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Color name
HEX #E1508D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E1508D it is the complementary color #1EAF72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E1508D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E1508D shade: #E65088, #F7629B, #FF74AE, #FF86C1 and #FF98D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E1508D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E1508D shade: #E1508D, #D03E7A, #BF2C67, #AE1A54 and #9D0841

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E1508D shade: #E1518E, #E15166 and #E15151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E1508D shade: #E1518E, #E151B5, #E151DC, #C051E1 and #9951E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E1508D shade matches the following richer shades: #E1518E and #F2408B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E1508D shade: #E1518E, #D16190, #C07293, #B08295 and #9F9398

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E1508D shade: #E151DD, #E151B6, #E1518F, #E15169 and #E15F51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E1508D shade: #BF2063, #DB2D77, #E1518E, #E774A4 and #ED97BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E1508D shade: #E1508D, #E1C051 and #51C9E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E1508D shade: #E1508D, #8FE151 and #518FE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E1508D shade: #E1508D, #E1C051, #51E1A3 and #5172E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E1508D shade: #E1508D, #D8E151, #51E1A3 and #5A51E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 37 / 12

HEX #E1508D

RGB 225 80 141

HSL 334.76, 0.71%, 0.6%

LAB 55.75, 61.4, -3.05

 

Complementary color

CMYK 83 / 0 / 35 / 31

HEX #1EAF72

RGB 30 175 114

HSL 154.76, 0.71%, 0.4%

LAB 63.47, -50.68, 21.22

 

CMYK 0 / 65 / 41 / 10

HEX #E65088

RGB 230 80 136

HSL 337.6, 0.75%, 0.61%

LAB 56.42, 62.35, 0.97

 

CMYK 0 / 60 / 37 / 3

HEX #F7629B

RGB 247 98 155

HSL 337.05, 0.9%, 0.68%

LAB 62.4, 62, -1.05

 

CMYK 0 / 55 / 32 / 0

HEX #FF74AE

RGB 255 116 174

HSL 334.96, 1%, 0.73%

LAB 67.13, 58.65, -4.8

 

CMYK 0 / 47 / 24 / 0

HEX #FF86C1

RGB 255 134 193

HSL 330.74, 1%, 0.76%

LAB 70.98, 52.54, -9.76

 

CMYK 0 / 40 / 17 / 0

HEX #FF98D4

RGB 255 152 212

HSL 325.05, 1%, 0.8%

LAB 75.12, 46.29, -14.06

 

CMYK 0 / 64 / 37 / 12

HEX #E1508D

RGB 225 80 141

HSL 334.76, 0.71%, 0.6%

LAB 55.75, 61.4, -3.05

 

CMYK 0 / 70 / 41 / 18

HEX #D03E7A

RGB 208 62 122

HSL 335.34, 0.61%, 0.53%

LAB 49.81, 61.42, -0.77

 

CMYK 0 / 77 / 46 / 25

HEX #BF2C67

RGB 191 44 103

HSL 335.92, 0.63%, 0.46%

LAB 44.03, 60.91, 2.08

 

CMYK 0 / 85 / 52 / 32

HEX #AE1A54

RGB 174 26 84

HSL 336.49, 0.74%, 0.39%

LAB 38.51, 59.55, 5.7

 

CMYK 0 / 95 / 59 / 38

HEX #9D0841

RGB 157 8 65

HSL 337.05, 0.9%, 0.32%

LAB 33.4, 56.94, 10.34

 

CMYK 0 / 64 / 37 / 12

HEX #E1518E

RGB 225 81 142

HSL 334.58, 0.71%, 0.6%

LAB 55.93, 61.1, -3.38

 

CMYK 0 / 64 / 55 / 12

HEX #E15166

RGB 225 81 102

HSL 351.25, 0.71%, 0.6%

LAB 54.92, 57.39, 18.84

 

CMYK 0 / 64 / 64 / 12

HEX #E15151

RGB 225 81 81

HSL 0, 0.71%, 0.6%

LAB 54.54, 55.96, 30.62

 

CMYK 0 / 64 / 37 / 12

HEX #E1518E

RGB 225 81 142

HSL 334.58, 0.71%, 0.6%

LAB 55.93, 61.1, -3.38

 

CMYK 0 / 64 / 20 / 12

HEX #E151B5

RGB 225 81 181

HSL 318.33, 0.71%, 0.6%

LAB 57.3, 65.91, -24.08

 

CMYK 0 / 64 / 2 / 12

HEX #E151DC

RGB 225 81 220

HSL 302.08, 0.71%, 0.6%

LAB 59.03, 71.74, -43.63

 

CMYK 15 / 64 / 0 / 12

HEX #C051E1

RGB 192 81 225

HSL 286.25, 0.71%, 0.6%

LAB 54.58, 64.98, -53.8

 

CMYK 32 / 64 / 0 / 12

HEX #9951E1

RGB 153 81 225

HSL 270, 0.71%, 0.6%

LAB 49.61, 56.38, -62.06

 

CMYK 0 / 64 / 37 / 12

HEX #E1518E

RGB 225 81 142

HSL 334.58, 0.71%, 0.6%

LAB 55.93, 61.1, -3.38

 

CMYK 0 / 74 / 43 / 5

HEX #F2408B

RGB 242 64 139

HSL 334.72, 0.87%, 0.6%

LAB 56.49, 71.69, -0.45

 

CMYK 0 / 64 / 37 / 12

HEX #E1518E

RGB 225 81 142

HSL 334.58, 0.71%, 0.6%

LAB 55.93, 61.1, -3.38

 

