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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0F6A2 it is the complementary color #1F095D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0F6A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0F6A2 shade: #E5F69D, #F6FFB0, #FFFFC3, #FFFFD6 and #FFFFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0F6A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0F6A2 shade: #E0F6A2, #CFE48F, #BED27C, #ADC069 and #9CAE56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0F6A2 shade: #E0F6A2, #F6F5A2, #F6DFA2, #F6C8A2 and #F6B2A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0F6A2 shade: #E0F6A2, #C9F6A2, #B3F6A2, #A2F6A8 and #A2F6BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0F6A2 shade matches the following richer shades: #E0F6A2 and #E4FE9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0F6A2 shade: #E0F6A2, #DCEEAA, #D8E5B3, #D4DDBB and #D0D5C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0F6A2 shade: #F6DEA2, #F6F4A2, #E1F6A2, #CBF6A2 and #B4F6A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0F6A2 shade: #C7EE57, #D3F27D, #E0F6A2, #ECFAC8 and #F9FDED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0F6A2 shade: #E0F6A2, #A2F6C8 and #E9A2F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0F6A2 shade: #E0F6A2, #A2E1F6 and #F6A2E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0F6A2 shade: #E0F6A2, #A2F6C8, #B7A2F6 and #F6A2D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0F6A2 shade: #E0F6A2, #A2F6E1, #B7A2F6 and #F6A2B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 34 / 4

HEX #E0F6A2

RGB 224 246 162

HSL 75.71, 0.82%, 0.8%

LAB 93.61, -20.46, 38.08

 

Complementary color

CMYK 67 / 90 / 0 / 64

HEX #1F095D

RGB 31 9 93

HSL 255.71, 0.82%, 0.2%

LAB 11.11, 34.53, -44.86

 

CMYK 7 / 0 / 36 / 4

HEX #E5F69D

RGB 229 246 157

HSL 71.46, 0.83%, 0.79%

LAB 93.88, -19.21, 40.99

 

CMYK 4 / 0 / 31 / 0

HEX #F6FFB0

RGB 246 255 176

HSL 66.84, 1%, 0.85%

LAB 97.73, -15.01, 36.84

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD6

RGB 255 255 214

HSL 60, 1%, 0.92%

LAB 99.08, -6.61, 19.64

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE9

RGB 255 255 233

HSL 60, 1%, 0.96%

LAB 99.48, -3.69, 10.51

 

CMYK 9 / 0 / 34 / 4

HEX #E0F6A2

RGB 224 246 162

HSL 75.71, 0.82%, 0.8%

LAB 93.61, -20.46, 38.08

 

CMYK 9 / 0 / 37 / 11

HEX #CFE48F

RGB 207 228 143

HSL 74.82, 0.61%, 0.73%

LAB 87.36, -20.35, 39.19

 

CMYK 10 / 0 / 41 / 18

HEX #BED27C

RGB 190 210 124

HSL 73.95, 0.49%, 0.65%

LAB 81.01, -20.21, 40.33

 

CMYK 10 / 0 / 45 / 25

HEX #ADC069

RGB 173 192 105

HSL 73.1, 0.41%, 0.58%

LAB 74.57, -20.03, 41.5

 

CMYK 10 / 0 / 51 / 32

HEX #9CAE56

RGB 156 174 86

HSL 72.27, 0.35%, 0.51%

LAB 68.03, -19.78, 42.67

 

CMYK 9 / 0 / 34 / 4

HEX #E0F6A2

RGB 224 246 162

HSL 75.71, 0.82%, 0.8%

LAB 93.61, -20.46, 38.08

 

CMYK 0 / 0 / 34 / 4

HEX #F6F5A2

RGB 246 245 162

HSL 59.29, 0.82%, 0.8%

LAB 94.95, -11.77, 40.14

 

CMYK 0 / 9 / 34 / 4

HEX #F6DFA2

RGB 246 223 162

HSL 43.57, 0.82%, 0.8%

LAB 89.38, -0.74, 32.81

 

