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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E17F48 it is the complementary color #1E80B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E17F48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E17F48 shade: #E67F43, #F79156, #FFA369, #FFB57C and #FFC78F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E17F48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E17F48 shade: #E17F48, #D06D35, #BF5B22, #AE490F and #9D3700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E17F48 shade: #E17E47, #E15547 and #E14747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E17F48 shade: #E17E47, #E1A847, #E1D147, #C7E147 and #9DE147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E17F48 shade matches the following richer shades: #E17E47 and #F27935

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E17F48 shade: #E17E47, #D08358, #BE8869, #AD8D7B and #9C928C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E17F48 shade: #E14763, #E15447, #E17D47, #E1A647 and #E1CF47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E17F48 shade: #B7551E, #DB6624, #E17E47, #E7976A and #EDB08E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E17F48 shade: #E17F48, #8CE147 and #474EE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E17F48 shade: #E17F48, #47E17D and #7D47E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E17F48 shade: #E17F48, #8CE147, #47ABE1 and #9C47E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E17F48 shade: #E17F48, #5EE147, #47ABE1 and #CA47E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 68 / 12

HEX #E17F48

RGB 225 127 72

HSL 21.57, 0.72%, 0.58%

LAB 63.06, 33.34, 45.64

 

Complementary color

CMYK 84 / 30 / 0 / 28

HEX #1E80B7

RGB 30 128 183

HSL 201.57, 0.72%, 0.42%

LAB 50.84, -7.5, -36.55

 

CMYK 0 / 45 / 71 / 10

HEX #E67F43

RGB 230 127 67

HSL 22.09, 0.77%, 0.58%

LAB 63.68, 35.07, 49.01

 

CMYK 0 / 41 / 65 / 3

HEX #F79156

RGB 247 145 86

HSL 21.99, 0.91%, 0.65%

LAB 69.96, 33.53, 47.23

 

CMYK 0 / 36 / 59 / 0

HEX #FFA369

RGB 255 163 105

HSL 23.2, 1%, 0.71%

LAB 75.12, 28.6, 43.95

 

CMYK 0 / 29 / 51 / 0

HEX #FFB57C

RGB 255 181 124

HSL 26.11, 1%, 0.74%

LAB 79.48, 20.69, 39.6

 

CMYK 0 / 22 / 44 / 0

HEX #FFC78F

RGB 255 199 143

HSL 30, 1%, 0.78%

LAB 84.01, 13.06, 35.63

 

CMYK 0 / 44 / 68 / 12

HEX #E17F48

RGB 225 127 72

HSL 21.57, 0.72%, 0.58%

LAB 63.06, 33.34, 45.64

 

CMYK 0 / 48 / 75 / 18

HEX #D06D35

RGB 208 109 53

HSL 21.68, 0.62%, 0.51%

LAB 56.69, 34.97, 47.46

 

CMYK 0 / 52 / 82 / 25

HEX #BF5B22

RGB 191 91 34

HSL 21.78, 0.7%, 0.44%

LAB 50.3, 36.76, 49.11

 

CMYK 0 / 58 / 91 / 32

HEX #AE490F

RGB 174 73 15

HSL 21.89, 0.84%, 0.37%

LAB 43.94, 38.65, 50.01

 

CMYK 0 / 65 / 100 / 38

HEX #9D3700

RGB 157 55 0

HSL 21.02, 1%, 0.31%

LAB 37.66, 40.51, 49.21

 

CMYK 0 / 44 / 68 / 12

HEX #E17E47

RGB 225 126 71

HSL 21.43, 0.72%, 0.58%

LAB 62.83, 33.81, 45.89

 

CMYK 0 / 62 / 68 / 12

HEX #E15547

RGB 225 85 71

HSL 5.45, 0.72%, 0.58%

LAB 55.03, 53.7, 36.91

 

CMYK 0 / 68 / 68 / 12

HEX #E14747

RGB 225 71 71

HSL 0, 0.72%, 0.58%

LAB 52.92, 59.42, 34.38

 

CMYK 0 / 44 / 68 / 12

HEX #E17E47

RGB 225 126 71

HSL 21.43, 0.72%, 0.58%

LAB 62.83, 33.81, 45.89

 

CMYK 0 / 25 / 68 / 12

HEX #E1A847

RGB 225 168 71

HSL 37.79, 0.72%, 0.58%

LAB 72.54, 11.47, 56.47

 

CMYK 0 / 7 / 68 / 12

HEX #E1D147

RGB 225 209 71

HSL 53.77, 0.72%, 0.58%

LAB 82.95, -9.87, 67.21

 

CMYK 12 / 0 / 68 / 12

HEX #C7E147

RGB 199 225 71

HSL 70.13, 0.72%, 0.58%

LAB 85.22, -28.38, 68.84

 

CMYK 30 / 0 / 68 / 12

HEX #9DE147

RGB 157 225 71

HSL 86.49, 0.72%, 0.58%

LAB 82.63, -44.4, 65.37

 

CMYK 0 / 44 / 68 / 12

HEX #E17E47

RGB 225 126 71

HSL 21.43, 0.72%, 0.58%

LAB 62.83, 33.81, 45.89

 

CMYK 0 / 50 / 78 / 5

HEX #F27935

RGB 242 121 53

HSL 21.59, 0.88%, 0.58%

LAB 64.01, 42.22, 56.41

 

CMYK 0 / 44 / 68 / 12

HEX #E17E47

RGB 225 126 71

HSL 21.43, 0.72%, 0.58%

LAB 62.83, 33.81, 45.89

 

