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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0CD7F it is the complementary color #1F3280. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0CD7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0CD7F shade: #E5CD7A, #F6DF8D, #FFF1A0, #FFFFB3 and #FFFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0CD7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0CD7F shade: #E0CD7F, #CFBB6C, #BEA959, #AD9746 and #9C8533

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0CD7F shade: #E0CD80, #E0B380, #E09980 and #E08080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0CD7F shade: #E0CD80, #D9E080, #BFE080, #A5E080 and #8BE080

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0CD7F shade matches the following richer shades: #E0CD80, #EDD573 and #FADD66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0CD7F shade: #E0CD80, #D3C68D, #C7BE99, #BAB6A6 and #ADAEB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0CD7F shade: #E09980, #E0B380, #E0CD80, #DAE080 and #C0E080

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0CD7F shade: #D0B33D, #D8C05F, #E0CD80, #E8DAA1 and #F0E7C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0CD7F shade: #E0CD7F, #80E080 and #A680E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0CD7F shade: #E0CD7F, #80E0CD and #CD80E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0CD7F shade: #E0CD7F, #80E080, #8093E0 and #E080E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0CD7F shade: #E0CD7F, #80E09D, #8093E0 and #E080C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 43 / 12

HEX #E0CD7F

RGB 224 205 127

HSL 48.25, 0.61%, 0.69%

LAB 82.4, -3.98, 41.14

 

Complementary color

CMYK 76 / 61 / 0 / 50

HEX #1F3280

RGB 31 50 128

HSL 228.25, 0.61%, 0.31%

LAB 24.1, 21.74, -46.28

 

CMYK 0 / 10 / 47 / 10

HEX #E5CD7A

RGB 229 205 122

HSL 46.54, 0.67%, 0.69%

LAB 82.77, -2.46, 44.19

 

CMYK 0 / 9 / 43 / 4

HEX #F6DF8D

RGB 246 223 141

HSL 46.86, 0.85%, 0.76%

LAB 89.06, -3.03, 42.98

 

CMYK 0 / 5 / 37 / 0

HEX #FFF1A0

RGB 255 241 160

HSL 51.16, 1%, 0.81%

LAB 94.61, -6.6, 40.83

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 0 / 8 / 43 / 12

HEX #E0CD7F

RGB 224 205 127

HSL 48.25, 0.61%, 0.69%

LAB 82.4, -3.98, 41.14

 

CMYK 0 / 10 / 48 / 19

HEX #CFBB6C

RGB 207 187 108

HSL 47.88, 0.51%, 0.62%

LAB 76, -3.4, 42.37

 

CMYK 0 / 11 / 53 / 25

HEX #BEA959

RGB 190 169 89

HSL 47.52, 0.44%, 0.55%

LAB 69.5, -2.71, 43.62

 

CMYK 0 / 13 / 60 / 32

HEX #AD9746

RGB 173 151 70

HSL 47.18, 0.42%, 0.48%

LAB 62.89, -1.89, 44.85

 

CMYK 0 / 15 / 67 / 39

HEX #9C8533

RGB 156 133 51

HSL 46.86, 0.51%, 0.41%

LAB 56.17, -0.88, 45.93

 

CMYK 0 / 8 / 43 / 12

HEX #E0CD80

RGB 224 205 128

HSL 48.13, 0.61%, 0.69%

LAB 82.42, -3.87, 40.66

 

CMYK 0 / 20 / 43 / 12

HEX #E0B380

RGB 224 179 128

HSL 31.88, 0.61%, 0.69%

LAB 75.85, 9.74, 32.2

 

CMYK 0 / 32 / 43 / 12

HEX #E09980

RGB 224 153 128

HSL 15.63, 0.61%, 0.69%

LAB 69.6, 23.66, 23.91

 

CMYK 0 / 43 / 43 / 12

HEX #E08080

RGB 224 128 128

HSL 0, 0.61%, 0.69%

LAB 64.03, 36.93, 16.3

 

CMYK 0 / 8 / 43 / 12

HEX #E0CD80

RGB 224 205 128

HSL 48.13, 0.61%, 0.69%

LAB 82.42, -3.87, 40.66

 

CMYK 3 / 0 / 43 / 12

HEX #D9E080

RGB 217 224 128

HSL 64.38, 0.61%, 0.69%

LAB 86.81, -16.23, 46.05

 

CMYK 15 / 0 / 43 / 12

HEX #BFE080

RGB 191 224 128

HSL 80.63, 0.61%, 0.69%

LAB 84.97, -26.17, 43.35

 

CMYK 26 / 0 / 43 / 12

HEX #A5E080

RGB 165 224 128

HSL 96.88, 0.61%, 0.69%

LAB 83.37, -35.57, 41.01

 

CMYK 38 / 0 / 43 / 12

HEX #8BE080

RGB 139 224 128

HSL 113.13, 0.61%, 0.69%

LAB 82.03, -44.15, 39.02

 

CMYK 0 / 8 / 43 / 12

HEX #E0CD80

RGB 224 205 128

HSL 48.13, 0.61%, 0.69%

LAB 82.42, -3.87, 40.66

 

CMYK 0 / 10 / 51 / 7

HEX #EDD573

RGB 237 213 115

HSL 48.2, 0.77%, 0.69%

LAB 85.42, -3.95, 51

 

CMYK 0 / 12 / 59 / 2

HEX #FADD66

RGB 250 221 102

HSL 48.24, 0.94%, 0.69%

LAB 88.45, -3.71, 60.81

 

CMYK 0 / 8 / 43 / 12

HEX #E0CD80

RGB 224 205 128

HSL 48.13, 0.61%, 0.69%

LAB 82.42, -3.87, 40.66

 

