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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E16CC0 it is the complementary color #1E933F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E16CC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E16CC0 shade: #E66CBB, #F77ECE, #FF90E1, #FFA2F4 and #FFB4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E16CC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E16CC0 shade: #E16CC0, #D05AAD, #BF489A, #AE3687 and #9D2474

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E16CC0 shade: #E16BBF, #E16BA0, #E16B80 and #E16B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E16CC0 shade: #E16BBF, #E16BDF, #C26BE1, #A36BE1 and #836BE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E16CC0 shade matches the following richer shades: #E16BBF, #EF5CC6 and #FE4ECC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E16CC0 shade: #E16BBF, #D279B9, #C488B3, #B596AD and #A7A5A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E16CC0 shade: #C16BE1, #E16BE1, #E16BC1, #E16BA2 and #E16B82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E16CC0 shade: #CF2AA0, #DA49B1, #E16BBF, #E88DCE and #EFAFDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E16CC0 shade: #E16CC0, #E1A26B and #6BE1D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E16CC0 shade: #E16CC0, #C1E16B and #6BC1E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E16CC0 shade: #E16CC0, #E1A26B, #6BE18A and #6BAAE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E16CC0 shade: #E16CC0, #E1C56B, #6BE18A and #6B86E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 15 / 12

HEX #E16CC0

RGB 225 108 192

HSL 316.92, 0.66%, 0.65%

LAB 62.12, 55.65, -22.98

 

Complementary color

CMYK 80 / 0 / 57 / 42

HEX #1E933F

RGB 30 147 63

HSL 136.92, 0.66%, 0.35%

LAB 53.49, -49.65, 35.26

 

CMYK 0 / 53 / 19 / 10

HEX #E66CBB

RGB 230 108 187

HSL 321.15, 0.71%, 0.66%

LAB 62.62, 56.4, -19.31

 

CMYK 0 / 49 / 17 / 3

HEX #F77ECE

RGB 247 126 206

HSL 320.33, 0.88%, 0.73%

LAB 68.86, 55.76, -20.3

 

CMYK 0 / 44 / 12 / 0

HEX #FF90E1

RGB 255 144 225

HSL 316.22, 1%, 0.78%

LAB 73.96, 52.31, -22.94

 

CMYK 0 / 36 / 4 / 0

HEX #FFA2F4

RGB 255 162 244

HSL 307.1, 1%, 0.82%

LAB 78.25, 46.35, -26.74

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 52 / 15 / 12

HEX #E16CC0

RGB 225 108 192

HSL 316.92, 0.66%, 0.65%

LAB 62.12, 55.65, -22.98

 

CMYK 0 / 57 / 17 / 18

HEX #D05AAD

RGB 208 90 173

HSL 317.8, 0.56%, 0.58%

LAB 55.83, 56.18, -21.93

 

CMYK 0 / 62 / 19 / 25

HEX #BF489A

RGB 191 72 154

HSL 318.66, 0.48%, 0.52%

LAB 49.55, 56.51, -20.63

 

CMYK 0 / 69 / 22 / 32

HEX #AE3687

RGB 174 54 135

HSL 319.5, 0.53%, 0.45%

LAB 43.34, 56.47, -18.98

 

CMYK 0 / 77 / 26 / 38

HEX #9D2474

RGB 157 36 116

HSL 320.33, 0.63%, 0.38%

LAB 37.28, 55.8, -16.79

 

CMYK 0 / 52 / 15 / 12

HEX #E16BBF

RGB 225 107 191

HSL 317.29, 0.66%, 0.65%

LAB 61.9, 55.97, -22.75

 

CMYK 0 / 52 / 29 / 12

HEX #E16BA0

RGB 225 107 160

HSL 333.05, 0.66%, 0.65%

LAB 60.84, 51.62, -6.61

 