CMYK 0 / 19 / 34 / 4

HEX #F6C8A2

RGB 246 200 162

HSL 27.14, 0.82%, 0.8%

LAB 83.71, 11.14, 25.17

 

CMYK 0 / 28 / 34 / 4

HEX #F6B2A2

RGB 246 178 162

HSL 11.43, 0.82%, 0.8%

LAB 78.49, 22.71, 17.98

 

CMYK 9 / 0 / 34 / 4

HEX #E0F6A2

RGB 224 246 162

HSL 75.71, 0.82%, 0.8%

LAB 93.61, -20.46, 38.08

 

CMYK 18 / 0 / 34 / 4

HEX #C9F6A2

RGB 201 246 162

HSL 92.14, 0.82%, 0.8%

LAB 92.1, -28.72, 35.82

 

CMYK 27 / 0 / 34 / 4

HEX #B3F6A2

RGB 179 246 162

HSL 107.86, 0.82%, 0.8%

LAB 90.83, -36.2, 33.9

 

CMYK 34 / 0 / 32 / 4

HEX #A2F6A8

RGB 162 246 168

HSL 124.29, 0.82%, 0.8%

LAB 90.05, -40.67, 29.69

 

CMYK 34 / 0 / 22 / 4

HEX #A2F6BF

RGB 162 246 191

HSL 140.71, 0.82%, 0.8%

LAB 90.48, -36.7, 18.54

 

CMYK 9 / 0 / 34 / 4

HEX #E0F6A2

RGB 224 246 162

HSL 75.71, 0.82%, 0.8%

LAB 93.61, -20.46, 38.08

 

CMYK 10 / 0 / 39 / 0

HEX #E4FE9A

RGB 228 254 154

HSL 75.6, 0.98%, 0.8%

LAB 95.88, -23.77, 45

 

CMYK 9 / 0 / 34 / 4

HEX #E0F6A2

RGB 224 246 162

HSL 75.71, 0.82%, 0.8%

LAB 93.61, -20.46, 38.08

 

CMYK 8 / 0 / 29 / 7

HEX #DCEEAA

RGB 220 238 170

HSL 75.88, 0.67%, 0.8%

LAB 91.35, -16.98, 31.02

 

CMYK 6 / 0 / 22 / 10

HEX #D8E5B3

RGB 216 229 179

HSL 75.6, 0.49%, 0.8%

LAB 88.87, -12.71, 22.98

 

CMYK 4 / 0 / 15 / 13

HEX #D4DDBB

RGB 212 221 187

HSL 75.88, 0.33%, 0.8%

LAB 86.65, -8.88, 15.68

 

CMYK 2 / 0 / 8 / 16

HEX #D0D5C3

RGB 208 213 195

HSL 76.67, 0.18%, 0.8%

LAB 84.45, -4.88, 8.3

 

CMYK 0 / 10 / 34 / 4

HEX #F6DEA2

RGB 246 222 162

HSL 42.86, 0.82%, 0.8%

LAB 89.13, -0.23, 32.48

 

CMYK 0 / 1 / 34 / 4

HEX #F6F4A2

RGB 246 244 162

HSL 58.57, 0.82%, 0.8%

LAB 94.7, -11.28, 39.81

 

CMYK 9 / 0 / 34 / 4

HEX #E1F6A2

RGB 225 246 162

HSL 75, 0.82%, 0.8%

LAB 93.68, -20.09, 38.19

 

CMYK 17 / 0 / 34 / 4

HEX #CBF6A2

RGB 203 246 162

HSL 90.71, 0.82%, 0.8%

LAB 92.23, -28.01, 36.01

 

CMYK 27 / 0 / 34 / 4

HEX #B4F6A2

RGB 180 246 162

HSL 107.14, 0.82%, 0.8%

LAB 90.88, -35.87, 33.98

 

