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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E13C70 it is the complementary color #1EC38F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E13C70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E13C70 shade: #E63C6B, #F74E7E, #FF6091, #FF72A4 and #FF84B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E13C70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E13C70 shade: #E13C70, #D02A5D, #BF184A, #AE0637 and #9D0024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E13C70 shade: #E13D71, #E13D44 and #E13D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E13C70 shade: #E13D71, #E13D9D, #E13DC9, #CC3DE1 and #A03DE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E13C70 shade matches the following richer shades: #E13D71 and #F32B6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E13C70 shade: #E13D71, #CF4F77, #BC617E, #AA7385 and #98868B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E13C70 shade: #E13DC8, #E13D9C, #E13D71, #E13D45 and #E1603D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E13C70 shade: #B01B4A, #D32159, #E13D71, #E6618B and #EC84A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E13C70 shade: #E13C70, #E1CE3D and #3DB2E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E13C70 shade: #E13C70, #71E13D and #3D71E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E13C70 shade: #E13C70, #E1CE3D, #3DE1AD and #3D50E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E13C70 shade: #E13C70, #C3E13D, #3DE1AD and #5B3DE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 50 / 12

HEX #E13C70

RGB 225 60 112

HSL 341.09, 0.73%, 0.56%

LAB 52.3, 66.01, 9.24

 

Complementary color

CMYK 85 / 0 / 27 / 24

HEX #1EC38F

RGB 30 195 143

HSL 161.09, 0.73%, 0.44%

LAB 70.38, -51.92, 15.08

 

CMYK 0 / 74 / 53 / 10

HEX #E63C6B

RGB 230 60 107

HSL 343.41, 0.77%, 0.57%

LAB 53.08, 67.02, 13.47

 

CMYK 0 / 68 / 49 / 3

HEX #F74E7E

RGB 247 78 126

HSL 342.96, 0.91%, 0.64%

LAB 58.72, 67.18, 10.53

 

CMYK 0 / 62 / 43 / 0

HEX #FF6091

RGB 255 96 145

HSL 341.51, 1%, 0.69%

LAB 63.07, 64.24, 5.84

 

CMYK 0 / 55 / 36 / 0

HEX #FF72A4

RGB 255 114 164

HSL 338.72, 1%, 0.72%

LAB 66.5, 58.4, -0.06

 

CMYK 0 / 48 / 28 / 0

HEX #FF84B7

RGB 255 132 183

HSL 335.12, 1%, 0.76%

LAB 70.3, 52.2, -5.18

 

CMYK 0 / 73 / 50 / 12

HEX #E13C70

RGB 225 60 112

HSL 341.09, 0.73%, 0.56%

LAB 52.3, 66.01, 9.24

 

CMYK 0 / 80 / 55 / 18

HEX #D02A5D

RGB 208 42 93

HSL 341.57, 0.66%, 0.49%

LAB 46.79, 65.27, 12.63

 

CMYK 0 / 87 / 61 / 25

HEX #BF184A

RGB 191 24 74

HSL 342.04, 0.78%, 0.42%

LAB 41.57, 63.65, 16.83

 

CMYK 0 / 97 / 68 / 32

HEX #AE0637

RGB 174 6 55

HSL 342.5, 0.93%, 0.35%

LAB 36.75, 60.87, 21.96

 

CMYK 0 / 100 / 77 / 38

HEX #9D0024

RGB 157 0 36

HSL 346.24, 1%, 0.31%

LAB 32.47, 56.53, 28.06

 

CMYK 0 / 73 / 50 / 12

HEX #E13D71

RGB 225 61 113

HSL 340.98, 0.73%, 0.56%

LAB 52.44, 65.76, 8.84

 

CMYK 0 / 73 / 70 / 12

HEX #E13D44

RGB 225 61 68

HSL 357.44, 0.73%, 0.56%

LAB 51.57, 62.87, 34.5

 

CMYK 0 / 73 / 73 / 12

HEX #E13D3D

RGB 225 61 61

HSL 0, 0.73%, 0.56%

LAB 51.48, 62.56, 38.39

 

CMYK 0 / 73 / 50 / 12

HEX #E13D71

RGB 225 61 113

HSL 340.98, 0.73%, 0.56%

LAB 52.44, 65.76, 8.84

 

CMYK 0 / 73 / 30 / 12

HEX #E13D9D

RGB 225 61 157

HSL 324.88, 0.73%, 0.56%

LAB 53.79, 70.1, -15.43

 

CMYK 0 / 73 / 11 / 12

HEX #E13DC9

RGB 225 61 201

HSL 308.78, 0.73%, 0.56%

LAB 55.65, 75.8, -38.15

 

CMYK 9 / 73 / 0 / 12

HEX #CC3DE1

RGB 204 61 225

HSL 292.32, 0.73%, 0.56%

LAB 53.61, 75.15, -55.26

 

CMYK 29 / 73 / 0 / 12

HEX #A03DE1

RGB 160 61 225

HSL 276.22, 0.73%, 0.56%

LAB 47.3, 66.68, -65.75

 

CMYK 0 / 73 / 50 / 12

HEX #E13D71

RGB 225 61 113

HSL 340.98, 0.73%, 0.56%

LAB 52.44, 65.76, 8.84

 

CMYK 0 / 82 / 56 / 5

HEX #F32B6A

RGB 243 43 106

HSL 341.1, 0.89%, 0.56%

LAB 53.84, 75, 15.5

 

CMYK 0 / 73 / 50 / 12

HEX #E13D71

RGB 225 61 113

HSL 340.98, 0.73%, 0.56%

LAB 52.44, 65.76, 8.84

 