CMYK 0 / 52 / 43 / 12

HEX #E16B80

RGB 225 107 128

HSL 349.32, 0.66%, 0.65%

LAB 59.96, 47.91, 10.62

 

CMYK 0 / 52 / 52 / 12

HEX #E16B6B

RGB 225 107 107

HSL 0, 0.66%, 0.65%

LAB 59.51, 45.95, 22.12

 

CMYK 0 / 52 / 15 / 12

HEX #E16BBF

RGB 225 107 191

HSL 317.29, 0.66%, 0.65%

LAB 61.9, 55.97, -22.75

 

CMYK 0 / 52 / 1 / 12

HEX #E16BDF

RGB 225 107 223

HSL 301.02, 0.66%, 0.65%

LAB 63.22, 61.16, -38.74

 

CMYK 14 / 52 / 0 / 12

HEX #C26BE1

RGB 194 107 225

HSL 284.24, 0.66%, 0.65%

LAB 59.36, 53.25, -46.19

 

CMYK 28 / 52 / 0 / 12

HEX #A36BE1

RGB 163 107 225

HSL 268.47, 0.66%, 0.65%

LAB 55.82, 45.18, -52.03

 

CMYK 42 / 52 / 0 / 12

HEX #836BE1

RGB 131 107 225

HSL 252.2, 0.66%, 0.65%

LAB 52.7, 37.38, -57.19

 

CMYK 0 / 52 / 15 / 12

HEX #E16BBF

RGB 225 107 191

HSL 317.29, 0.66%, 0.65%

LAB 61.9, 55.97, -22.75

 

CMYK 0 / 62 / 17 / 6

HEX #EF5CC6

RGB 239 92 198

HSL 316.73, 0.82%, 0.65%

LAB 61.73, 67.57, -26.82

 

CMYK 0 / 69 / 20 / 0

HEX #FE4ECC

RGB 254 78 204

HSL 317.05, 0.99%, 0.65%

LAB 62.41, 77.43, -28.98

 

CMYK 0 / 52 / 15 / 12

HEX #E16BBF

RGB 225 107 191

HSL 317.29, 0.66%, 0.65%

LAB 61.9, 55.97, -22.75

 

CMYK 0 / 42 / 12 / 18

HEX #D279B9

RGB 210 121 185

HSL 316.85, 0.5%, 0.65%

LAB 62.41, 43.4, -18.74

 

CMYK 0 / 31 / 9 / 23

HEX #C488B3

RGB 196 136 179

HSL 317, 0.34%, 0.65%

LAB 63.83, 29.66, -13.34

 

CMYK 0 / 17 / 4 / 29

HEX #B596AD

RGB 181 150 173

HSL 315.48, 0.17%, 0.65%

LAB 65.48, 15.54, -7.66

 

CMYK 0 / 1 / 1 / 35

HEX #A7A5A6

RGB 167 165 166

HSL 330, 0.01%, 0.65%

LAB 67.93, 0.91, -0.27

 

CMYK 14 / 52 / 0 / 12

HEX #C16BE1

RGB 193 107 225

HSL 283.73, 0.66%, 0.65%

LAB 59.24, 52.99, -46.39

 

CMYK 0 / 52 / 0 / 12

HEX #E16BE1

RGB 225 107 225

HSL 300, 0.66%, 0.65%

LAB 63.31, 61.51, -39.71

 

CMYK 0 / 52 / 14 / 12

HEX #E16BC1

RGB 225 107 193

HSL 316.27, 0.66%, 0.65%

LAB 61.97, 56.28, -23.77

 

CMYK 0 / 52 / 28 / 12

HEX #E16BA2

RGB 225 107 162

HSL 332.03, 0.66%, 0.65%

LAB 60.9, 51.88, -7.67

 

CMYK 0 / 52 / 42 / 12

HEX #E16B82

RGB 225 107 130

HSL 348.31, 0.66%, 0.65%

LAB 60.01, 48.12, 9.53

 

