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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0D54D it is the complementary color #1F2AB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0D54D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0D54D shade: #E5D548, #F6E75B, #FFF96E, #FFFF81 and #FFFF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0D54D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0D54D shade: #E0D54D, #CFC33A, #BEB127, #AD9F14 and #9C8D01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0D54D shade: #E0D54D, #E0AD4D, #E0864D, #E05E4D and #E04D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0D54D shade: #E0D54D, #C3E04D, #9CE04D, #74E04D and #4DE04E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0D54D shade matches the following richer shades: #E0D54D and #F1E33C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0D54D shade: #E0D54D, #CFC65E, #BEB86F, #ADAA80 and #9C9B91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0D54D shade: #E0854D, #E0AC4D, #E0D34D, #C5E04D and #9EE04D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0D54D shade: #BAAE21, #D9CC2A, #E0D54D, #E6DD70 and #ECE593

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0D54D shade: #E0D54D, #4DE05E and #994DE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0D54D shade: #E0D54D, #4DE0D3 and #D34DE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0D54D shade: #E0D54D, #4DE05E, #4D59E0 and #E04DCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0D54D shade: #E0D54D, #4DE08A, #4D59E0 and #E04DA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 66 / 12

HEX #E0D54D

RGB 224 213 77

HSL 55.51, 0.7%, 0.59%

LAB 83.95, -11.97, 65.87

 

Complementary color

CMYK 83 / 76 / 0 / 30

HEX #1F2AB2

RGB 31 42 178

HSL 235.51, 0.7%, 0.41%

LAB 27.19, 45.3, -71.83

 

CMYK 0 / 7 / 69 / 10

HEX #E5D548

RGB 229 213 72

HSL 53.89, 0.75%, 0.59%

LAB 84.34, -10.16, 68.33

 

CMYK 0 / 6 / 63 / 4

HEX #F6E75B

RGB 246 231 91

HSL 54.19, 0.9%, 0.66%

LAB 90.55, -11.05, 67.7

 

CMYK 0 / 2 / 57 / 0

HEX #FFF96E

RGB 255 249 110

HSL 57.52, 1%, 0.72%

LAB 96.05, -15.01, 65.95

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF81

RGB 255 255 129

HSL 60, 1%, 0.75%

LAB 97.78, -16.46, 59.54

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF94

RGB 255 255 148

HSL 60, 1%, 0.79%

LAB 98, -14.73, 50.97

 

CMYK 0 / 5 / 66 / 12

HEX #E0D54D

RGB 224 213 77

HSL 55.51, 0.7%, 0.59%

LAB 83.95, -11.97, 65.87

 

CMYK 0 / 6 / 72 / 19

HEX #CFC33A

RGB 207 195 58

HSL 55.17, 0.61%, 0.52%

LAB 77.64, -11.02, 66.28

 

CMYK 0 / 7 / 79 / 25

HEX #BEB127

RGB 190 177 39

HSL 54.83, 0.66%, 0.45%

LAB 71.24, -9.89, 66.08

 

CMYK 0 / 8 / 88 / 32

HEX #AD9F14

RGB 173 159 20

HSL 54.51, 0.79%, 0.38%

LAB 64.75, -8.54, 64.83

 

CMYK 0 / 10 / 99 / 39

HEX #9C8D01

RGB 156 141 1

HSL 54.19, 0.99%, 0.31%

LAB 58.15, -6.95, 62.23

 

CMYK 0 / 5 / 66 / 12

HEX #E0D54D

RGB 224 213 77

HSL 55.51, 0.7%, 0.59%

LAB 83.95, -11.97, 65.87

 

CMYK 0 / 23 / 66 / 12

HEX #E0AD4D

RGB 224 173 77

HSL 39.18, 0.7%, 0.59%

LAB 73.72, 8.73, 55.03

 