CMYK 0 / 62 / 43 / 19

HEX #CF4F77

RGB 207 79 119

HSL 341.25, 0.57%, 0.56%

LAB 52.05, 54, 4.27

 

CMYK 0 / 48 / 33 / 26

HEX #BC617E

RGB 188 97 126

HSL 340.88, 0.4%, 0.56%

LAB 52.67, 39.75, 0.64

 

CMYK 0 / 32 / 22 / 33

HEX #AA7385

RGB 170 115 133

HSL 340.36, 0.24%, 0.56%

LAB 54.55, 24.33, -1.01

 

CMYK 0 / 12 / 9 / 40

HEX #98868B

RGB 152 134 139

HSL 343.33, 0.08%, 0.56%

LAB 57.65, 7.69, -0.19

 

CMYK 0 / 73 / 11 / 12

HEX #E13DC8

RGB 225 61 200

HSL 309.15, 0.73%, 0.56%

LAB 55.6, 75.65, -37.66

 

CMYK 0 / 73 / 31 / 12

HEX #E13D9C

RGB 225 61 156

HSL 325.24, 0.73%, 0.56%

LAB 53.76, 69.99, -14.9

 

CMYK 0 / 73 / 50 / 12

HEX #E13D71

RGB 225 61 113

HSL 340.98, 0.73%, 0.56%

LAB 52.44, 65.76, 8.84

 

CMYK 0 / 73 / 69 / 12

HEX #E13D45

RGB 225 61 69

HSL 357.07, 0.73%, 0.56%

LAB 51.58, 62.92, 33.94

 

CMYK 0 / 57 / 73 / 12

HEX #E1603D

RGB 225 96 61

HSL 12.8, 0.73%, 0.56%

LAB 56.79, 48.26, 44.32

 

CMYK 0 / 85 / 58 / 31

HEX #B01B4A

RGB 176 27 74

HSL 341.07, 0.73%, 0.4%

LAB 38.74, 59.11, 12.48

 

CMYK 0 / 84 / 58 / 17

HEX #D32159

RGB 211 33 89

HSL 341.12, 0.73%, 0.48%

LAB 46.52, 67.93, 14.84

 

CMYK 0 / 73 / 50 / 12

HEX #E13D71

RGB 225 61 113

HSL 340.98, 0.73%, 0.56%

LAB 52.44, 65.76, 8.84

 

CMYK 0 / 58 / 40 / 10

HEX #E6618B

RGB 230 97 139

HSL 341.05, 0.73%, 0.64%

LAB 59.19, 55.42, 3.23

 

CMYK 0 / 44 / 30 / 7

HEX #EC84A5

RGB 236 132 165

HSL 340.96, 0.73%, 0.72%

LAB 67.32, 43.52, 0.25

 

CMYK 0 / 73 / 50 / 12

HEX #E13C70

RGB 225 60 112

HSL 341.09, 0.73%, 0.56%

LAB 52.3, 66.01, 9.24

 

CMYK 0 / 8 / 73 / 12

HEX #E1CE3D

RGB 225 206 61

HSL 53.05, 0.73%, 0.56%

LAB 82.1, -8.83, 70.04

 

CMYK 73 / 21 / 0 / 12

HEX #3DB2E1

RGB 61 178 225

HSL 197.2, 0.73%, 0.56%

LAB 68.22, -17.23, -32.95

 

CMYK 0 / 73 / 50 / 12

HEX #E13C70

RGB 225 60 112

HSL 341.09, 0.73%, 0.56%

LAB 52.3, 66.01, 9.24

 

CMYK 50 / 0 / 73 / 12

HEX #71E13D

RGB 113 225 61

HSL 100.98, 0.73%, 0.56%

LAB 80.57, -59.32, 66.21

 

CMYK 73 / 50 / 0 / 12

HEX #3D71E1

RGB 61 113 225

HSL 220.98, 0.73%, 0.56%

LAB 49.78, 20.72, -62.12

 

CMYK 0 / 73 / 50 / 12

HEX #E13C70

RGB 225 60 112

HSL 341.09, 0.73%, 0.56%

LAB 52.3, 66.01, 9.24

 

CMYK 0 / 8 / 73 / 12

HEX #E1CE3D

RGB 225 206 61

HSL 53.05, 0.73%, 0.56%

LAB 82.1, -8.83, 70.04

 

CMYK 73 / 0 / 23 / 12

HEX #3DE1AD

RGB 61 225 173

HSL 160.98, 0.73%, 0.56%

LAB 80.66, -53.57, 13.62

 

CMYK 73 / 64 / 0 / 12

HEX #3D50E1

RGB 61 80 225

HSL 233.05, 0.73%, 0.56%

LAB 41.48, 41.41, -75.64

 

CMYK 0 / 73 / 50 / 12

HEX #E13C70

RGB 225 60 112

HSL 341.09, 0.73%, 0.56%

LAB 52.3, 66.01, 9.24

 

CMYK 13 / 0 / 73 / 12

HEX #C3E13D

RGB 195 225 61

HSL 70.98, 0.73%, 0.56%

LAB 84.89, -30.5, 71.9

 

CMYK 73 / 0 / 23 / 12

HEX #3DE1AD

RGB 61 225 173

HSL 160.98, 0.73%, 0.56%

LAB 80.66, -53.57, 13.62

 

CMYK 60 / 73 / 0 / 12

HEX #5B3DE1

RGB 91 61 225

HSL 250.98, 0.73%, 0.56%

LAB 39.58, 55.71, -78.68

 

Description

Color code: HEX #E13C70 | qconv.com Color code: HEX #E13C70 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 60 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 60 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 50 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 50% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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