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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E117DB it is the complementary color #1EE824. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E117DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E117DB shade: #E617D6, #F729E9, #FF3BFC, #FF4DFF and #FF5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E117DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E117DB shade: #E117DB, #D005C8, #BF00B5, #AE00A2 and #9D008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E117DB shade: #E218DC, #E218A6, #E2186F, #E21838 and #E21818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E117DB shade: #E218DC, #B218E2, #7B18E2, #4418E2 and #1818E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E117DB shade matches the following richer shades: #E218DC and #F604EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E117DB shade: #E218DC, #CE2CC9, #BA40B6, #A654A3 and #916990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E117DB shade: #7A18E2, #B018E2, #E218DF, #E218A9 and #E21873

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E117DB shade: #971093, #BD14B8, #E218DC, #EA39E5 and #EE5EEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E117DB shade: #E117DB, #E24418 and #18E295

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E117DB shade: #E117DB, #DFE218 and #18DFE2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E117DB shade: #E117DB, #E24418, #18E21B and #18B6E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E117DB shade: #E117DB, #E28018, #18E21B and #187AE2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 3 / 12

HEX #E117DB

RGB 225 23 219

HSL 301.78, 0.81%, 0.49%

LAB 53.74, 86.59, -51.44

 

Complementary color

CMYK 87 / 0 / 84 / 9

HEX #1EE824

RGB 30 232 36

HSL 121.78, 0.81%, 0.51%

LAB 80.8, -77.92, 72.86

 

CMYK 0 / 90 / 7 / 10

HEX #E617D6

RGB 230 23 214

HSL 304.64, 0.82%, 0.5%

LAB 54.33, 86.76, -47.61

 

CMYK 0 / 83 / 6 / 3

HEX #F729E9

RGB 247 41 233

HSL 304.08, 0.93%, 0.56%

LAB 59.2, 89.62, -50.45

 

CMYK 0 / 77 / 1 / 0

HEX #FF3BFC

RGB 255 59 252

HSL 300.92, 1%, 0.62%

LAB 62.86, 89.91, -55.13

 

CMYK 0 / 70 / 0 / 0

HEX #FF4DFF

RGB 255 77 255

HSL 300, 1%, 0.65%

LAB 64.79, 85.25, -53.71

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 90 / 3 / 12

HEX #E117DB

RGB 225 23 219

HSL 301.78, 0.81%, 0.49%

LAB 53.74, 86.59, -51.44

 

CMYK 0 / 98 / 4 / 18

HEX #D005C8

RGB 208 5 200

HSL 302.36, 0.95%, 0.42%

LAB 49.12, 82.73, -48.1

 

CMYK 0 / 100 / 5 / 25

HEX #BF00B5

RGB 191 0 181

HSL 303.14, 1%, 0.37%

LAB 44.82, 77.62, -44.03

 

CMYK 0 / 100 / 7 / 32

HEX #AE00A2

RGB 174 0 162

HSL 304.14, 1%, 0.34%

LAB 40.59, 72.03, -39.65

 

CMYK 0 / 100 / 9 / 38

HEX #9D008F

RGB 157 0 143

HSL 305.35, 1%, 0.31%

LAB 36.27, 66.33, -35.15

 

CMYK 0 / 89 / 3 / 11

HEX #E218DC

RGB 226 24 220

HSL 301.78, 0.81%, 0.49%

LAB 54.02, 86.77, -51.57

 

CMYK 0 / 89 / 27 / 11

HEX #E218A6

RGB 226 24 166

HSL 317.82, 0.81%, 0.49%

LAB 51.35, 79.87, -24.46

 

CMYK 0 / 89 / 51 / 11

HEX #E2186F

RGB 226 24 111

HSL 334.16, 0.81%, 0.49%

LAB 49.46, 74.72, 5.83

 

CMYK 0 / 89 / 75 / 11

HEX #E21838

RGB 226 24 56

HSL 350.5, 0.81%, 0.49%

LAB 48.4, 71.73, 37.84

 

CMYK 0 / 89 / 89 / 11

HEX #E21818

RGB 226 24 24

HSL 0, 0.81%, 0.49%

LAB 48.12, 70.94, 54.13

 

CMYK 0 / 89 / 3 / 11

HEX #E218DC

RGB 226 24 220

HSL 301.78, 0.81%, 0.49%

LAB 54.02, 86.77, -51.57

 

CMYK 21 / 89 / 0 / 11

HEX #B218E2

RGB 178 24 226

HSL 285.74, 0.81%, 0.49%

LAB 46.46, 80.12, -67.56

 

CMYK 46 / 89 / 0 / 11

HEX #7B18E2

RGB 123 24 226

HSL 269.41, 0.81%, 0.49%

LAB 38.47, 73.23, -80.95

 

CMYK 70 / 89 / 0 / 11

HEX #4418E2

RGB 68 24 226

HSL 253.07, 0.81%, 0.49%

LAB 32.64, 68.91, -90.79

 

CMYK 89 / 89 / 0 / 11

HEX #1818E2

RGB 24 24 226

HSL 240, 0.81%, 0.49%

LAB 30.25, 67.38, -94.83

 

CMYK 0 / 89 / 3 / 11

HEX #E218DC

RGB 226 24 220

HSL 301.78, 0.81%, 0.49%

LAB 54.02, 86.77, -51.57

 

CMYK 0 / 98 / 3 / 4

HEX #F604EF

RGB 246 4 239

HSL 301.74, 0.97%, 0.49%

LAB 57.95, 94.4, -55.81

 

CMYK 0 / 89 / 3 / 11

HEX #E218DC

RGB 226 24 220

HSL 301.78, 0.81%, 0.49%

LAB 54.02, 86.77, -51.57

 

