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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E11090 it is the complementary color #1EEF6F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E11090. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E11090 shade: #E6108B, #F7229E, #FF34B1, #FF46C4 and #FF58D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E11090. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E11090 shade: #E11090, #D0007D, #BF006A, #AE0057 and #9D0044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E11090 shade: #E0108F, #E01057, #E0101F and #E01010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E11090 shade: #E0108F, #E010C8, #C010E0, #8810E0 and #5010E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E11090 shade matches the following richer shades: #E0108F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E11090 shade: #E0108F, #CD238B, #B93687, #A64A82 and #935D7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E11090 shade: #C110E0, #E010C8, #E01090, #E01059 and #E01021

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E11090 shade: #930A5E, #BA0D77, #E0108F, #F029A3 and #F34FB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E11090 shade: #E11090, #E08910 and #10E0DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E11090 shade: #E11090, #90E010 and #1090E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E11090 shade: #E11090, #E08910, #10E060 and #1066E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E11090 shade: #E11090, #E0C810, #10E060 and #1028E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 36 / 12

HEX #E11090

RGB 225 16 144

HSL 323.25, 0.87%, 0.47%

LAB 49.97, 78.32, -13.48

 

Complementary color

CMYK 87 / 0 / 54 / 6

HEX #1EEF6F

RGB 30 239 111

HSL 143.25, 0.87%, 0.53%

LAB 83.52, -73.11, 48.44

 

CMYK 0 / 93 / 40 / 10

HEX #E6108B

RGB 230 16 139

HSL 325.51, 0.87%, 0.48%

LAB 50.75, 78.91, -9.19

 

CMYK 0 / 86 / 36 / 3

HEX #F7229E

RGB 247 34 158

HSL 325.07, 0.93%, 0.55%

LAB 55.47, 81.94, -13.11

 

CMYK 0 / 80 / 31 / 0

HEX #FF34B1

RGB 255 52 177

HSL 323.05, 1%, 0.6%

LAB 58.87, 81.98, -18.92

 

CMYK 0 / 73 / 23 / 0

HEX #FF46C4

RGB 255 70 196

HSL 319.14, 1%, 0.64%

LAB 61.33, 79.24, -26.08

 

CMYK 0 / 65 / 16 / 0

HEX #FF58D7

RGB 255 88 215

HSL 314.37, 1%, 0.67%

LAB 64.28, 75.61, -32.28

 

CMYK 0 / 93 / 36 / 12

HEX #E11090

RGB 225 16 144

HSL 323.25, 0.87%, 0.47%

LAB 49.97, 78.32, -13.48

 

CMYK 0 / 100 / 40 / 18

HEX #D0007D

RGB 208 0 125

HSL 323.94, 1%, 0.41%

LAB 45.48, 74.33, -9.01

 

CMYK 0 / 100 / 45 / 25

HEX #BF006A

RGB 191 0 106

HSL 326.7, 1%, 0.37%

LAB 41.4, 68.99, -3.64

 

CMYK 0 / 100 / 50 / 32

HEX #AE0057

RGB 174 0 87

HSL 330, 1%, 0.34%

LAB 37.27, 63.62, 1.99

 

CMYK 0 / 100 / 57 / 38

HEX #9D0044

RGB 157 0 68

HSL 334.01, 1%, 0.31%

LAB 33.1, 58.23, 7.95

 

CMYK 0 / 93 / 36 / 12

HEX #E0108F

RGB 224 16 143

HSL 323.37, 0.87%, 0.47%

LAB 49.74, 78.02, -13.24

 

CMYK 0 / 93 / 61 / 12

HEX #E01057

RGB 224 16 87

HSL 339.52, 0.87%, 0.47%

LAB 48.14, 73.69, 18.7

 

CMYK 0 / 93 / 86 / 12

HEX #E0101F

RGB 224 16 31

HSL 355.67, 0.87%, 0.47%

LAB 47.39, 71.59, 50.24

 

CMYK 0 / 93 / 93 / 12

HEX #E01010

RGB 224 16 16

HSL 0, 0.87%, 0.47%

LAB 47.31, 71.37, 56.44

 

CMYK 0 / 93 / 36 / 12

HEX #E0108F

RGB 224 16 143

HSL 323.37, 0.87%, 0.47%

LAB 49.74, 78.02, -13.24

 

CMYK 0 / 93 / 11 / 12

HEX #E010C8

RGB 224 16 200

HSL 306.92, 0.87%, 0.47%

LAB 52.27, 84.59, -42.91

 

CMYK 14 / 93 / 0 / 12

HEX #C010E0

RGB 192 16 224

HSL 290.77, 0.87%, 0.47%

LAB 48.21, 82.91, -63.48

 

CMYK 39 / 93 / 0 / 12

HEX #8810E0

RGB 136 16 224

HSL 274.62, 0.87%, 0.47%

LAB 39.56, 75.65, -77.96

 

CMYK 64 / 93 / 0 / 12

HEX #5010E0

RGB 80 16 224

HSL 258.46, 0.87%, 0.47%

LAB 32.83, 70.96, -89.3

 

CMYK 0 / 93 / 36 / 12

HEX #E0108F

RGB 224 16 143

HSL 323.37, 0.87%, 0.47%

LAB 49.74, 78.02, -13.24

 

CMYK 0 / 93 / 36 / 12

HEX #E0108F

RGB 224 16 143

HSL 323.37, 0.87%, 0.47%

LAB 49.74, 78.02, -13.24

 