CMYK 0 / 80 / 23 / 19

HEX #CF2AA0

RGB 207 42 160

HSL 317.09, 0.66%, 0.49%

LAB 48.83, 71.63, -25.08

 

CMYK 0 / 67 / 19 / 15

HEX #DA49B1

RGB 218 73 177

HSL 316.97, 0.66%, 0.57%

LAB 54.91, 66.62, -25.53

 

CMYK 0 / 52 / 15 / 12

HEX #E16BBF

RGB 225 107 191

HSL 317.29, 0.66%, 0.65%

LAB 61.9, 55.97, -22.75

 

CMYK 0 / 39 / 11 / 9

HEX #E88DCE

RGB 232 141 206

HSL 317.14, 0.66%, 0.73%

LAB 69.94, 43.55, -18.84

 

CMYK 0 / 27 / 8 / 6

HEX #EFAFDD

RGB 239 175 221

HSL 316.88, 0.67%, 0.81%

LAB 78.6, 30.45, -13.93

 

CMYK 0 / 52 / 15 / 12

HEX #E16CC0

RGB 225 108 192

HSL 316.92, 0.66%, 0.65%

LAB 62.12, 55.65, -22.98

 

CMYK 0 / 28 / 52 / 12

HEX #E1A26B

RGB 225 162 107

HSL 27.97, 0.66%, 0.65%

LAB 71.49, 17.21, 37.67

 

CMYK 52 / 0 / 7 / 12

HEX #6BE1D1

RGB 107 225 209

HSL 171.86, 0.66%, 0.65%

LAB 82.69, -37.14, -2.35

 

CMYK 0 / 52 / 15 / 12

HEX #E16CC0

RGB 225 108 192

HSL 316.92, 0.66%, 0.65%

LAB 62.12, 55.65, -22.98

 

CMYK 14 / 0 / 52 / 12

HEX #C1E16B

RGB 193 225 107

HSL 76.27, 0.66%, 0.65%

LAB 85.12, -28.06, 53.57

 

CMYK 52 / 14 / 0 / 12

HEX #6BC1E1

RGB 107 193 225

HSL 196.27, 0.66%, 0.65%

LAB 74, -17.26, -23.94

 

CMYK 0 / 52 / 15 / 12

HEX #E16CC0

RGB 225 108 192

HSL 316.92, 0.66%, 0.65%

LAB 62.12, 55.65, -22.98

 

CMYK 0 / 28 / 52 / 12

HEX #E1A26B

RGB 225 162 107

HSL 27.97, 0.66%, 0.65%

LAB 71.49, 17.21, 37.67

 

CMYK 52 / 0 / 39 / 12

HEX #6BE18A

RGB 107 225 138

HSL 135.76, 0.66%, 0.65%

LAB 81.19, -51.95, 32.66

 

CMYK 52 / 24 / 0 / 12

HEX #6BAAE1

RGB 107 170 225

HSL 207.97, 0.66%, 0.65%

LAB 67.51, -4.92, -33.93

 

CMYK 0 / 52 / 15 / 12

HEX #E16CC0

RGB 225 108 192

HSL 316.92, 0.66%, 0.65%

LAB 62.12, 55.65, -22.98

 

CMYK 0 / 12 / 52 / 12

HEX #E1C56B

RGB 225 197 107

HSL 45.76, 0.66%, 0.65%

LAB 80.18, -1.3, 48.32

 

CMYK 52 / 0 / 39 / 12

HEX #6BE18A

RGB 107 225 138

HSL 135.76, 0.66%, 0.65%

LAB 81.19, -51.95, 32.66

 

CMYK 52 / 40 / 0 / 12

HEX #6B86E1

RGB 107 134 225

HSL 226.27, 0.66%, 0.65%

LAB 57.67, 15.87, -49.38

 

Description

Color code: HEX #E16CC0 | qconv.com Color code: HEX #E16CC0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 108 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 108 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 15 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 15% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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