CMYK 16 / 0 / 63 / 7

HEX #C7EE57

RGB 199 238 87

HSL 75.5, 0.82%, 0.64%

LAB 88.91, -33.42, 66.53

 

CMYK 13 / 0 / 48 / 5

HEX #D3F27D

RGB 211 242 125

HSL 75.9, 0.82%, 0.72%

LAB 91.16, -27.52, 52.71

 

CMYK 9 / 0 / 34 / 4

HEX #E0F6A2

RGB 224 246 162

HSL 75.71, 0.82%, 0.8%

LAB 93.61, -20.46, 38.08

 

CMYK 6 / 0 / 20 / 2

HEX #ECFAC8

RGB 236 250 200

HSL 76.8, 0.83%, 0.88%

LAB 96.15, -12.9, 22.48

 

CMYK 2 / 0 / 6 / 1

HEX #F9FDED

RGB 249 253 237

HSL 75, 0.8%, 0.96%

LAB 98.63, -4.07, 7.18

 

CMYK 9 / 0 / 34 / 4

HEX #E0F6A2

RGB 224 246 162

HSL 75.71, 0.82%, 0.8%

LAB 93.61, -20.46, 38.08

 

CMYK 34 / 0 / 19 / 4

HEX #A2F6C8

RGB 162 246 200

HSL 147.14, 0.82%, 0.8%

LAB 90.67, -35.01, 14.16

 

CMYK 5 / 34 / 0 / 4

HEX #E9A2F6

RGB 233 162 246

HSL 290.71, 0.82%, 0.8%

LAB 75.96, 39.95, -31.54

 

CMYK 9 / 0 / 34 / 4

HEX #E0F6A2

RGB 224 246 162

HSL 75.71, 0.82%, 0.8%

LAB 93.61, -20.46, 38.08

 

CMYK 34 / 9 / 0 / 4

HEX #A2E1F6

RGB 162 225 246

HSL 195, 0.82%, 0.8%

LAB 86.1, -14.87, -16.59

 

CMYK 0 / 34 / 9 / 4

HEX #F6A2E1

RGB 246 162 225

HSL 315, 0.82%, 0.8%

LAB 76.6, 40.28, -19.03

 

CMYK 9 / 0 / 34 / 4

HEX #E0F6A2

RGB 224 246 162

HSL 75.71, 0.82%, 0.8%

LAB 93.61, -20.46, 38.08

 

CMYK 34 / 0 / 19 / 4

HEX #A2F6C8

RGB 162 246 200

HSL 147.14, 0.82%, 0.8%

LAB 90.67, -35.01, 14.16

 

CMYK 26 / 34 / 0 / 4

HEX #B7A2F6

RGB 183 162 246

HSL 255, 0.82%, 0.8%

LAB 71.26, 25.04, -39.19

 

CMYK 0 / 34 / 15 / 4

HEX #F6A2D0

RGB 246 162 208

HSL 327.14, 0.82%, 0.8%

LAB 76.06, 37.54, -10.57

 

CMYK 9 / 0 / 34 / 4

HEX #E0F6A2

RGB 224 246 162

HSL 75.71, 0.82%, 0.8%

LAB 93.61, -20.46, 38.08

 

CMYK 34 / 0 / 9 / 4

HEX #A2F6E1

RGB 162 246 225

HSL 165, 0.82%, 0.8%

LAB 91.25, -29.94, 2.03

 

CMYK 26 / 34 / 0 / 4

HEX #B7A2F6

RGB 183 162 246

HSL 255, 0.82%, 0.8%

LAB 71.26, 25.04, -39.19

 

CMYK 0 / 34 / 26 / 4

HEX #F6A2B7

RGB 246 162 183

HSL 345, 0.82%, 0.8%

LAB 75.36, 33.87, 2.1

 

Description

Color code: HEX #E0F6A2 | qconv.com Color code: HEX #E0F6A2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 246 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 246 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 34 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 34% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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