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Color name
HEX #E11659

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E11659 it is the complementary color #1EE9A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E11659. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E11659 shade: #E61654, #F72867, #FF3A7A, #FF4C8D and #FF5EA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E11659. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E11659 shade: #E11659, #D00446, #BF0033, #AE0020 and #9D000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E11659 shade: #DF1658, #DF1622 and #DF1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E11659 shade: #DF1658, #DF168E, #DF16C5, #C316DF and #8D16DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E11659 shade matches the following richer shades: #DF1658 and #F30252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E11659 shade: #DF1658, #CB2A5F, #B73E66, #A3516C and #906573

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E11659 shade: #DF16C4, #DF168E, #DF1659, #DF1623 and #DF3E16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E11659 shade: #940F3B, #B91249, #DF1658, #EB3370 and #EF598A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E11659 shade: #E11659, #DFC416 and #16A9DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E11659 shade: #E11659, #59DF16 and #1659DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E11659 shade: #E11659, #DFC416, #16DF9C and #1631DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E11659 shade: #E11659, #BDDF16, #16DF9C and #3716DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 60 / 12

HEX #E11659

RGB 225 22 89

HSL 340.2, 0.82%, 0.48%

LAB 48.64, 73.31, 18.17

 

Complementary color

CMYK 87 / 0 / 29 / 9

HEX #1EE9A6

RGB 30 233 166

HSL 160.2, 0.82%, 0.52%

LAB 82.54, -61.14, 19.85

 

CMYK 0 / 90 / 63 / 10

HEX #E61654

RGB 230 22 84

HSL 342.12, 0.83%, 0.49%

LAB 49.54, 74.23, 22.62

 

CMYK 0 / 84 / 58 / 3

HEX #F72867

RGB 247 40 103

HSL 341.74, 0.93%, 0.56%

LAB 54.31, 76.44, 18.07

 

CMYK 0 / 77 / 52 / 0

HEX #FF3A7A

RGB 255 58 122

HSL 340.51, 1%, 0.61%

LAB 57.74, 75.46, 11.71

 

CMYK 0 / 70 / 45 / 0

HEX #FF4C8D

RGB 255 76 141

HSL 338.21, 1%, 0.65%

LAB 60.21, 71.44, 4.04

 

CMYK 0 / 63 / 37 / 0

HEX #FF5EA0

RGB 255 94 160

HSL 335.4, 1%, 0.68%

LAB 63.18, 66.56, -2.64

 

CMYK 0 / 90 / 60 / 12

HEX #E11659

RGB 225 22 89

HSL 340.2, 0.82%, 0.48%

LAB 48.64, 73.31, 18.17

 

CMYK 0 / 98 / 66 / 18

HEX #D00446

RGB 208 4 70

HSL 340.59, 0.96%, 0.42%

LAB 44.15, 70.09, 23.38

 

CMYK 0 / 100 / 73 / 25

HEX #BF0033

RGB 191 0 51

HSL 343.98, 1%, 0.37%

LAB 40.11, 65.54, 29.42

 

CMYK 0 / 100 / 82 / 32

HEX #AE0020

RGB 174 0 32

HSL 348.97, 1%, 0.34%

LAB 36.18, 60.69, 35.58

 

CMYK 0 / 100 / 92 / 38

HEX #9D000D

RGB 157 0 13

HSL 355.03, 1%, 0.31%

LAB 32.25, 55.93, 40.85

 

CMYK 0 / 90 / 61 / 13

HEX #DF1658

RGB 223 22 88

HSL 340.3, 0.82%, 0.48%

LAB 48.22, 72.77, 18.15

 

CMYK 0 / 90 / 85 / 13

HEX #DF1622

RGB 223 22 34

HSL 356.42, 0.82%, 0.48%

LAB 47.47, 70.64, 48.75

 

CMYK 0 / 90 / 90 / 13

HEX #DF1616

RGB 223 22 22

HSL 0, 0.82%, 0.48%

LAB 47.39, 70.43, 54.15

 

CMYK 0 / 90 / 61 / 13

HEX #DF1658

RGB 223 22 88

HSL 340.3, 0.82%, 0.48%

LAB 48.22, 72.77, 18.15

 

CMYK 0 / 90 / 36 / 13

HEX #DF168E

RGB 223 22 142

HSL 324.18, 0.82%, 0.48%

LAB 49.76, 76.99, -12.64

 

CMYK 0 / 90 / 12 / 13

HEX #DF16C5

RGB 223 22 197

HSL 307.76, 0.82%, 0.48%

LAB 52.17, 83.34, -41.36

 

CMYK 13 / 90 / 0 / 13

HEX #C316DF

RGB 195 22 223

HSL 291.64, 0.82%, 0.48%

LAB 48.89, 82.45, -61.79

 

CMYK 37 / 90 / 0 / 13

HEX #8D16DF

RGB 141 22 223

HSL 275.52, 0.82%, 0.48%

LAB 40.52, 75, -75.79

 

CMYK 0 / 90 / 61 / 13

HEX #DF1658

RGB 223 22 88

HSL 340.3, 0.82%, 0.48%

LAB 48.22, 72.77, 18.15

 

CMYK 0 / 99 / 66 / 5

HEX #F30252

RGB 243 2 82

HSL 340.08, 0.98%, 0.48%

LAB 51.5, 79, 26.89

 

CMYK 0 / 90 / 61 / 13

HEX #DF1658

RGB 223 22 88

HSL 340.3, 0.82%, 0.48%

LAB 48.22, 72.77, 18.15

 

