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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E14D94 it is the complementary color #1EB26B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E14D94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E14D94 shade: #E64D8F, #F75FA2, #FF71B5, #FF83C8 and #FF95DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E14D94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E14D94 shade: #E14D94, #D03B81, #BF296E, #AE175B and #9D0548

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E14D94 shade: #E14C93, #E14C6B and #E14C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E14D94 shade: #E14C93, #E14CBB, #DE4CE1, #B64CE1 and #8E4CE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E14D94 shade matches the following richer shades: #E14C93 and #F23B93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E14D94 shade: #E14C93, #D05D94, #BF6E95, #AE7F95 and #9D9096

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E14D94 shade: #DE4CE1, #E14CBC, #E14C94, #E14C6C and #E1544C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E14D94 shade: #BB206A, #DB297E, #E14C93, #E76FA9 and #ED93BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E14D94 shade: #E14D94, #E1B74C and #4CCFE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E14D94 shade: #E14D94, #94E14C and #4C94E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E14D94 shade: #E14D94, #E1B74C, #4CE199 and #4C76E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E14D94 shade: #E14D94, #DEE14C, #4CE199 and #4F4CE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 34 / 12

HEX #E14D94

RGB 225 77 148

HSL 331.22, 0.71%, 0.59%

LAB 55.54, 63.36, -7.5

 

Complementary color

CMYK 83 / 0 / 40 / 30

HEX #1EB26B

RGB 30 178 107

HSL 151.22, 0.71%, 0.41%

LAB 64.31, -53.23, 26.1

 

CMYK 0 / 67 / 38 / 10

HEX #E64D8F

RGB 230 77 143

HSL 334.12, 0.75%, 0.6%

LAB 56.2, 64.24, -3.48

 

CMYK 0 / 62 / 34 / 3

HEX #F75FA2

RGB 247 95 162

HSL 333.55, 0.9%, 0.67%

LAB 62.14, 64.03, -5.47

 

CMYK 0 / 56 / 29 / 0

HEX #FF71B5

RGB 255 113 181

HSL 331.27, 1%, 0.72%

LAB 66.83, 60.86, -9.21

 

CMYK 0 / 49 / 22 / 0

HEX #FF83C8

RGB 255 131 200

HSL 326.61, 1%, 0.76%

LAB 70.64, 54.96, -14.17

 

CMYK 0 / 42 / 14 / 0

HEX #FF95DB

RGB 255 149 219

HSL 320.38, 1%, 0.79%

LAB 74.74, 48.87, -18.47

 

CMYK 0 / 66 / 34 / 12

HEX #E14D94

RGB 225 77 148

HSL 331.22, 0.71%, 0.59%

LAB 55.54, 63.36, -7.5

 

CMYK 0 / 72 / 38 / 18

HEX #D03B81

RGB 208 59 129

HSL 331.81, 0.61%, 0.52%

LAB 49.64, 63.21, -5.24

 

CMYK 0 / 79 / 42 / 25

HEX #BF296E

RGB 191 41 110

HSL 332.4, 0.65%, 0.45%

LAB 43.93, 62.45, -2.42

 

CMYK 0 / 87 / 48 / 32

HEX #AE175B

RGB 174 23 91

HSL 332.98, 0.77%, 0.39%

LAB 38.49, 60.77, 1.19

 

CMYK 0 / 97 / 54 / 38

HEX #9D0548

RGB 157 5 72

HSL 333.55, 0.94%, 0.32%

LAB 33.45, 57.85, 5.79

 

CMYK 0 / 66 / 35 / 12

HEX #E14C93

RGB 225 76 147

HSL 331.41, 0.71%, 0.59%

LAB 55.36, 63.64, -7.17

 

CMYK 0 / 66 / 52 / 12

HEX #E14C6B

RGB 225 76 107

HSL 347.52, 0.71%, 0.59%

LAB 54.28, 59.81, 15

 

CMYK 0 / 66 / 66 / 12

HEX #E14C4C

RGB 225 76 76

HSL 0, 0.71%, 0.59%

LAB 53.71, 57.72, 32.47

 

CMYK 0 / 66 / 35 / 12

HEX #E14C93

RGB 225 76 147

HSL 331.41, 0.71%, 0.59%

LAB 55.36, 63.64, -7.17

 

CMYK 0 / 66 / 17 / 12

HEX #E14CBB

RGB 225 76 187

HSL 315.3, 0.71%, 0.59%

LAB 56.85, 68.67, -28.24

 

CMYK 1 / 66 / 0 / 12

HEX #DE4CE1

RGB 222 76 225

HSL 298.79, 0.71%, 0.59%

LAB 58.16, 73.74, -47.84

 

CMYK 19 / 66 / 0 / 12

HEX #B64CE1

RGB 182 76 225

HSL 282.68, 0.71%, 0.59%

LAB 52.45, 64.91, -57.29

 

CMYK 37 / 66 / 0 / 12

HEX #8E4CE1

RGB 142 76 225

HSL 266.58, 0.71%, 0.59%

LAB 47.44, 56.58, -65.63

 

CMYK 0 / 66 / 35 / 12

HEX #E14C93

RGB 225 76 147

HSL 331.41, 0.71%, 0.59%

LAB 55.36, 63.64, -7.17

 

CMYK 0 / 76 / 39 / 5

HEX #F23B93

RGB 242 59 147

HSL 331.15, 0.88%, 0.59%

LAB 56.2, 73.96, -5.61

 

CMYK 0 / 66 / 35 / 12

HEX #E14C93

RGB 225 76 147

HSL 331.41, 0.71%, 0.59%

LAB 55.36, 63.64, -7.17

 

