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Color name
HEX #E1623D

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1623D it is the complementary color #1E9DC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1623D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1623D shade: #E66238, #F7744B, #FF865E, #FF9871 and #FFAA84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1623D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1623D shade: #E1623D, #D0502A, #BF3E17, #AE2C04 and #9D1A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1623D shade: #E1623D and #E13D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1623D shade: #E1623D, #E18E3D, #E1BA3D, #DBE13D and #AFE13D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1623D shade matches the following richer shades: #E1623D and #F3582B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1623D shade: #E1623D, #CF6C4F, #BC7661, #AA8073 and #988A86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1623D shade: #E13D71, #E13D45, #E1603D, #E18C3D and #E1B83D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1623D shade: #B03D1B, #D34921, #E1623D, #E67F61 and #EC9C84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1623D shade: #E1623D, #9CE13D and #3D5BE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1623D shade: #E1623D, #3DE160 and #603DE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1623D shade: #E1623D, #9CE13D, #3DBDE1 and #813DE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1623D shade: #E1623D, #6BE13D, #3DBDE1 and #B23DE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 73 / 12

HEX #E1623D

RGB 225 98 61

HSL 13.54, 0.73%, 0.56%

LAB 57.15, 47.32, 44.71

 

Complementary color

CMYK 85 / 19 / 0 / 24

HEX #1E9DC2

RGB 30 157 194

HSL 193.54, 0.73%, 0.44%

LAB 60.15, -19.69, -28.31

 

CMYK 0 / 57 / 76 / 10

HEX #E66238

RGB 230 98 56

HSL 14.48, 0.78%, 0.56%

LAB 57.89, 48.93, 48.27

 

CMYK 0 / 53 / 70 / 3

HEX #F7744B

RGB 247 116 75

HSL 14.3, 0.91%, 0.63%

LAB 63.98, 47.48, 45.99

 

CMYK 0 / 47 / 63 / 0

HEX #FF865E

RGB 255 134 94

HSL 14.91, 1%, 0.68%

LAB 68.84, 42.7, 42.04

 

CMYK 0 / 40 / 56 / 0

HEX #FF9871

RGB 255 152 113

HSL 16.48, 1%, 0.72%

LAB 72.83, 34.89, 36.93

 

CMYK 0 / 33 / 48 / 0

HEX #FFAA84

RGB 255 170 132

HSL 18.54, 1%, 0.76%

LAB 77.09, 27.16, 32.33

 

CMYK 0 / 56 / 73 / 12

HEX #E1623D

RGB 225 98 61

HSL 13.54, 0.73%, 0.56%

LAB 57.15, 47.32, 44.71

 

CMYK 0 / 62 / 80 / 18

HEX #D0502A

RGB 208 80 42

HSL 13.73, 0.66%, 0.49%

LAB 51.05, 48.74, 47.11

 

CMYK 0 / 68 / 88 / 25

HEX #BF3E17

RGB 191 62 23

HSL 13.93, 0.79%, 0.42%

LAB 45.06, 50.03, 49.24

 

CMYK 0 / 75 / 98 / 32

HEX #AE2C04

RGB 174 44 4

HSL 14.12, 0.96%, 0.35%

LAB 39.26, 50.95, 50.36

 

CMYK 0 / 83 / 100 / 38

HEX #9D1A00

RGB 157 26 0

HSL 9.94, 1%, 0.31%

LAB 33.79, 51.17, 47.19

 

CMYK 0 / 56 / 73 / 12

HEX #E1623D

RGB 225 98 61

HSL 13.54, 0.73%, 0.56%

LAB 57.15, 47.32, 44.71

 

CMYK 0 / 73 / 73 / 12

HEX #E13D3D

RGB 225 61 61

HSL 0, 0.73%, 0.56%

LAB 51.48, 62.56, 38.39

 

CMYK 0 / 56 / 73 / 12

HEX #E1623D

RGB 225 98 61

HSL 13.54, 0.73%, 0.56%

LAB 57.15, 47.32, 44.71

 

CMYK 0 / 37 / 73 / 12

HEX #E18E3D

RGB 225 142 61

HSL 29.63, 0.73%, 0.56%

LAB 66.28, 24.86, 54.38

 

CMYK 0 / 17 / 73 / 12

HEX #E1BA3D

RGB 225 186 61

HSL 45.73, 0.73%, 0.56%

LAB 76.96, 1.47, 65.08

 

CMYK 3 / 0 / 73 / 12

HEX #DBE13D

RGB 219 225 61

HSL 62.2, 0.73%, 0.56%

LAB 86.63, -20.76, 74.16

 

CMYK 22 / 0 / 73 / 12

HEX #AFE13D

RGB 175 225 61

HSL 78.29, 0.73%, 0.56%

LAB 83.6, -38.33, 70.21

 

CMYK 0 / 56 / 73 / 12

HEX #E1623D

RGB 225 98 61

HSL 13.54, 0.73%, 0.56%

LAB 57.15, 47.32, 44.71

 

CMYK 0 / 64 / 82 / 5

HEX #F3582B

RGB 243 88 43

HSL 13.5, 0.89%, 0.56%

LAB 58.23, 57.47, 55.48

 

CMYK 0 / 56 / 73 / 12

HEX #E1623D

RGB 225 98 61

HSL 13.54, 0.73%, 0.56%

LAB 57.15, 47.32, 44.71

 

CMYK 0 / 48 / 62 / 19

HEX #CF6C4F

RGB 207 108 79

HSL 13.59, 0.57%, 0.56%

LAB 56.64, 36.56, 33.75

 

