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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1859B it is the complementary color #1E7A64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1859B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1859B shade: #E68596, #F797A9, #FFA9BC, #FFBBCF and #FFCDE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1859B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1859B shade: #E1859B, #D07388, #BF6175, #AE4F62 and #9D3D4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1859B shade: #E1849A and #E18484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1859B shade: #E1849A, #E184B3, #E184CC, #DD84E1 and #C484E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1859B shade matches the following richer shades: #E1849A, #EE7794 and #FA6B8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1859B shade: #E1849A, #D590A1, #C89DA7, #BCA9AE and #B0B5B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1859B shade: #E184CD, #E184B4, #E1849B, #E18584 and #E19E84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1859B shade: #D14164, #D9637F, #E1849A, #E9A5B5 and #F1C6D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1859B shade: #E1859B, #E1DC84 and #84C0E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1859B shade: #E1859B, #9BE184 and #849BE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1859B shade: #E1859B, #E1DC84, #84E1CA and #8489E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1859B shade: #E1859B, #CAE184, #84E1CA and #9B84E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 31 / 12

HEX #E1859B

RGB 225 133 155

HSL 345.65, 0.61%, 0.7%

LAB 65.86, 37.86, 3.62

 

Complementary color

CMYK 75 / 0 / 18 / 52

HEX #1E7A64

RGB 30 122 100

HSL 165.65, 0.61%, 0.3%

LAB 45.79, -31.92, 4.5

 

CMYK 0 / 42 / 35 / 10

HEX #E68596

RGB 230 133 150

HSL 349.48, 0.66%, 0.71%

LAB 66.37, 39.02, 7.25

 

CMYK 0 / 39 / 32 / 3

HEX #F797A9

RGB 247 151 169

HSL 348.75, 0.86%, 0.78%

LAB 72.74, 38.12, 6.05

 

CMYK 0 / 34 / 26 / 0

HEX #FFA9BC

RGB 255 169 188

HSL 346.74, 1%, 0.83%

LAB 78.03, 34.08, 3.37

 

CMYK 0 / 27 / 19 / 0

HEX #FFBBCF

RGB 255 187 207

HSL 342.35, 1%, 0.87%

LAB 82.54, 27.37, -0.35

 

CMYK 0 / 20 / 11 / 0

HEX #FFCDE2

RGB 255 205 226

HSL 334.8, 1%, 0.9%

LAB 87.2, 20.88, -3.66

 

CMYK 0 / 41 / 31 / 12

HEX #E1859B

RGB 225 133 155

HSL 345.65, 0.61%, 0.7%

LAB 65.86, 37.86, 3.62

 

CMYK 0 / 45 / 35 / 18

HEX #D07388

RGB 208 115 136

HSL 346.45, 0.5%, 0.63%

LAB 59.39, 38.77, 4.85

 

CMYK 0 / 49 / 39 / 25

HEX #BF6175

RGB 191 97 117

HSL 347.23, 0.42%, 0.56%

LAB 52.85, 39.73, 6.29

 

CMYK 0 / 55 / 44 / 32

HEX #AE4F62

RGB 174 79 98

HSL 348, 0.38%, 0.5%

LAB 46.27, 40.68, 7.99

 

CMYK 0 / 61 / 50 / 38

HEX #9D3D4F

RGB 157 61 79

HSL 348.75, 0.44%, 0.43%

LAB 39.7, 41.55, 10.09

 

CMYK 0 / 41 / 32 / 12

HEX #E1849A

RGB 225 132 154

HSL 345.81, 0.61%, 0.7%

LAB 65.63, 38.25, 3.84

 

CMYK 0 / 41 / 41 / 12

HEX #E18484

RGB 225 132 132

HSL 0, 0.61%, 0.7%

LAB 65.1, 35.64, 15.54

 

CMYK 0 / 41 / 32 / 12

HEX #E1849A

RGB 225 132 154

HSL 345.81, 0.61%, 0.7%

LAB 65.63, 38.25, 3.84

 

CMYK 0 / 41 / 20 / 12

HEX #E184B3

RGB 225 132 179

HSL 329.68, 0.61%, 0.7%

LAB 66.34, 41.7, -9.24

 

CMYK 0 / 41 / 9 / 12

HEX #E184CC

RGB 225 132 204

HSL 313.55, 0.61%, 0.7%

LAB 67.18, 45.64, -22

 

CMYK 2 / 41 / 0 / 12

HEX #DD84E1

RGB 221 132 225

HSL 297.42, 0.61%, 0.7%

LAB 67.51, 48.09, -33.21

 

CMYK 13 / 41 / 0 / 12

HEX #C484E1

RGB 196 132 225

HSL 281.29, 0.61%, 0.7%

LAB 64.7, 40.7, -37.79

 

CMYK 0 / 41 / 32 / 12

HEX #E1849A

RGB 225 132 154

HSL 345.81, 0.61%, 0.7%

LAB 65.63, 38.25, 3.84

 

CMYK 0 / 50 / 38 / 7

HEX #EE7794

RGB 238 119 148

HSL 345.38, 0.78%, 0.7%

LAB 64.57, 48.67, 5.95

 

CMYK 0 / 57 / 44 / 2

HEX #FA6B8D

RGB 250 107 141

HSL 345.73, 0.93%, 0.7%

LAB 63.97, 57.56, 9.32

 

CMYK 0 / 41 / 32 / 12

HEX #E1849A

RGB 225 132 154

HSL 345.81, 0.61%, 0.7%

LAB 65.63, 38.25, 3.84

 