CMYK 0 / 40 / 66 / 12

HEX #E0864D

RGB 224 134 77

HSL 23.27, 0.7%, 0.59%

LAB 64.51, 29.55, 44.73

 

CMYK 0 / 58 / 66 / 12

HEX #E05E4D

RGB 224 94 77

HSL 6.94, 0.7%, 0.59%

LAB 56.47, 49.65, 35.24

 

CMYK 0 / 66 / 66 / 12

HEX #E04D4D

RGB 224 77 77

HSL 0, 0.7%, 0.59%

LAB 53.7, 57.05, 31.85

 

CMYK 0 / 5 / 66 / 12

HEX #E0D54D

RGB 224 213 77

HSL 55.51, 0.7%, 0.59%

LAB 83.95, -11.97, 65.87

 

CMYK 13 / 0 / 66 / 12

HEX #C3E04D

RGB 195 224 77

HSL 71.84, 0.7%, 0.59%

LAB 84.71, -29.14, 65.97

 

CMYK 30 / 0 / 66 / 12

HEX #9CE04D

RGB 156 224 77

HSL 87.76, 0.7%, 0.59%

LAB 82.33, -43.9, 62.74

 

CMYK 48 / 0 / 66 / 12

HEX #74E04D

RGB 116 224 77

HSL 104.08, 0.7%, 0.59%

LAB 80.49, -56.87, 60.22

 

CMYK 66 / 0 / 65 / 12

HEX #4DE04E

RGB 77 224 78

HSL 120.41, 0.7%, 0.59%

LAB 79.29, -66.24, 58.17

 

CMYK 0 / 5 / 66 / 12

HEX #E0D54D

RGB 224 213 77

HSL 55.51, 0.7%, 0.59%

LAB 83.95, -11.97, 65.87

 

CMYK 0 / 6 / 75 / 5

HEX #F1E33C

RGB 241 227 60

HSL 55.36, 0.87%, 0.59%

LAB 88.91, -12.66, 77.24

 

CMYK 0 / 5 / 66 / 12

HEX #E0D54D

RGB 224 213 77

HSL 55.51, 0.7%, 0.59%

LAB 83.95, -11.97, 65.87

 

CMYK 0 / 4 / 55 / 19

HEX #CFC65E

RGB 207 198 94

HSL 55.22, 0.54%, 0.59%

LAB 78.73, -10.3, 52.41

 

CMYK 0 / 3 / 42 / 25

HEX #BEB86F

RGB 190 184 111

HSL 55.44, 0.38%, 0.59%

LAB 73.79, -8.48, 37.78

 

CMYK 0 / 2 / 26 / 32

HEX #ADAA80

RGB 173 170 128

HSL 56, 0.22%, 0.59%

LAB 68.89, -5.81, 22.1

 

CMYK 0 / 1 / 7 / 39

HEX #9C9B91

RGB 156 155 145

HSL 54.55, 0.05%, 0.59%

LAB 63.8, -1.49, 5.36

 

CMYK 0 / 41 / 66 / 12

HEX #E0854D

RGB 224 133 77

HSL 22.86, 0.7%, 0.59%

LAB 64.29, 30.08, 44.47

 

CMYK 0 / 23 / 66 / 12

HEX #E0AC4D

RGB 224 172 77

HSL 38.78, 0.7%, 0.59%

LAB 73.47, 9.26, 54.76

 

CMYK 0 / 6 / 66 / 12

HEX #E0D34D

RGB 224 211 77

HSL 54.69, 0.7%, 0.59%

LAB 83.43, -10.97, 65.32

 

CMYK 12 / 0 / 66 / 12

HEX #C5E04D

RGB 197 224 77

HSL 71.02, 0.7%, 0.59%

LAB 84.85, -28.35, 66.15

 

CMYK 29 / 0 / 66 / 12

HEX #9EE04D

RGB 158 224 77

HSL 86.94, 0.7%, 0.59%

LAB 82.44, -43.19, 62.89

 