CMYK 0 / 37 / 48 / 26

HEX #BC7661

RGB 188 118 97

HSL 13.85, 0.4%, 0.56%

LAB 56.6, 25.14, 23.05

 

CMYK 0 / 25 / 32 / 33

HEX #AA8073

RGB 170 128 115

HSL 14.18, 0.24%, 0.56%

LAB 57.29, 14.35, 13.35

 

CMYK 0 / 9 / 12 / 40

HEX #988A86

RGB 152 138 134

HSL 13.33, 0.08%, 0.56%

LAB 58.58, 4.53, 4.03

 

CMYK 0 / 73 / 50 / 12

HEX #E13D71

RGB 225 61 113

HSL 340.98, 0.73%, 0.56%

LAB 52.44, 65.76, 8.84

 

CMYK 0 / 73 / 69 / 12

HEX #E13D45

RGB 225 61 69

HSL 357.07, 0.73%, 0.56%

LAB 51.58, 62.92, 33.94

 

CMYK 0 / 57 / 73 / 12

HEX #E1603D

RGB 225 96 61

HSL 12.8, 0.73%, 0.56%

LAB 56.79, 48.26, 44.32

 

CMYK 0 / 38 / 73 / 12

HEX #E18C3D

RGB 225 140 61

HSL 28.9, 0.73%, 0.56%

LAB 65.83, 25.92, 53.91

 

CMYK 0 / 18 / 73 / 12

HEX #E1B83D

RGB 225 184 61

HSL 45, 0.73%, 0.56%

LAB 76.45, 2.51, 64.58

 

CMYK 0 / 65 / 85 / 31

HEX #B03D1B

RGB 176 61 27

HSL 13.69, 0.73%, 0.4%

LAB 42.23, 45.28, 44.03

 

CMYK 0 / 65 / 84 / 17

HEX #D34921

RGB 211 73 33

HSL 13.48, 0.73%, 0.48%

LAB 50.36, 52.57, 50.84

 

CMYK 0 / 56 / 73 / 12

HEX #E1623D

RGB 225 98 61

HSL 13.54, 0.73%, 0.56%

LAB 57.15, 47.32, 44.71

 

CMYK 0 / 45 / 58 / 10

HEX #E67F61

RGB 230 127 97

HSL 13.53, 0.73%, 0.64%

LAB 64.05, 36.93, 33.77

 

CMYK 0 / 34 / 44 / 7

HEX #EC9C84

RGB 236 156 132

HSL 13.85, 0.73%, 0.72%

LAB 71.74, 27.16, 24.84

 

CMYK 0 / 56 / 73 / 12

HEX #E1623D

RGB 225 98 61

HSL 13.54, 0.73%, 0.56%

LAB 57.15, 47.32, 44.71

 

CMYK 31 / 0 / 73 / 12

HEX #9CE13D

RGB 156 225 61

HSL 85.24, 0.73%, 0.56%

LAB 82.52, -45.38, 68.78

 

CMYK 73 / 60 / 0 / 12

HEX #3D5BE1

RGB 61 91 225

HSL 229.02, 0.73%, 0.56%

LAB 44.1, 34.59, -71.34

 

CMYK 0 / 56 / 73 / 12

HEX #E1623D

RGB 225 98 61

HSL 13.54, 0.73%, 0.56%

LAB 57.15, 47.32, 44.71

 

CMYK 73 / 0 / 57 / 12

HEX #3DE160

RGB 61 225 96

HSL 132.8, 0.73%, 0.56%

LAB 79.44, -67.33, 50.51

 

CMYK 57 / 73 / 0 / 12

HEX #603DE1

RGB 96 61 225

HSL 252.8, 0.73%, 0.56%

LAB 40.02, 56.36, -77.94

 

CMYK 0 / 56 / 73 / 12

HEX #E1623D

RGB 225 98 61

HSL 13.54, 0.73%, 0.56%

LAB 57.15, 47.32, 44.71

 

CMYK 31 / 0 / 73 / 12

HEX #9CE13D

RGB 156 225 61

HSL 85.24, 0.73%, 0.56%

LAB 82.52, -45.38, 68.78

 

CMYK 73 / 16 / 0 / 12

HEX #3DBDE1

RGB 61 189 225

HSL 193.17, 0.73%, 0.56%

LAB 71.44, -22.94, -27.99

 

CMYK 43 / 73 / 0 / 12

HEX #813DE1

RGB 129 61 225

HSL 264.88, 0.73%, 0.56%

LAB 43.42, 61.27, -72.23

 

CMYK 0 / 56 / 73 / 12

HEX #E1623D

RGB 225 98 61

HSL 13.54, 0.73%, 0.56%

LAB 57.15, 47.32, 44.71

 

CMYK 52 / 0 / 73 / 12

HEX #6BE13D

RGB 107 225 61

HSL 103.17, 0.73%, 0.56%

LAB 80.36, -60.98, 65.92

 

CMYK 73 / 16 / 0 / 12

HEX #3DBDE1

RGB 61 189 225

HSL 193.17, 0.73%, 0.56%

LAB 71.44, -22.94, -27.99

 

CMYK 21 / 73 / 0 / 12

HEX #B23DE1

RGB 178 61 225

HSL 282.8, 0.73%, 0.56%

LAB 49.78, 70.05, -61.61

 

Description

Color code: HEX #E1623D | qconv.com Color code: HEX #E1623D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 98 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 98 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 73 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 73% 12% C M Y K

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Provide designers and agencies with accurate color values.

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