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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E18D76 it is the complementary color #1E7289. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E18D76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E18D76 shade: #E68D71, #F79F84, #FFB197, #FFC3AA and #FFD5BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E18D76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E18D76 shade: #E18D76, #D07B63, #BF6950, #AE573D and #9D452A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E18D76 shade: #E18C75 and #E17575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E18D76 shade: #E18C75, #E1A975, #E1C675, #DEE175 and #C1E175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E18D76 shade matches the following richer shades: #E18C75, #EE8467 and #FC7D5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E18D76 shade: #E18C75, #D39483, #C59C90, #B8A39E and #AAABAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E18D76 shade: #E17599, #E1757C, #E18B75, #E1A775 and #E1C475

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E18D76 shade: #D25431, #D97053, #E18C75, #E8A897 and #F0C4B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E18D76 shade: #E18D76, #B6E175 and #758BE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E18D76 shade: #E18D76, #75E18B and #8B75E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E18D76 shade: #E18D76, #B6E175, #75CBE1 and #A075E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E18D76 shade: #E18D76, #95E175, #75CBE1 and #C075E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 48 / 12

HEX #E18D76

RGB 225 141 118

HSL 12.9, 0.64%, 0.67%

LAB 66.8, 29.45, 25.67

 

Complementary color

CMYK 78 / 17 / 0 / 46

HEX #1E7289

RGB 30 114 137

HSL 192.9, 0.64%, 0.33%

LAB 44.4, -16.18, -19.64

 

CMYK 0 / 39 / 51 / 10

HEX #E68D71

RGB 230 141 113

HSL 14.36, 0.7%, 0.67%

LAB 67.33, 30.93, 29.23

 

CMYK 0 / 36 / 47 / 3

HEX #F79F84

RGB 247 159 132

HSL 14.09, 0.88%, 0.74%

LAB 73.7, 29.82, 27.68

 

CMYK 0 / 31 / 41 / 0

HEX #FFB197

RGB 255 177 151

HSL 15, 1%, 0.8%

LAB 79.01, 25.4, 24.76

 

CMYK 0 / 24 / 33 / 0

HEX #FFC3AA

RGB 255 195 170

HSL 17.65, 1%, 0.83%

LAB 83.54, 18.15, 20.86

 

CMYK 0 / 16 / 26 / 0

HEX #FFD5BD

RGB 255 213 189

HSL 21.82, 1%, 0.87%

LAB 88.22, 11.21, 17.35

 

CMYK 0 / 37 / 48 / 12

HEX #E18D76

RGB 225 141 118

HSL 12.9, 0.64%, 0.67%

LAB 66.8, 29.45, 25.67

 

CMYK 0 / 41 / 52 / 18

HEX #D07B63

RGB 208 123 99

HSL 13.21, 0.54%, 0.6%

LAB 60.32, 30.61, 27.29

 

CMYK 0 / 45 / 58 / 25

HEX #BF6950

RGB 191 105 80

HSL 13.51, 0.46%, 0.53%

LAB 53.77, 31.9, 29.12

 

CMYK 0 / 50 / 65 / 32

HEX #AE573D

RGB 174 87 61

HSL 13.81, 0.48%, 0.46%

LAB 47.17, 33.32, 31.2

 

CMYK 0 / 56 / 73 / 38

HEX #9D452A

RGB 157 69 42

HSL 14.09, 0.58%, 0.39%

LAB 40.56, 34.85, 33.56

 

CMYK 0 / 38 / 48 / 12

HEX #E18C75

RGB 225 140 117

HSL 12.78, 0.64%, 0.67%

LAB 66.56, 29.89, 25.9

 

CMYK 0 / 48 / 48 / 12

HEX #E17575

RGB 225 117 117

HSL 0, 0.64%, 0.67%

LAB 61.67, 41.86, 19.31

 

CMYK 0 / 38 / 48 / 12

HEX #E18C75

RGB 225 140 117

HSL 12.78, 0.64%, 0.67%

LAB 66.56, 29.89, 25.9

 

CMYK 0 / 25 / 48 / 12

HEX #E1A975

RGB 225 169 117

HSL 28.89, 0.64%, 0.67%

LAB 73.33, 14.37, 34.75

 

CMYK 0 / 12 / 48 / 12

HEX #E1C675

RGB 225 198 117

HSL 45, 0.64%, 0.67%

LAB 80.56, -0.93, 43.86

 

CMYK 1 / 0 / 48 / 12

HEX #DEE175

RGB 222 225 117

HSL 61.67, 0.64%, 0.67%

LAB 87.32, -15.81, 52.04

 

CMYK 14 / 0 / 48 / 12

HEX #C1E175

RGB 193 225 117

HSL 77.78, 0.64%, 0.67%

LAB 85.24, -27.09, 49.03

 

CMYK 0 / 38 / 48 / 12

HEX #E18C75

RGB 225 140 117

HSL 12.78, 0.64%, 0.67%

LAB 66.56, 29.89, 25.9

 

CMYK 0 / 45 / 57 / 7

HEX #EE8467

RGB 238 132 103

HSL 12.89, 0.8%, 0.67%

LAB 66.26, 37.89, 33.52

 

CMYK 0 / 50 / 64 / 1

HEX #FC7D5A

RGB 252 125 90

HSL 12.96, 0.96%, 0.67%

LAB 66.6, 45.78, 41.36

 

CMYK 0 / 38 / 48 / 12

HEX #E18C75

RGB 225 140 117

HSL 12.78, 0.64%, 0.67%

LAB 66.56, 29.89, 25.9

 