CMYK 0 / 6 / 33 / 17

HEX #D3C68D

RGB 211 198 141

HSL 48.86, 0.44%, 0.69%

LAB 79.7, -3.93, 30.25

 

CMYK 0 / 5 / 23 / 22

HEX #C7BE99

RGB 199 190 153

HSL 48.26, 0.29%, 0.69%

LAB 76.84, -2.79, 19.86

 

CMYK 0 / 2 / 11 / 27

HEX #BAB6A6

RGB 186 182 166

HSL 48, 0.13%, 0.69%

LAB 73.96, -1.4, 8.64

 

CMYK 3 / 3 / 0 / 30

HEX #ADAEB3

RGB 173 174 179

HSL 230, 0.04%, 0.69%

LAB 71.15, 0.61, -2.69

 

CMYK 0 / 32 / 43 / 12

HEX #E09980

RGB 224 153 128

HSL 15.63, 0.61%, 0.69%

LAB 69.6, 23.66, 23.91

 

CMYK 0 / 20 / 43 / 12

HEX #E0B380

RGB 224 179 128

HSL 31.88, 0.61%, 0.69%

LAB 75.85, 9.74, 32.2

 

CMYK 0 / 8 / 43 / 12

HEX #E0CD80

RGB 224 205 128

HSL 48.13, 0.61%, 0.69%

LAB 82.42, -3.87, 40.66

 

CMYK 3 / 0 / 43 / 12

HEX #DAE080

RGB 218 224 128

HSL 63.75, 0.61%, 0.69%

LAB 86.89, -15.84, 46.16

 

CMYK 14 / 0 / 43 / 12

HEX #C0E080

RGB 192 224 128

HSL 80, 0.61%, 0.69%

LAB 85.04, -25.8, 43.45

 

CMYK 0 / 14 / 71 / 18

HEX #D0B33D

RGB 208 179 61

HSL 48.16, 0.61%, 0.53%

LAB 73.54, -2.17, 61.15

 

CMYK 0 / 11 / 56 / 15

HEX #D8C05F

RGB 216 192 95

HSL 48.1, 0.61%, 0.61%

LAB 77.95, -3.39, 51.24

 

CMYK 0 / 8 / 43 / 12

HEX #E0CD80

RGB 224 205 128

HSL 48.13, 0.61%, 0.69%

LAB 82.42, -3.87, 40.66

 

CMYK 0 / 6 / 31 / 9

HEX #E8DAA1

RGB 232 218 161

HSL 48.17, 0.61%, 0.77%

LAB 86.93, -3.66, 29.84

 

CMYK 0 / 4 / 19 / 6

HEX #F0E7C2

RGB 240 231 194

HSL 48.26, 0.61%, 0.85%

LAB 91.49, -2.84, 19.13

 

CMYK 0 / 8 / 43 / 12

HEX #E0CD7F

RGB 224 205 127

HSL 48.25, 0.61%, 0.69%

LAB 82.4, -3.98, 41.14

 

CMYK 43 / 0 / 43 / 12

HEX #80E080

RGB 128 224 128

HSL 120, 0.61%, 0.69%

LAB 81.54, -47.46, 38.3

 

CMYK 26 / 43 / 0 / 12

HEX #A680E0

RGB 166 128 224

HSL 263.75, 0.61%, 0.69%

LAB 60.72, 34.07, -43.7

 

CMYK 0 / 8 / 43 / 12

HEX #E0CD7F

RGB 224 205 127

HSL 48.25, 0.61%, 0.69%

LAB 82.4, -3.98, 41.14

 

CMYK 43 / 0 / 8 / 12

HEX #80E0CD

RGB 128 224 205

HSL 168.13, 0.61%, 0.69%

LAB 83.08, -32.86, 0.43

 

CMYK 8 / 43 / 0 / 12

HEX #CD80E0

RGB 205 128 224

HSL 288.13, 0.61%, 0.69%

LAB 64.8, 45.27, -37

 

CMYK 0 / 8 / 43 / 12

HEX #E0CD7F

RGB 224 205 127

HSL 48.25, 0.61%, 0.69%

LAB 82.4, -3.98, 41.14

 

CMYK 43 / 0 / 43 / 12

HEX #80E080

RGB 128 224 128

HSL 120, 0.61%, 0.69%

LAB 81.54, -47.46, 38.3

 

CMYK 43 / 34 / 0 / 12

HEX #8093E0

RGB 128 147 224

HSL 228.13, 0.61%, 0.69%

LAB 62.37, 12.87, -41.31

 

CMYK 0 / 43 / 0 / 12

HEX #E080E0

RGB 224 128 224

HSL 300, 0.61%, 0.69%

LAB 67.03, 50.84, -33.37

 

CMYK 0 / 8 / 43 / 12

HEX #E0CD7F

RGB 224 205 127

HSL 48.25, 0.61%, 0.69%

LAB 82.4, -3.98, 41.14

 

CMYK 43 / 0 / 30 / 12

HEX #80E09D

RGB 128 224 157

HSL 138.13, 0.61%, 0.69%

LAB 82.02, -42.74, 24.17

 

CMYK 43 / 34 / 0 / 12

HEX #8093E0

RGB 128 147 224

HSL 228.13, 0.61%, 0.69%

LAB 62.37, 12.87, -41.31

 

CMYK 0 / 43 / 13 / 12

HEX #E080C3

RGB 224 128 195

HSL 318.13, 0.61%, 0.69%

LAB 65.92, 45.91, -18.88

 

Description

Color code: HEX #E0CD7F | qconv.com Color code: HEX #E0CD7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 205 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 205 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 43 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 43% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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