEX #E2A69D

RGB 226 166 157

HSL 7.83, 0.54%, 0.75%

LAB 73.46, 20.91, 13.36

 

CMYK 0 / 55 / 34 / 19

HEX #CF5D89

RGB 207 93 137

HSL 336.84, 0.54%, 0.59%

LAB 54.97, 49.6, -2.17

 

CMYK 0 / 42 / 26 / 15

HEX #D87DA0

RGB 216 125 160

HSL 336.92, 0.54%, 0.67%

LAB 63.18, 39.53, -3.28

 

CMYK 0 / 31 / 19 / 11

HEX #E29DB7

RGB 226 157 183

HSL 337.39, 0.54%, 0.75%

LAB 72.03, 29.42, -3.04

 

CMYK 0 / 20 / 12 / 8

HEX #EBBDCF

RGB 235 189 207

HSL 336.52, 0.53%, 0.83%

LAB 81.05, 19.29, -2.76

 

CMYK 0 / 10 / 6 / 4

HEX #F5DCE6

RGB 245 220 230

HSL 336, 0.56%, 0.91%

LAB 90, 10.27, -1.75

 

CMYK 0 / 31 / 19 / 12

HEX #E19BB6

RGB 225 155 182

HSL 336.86, 0.54%, 0.75%

LAB 71.44, 29.99, -3.36

 

CMYK 0 / 6 / 31 / 11

HEX #E2D49D

RGB 226 212 157

HSL 47.83, 0.54%, 0.75%

LAB 84.84, -3.37, 29.01

 

CMYK 31 / 6 / 0 / 11

HEX #9DD4E2

RGB 157 212 226

HSL 192.17, 0.54%, 0.75%

LAB 81.7, -14.35, -12.61

 

CMYK 0 / 31 / 19 / 12

HEX #E19BB6

RGB 225 155 182

HSL 336.86, 0.54%, 0.75%

LAB 71.44, 29.99, -3.36

 

CMYK 19 / 0 / 31 / 11

HEX #B8E29D

RGB 184 226 157

HSL 96.52, 0.54%, 0.75%

LAB 85.51, -25.88, 29.39

 

CMYK 31 / 19 / 0 / 11

HEX #9DB8E2

RGB 157 184 226

HSL 216.52, 0.54%, 0.75%

LAB 74.15, 0.46, -24.02

 

CMYK 0 / 31 / 19 / 12

HEX #E19BB6

RGB 225 155 182

HSL 336.86, 0.54%, 0.75%

LAB 71.44, 29.99, -3.36

 

CMYK 0 / 6 / 31 / 11

HEX #E2D49D

RGB 226 212 157

HSL 47.83, 0.54%, 0.75%

LAB 84.84, -3.37, 29.01

 

CMYK 31 / 0 / 12 / 11

HEX #9DE2C6

RGB 157 226 198

HSL 155.65, 0.54%, 0.75%

LAB 84.81, -27.45, 6.81

 

CMYK 31 / 24 / 0 / 11

HEX #9DABE2

RGB 157 171 226

HSL 227.83, 0.54%, 0.75%

LAB 70.72, 7.62, -29.27

 

CMYK 0 / 31 / 19 / 12

HEX #E19BB6

RGB 225 155 182

HSL 336.86, 0.54%, 0.75%

LAB 71.44, 29.99, -3.36

 

CMYK 3 / 0 / 31 / 11

HEX #DBE29D

RGB 219 226 157

HSL 66.09, 0.54%, 0.75%

LAB 87.91, -13.12, 33.02

 

CMYK 31 / 0 / 12 / 11

HEX #9DE2C6

RGB 157 226 198

HSL 155.65, 0.54%, 0.75%

LAB 84.81, -27.45, 6.81

 

CMYK 27 / 31 / 0 / 11

HEX #A49DE2

RGB 164 157 226

HSL 246.09, 0.54%, 0.75%

LAB 67.65, 17.53, -33.98

 

Description

Color code: HEX #E19BB6 | qconv.com Color code: HEX #E19BB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 155 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 155 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 19 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 19% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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