CMYK 0 / 54 / 31 / 18

HEX #D16190

RGB 209 97 144

HSL 334.82, 0.55%, 0.6%

LAB 56.21, 49.2, -4.43

 

CMYK 0 / 41 / 23 / 25

HEX #C07293

RGB 192 114 147

HSL 334.62, 0.38%, 0.6%

LAB 57.41, 35.07, -4.65

 

CMYK 0 / 26 / 15 / 31

HEX #B08295

RGB 176 130 149

HSL 335.22, 0.23%, 0.6%

LAB 59.31, 20.71, -3.22

 

CMYK 0 / 8 / 4 / 38

HEX #9F9398

RGB 159 147 152

HSL 335, 0.06%, 0.6%

LAB 62.09, 5.35, -1.04

 

CMYK 0 / 64 / 2 / 12

HEX #E151DD

RGB 225 81 221

HSL 301.67, 0.71%, 0.6%

LAB 59.08, 71.9, -44.12

 

CMYK 0 / 64 / 19 / 12

HEX #E151B6

RGB 225 81 182

HSL 317.92, 0.71%, 0.6%

LAB 57.34, 66.05, -24.6

 

CMYK 0 / 64 / 36 / 12

HEX #E1518F

RGB 225 81 143

HSL 334.17, 0.71%, 0.6%

LAB 55.96, 61.21, -3.92

 

CMYK 0 / 64 / 53 / 12

HEX #E15169

RGB 225 81 105

HSL 350, 0.71%, 0.6%

LAB 54.98, 57.62, 17.15

 

CMYK 0 / 58 / 64 / 12

HEX #E15F51

RGB 225 95 81

HSL 5.83, 0.71%, 0.6%

LAB 56.87, 49.78, 33.52

 

CMYK 0 / 83 / 48 / 25

HEX #BF2063

RGB 191 32 99

HSL 334.72, 0.71%, 0.44%

LAB 42.78, 63.79, 2.77

 

CMYK 0 / 79 / 46 / 14

HEX #DB2D77

RGB 219 45 119

HSL 334.48, 0.71%, 0.52%

LAB 49.82, 69.41, 1.3

 

CMYK 0 / 64 / 37 / 12

HEX #E1518E

RGB 225 81 142

HSL 334.58, 0.71%, 0.6%

LAB 55.93, 61.1, -3.38

 

CMYK 0 / 50 / 29 / 9

HEX #E774A4

RGB 231 116 164

HSL 334.96, 0.71%, 0.68%

LAB 63.47, 49.72, -4.9

 

CMYK 0 / 36 / 21 / 7

HEX #ED97BB

RGB 237 151 187

HSL 334.88, 0.7%, 0.76%

LAB 72.04, 37.06, -5.09

 

CMYK 0 / 64 / 37 / 12

HEX #E1508D

RGB 225 80 141

HSL 334.76, 0.71%, 0.6%

LAB 55.75, 61.4, -3.05

 

CMYK 0 / 15 / 64 / 12

HEX #E1C051

RGB 225 192 81

HSL 46.25, 0.71%, 0.6%

LAB 78.64, -0.59, 58.61

 

CMYK 64 / 11 / 0 / 12

HEX #51C9E1

RGB 81 201 225

HSL 190, 0.71%, 0.6%

LAB 75.43, -26.15, -21.85

 

CMYK 0 / 64 / 37 / 12

HEX #E1508D

RGB 225 80 141

HSL 334.76, 0.71%, 0.6%

LAB 55.75, 61.4, -3.05

 

CMYK 36 / 0 / 64 / 12

HEX #8FE151

RGB 143 225 81

HSL 94.17, 0.71%, 0.6%

LAB 81.99, -48.51, 60.57

 

CMYK 64 / 36 / 0 / 12

HEX #518FE1

RGB 81 143 225

HSL 214.17, 0.71%, 0.6%

LAB 58.82, 5.41, -47.63

 

CMYK 0 / 64 / 37 / 12

HEX #E1508D

RGB 225 80 141

HSL 334.76, 0.71%, 0.6%

LAB 55.75, 61.4, -3.05

 

CMYK 0 / 15 / 64 / 12

HEX #E1C051

RGB 225 192 81

HSL 46.25, 0.71%, 0.6%

LAB 78.64, -0.59, 58.61

 

CMYK 64 / 0 / 28 / 12

HEX #51E1A3

RGB 81 225 163

HSL 154.17, 0.71%, 0.6%

LAB 80.87, -52.71, 19.22

 

CMYK 64 / 49 / 0 / 12

HEX #5172E1

RGB 81 114 225

HSL 226.25, 0.71%, 0.6%

LAB 50.94, 23.03, -60.21

 

CMYK 0 / 64 / 37 / 12

HEX #E1508D

RGB 225 80 141

HSL 334.76, 0.71%, 0.6%

LAB 55.75, 61.4, -3.05

 

CMYK 4 / 0 / 64 / 12

HEX #D8E151

RGB 216 225 81

HSL 63.75, 0.71%, 0.6%

LAB 86.53, -20.94, 66.76

 

CMYK 64 / 0 / 28 / 12

HEX #51E1A3

RGB 81 225 163

HSL 154.17, 0.71%, 0.6%

LAB 80.87, -52.71, 19.22

 

CMYK 60 / 64 / 0 / 12

HEX #5A51E1

RGB 90 81 225

HSL 243.75, 0.71%, 0.6%

LAB 43.5, 44.6, -72.26

 

Description

Color code: HEX #E1508D | qconv.com Color code: HEX #E1508D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 80 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 80 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 37 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 37% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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