CMYK 0 / 37 / 58 / 18

HEX #D08358

RGB 208 131 88

HSL 21.5, 0.56%, 0.58%

LAB 61.95, 25.39, 35.42

 

CMYK 0 / 28 / 45 / 25

HEX #BE8869

RGB 190 136 105

HSL 21.88, 0.4%, 0.58%

LAB 61.29, 16.83, 24.81

 

CMYK 0 / 18 / 29 / 32

HEX #AD8D7B

RGB 173 141 123

HSL 21.6, 0.23%, 0.58%

LAB 61.1, 9.36, 14.15

 

CMYK 0 / 6 / 10 / 39

HEX #9C928C

RGB 156 146 140

HSL 22.5, 0.07%, 0.58%

LAB 61.24, 2.61, 4.5

 

CMYK 0 / 68 / 56 / 12

HEX #E14763

RGB 225 71 99

HSL 349.09, 0.72%, 0.58%

LAB 53.4, 61.13, 18.56

 

CMYK 0 / 63 / 68 / 12

HEX #E15447

RGB 225 84 71

HSL 5.06, 0.72%, 0.58%

LAB 54.87, 54.13, 36.71

 

CMYK 0 / 44 / 68 / 12

HEX #E17D47

RGB 225 125 71

HSL 21.04, 0.72%, 0.58%

LAB 62.62, 34.33, 45.65

 

CMYK 0 / 26 / 68 / 12

HEX #E1A647

RGB 225 166 71

HSL 37.01, 0.72%, 0.58%

LAB 72.05, 12.53, 55.96

 

CMYK 0 / 8 / 68 / 12

HEX #E1CF47

RGB 225 207 71

HSL 52.99, 0.72%, 0.58%

LAB 82.43, -8.86, 66.68

 

CMYK 0 / 54 / 84 / 28

HEX #B7551E

RGB 183 85 30

HSL 21.57, 0.72%, 0.42%

LAB 47.83, 36.52, 48.13

 

CMYK 0 / 53 / 84 / 14

HEX #DB6624

RGB 219 102 36

HSL 21.64, 0.72%, 0.5%

LAB 56.77, 42.25, 55.67

 

CMYK 0 / 44 / 68 / 12

HEX #E17E47

RGB 225 126 71

HSL 21.43, 0.72%, 0.58%

LAB 62.83, 33.81, 45.89

 

CMYK 0 / 35 / 54 / 9

HEX #E7976A

RGB 231 151 106

HSL 21.6, 0.72%, 0.66%

LAB 69.59, 25.43, 35.94

 

CMYK 0 / 26 / 40 / 7

HEX #EDB08E

RGB 237 176 142

HSL 21.47, 0.73%, 0.74%

LAB 76.68, 18, 26.11

 

CMYK 0 / 44 / 68 / 12

HEX #E17F48

RGB 225 127 72

HSL 21.57, 0.72%, 0.58%

LAB 63.06, 33.34, 45.64

 

CMYK 38 / 0 / 68 / 12

HEX #8CE147

RGB 140 225 71

HSL 93.12, 0.72%, 0.58%

LAB 81.77, -50.28, 64.21

 

CMYK 68 / 65 / 0 / 12

HEX #474EE1

RGB 71 78 225

HSL 237.27, 0.72%, 0.58%

LAB 41.57, 43.76, -75.46

 

CMYK 0 / 44 / 68 / 12

HEX #E17F48

RGB 225 127 72

HSL 21.57, 0.72%, 0.58%

LAB 63.06, 33.34, 45.64

 

CMYK 68 / 0 / 44 / 12

HEX #47E17D

RGB 71 225 125

HSL 141.04, 0.72%, 0.58%

LAB 79.99, -61.55, 37.44

 

CMYK 44 / 68 / 0 / 12

HEX #7D47E1

RGB 125 71 225

HSL 261.04, 0.72%, 0.58%

LAB 44.66, 55.86, -70.22

 

CMYK 0 / 44 / 68 / 12

HEX #E17F48

RGB 225 127 72

HSL 21.57, 0.72%, 0.58%

LAB 63.06, 33.34, 45.64

 

CMYK 38 / 0 / 68 / 12

HEX #8CE147

RGB 140 225 71

HSL 93.12, 0.72%, 0.58%

LAB 81.77, -50.28, 64.21

 

CMYK 68 / 24 / 0 / 12

HEX #47ABE1

RGB 71 171 225

HSL 201.04, 0.72%, 0.58%

LAB 66.44, -12.11, -35.69

 

CMYK 31 / 68 / 0 / 12

HEX #9C47E1

RGB 156 71 225

HSL 273.12, 0.72%, 0.58%

LAB 48.27, 61.7, -64.2

 

CMYK 0 / 44 / 68 / 12

HEX #E17F48

RGB 225 127 72

HSL 21.57, 0.72%, 0.58%

LAB 63.06, 33.34, 45.64

 

CMYK 58 / 0 / 68 / 12

HEX #5EE147

RGB 94 225 71

HSL 111.04, 0.72%, 0.58%

LAB 80, -63.53, 61.82

 

CMYK 68 / 24 / 0 / 12

HEX #47ABE1

RGB 71 171 225

HSL 201.04, 0.72%, 0.58%

LAB 66.44, -12.11, -35.69

 

CMYK 10 / 68 / 0 / 12

HEX #CA47E1

RGB 202 71 225

HSL 291.04, 0.72%, 0.58%

LAB 54.55, 71.21, -53.77

 

Description

Color code: HEX #E17F48 | qconv.com Color code: HEX #E17F48 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 127 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 127 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 68 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 68% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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