CMYK 0 / 6 / 82 / 27

HEX #BAAE21

RGB 186 174 33

HSL 55.29, 0.7%, 0.43%

LAB 70.05, -10.28, 66.6

 

CMYK 0 / 6 / 81 / 15

HEX #D9CC2A

RGB 217 204 42

HSL 55.54, 0.7%, 0.51%

LAB 80.8, -11.92, 74.49

 

CMYK 0 / 5 / 66 / 12

HEX #E0D54D

RGB 224 213 77

HSL 55.51, 0.7%, 0.59%

LAB 83.95, -11.97, 65.87

 

CMYK 0 / 4 / 51 / 10

HEX #E6DD70

RGB 230 221 112

HSL 55.42, 0.7%, 0.67%

LAB 86.85, -11.07, 53.98

 

CMYK 0 / 3 / 38 / 7

HEX #ECE593

RGB 236 229 147

HSL 55.28, 0.7%, 0.75%

LAB 89.85, -9.32, 40.84

 

CMYK 0 / 5 / 66 / 12

HEX #E0D54D

RGB 224 213 77

HSL 55.51, 0.7%, 0.59%

LAB 83.95, -11.97, 65.87

 

CMYK 66 / 0 / 58 / 12

HEX #4DE05E

RGB 77 224 94

HSL 126.94, 0.7%, 0.59%

LAB 79.44, -64.51, 51.5

 

CMYK 32 / 66 / 0 / 12

HEX #994DE0

RGB 153 77 224

HSL 271.02, 0.7%, 0.59%

LAB 48.84, 58.08, -62.74

 

CMYK 0 / 5 / 66 / 12

HEX #E0D54D

RGB 224 213 77

HSL 55.51, 0.7%, 0.59%

LAB 83.95, -11.97, 65.87

 

CMYK 66 / 0 / 6 / 12

HEX #4DE0D3

RGB 77 224 211

HSL 174.69, 0.7%, 0.59%

LAB 81.62, -41.52, -5.08

 

CMYK 6 / 66 / 0 / 12

HEX #D34DE0

RGB 211 77 224

HSL 294.69, 0.7%, 0.59%

LAB 56.62, 70.72, -49.83

 

CMYK 0 / 5 / 66 / 12

HEX #E0D54D

RGB 224 213 77

HSL 55.51, 0.7%, 0.59%

LAB 83.95, -11.97, 65.87

 

CMYK 66 / 0 / 58 / 12

HEX #4DE05E

RGB 77 224 94

HSL 126.94, 0.7%, 0.59%

LAB 79.44, -64.51, 51.5

 

CMYK 66 / 60 / 0 / 12

HEX #4D59E0

RGB 77 89 224

HSL 235.1, 0.7%, 0.59%

LAB 44.38, 37.56, -70.28

 

CMYK 0 / 66 / 8 / 12

HEX #E04DCF

RGB 224 77 207

HSL 306.94, 0.7%, 0.59%

LAB 57.71, 70.98, -38.35

 

CMYK 0 / 5 / 66 / 12

HEX #E0D54D

RGB 224 213 77

HSL 55.51, 0.7%, 0.59%

LAB 83.95, -11.97, 65.87

 

CMYK 66 / 0 / 38 / 12

HEX #4DE08A

RGB 77 224 138

HSL 144.9, 0.7%, 0.59%

LAB 80.02, -57.91, 30.96

 

CMYK 66 / 60 / 0 / 12

HEX #4D59E0

RGB 77 89 224

HSL 235.1, 0.7%, 0.59%

LAB 44.38, 37.56, -70.28

 

CMYK 0 / 66 / 27 / 12

HEX #E04DA3

RGB 224 77 163

HSL 324.9, 0.7%, 0.59%

LAB 55.89, 64.86, -15.79

 

Description

Color code: HEX #E0D54D | qconv.com Color code: HEX #E0D54D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 213 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 213 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 66 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 66% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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