CMYK 0 / 55 / 29 / 18

HEX #D05D94

RGB 208 93 148

HSL 331.3, 0.55%, 0.59%

LAB 55.46, 51.3, -7.9

 

CMYK 0 / 42 / 22 / 25

HEX #BF6E95

RGB 191 110 149

HSL 331.11, 0.39%, 0.59%

LAB 56.48, 37.16, -7.21

 

CMYK 0 / 27 / 14 / 32

HEX #AE7F95

RGB 174 127 149

HSL 331.91, 0.22%, 0.59%

LAB 58.37, 21.66, -4.64

 

CMYK 0 / 8 / 4 / 38

HEX #9D9096

RGB 157 144 150

HSL 332.31, 0.06%, 0.59%

LAB 61.06, 5.93, -1.43

 

CMYK 1 / 66 / 0 / 12

HEX #DE4CE1

RGB 222 76 225

HSL 298.79, 0.71%, 0.59%

LAB 58.16, 73.74, -47.84

 

CMYK 0 / 66 / 16 / 12

HEX #E14CBC

RGB 225 76 188

HSL 314.9, 0.71%, 0.59%

LAB 56.89, 68.81, -28.75

 

CMYK 0 / 66 / 34 / 12

HEX #E14C94

RGB 225 76 148

HSL 331.01, 0.71%, 0.59%

LAB 55.39, 63.75, -7.71

 

CMYK 0 / 66 / 52 / 12

HEX #E14C6C

RGB 225 76 108

HSL 347.11, 0.71%, 0.59%

LAB 54.3, 59.89, 14.43

 

CMYK 0 / 63 / 66 / 12

HEX #E1544C

RGB 225 84 76

HSL 3.22, 0.71%, 0.59%

LAB 54.94, 54.4, 33.98

 

CMYK 0 / 83 / 43 / 27

HEX #BB206A

RGB 187 32 106

HSL 331.35, 0.71%, 0.43%

LAB 42.21, 63.4, -2.54

 

CMYK 0 / 81 / 42 / 14

HEX #DB297E

RGB 219 41 126

HSL 331.35, 0.71%, 0.51%

LAB 49.68, 71.04, -3.15

 

CMYK 0 / 66 / 35 / 12

HEX #E14C93

RGB 225 76 147

HSL 331.41, 0.71%, 0.59%

LAB 55.36, 63.64, -7.17

 

CMYK 0 / 52 / 27 / 9

HEX #E76FA9

RGB 231 111 169

HSL 331, 0.71%, 0.67%

LAB 62.69, 52.79, -8.92

 

CMYK 0 / 38 / 20 / 7

HEX #ED93BE

RGB 237 147 190

HSL 331.33, 0.71%, 0.75%

LAB 71.28, 39.59, -7.89

 

CMYK 0 / 66 / 34 / 12

HEX #E14D94

RGB 225 77 148

HSL 331.22, 0.71%, 0.59%

LAB 55.54, 63.36, -7.5

 

CMYK 0 / 19 / 66 / 12

HEX #E1B74C

RGB 225 183 76

HSL 43.09, 0.71%, 0.59%

LAB 76.31, 3.81, 58.29

 

CMYK 66 / 8 / 0 / 12

HEX #4CCFE1

RGB 76 207 225

HSL 187.25, 0.71%, 0.59%

LAB 77.04, -29.86, -19.41

 

CMYK 0 / 66 / 34 / 12

HEX #E14D94

RGB 225 77 148

HSL 331.22, 0.71%, 0.59%

LAB 55.54, 63.36, -7.5

 

CMYK 34 / 0 / 66 / 12

HEX #94E14C

RGB 148 225 76

HSL 91.01, 0.71%, 0.59%

LAB 82.2, -47.2, 62.86

 

CMYK 66 / 34 / 0 / 12

HEX #4C94E1

RGB 76 148 225

HSL 211.01, 0.71%, 0.59%

LAB 60.03, 1.64, -45.74

 

CMYK 0 / 66 / 34 / 12

HEX #E14D94

RGB 225 77 148

HSL 331.22, 0.71%, 0.59%

LAB 55.54, 63.36, -7.5

 

CMYK 0 / 19 / 66 / 12

HEX #E1B74C

RGB 225 183 76

HSL 43.09, 0.71%, 0.59%

LAB 76.31, 3.81, 58.29

 

CMYK 66 / 0 / 32 / 12

HEX #4CE199

RGB 76 225 153

HSL 151.01, 0.71%, 0.59%

LAB 80.56, -55.62, 23.98

 

CMYK 66 / 48 / 0 / 12

HEX #4C76E1

RGB 76 118 225

HSL 223.09, 0.71%, 0.59%

LAB 51.76, 19.74, -58.91

 

CMYK 0 / 66 / 34 / 12

HEX #E14D94

RGB 225 77 148

HSL 331.22, 0.71%, 0.59%

LAB 55.54, 63.36, -7.5

 

CMYK 1 / 0 / 66 / 12

HEX #DEE14C

RGB 222 225 76

HSL 61.21, 0.71%, 0.59%

LAB 86.95, -18.79, 69.27

 

CMYK 66 / 0 / 32 / 12

HEX #4CE199

RGB 76 225 153

HSL 151.01, 0.71%, 0.59%

LAB 80.56, -55.62, 23.98

 

CMYK 65 / 66 / 0 / 12

HEX #4F4CE1

RGB 79 76 225

HSL 241.21, 0.71%, 0.59%

LAB 41.64, 45.95, -75.33

 

Description

Color code: HEX #E14D94 | qconv.com Color code: HEX #E14D94 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 77 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 77 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 34 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 34% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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