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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0DB5E it is the complementary color #1F24A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0DB5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0DB5E shade: #E5DB59, #F6ED6C, #FFFF7F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0DB5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0DB5E shade: #E0DB5E, #CFC94B, #BEB738, #ADA525 and #9C9312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0DB5E shade: #DFDA5C, #DFB75C, #DF935C, #DF705C and #DF5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0DB5E shade: #DFDA5C, #C1DF5C, #9DDF5C, #7ADF5C and #5CDF61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0DB5E shade matches the following richer shades: #DFDA5C and #EFE94C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0DB5E shade: #DFDA5C, #D0CC6B, #C0BD7B, #B0AF8B and #A1A19A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0DB5E shade: #DF935C, #DFB65C, #DFD95C, #C3DF5C and #A0DF5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0DB5E shade: #C4BE25, #D9D339, #DFDA5C, #E6E27E and #EDEAA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0DB5E shade: #E0DB5E, #5CDF6F and #A45CDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0DB5E shade: #E0DB5E, #5CDFD9 and #D95CDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0DB5E shade: #E0DB5E, #5CDF6F, #5C62DF and #DF5CCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0DB5E shade: #E0DB5E, #5CDF97, #5C62DF and #DF5CA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 58 / 12

HEX #E0DB5E

RGB 224 219 94

HSL 57.69, 0.68%, 0.62%

LAB 85.66, -13.89, 60.61

 

Complementary color

CMYK 81 / 78 / 0 / 37

HEX #1F24A1

RGB 31 36 161

HSL 237.69, 0.68%, 0.38%

LAB 24.08, 42.9, -66.72

 

CMYK 0 / 4 / 61 / 10

HEX #E5DB59

RGB 229 219 89

HSL 55.71, 0.73%, 0.62%

LAB 86.03, -12.18, 63.27

 

CMYK 0 / 4 / 56 / 4

HEX #F6ED6C

RGB 246 237 108

HSL 56.09, 0.88%, 0.69%

LAB 92.24, -12.89, 62.34

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 2 / 58 / 12

HEX #E0DB5E

RGB 224 219 94

HSL 57.69, 0.68%, 0.62%

LAB 85.66, -13.89, 60.61

 

CMYK 0 / 3 / 64 / 19

HEX #CFC94B

RGB 207 201 75

HSL 57.27, 0.58%, 0.55%

LAB 79.36, -13.15, 61.45

 

CMYK 0 / 4 / 71 / 25

HEX #BEB738

RGB 190 183 56

HSL 56.87, 0.54%, 0.48%

LAB 72.96, -12.27, 61.96

 

CMYK 0 / 5 / 79 / 32

HEX #ADA525

RGB 173 165 37

HSL 56.47, 0.65%, 0.41%

LAB 66.46, -11.19, 61.87

 

CMYK 0 / 6 / 88 / 39

HEX #9C9312

RGB 156 147 18

HSL 56.09, 0.79%, 0.34%

LAB 59.87, -9.89, 60.68

 

CMYK 0 / 2 / 59 / 13

HEX #DFDA5C

RGB 223 218 92

HSL 57.71, 0.67%, 0.62%

LAB 85.3, -13.94, 61.06

 

CMYK 0 / 18 / 59 / 13

HEX #DFB75C

RGB 223 183 92

HSL 41.68, 0.67%, 0.62%

LAB 76.27, 4.01, 50.88

 

CMYK 0 / 34 / 59 / 13

HEX #DF935C

RGB 223 147 92

HSL 25.19, 0.67%, 0.62%

LAB 67.52, 23.22, 40.54

 

CMYK 0 / 50 / 59 / 13

HEX #DF705C

RGB 223 112 92

HSL 9.16, 0.67%, 0.62%

LAB 59.93, 41.55, 31.12

 

CMYK 0 / 59 / 59 / 13

HEX #DF5C5C

RGB 223 92 92

HSL 0, 0.67%, 0.62%

LAB 56.2, 51.18, 26.33

 

CMYK 0 / 2 / 59 / 13

HEX #DFDA5C

RGB 223 218 92

HSL 57.71, 0.67%, 0.62%

LAB 85.3, -13.94, 61.06

 

CMYK 13 / 0 / 59 / 13

HEX #C1DF5C

RGB 193 223 92

HSL 73.74, 0.67%, 0.62%

LAB 84.42, -28.4, 59.46

 

CMYK 30 / 0 / 59 / 13

HEX #9DDF5C

RGB 157 223 92

HSL 90.23, 0.67%, 0.62%

LAB 82.23, -41.87, 56.39

 

CMYK 45 / 0 / 59 / 13

HEX #7ADF5C

RGB 122 223 92

HSL 106.26, 0.67%, 0.62%

LAB 80.56, -53.31, 54.06

 

CMYK 59 / 0 / 57 / 13

HEX #5CDF61

RGB 92 223 97

HSL 122.29, 0.67%, 0.62%

LAB 79.56, -60.64, 50.39

 

CMYK 0 / 2 / 59 / 13

HEX #DFDA5C

RGB 223 218 92

HSL 57.71, 0.67%, 0.62%

LAB 85.3, -13.94, 61.06

 

CMYK 0 / 3 / 68 / 6

HEX #EFE94C

RGB 239 233 76

HSL 57.79, 0.84%, 0.62%

LAB 90.39, -15.73, 73.16

 

CMYK 0 / 2 / 59 / 13

HEX #DFDA5C

RGB 223 218 92

HSL 57.71, 0.67%, 0.62%

LAB 85.3, -13.94, 61.06

 