CMYK 0 / 32 / 24 / 16

HEX #D590A1

RGB 213 144 161

HSL 345.22, 0.45%, 0.7%

LAB 67.03, 28.47, 1.74

 

CMYK 0 / 22 / 17 / 22

HEX #C89DA7

RGB 200 157 167

HSL 346.05, 0.28%, 0.7%

LAB 68.88, 17.52, 0.92

 

CMYK 0 / 10 / 7 / 26

HEX #BCA9AE

RGB 188 169 174

HSL 344.21, 0.12%, 0.7%

LAB 70.96, 7.73, -0.07

 

CMYK 3 / 0 / 1 / 29

HEX #B0B5B4

RGB 176 181 180

HSL 168, 0.03%, 0.7%

LAB 73.27, -1.93, -0.11

 

CMYK 0 / 41 / 9 / 12

HEX #E184CD

RGB 225 132 205

HSL 312.9, 0.61%, 0.7%

LAB 67.22, 45.81, -22.5

 

CMYK 0 / 41 / 20 / 12

HEX #E184B4

RGB 225 132 180

HSL 329.03, 0.61%, 0.7%

LAB 66.37, 41.85, -9.76

 

CMYK 0 / 41 / 31 / 12

HEX #E1849B

RGB 225 132 155

HSL 345.16, 0.61%, 0.7%

LAB 65.65, 38.38, 3.31

 

CMYK 0 / 41 / 41 / 12

HEX #E18584

RGB 225 133 132

HSL 0.65, 0.61%, 0.7%

LAB 65.32, 35.12, 15.83

 

CMYK 0 / 30 / 41 / 12

HEX #E19E84

RGB 225 158 132

HSL 16.77, 0.61%, 0.7%

LAB 70.96, 21.8, 23.57

 

CMYK 0 / 69 / 52 / 18

HEX #D14164

RGB 209 65 100

HSL 345.42, 0.61%, 0.54%

LAB 49.81, 58.61, 12.58

 

CMYK 0 / 54 / 41 / 15

HEX #D9637F

RGB 217 99 127

HSL 345.76, 0.61%, 0.62%

LAB 57.28, 48.93, 7.23

 

CMYK 0 / 41 / 32 / 12

HEX #E1849A

RGB 225 132 154

HSL 345.81, 0.61%, 0.7%

LAB 65.63, 38.25, 3.84

 

CMYK 0 / 29 / 22 / 9

HEX #E9A5B5

RGB 233 165 181

HSL 345.88, 0.61%, 0.78%

LAB 74.55, 27.35, 1.85

 

CMYK 0 / 18 / 13 / 5

HEX #F1C6D1

RGB 241 198 209

HSL 344.65, 0.61%, 0.86%

LAB 83.81, 16.95, 0.26

 

CMYK 0 / 41 / 31 / 12

HEX #E1859B

RGB 225 133 155

HSL 345.65, 0.61%, 0.7%

LAB 65.86, 37.86, 3.62

 

CMYK 0 / 2 / 41 / 12

HEX #E1DC84

RGB 225 220 132

HSL 56.77, 0.61%, 0.7%

LAB 86.43, -10.69, 43.76

 

CMYK 41 / 15 / 0 / 12

HEX #84C0E1

RGB 132 192 225

HSL 201.29, 0.61%, 0.7%

LAB 74.85, -10.89, -22.54

 

CMYK 0 / 41 / 31 / 12

HEX #E1859B

RGB 225 133 155

HSL 345.65, 0.61%, 0.7%

LAB 65.86, 37.86, 3.62

 

CMYK 31 / 0 / 41 / 12

HEX #9BE184

RGB 155 225 132

HSL 105.16, 0.61%, 0.7%

LAB 83.17, -38.9, 38.65

 

CMYK 41 / 31 / 0 / 12

HEX #849BE1

RGB 132 155 225

HSL 225.16, 0.61%, 0.7%

LAB 64.79, 9.56, -38.05

 

CMYK 0 / 41 / 31 / 12

HEX #E1859B

RGB 225 133 155

HSL 345.65, 0.61%, 0.7%

LAB 65.86, 37.86, 3.62

 

CMYK 0 / 2 / 41 / 12

HEX #E1DC84

RGB 225 220 132

HSL 56.77, 0.61%, 0.7%

LAB 86.43, -10.69, 43.76

 

CMYK 41 / 0 / 10 / 12

HEX #84E1CA

RGB 132 225 202

HSL 165.16, 0.61%, 0.7%

LAB 83.45, -33, 2.59

 

CMYK 41 / 39 / 0 / 12

HEX #8489E1

RGB 132 137 225

HSL 236.77, 0.61%, 0.7%

LAB 60.1, 20.01, -45.42

 

CMYK 0 / 41 / 31 / 12

HEX #E1859B

RGB 225 133 155

HSL 345.65, 0.61%, 0.7%

LAB 65.86, 37.86, 3.62

 

CMYK 10 / 0 / 41 / 12

HEX #CAE184

RGB 202 225 132

HSL 74.84, 0.61%, 0.7%

LAB 86.04, -22.06, 42.9

 

CMYK 41 / 0 / 10 / 12

HEX #84E1CA

RGB 132 225 202

HSL 165.16, 0.61%, 0.7%

LAB 83.45, -33, 2.59

 

CMYK 31 / 41 / 0 / 12

HEX #9B84E1

RGB 155 132 225

HSL 254.84, 0.61%, 0.7%

LAB 60.7, 29, -44.35

 

Description

Color code: HEX #E1859B | qconv.com Color code: HEX #E1859B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 133 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 133 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 31 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 31% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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