CMYK 0 / 30 / 38 / 17

HEX #D39483

RGB 211 148 131

HSL 12.75, 0.48%, 0.67%

LAB 67.03, 21.6, 18.5

 

CMYK 0 / 21 / 27 / 23

HEX #C59C90

RGB 197 156 144

HSL 13.58, 0.31%, 0.67%

LAB 67.77, 13.46, 12.09

 

CMYK 0 / 11 / 14 / 28

HEX #B8A39E

RGB 184 163 158

HSL 11.54, 0.15%, 0.67%

LAB 68.64, 6.81, 5.39

 

CMYK 1 / 0 / 0 / 33

HEX #AAABAB

RGB 170 171 171

HSL 180, 0.01%, 0.67%

LAB 69.9, -0.35, -0.13

 

CMYK 0 / 48 / 32 / 12

HEX #E17599

RGB 225 117 153

HSL 340, 0.64%, 0.67%

LAB 62.53, 45.82, -0.09

 

CMYK 0 / 48 / 45 / 12

HEX #E1757C

RGB 225 117 124

HSL 356.11, 0.64%, 0.67%

LAB 61.81, 42.54, 15.52

 

CMYK 0 / 38 / 48 / 12

HEX #E18B75

RGB 225 139 117

HSL 12.22, 0.64%, 0.67%

LAB 66.33, 30.42, 25.6

 

CMYK 0 / 26 / 48 / 12

HEX #E1A775

RGB 225 167 117

HSL 27.78, 0.64%, 0.67%

LAB 72.85, 15.44, 34.13

 

CMYK 0 / 13 / 48 / 12

HEX #E1C475

RGB 225 196 117

HSL 43.89, 0.64%, 0.67%

LAB 80.05, 0.11, 43.23

 

CMYK 0 / 60 / 77 / 18

HEX #D25431

RGB 210 84 49

HSL 13.04, 0.64%, 0.51%

LAB 52.13, 47.89, 44.82

 

CMYK 0 / 48 / 62 / 15

HEX #D97053

RGB 217 112 83

HSL 12.99, 0.64%, 0.59%

LAB 58.94, 38.64, 34.69

 

CMYK 0 / 38 / 48 / 12

HEX #E18C75

RGB 225 140 117

HSL 12.78, 0.64%, 0.67%

LAB 66.56, 29.89, 25.9

 

CMYK 0 / 28 / 35 / 9

HEX #E8A897

RGB 232 168 151

HSL 12.59, 0.64%, 0.75%

LAB 74.44, 21.36, 18.1

 

CMYK 0 / 18 / 23 / 6

HEX #F0C4B9

RGB 240 196 185

HSL 12, 0.65%, 0.83%

LAB 82.65, 14.01, 11.41

 

CMYK 0 / 37 / 48 / 12

HEX #E18D76

RGB 225 141 118

HSL 12.9, 0.64%, 0.67%

LAB 66.8, 29.45, 25.67

 

CMYK 19 / 0 / 48 / 12

HEX #B6E175

RGB 182 225 117

HSL 83.89, 0.64%, 0.67%

LAB 84.52, -31.22, 48

 

CMYK 48 / 38 / 0 / 12

HEX #758BE1

RGB 117 139 225

HSL 227.78, 0.64%, 0.67%

LAB 59.6, 15.17, -46.27

 

CMYK 0 / 37 / 48 / 12

HEX #E18D76

RGB 225 141 118

HSL 12.9, 0.64%, 0.67%

LAB 66.8, 29.45, 25.67

 

CMYK 48 / 0 / 38 / 12

HEX #75E18B

RGB 117 225 139

HSL 132.22, 0.64%, 0.67%

LAB 81.56, -49.24, 32.72

 

CMYK 38 / 48 / 0 / 12

HEX #8B75E1

RGB 139 117 225

HSL 252.22, 0.64%, 0.67%

LAB 55.73, 33.49, -52.31

 

CMYK 0 / 37 / 48 / 12

HEX #E18D76

RGB 225 141 118

HSL 12.9, 0.64%, 0.67%

LAB 66.8, 29.45, 25.67

 

CMYK 19 / 0 / 48 / 12

HEX #B6E175

RGB 182 225 117

HSL 83.89, 0.64%, 0.67%

LAB 84.52, -31.22, 48

 

CMYK 48 / 10 / 0 / 12

HEX #75CBE1

RGB 117 203 225

HSL 192.22, 0.64%, 0.67%

LAB 77.24, -20.2, -18.98

 

CMYK 29 / 48 / 0 / 12

HEX #A075E1

RGB 160 117 225

HSL 263.89, 0.64%, 0.67%

LAB 57.69, 38.88, -49.08

 

CMYK 0 / 37 / 48 / 12

HEX #E18D76

RGB 225 141 118

HSL 12.9, 0.64%, 0.67%

LAB 66.8, 29.45, 25.67

 

CMYK 34 / 0 / 48 / 12

HEX #95E175

RGB 149 225 117

HSL 102.22, 0.64%, 0.67%

LAB 82.66, -42.82, 45.29

 

CMYK 48 / 10 / 0 / 12

HEX #75CBE1

RGB 117 203 225

HSL 192.22, 0.64%, 0.67%

LAB 77.24, -20.2, -18.98

 

CMYK 15 / 48 / 0 / 12

HEX #C075E1

RGB 192 117 225

HSL 281.67, 0.64%, 0.67%

LAB 61.1, 47.56, -43.46

 

Description

Color code: HEX #E18D76 | qconv.com Color code: HEX #E18D76 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 141 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 141 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 48 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 48% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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