CMYK 0 / 79 / 2 / 19

HEX #CE2CC9

RGB 206 44 201

HSL 301.85, 0.65%, 0.49%

LAB 50.85, 76.59, -45.94

 

CMYK 0 / 66 / 2 / 27

HEX #BA40B6

RGB 186 64 182

HSL 301.97, 0.49%, 0.49%

LAB 48.86, 62.83, -38.26

 

CMYK 0 / 49 / 2 / 35

HEX #A654A3

RGB 166 84 163

HSL 302.2, 0.33%, 0.49%

LAB 48.38, 45.03, -28.07

 

CMYK 0 / 28 / 1 / 43

HEX #916990

RGB 145 105 144

HSL 301.5, 0.16%, 0.49%

LAB 49.66, 22.86, -15.08

 

CMYK 46 / 89 / 0 / 11

HEX #7A18E2

RGB 122 24 226

HSL 269.11, 0.81%, 0.49%

LAB 38.34, 73.13, -81.17

 

CMYK 22 / 89 / 0 / 11

HEX #B018E2

RGB 176 24 226

HSL 285.15, 0.81%, 0.49%

LAB 46.14, 79.83, -68.09

 

CMYK 0 / 89 / 1 / 11

HEX #E218DF

RGB 226 24 223

HSL 300.89, 0.81%, 0.49%

LAB 54.19, 87.2, -53

 

CMYK 0 / 89 / 25 / 11

HEX #E218A9

RGB 226 24 169

HSL 316.93, 0.81%, 0.49%

LAB 51.48, 80.21, -26.04

 

CMYK 0 / 89 / 49 / 11

HEX #E21873

RGB 226 24 115

HSL 332.97, 0.81%, 0.49%

LAB 49.57, 75.02, 3.54

 

CMYK 0 / 89 / 3 / 41

HEX #971093

RGB 151 16 147

HSL 301.78, 0.81%, 0.33%

LAB 36.09, 63.73, -37.96

 

CMYK 0 / 89 / 3 / 26

HEX #BD14B8

RGB 189 20 184

HSL 301.78, 0.81%, 0.41%

LAB 45.33, 75.65, -45

 

CMYK 0 / 89 / 3 / 11

HEX #E218DC

RGB 226 24 220

HSL 301.78, 0.81%, 0.49%

LAB 54.02, 86.77, -51.57

 

CMYK 0 / 76 / 2 / 8

HEX #EA39E5

RGB 234 57 229

HSL 301.69, 0.81%, 0.57%

LAB 58.11, 82.94, -50.06

 

CMYK 0 / 61 / 2 / 7

HEX #EE5EEA

RGB 238 94 234

HSL 301.67, 0.81%, 0.65%

LAB 63.44, 71.97, -44.39

 

CMYK 0 / 90 / 3 / 12

HEX #E117DB

RGB 225 23 219

HSL 301.78, 0.81%, 0.49%

LAB 53.74, 86.59, -51.44

 

CMYK 0 / 70 / 89 / 11

HEX #E24418

RGB 226 68 24

HSL 13.07, 0.81%, 0.49%

LAB 52.25, 59.34, 57.1

 

CMYK 89 / 0 / 34 / 11

HEX #18E295

RGB 24 226 149

HSL 157.13, 0.81%, 0.49%

LAB 80.04, -62.56, 25.21

 

CMYK 0 / 90 / 3 / 12

HEX #E117DB

RGB 225 23 219

HSL 301.78, 0.81%, 0.49%

LAB 53.74, 86.59, -51.44

 

CMYK 1 / 0 / 89 / 11

HEX #DFE218

RGB 223 226 24

HSL 60.89, 0.81%, 0.49%

LAB 87.07, -20.67, 83.56

 

CMYK 89 / 1 / 0 / 11

HEX #18DFE2

RGB 24 223 226

HSL 180.89, 0.81%, 0.49%

LAB 80.99, -41.85, -14.06

 

CMYK 0 / 90 / 3 / 12

HEX #E117DB

RGB 225 23 219

HSL 301.78, 0.81%, 0.49%

LAB 53.74, 86.59, -51.44

 

CMYK 0 / 70 / 89 / 11

HEX #E24418

RGB 226 68 24

HSL 13.07, 0.81%, 0.49%

LAB 52.25, 59.34, 57.1

 

CMYK 89 / 0 / 88 / 11

HEX #18E21B

RGB 24 226 27

HSL 120.89, 0.81%, 0.49%

LAB 78.85, -77.05, 72.92

 

CMYK 89 / 19 / 0 / 11

HEX #18B6E2

RGB 24 182 226

HSL 193.07, 0.81%, 0.49%

LAB 68.85, -22.2, -32.56

 

CMYK 0 / 90 / 3 / 12

HEX #E117DB

RGB 225 23 219

HSL 301.78, 0.81%, 0.49%

LAB 53.74, 86.59, -51.44

 

CMYK 0 / 43 / 89 / 11

HEX #E28018

RGB 226 128 24

HSL 30.89, 0.81%, 0.49%

LAB 63.07, 31.51, 65.15

 

CMYK 89 / 0 / 88 / 11

HEX #18E21B

RGB 24 226 27

HSL 120.89, 0.81%, 0.49%

LAB 78.85, -77.05, 72.92

 

CMYK 89 / 46 / 0 / 11

HEX #187AE2

RGB 24 122 226

HSL 210.89, 0.81%, 0.49%

LAB 51.39, 12.12, -60.15

 

Description

Color code: HEX #E117DB | qconv.com Color code: HEX #E117DB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 23 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 23 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 3 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 3% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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