CMYK 0 / 79 / 53 / 20

HEX #CB2A5F

RGB 203 42 95

HSL 340.25, 0.66%, 0.48%

LAB 45.88, 64.07, 9.99

 

CMYK 0 / 66 / 44 / 28

HEX #B73E66

RGB 183 62 102

HSL 340.17, 0.49%, 0.48%

LAB 44.9, 51.97, 3.78

 

CMYK 0 / 50 / 34 / 36

HEX #A3516C

RGB 163 81 108

HSL 340.24, 0.34%, 0.48%

LAB 45.3, 36.88, 0.27

 

CMYK 0 / 30 / 20 / 44

HEX #906573

RGB 144 101 115

HSL 340.47, 0.18%, 0.48%

LAB 47.59, 19.53, -0.9

 

CMYK 0 / 90 / 12 / 13

HEX #DF16C4

RGB 223 22 196

HSL 308.06, 0.82%, 0.48%

LAB 52.12, 83.21, -40.86

 

CMYK 0 / 90 / 36 / 13

HEX #DF168E

RGB 223 22 142

HSL 324.18, 0.82%, 0.48%

LAB 49.76, 76.99, -12.64

 

CMYK 0 / 90 / 60 / 13

HEX #DF1659

RGB 223 22 89

HSL 340, 0.82%, 0.48%

LAB 48.24, 72.82, 17.57

 

CMYK 0 / 90 / 84 / 13

HEX #DF1623

RGB 223 22 35

HSL 356.12, 0.82%, 0.48%

LAB 47.47, 70.66, 48.25

 

CMYK 0 / 72 / 90 / 13

HEX #DF3E16

RGB 223 62 22

HSL 11.94, 0.82%, 0.48%

LAB 50.91, 60.51, 56.6

 

CMYK 0 / 90 / 60 / 42

HEX #940F3B

RGB 148 15 59

HSL 340.15, 0.82%, 0.32%

LAB 31.7, 53.15, 11.66

 

CMYK 0 / 90 / 61 / 27

HEX #B91249

RGB 185 18 73

HSL 340.24, 0.82%, 0.4%

LAB 39.96, 63.09, 15.08

 

CMYK 0 / 90 / 61 / 13

HEX #DF1658

RGB 223 22 88

HSL 340.3, 0.82%, 0.48%

LAB 48.22, 72.77, 18.15

 

CMYK 0 / 78 / 52 / 8

HEX #EB3370

RGB 235 51 112

HSL 340.11, 0.82%, 0.56%

LAB 53.17, 71.4, 10.72

 

CMYK 0 / 63 / 42 / 6

HEX #EF598A

RGB 239 89 138

HSL 340.4, 0.82%, 0.64%

LAB 59.28, 61.6, 4.12

 

CMYK 0 / 90 / 60 / 12

HEX #E11659

RGB 225 22 89

HSL 340.2, 0.82%, 0.48%

LAB 48.64, 73.31, 18.17

 

CMYK 0 / 12 / 90 / 13

HEX #DFC416

RGB 223 196 22

HSL 51.94, 0.82%, 0.48%

LAB 79.17, -5.74, 77.73

 

CMYK 90 / 24 / 0 / 13

HEX #16A9DF

RGB 22 169 223

HSL 196.12, 0.82%, 0.48%

LAB 64.86, -16.5, -37.12

 

CMYK 0 / 90 / 60 / 12

HEX #E11659

RGB 225 22 89

HSL 340.2, 0.82%, 0.48%

LAB 48.64, 73.31, 18.17

 

CMYK 60 / 0 / 90 / 13

HEX #59DF16

RGB 89 223 22

HSL 100, 0.82%, 0.48%

LAB 79.02, -66.67, 74.34

 

CMYK 90 / 60 / 0 / 13

HEX #1659DF

RGB 22 89 223

HSL 220, 0.82%, 0.48%

LAB 42.22, 31.99, -73.33

 

CMYK 0 / 90 / 60 / 12

HEX #E11659

RGB 225 22 89

HSL 340.2, 0.82%, 0.48%

LAB 48.64, 73.31, 18.17

 

CMYK 0 / 12 / 90 / 13

HEX #DFC416

RGB 223 196 22

HSL 51.94, 0.82%, 0.48%

LAB 79.17, -5.74, 77.73

 

CMYK 90 / 0 / 30 / 13

HEX #16DF9C

RGB 22 223 156

HSL 160, 0.82%, 0.48%

LAB 79.24, -60.1, 20.48

 

CMYK 90 / 78 / 0 / 13

HEX #1631DF

RGB 22 49 223

HSL 231.94, 0.82%, 0.48%

LAB 33.34, 56.01, -87.97

 

CMYK 0 / 90 / 60 / 12

HEX #E11659

RGB 225 22 89

HSL 340.2, 0.82%, 0.48%

LAB 48.64, 73.31, 18.17

 

CMYK 15 / 0 / 90 / 13

HEX #BDDF16

RGB 189 223 22

HSL 70.15, 0.82%, 0.48%

LAB 83.78, -33.27, 80.21

 

CMYK 90 / 0 / 30 / 13

HEX #16DF9C

RGB 22 223 156

HSL 160, 0.82%, 0.48%

LAB 79.24, -60.1, 20.48

 

CMYK 75 / 90 / 0 / 13

HEX #3716DF

RGB 55 22 223

HSL 249.85, 0.82%, 0.48%

LAB 31.15, 68.07, -91.58

 

Description

Color code: HEX #E11659 | qconv.com Color code: HEX #E11659 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 22 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 22 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 60 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 60% 12% C M Y K

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Provide designers and agencies with accurate color values.

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