CMYK 0 / 2 / 49 / 18

HEX #D0CC6B

RGB 208 204 107

HSL 57.62, 0.52%, 0.62%

LAB 80.55, -11.83, 48.41

 

CMYK 0 / 2 / 36 / 25

HEX #C0BD7B

RGB 192 189 123

HSL 57.39, 0.35%, 0.62%

LAB 75.47, -8.92, 33.77

 

CMYK 0 / 1 / 21 / 31

HEX #B0AF8B

RGB 176 175 139

HSL 58.38, 0.19%, 0.62%

LAB 70.7, -5.71, 18.64

 

CMYK 0 / 0 / 4 / 37

HEX #A1A19A

RGB 161 161 154

HSL 60, 0.04%, 0.62%

LAB 66.06, -1.3, 3.63

 

CMYK 0 / 34 / 59 / 13

HEX #DF935C

RGB 223 147 92

HSL 25.19, 0.67%, 0.62%

LAB 67.52, 23.22, 40.54

 

CMYK 0 / 18 / 59 / 13

HEX #DFB65C

RGB 223 182 92

HSL 41.22, 0.67%, 0.62%

LAB 76.02, 4.54, 50.59

 

CMYK 0 / 3 / 59 / 13

HEX #DFD95C

RGB 223 217 92

HSL 57.25, 0.67%, 0.62%

LAB 85.04, -13.44, 60.77

 

CMYK 13 / 0 / 59 / 13

HEX #C3DF5C

RGB 195 223 92

HSL 72.82, 0.67%, 0.62%

LAB 84.56, -27.62, 59.65

 

CMYK 28 / 0 / 59 / 13

HEX #A0DF5C

RGB 160 223 92

HSL 88.85, 0.67%, 0.62%

LAB 82.39, -40.81, 56.62

 

CMYK 0 / 3 / 81 / 23

HEX #C4BE25

RGB 196 190 37

HSL 57.74, 0.68%, 0.46%

LAB 75.26, -14.01, 70.35

 

CMYK 0 / 3 / 74 / 15

HEX #D9D339

RGB 217 211 57

HSL 57.75, 0.68%, 0.54%

LAB 82.72, -14.88, 71.74

 

CMYK 0 / 2 / 59 / 13

HEX #DFDA5C

RGB 223 218 92

HSL 57.71, 0.67%, 0.62%

LAB 85.3, -13.94, 61.06

 

CMYK 0 / 2 / 45 / 10

HEX #E6E27E

RGB 230 226 126

HSL 57.69, 0.68%, 0.7%

LAB 88.31, -12.31, 49.1

 

CMYK 0 / 1 / 32 / 7

HEX #EDEAA1

RGB 237 234 161

HSL 57.63, 0.68%, 0.78%

LAB 91.43, -9.83, 35.89

 

CMYK 0 / 2 / 58 / 12

HEX #E0DB5E

RGB 224 219 94

HSL 57.69, 0.68%, 0.62%

LAB 85.66, -13.89, 60.61

 

CMYK 59 / 0 / 50 / 13

HEX #5CDF6F

RGB 92 223 111

HSL 128.7, 0.67%, 0.62%

LAB 79.73, -58.83, 44.05

 

CMYK 26 / 59 / 0 / 13

HEX #A45CDF

RGB 164 92 223

HSL 272.98, 0.67%, 0.62%

LAB 52.81, 52.88, -55.71

 

CMYK 0 / 2 / 58 / 12

HEX #E0DB5E

RGB 224 219 94

HSL 57.69, 0.68%, 0.62%

LAB 85.66, -13.89, 60.61

 

CMYK 59 / 0 / 3 / 13

HEX #5CDFD9

RGB 92 223 217

HSL 177.25, 0.67%, 0.62%

LAB 81.87, -37.05, -7.85

 

CMYK 3 / 59 / 0 / 13

HEX #D95CDF

RGB 217 92 223

HSL 297.25, 0.67%, 0.62%

LAB 59.65, 65.82, -44.42

 

CMYK 0 / 2 / 58 / 12

HEX #E0DB5E

RGB 224 219 94

HSL 57.69, 0.68%, 0.62%

LAB 85.66, -13.89, 60.61

 

CMYK 59 / 0 / 50 / 13

HEX #5CDF6F

RGB 92 223 111

HSL 128.7, 0.67%, 0.62%

LAB 79.73, -58.83, 44.05

 

CMYK 59 / 56 / 0 / 13

HEX #5C62DF

RGB 92 98 223

HSL 237.25, 0.67%, 0.62%

LAB 47.42, 34.12, -64.74

 

CMYK 0 / 59 / 9 / 13

HEX #DF5CCC

RGB 223 92 204

HSL 308.7, 0.67%, 0.62%

LAB 59.62, 64.21, -33.68

 

CMYK 0 / 2 / 58 / 12

HEX #E0DB5E

RGB 224 219 94

HSL 57.69, 0.68%, 0.62%

LAB 85.66, -13.89, 60.61

 

CMYK 59 / 0 / 32 / 13

HEX #5CDF97

RGB 92 223 151

HSL 147.02, 0.67%, 0.62%

LAB 80.34, -52.2, 24.78

 

CMYK 59 / 56 / 0 / 13

HEX #5C62DF

RGB 92 98 223

HSL 237.25, 0.67%, 0.62%

LAB 47.42, 34.12, -64.74

 

CMYK 0 / 59 / 26 / 13

HEX #DF5CA4

RGB 223 92 164

HSL 327.02, 0.67%, 0.62%

LAB 58.06, 58.45, -13.11

 

Description

Color code: HEX #E0DB5E | qconv.com Color code: HEX #E0DB5E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 219 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 219 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 58 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 58% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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