CMYK 0 / 83 / 32 / 20

HEX #CD238B

RGB 205 35 139

HSL 323.29, 0.71%, 0.47%

LAB 47.03, 70.38, -15.27

 

CMYK 0 / 71 / 27 / 27

HEX #B93687

RGB 185 54 135

HSL 322.9, 0.55%, 0.47%

LAB 45.22, 59.43, -15.93

 

CMYK 0 / 55 / 22 / 35

HEX #A64A82

RGB 166 74 130

HSL 323.48, 0.38%, 0.47%

LAB 45.1, 44.56, -13.36

 

CMYK 0 / 37 / 14 / 42

HEX #935D7E

RGB 147 93 126

HSL 323.33, 0.23%, 0.47%

LAB 46.36, 27.16, -9.3

 

CMYK 14 / 93 / 0 / 12

HEX #C110E0

RGB 193 16 224

HSL 291.06, 0.87%, 0.47%

LAB 48.37, 83.06, -63.21

 

CMYK 0 / 93 / 11 / 12

HEX #E010C8

RGB 224 16 200

HSL 306.92, 0.87%, 0.47%

LAB 52.27, 84.59, -42.91

 

CMYK 0 / 93 / 36 / 12

HEX #E01090

RGB 224 16 144

HSL 323.08, 0.87%, 0.47%

LAB 49.78, 78.11, -13.79

 

CMYK 0 / 93 / 60 / 12

HEX #E01059

RGB 224 16 89

HSL 338.94, 0.87%, 0.47%

LAB 48.18, 73.8, 17.52

 

CMYK 0 / 93 / 85 / 12

HEX #E01021

RGB 224 16 33

HSL 355.1, 0.87%, 0.47%

LAB 47.4, 71.63, 49.27

 

CMYK 0 / 93 / 36 / 42

HEX #930A5E

RGB 147 10 94

HSL 323.21, 0.87%, 0.31%

LAB 32.32, 56.79, -10.5

 

CMYK 0 / 93 / 36 / 27

HEX #BA0D77

RGB 186 13 119

HSL 323.24, 0.87%, 0.39%

LAB 41.31, 67.79, -12.02

 

CMYK 0 / 93 / 36 / 12

HEX #E0108F

RGB 224 16 143

HSL 323.37, 0.87%, 0.47%

LAB 49.74, 78.02, -13.24

 

CMYK 0 / 83 / 32 / 6

HEX #F029A3

RGB 240 41 163

HSL 323.22, 0.87%, 0.55%

LAB 54.82, 79.59, -17.16

 

CMYK 0 / 67 / 26 / 5

HEX #F34FB3

RGB 243 79 179

HSL 323.41, 0.87%, 0.63%

LAB 59.8, 71.16, -18.85

 

CMYK 0 / 93 / 36 / 12

HEX #E11090

RGB 225 16 144

HSL 323.25, 0.87%, 0.47%

LAB 49.97, 78.32, -13.48

 

CMYK 0 / 39 / 93 / 12

HEX #E08910

RGB 224 137 16

HSL 34.9, 0.87%, 0.47%

LAB 64.78, 25.8, 68.08

 

CMYK 93 / 0 / 1 / 12

HEX #10E0DD

RGB 16 224 221

HSL 179.13, 0.87%, 0.47%

LAB 81.09, -44.06, -11.26

 

CMYK 0 / 93 / 36 / 12

HEX #E11090

RGB 225 16 144

HSL 323.25, 0.87%, 0.47%

LAB 49.97, 78.32, -13.48

 

CMYK 36 / 0 / 93 / 12

HEX #90E010

RGB 144 224 16

HSL 83.08, 0.87%, 0.47%

LAB 81.44, -50.87, 78.03

 

CMYK 93 / 36 / 0 / 12

HEX #1090E0

RGB 16 144 224

HSL 203.08, 0.87%, 0.47%

LAB 57.5, -2.36, -49.26

 

CMYK 0 / 93 / 36 / 12

HEX #E11090

RGB 225 16 144

HSL 323.25, 0.87%, 0.47%

LAB 49.97, 78.32, -13.48

 

CMYK 0 / 39 / 93 / 12

HEX #E08910

RGB 224 137 16

HSL 34.9, 0.87%, 0.47%

LAB 64.78, 25.8, 68.08

 

CMYK 93 / 0 / 57 / 12

HEX #10E060

RGB 16 224 96

HSL 143.08, 0.87%, 0.47%

LAB 78.62, -71.3, 49.42

 

CMYK 93 / 54 / 0 / 12

HEX #1066E0

RGB 16 102 224

HSL 215.19, 0.87%, 0.47%

LAB 45.63, 23.71, -68.35

 

CMYK 0 / 93 / 36 / 12

HEX #E11090

RGB 225 16 144

HSL 323.25, 0.87%, 0.47%

LAB 49.97, 78.32, -13.48

 

CMYK 0 / 11 / 93 / 12

HEX #E0C810

RGB 224 200 16

HSL 53.08, 0.87%, 0.47%

LAB 80.29, -7.44, 79.49

 

CMYK 93 / 0 / 57 / 12

HEX #10E060

RGB 16 224 96

HSL 143.08, 0.87%, 0.47%

LAB 78.62, -71.3, 49.42

 

CMYK 93 / 82 / 0 / 12

HEX #1028E0

RGB 16 40 224

HSL 233.08, 0.87%, 0.47%

LAB 31.83, 60.56, -91.06

 

Description

Color code: HEX #E11090 | qconv.com Color code: HEX #E11090 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 225 red, 16 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
225 16 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 36 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 36% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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