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Color name
HEX #E1592F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1592F it is the complementary color #1EA6D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1592F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1592F shade: #E6592A, #F76B3D, #FF7D50, #FF8F63 and #FFA176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1592F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1592F shade: #E1592F, #D0471C, #BF3509, #AE2300 and #9D1100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1592F shade: #E1582D and #E12D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1592F shade: #E1582D, #E1882D, #E1B92D, #D9E12D and #A8E12D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1592F shade matches the following richer shades: #E1582D and #F44D1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1592F shade: #E1582D, #CE6241, #BA6C54, #A77667 and #93817B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1592F shade: #E12D63, #E12D33, #E1572D, #E1872D and #E1B72D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1592F shade: #A43917, #C8451D, #E1582D, #E67451 and #EB9175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1592F shade: #E1592F, #93E12D and #2D4BE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1592F shade: #E1592F, #2DE157 and #572DE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1592F shade: #E1592F, #93E12D, #2DB7E1 and #7B2DE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1592F shade: #E1592F, #5DE12D, #2DB7E1 and #B12DE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 79 / 12

HEX #E1592F

RGB 225 89 47

HSL 14.16, 0.75%, 0.53%

LAB 55.44, 50.92, 49.94

 

Complementary color

CMYK 86 / 20 / 0 / 18

HEX #1EA6D0

RGB 30 166 208

HSL 194.16, 0.75%, 0.47%

LAB 63.43, -19.64, -31.05

 

CMYK 0 / 61 / 82 / 10

HEX #E6592A

RGB 230 89 42

HSL 15, 0.79%, 0.53%

LAB 56.22, 52.54, 53.29

 

CMYK 0 / 57 / 75 / 3

HEX #F76B3D

RGB 247 107 61

HSL 14.84, 0.92%, 0.6%

LAB 62.19, 51.1, 51.1

 

CMYK 0 / 51 / 69 / 0

HEX #FF7D50

RGB 255 125 80

HSL 15.43, 1%, 0.66%

LAB 66.91, 46.34, 47.05

 

CMYK 0 / 44 / 61 / 0

HEX #FF8F63

RGB 255 143 99

HSL 16.92, 1%, 0.69%

LAB 70.74, 38.49, 41.72

 

CMYK 0 / 37 / 54 / 0

HEX #FFA176

RGB 255 161 118

HSL 18.83, 1%, 0.73%

LAB 74.86, 30.63, 36.86

 

CMYK 0 / 60 / 79 / 12

HEX #E1592F

RGB 225 89 47

HSL 14.16, 0.75%, 0.53%

LAB 55.44, 50.92, 49.94

 

CMYK 0 / 66 / 87 / 18

HEX #D0471C

RGB 208 71 28

HSL 14.33, 0.76%, 0.46%

LAB 49.5, 52.25, 52.04

 

CMYK 0 / 72 / 95 / 25

HEX #BF3509

RGB 191 53 9

HSL 14.51, 0.91%, 0.39%

LAB 43.72, 53.32, 53.07

 

CMYK 0 / 80 / 100 / 32

HEX #AE2300

RGB 174 35 0

HSL 12.07, 1%, 0.34%

LAB 38.2, 53.81, 51.33

 

CMYK 0 / 89 / 100 / 38

HEX #9D1100

RGB 157 17 0

HSL 6.5, 1%, 0.31%

LAB 33.07, 53.21, 46.75

 

CMYK 0 / 61 / 80 / 12

HEX #E1582D

RGB 225 88 45

HSL 14.33, 0.75%, 0.53%

LAB 55.25, 51.3, 50.71

 

CMYK 0 / 80 / 80 / 12

HEX #E12D2D

RGB 225 45 45

HSL 0, 0.75%, 0.53%

LAB 49.59, 66.81, 45.18

 

CMYK 0 / 61 / 80 / 12

HEX #E1582D

RGB 225 88 45

HSL 14.33, 0.75%, 0.53%

LAB 55.25, 51.3, 50.71

 

CMYK 0 / 40 / 80 / 12

HEX #E1882D

RGB 225 136 45

HSL 30.33, 0.75%, 0.53%

LAB 64.81, 27.41, 59.66

 

CMYK 0 / 18 / 80 / 12

HEX #E1B92D

RGB 225 185 45

HSL 46.67, 0.75%, 0.53%

LAB 76.62, 1.37, 70.26

 

CMYK 4 / 0 / 80 / 12

HEX #D9E12D

RGB 217 225 45

HSL 62.67, 0.75%, 0.53%

LAB 86.4, -22.18, 78.56

 

CMYK 25 / 0 / 80 / 12

HEX #A8E12D

RGB 168 225 45

HSL 79, 0.75%, 0.53%

LAB 83.11, -41.73, 74.39

 

CMYK 0 / 61 / 80 / 12

HEX #E1582D

RGB 225 88 45

HSL 14.33, 0.75%, 0.53%

LAB 55.25, 51.3, 50.71

 

CMYK 0 / 68 / 89 / 4

HEX #F44D1A

RGB 244 77 26

HSL 14.04, 0.91%, 0.53%

LAB 56.7, 61.8, 61.08

 

CMYK 0 / 61 / 80 / 12

HEX #E1582D

RGB 225 88 45

HSL 14.33, 0.75%, 0.53%

LAB 55.25, 51.3, 50.71

 

CMYK 0 / 52 / 68 / 19

HEX #CE6241

RGB 206 98 65

HSL 14.04, 0.59%, 0.53%

LAB 54.28, 40.41, 38.57

 

CMYK 0 / 42 / 55 / 27

HEX #BA6C54

RGB 186 108 84

HSL 14.12, 0.43%, 0.53%

LAB 53.82, 28.6, 26.77

 

CMYK 0 / 29 / 38 / 35

HEX #A77667

RGB 167 118 103

HSL 14.06, 0.27%, 0.53%

LAB 54.19, 17.24, 15.92

 

CMYK 0 / 12 / 16 / 42

HEX #93817B

RGB 147 129 123

HSL 15, 0.1%, 0.53%

LAB 55.41, 5.81, 5.76

 

CMYK 0 / 80 / 56 / 12

HEX #E12D63

RGB 225 45 99

HSL 342, 0.75%, 0.53%

LAB 50.43, 69.42, 14.51

 

CMYK 0 / 80 / 77 / 12

HEX #E12D33

RGB 225 45 51

HSL 358, 0.75%, 0.53%

LAB 49.65, 67, 41.98

 

CMYK 0 / 61 / 80 / 12

HEX #E1572D

RGB 225 87 45

HSL 14, 0.75%, 0.53%

LAB 55.09, 51.75, 50.55

 

CMYK 0 / 40 / 80 / 12

HEX #E1872D

RGB 225 135 45

HSL 30, 0.75%, 0.53%

LAB 64.58, 27.94, 59.45

 

CMYK 0 / 19 / 80 / 12

HEX #E1B72D

RGB 225 183 45

HSL 46, 0.75%, 0.53%

LAB 76.11, 2.42, 69.82

 

CMYK 0 / 65 / 86 / 36

HEX #A43917

RGB 164 57 23

HSL 14.47, 0.75%, 0.37%

LAB 39.38, 42.61, 42.55

 

CMYK 0 / 66 / 86 / 22

HEX #C8451D

RGB 200 69 29

HSL 14.04, 0.75%, 0.45%

LAB 47.78, 50.35, 49.62

 

CMYK 0 / 61 / 80 / 12

HEX #E1582D

RGB 225 88 45

HSL 14.33, 0.75%, 0.53%

LAB 55.25, 51.3, 50.71

 

CMYK 0 / 50 / 65 / 10

HEX #E67451

RGB 230 116 81

HSL 14.09, 0.75%, 0.61%

LAB 61.57, 41.45, 39.4

 

CMYK 0 / 38 / 50 / 8

HEX #EB9175

RGB 235 145 117

HSL 14.24, 0.75%, 0.69%

LAB 68.89, 31.13, 29.21

 

CMYK 0 / 60 / 79 / 12

HEX #E1592F

RGB 225 89 47

HSL 14.16, 0.75%, 0.53%

LAB 55.44, 50.92, 49.94

 

CMYK 35 / 0 / 80 / 12

HEX #93E12D

RGB 147 225 45

HSL 86, 0.75%, 0.53%

LAB 81.97, -49.37, 72.94

 

CMYK 80 / 67 / 0 / 12

HEX #2D4BE1

RGB 45 75 225

HSL 230, 0.75%, 0.53%

LAB 39.62, 42.99, -78.71

 

CMYK 0 / 60 / 79 / 12

HEX #E1592F

RGB 225 89 47

HSL 14.16, 0.75%, 0.53%

LAB 55.44, 50.92, 49.94

 

CMYK 80 / 0 / 61 / 12

HEX #2DE157

RGB 45 225 87

HSL 134, 0.75%, 0.53%

LAB 79.1, -70.5, 54.02

 

CMYK 61 / 80 / 0 / 12

HEX #572DE1

RGB 87 45 225

HSL 254, 0.75%, 0.53%

LAB 36.63, 62.7, -83.55

 

CMYK 0 / 60 / 79 / 12

HEX #E1592F

RGB 225 89 47

HSL 14.16, 0.75%, 0.53%

LAB 55.44, 50.92, 49.94

 

CMYK 35 / 0 / 80 / 12

HEX #93E12D

RGB 147 225 45

HSL 86, 0.75%, 0.53%

LAB 81.97, -49.37, 72.94

 

CMYK 80 / 19 / 0 / 12

HEX #2DB7E1

RGB 45 183 225

HSL 194, 0.75%, 0.53%

LAB 69.37, -21.57, -31.2

 

CMYK 45 / 80 / 0 / 12

HEX #7B2DE1

RGB 123 45 225

HSL 266, 0.75%, 0.53%

LAB 40.45, 66.89, -77.13

 

CMYK 0 / 60 / 79 / 12

HEX #E1592F

RGB 225 89 47

HSL 14.16, 0.75%, 0.53%

LAB 55.44, 50.92, 49.94

 

CMYK 59 / 0 / 80 / 12

HEX #5DE12D

RGB 93 225 45

HSL 104, 0.75%, 0.53%

LAB 79.82, -65.51, 70.18

 

CMYK 80 / 19 / 0 / 12

HEX #2DB7E1

RGB 45 183 225

HSL 194, 0.75%, 0.53%

LAB 69.37, -21.57, -31.2

 

CMYK 21 / 80 / 0 / 12

HEX #B12DE1

RGB 177 45 225

HSL 284, 0.75%, 0.53%

LAB 47.83, 75.09, -64.78

 

Description

Color code: HEX #E1592F | qconv.com Color code: HEX #E1592F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 89 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 89 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 79 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 79% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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