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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0CD5E it is the complementary color #1F32A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0CD5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0CD5E shade: #E5CD59, #F6DF6C, #FFF17F, #FFFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0CD5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0CD5E shade: #E0CD5E, #CFBB4B, #BEA938, #AD9725 and #9C8512

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0CD5E shade: #E0CD5C, #E0A95C, #E0865C, #E0625C and #E05C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0CD5E shade: #E0CD5C, #D0E05C, #ACE05C, #89E05C and #65E05C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0CD5E shade matches the following richer shades: #E0CD5C and #F0D84D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0CD5E shade: #E0CD5C, #D0C26C, #C1B77C, #B1AB8B and #A1A09B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0CD5E shade: #E0865C, #E0A95C, #E0CC5C, #D1E05C and #ADE05C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0CD5E shade: #C4AD25, #D9C23A, #E0CD5C, #E7D77F and #EDE2A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0CD5E shade: #E0CD5E, #5CE063 and #985CE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0CD5E shade: #E0CD5E, #5CE0CC and #CC5CE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0CD5E shade: #E0CD5E, #5CE063, #5C70E0 and #E05CD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0CD5E shade: #E0CD5E, #5CE08A, #5C70E0 and #E05CB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 58 / 12

HEX #E0CD5E

RGB 224 205 94

HSL 51.23, 0.68%, 0.62%

LAB 82.01, -6.84, 56.53

 

Complementary color

CMYK 81 / 69 / 0 / 37

HEX #1F32A1

RGB 31 50 161

HSL 231.23, 0.68%, 0.38%

LAB 27.15, 34.41, -61.67

 

CMYK 0 / 10 / 61 / 10

HEX #E5CD59

RGB 229 205 89

HSL 49.71, 0.73%, 0.62%

LAB 82.4, -5.11, 59.32

 

CMYK 0 / 9 / 56 / 4

HEX #F6DF6C

RGB 246 223 108

HSL 50, 0.88%, 0.69%

LAB 88.66, -5.92, 58.27

 

CMYK 0 / 5 / 50 / 0

HEX #FFF17F

RGB 255 241 127

HSL 53.44, 1%, 0.75%

LAB 94.19, -9.79, 56.19

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 0 / 8 / 58 / 12

HEX #E0CD5E

RGB 224 205 94

HSL 51.23, 0.68%, 0.62%

LAB 82.01, -6.84, 56.53

 

CMYK 0 / 10 / 64 / 19

HEX #CFBB4B

RGB 207 187 75

HSL 50.91, 0.58%, 0.55%

LAB 75.65, -5.99, 57.51

 

CMYK 0 / 11 / 71 / 25

HEX #BEA938

RGB 190 169 56

HSL 50.6, 0.54%, 0.48%

LAB 69.19, -4.98, 58.23

 

CMYK 0 / 13 / 79 / 32

HEX #AD9725

RGB 173 151 37

HSL 50.29, 0.65%, 0.41%

LAB 62.63, -3.76, 58.41

 

CMYK 0 / 15 / 88 / 39

HEX #9C8512

RGB 156 133 18

HSL 50, 0.79%, 0.34%

LAB 55.97, -2.28, 57.54

 

CMYK 0 / 8 / 59 / 12

HEX #E0CD5C

RGB 224 205 92

HSL 51.36, 0.68%, 0.62%

LAB 81.99, -6.98, 57.41

 

CMYK 0 / 25 / 59 / 12

HEX #E0A95C

RGB 224 169 92

HSL 35, 0.68%, 0.62%

LAB 72.89, 11.85, 46.97

 

CMYK 0 / 40 / 59 / 12

HEX #E0865C

RGB 224 134 92

HSL 19.09, 0.68%, 0.62%

LAB 64.7, 30.55, 37.12

 

CMYK 0 / 56 / 59 / 12

HEX #E0625C

RGB 224 98 92

HSL 2.73, 0.68%, 0.62%

LAB 57.42, 48.75, 27.93

 

CMYK 0 / 59 / 59 / 12

HEX #E05C5C

RGB 224 92 92

HSL 0, 0.68%, 0.62%

LAB 56.36, 51.53, 26.57

 

CMYK 0 / 8 / 59 / 12

HEX #E0CD5C

RGB 224 205 92

HSL 51.36, 0.68%, 0.62%

LAB 81.99, -6.98, 57.41

 

CMYK 7 / 0 / 59 / 12

HEX #D0E05C

RGB 208 224 92

HSL 67.27, 0.68%, 0.62%

LAB 85.75, -22.95, 61.23

 

CMYK 23 / 0 / 59 / 12

HEX #ACE05C

RGB 172 224 92

HSL 83.64, 0.68%, 0.62%

LAB 83.37, -36.88, 57.91

 

CMYK 39 / 0 / 59 / 12

HEX #89E05C

RGB 137 224 92

HSL 99.55, 0.68%, 0.62%

LAB 81.51, -49.07, 55.31

 

CMYK 55 / 0 / 59 / 12

HEX #65E05C

RGB 101 224 92

HSL 115.91, 0.68%, 0.62%

LAB 80.1, -59.43, 53.32

 

CMYK 0 / 8 / 59 / 12

HEX #E0CD5C

RGB 224 205 92

HSL 51.36, 0.68%, 0.62%

LAB 81.99, -6.98, 57.41

 

CMYK 0 / 10 / 68 / 6

HEX #F0D84D

RGB 240 216 77

HSL 51.17, 0.84%, 0.62%

LAB 86.09, -6.82, 68.49

 

CMYK 0 / 8 / 59 / 12

HEX #E0CD5C

RGB 224 205 92

HSL 51.36, 0.68%, 0.62%

LAB 81.99, -6.98, 57.41

 

CMYK 0 / 7 / 48 / 18

HEX #D0C26C

RGB 208 194 108

HSL 51.6, 0.52%, 0.62%

LAB 77.92, -6.62, 44.75

 

CMYK 0 / 5 / 36 / 24

HEX #C1B77C

RGB 193 183 124

HSL 51.3, 0.36%, 0.62%

LAB 73.97, -5.27, 31.31

 

CMYK 0 / 3 / 21 / 31

HEX #B1AB8B

RGB 177 171 139

HSL 50.53, 0.2%, 0.62%

LAB 69.71, -3.19, 17.28

 

CMYK 0 / 1 / 4 / 37

HEX #A1A09B

RGB 161 160 155

HSL 50, 0.03%, 0.62%

LAB 65.81, -0.57, 2.72

 

CMYK 0 / 40 / 59 / 12

HEX #E0865C

RGB 224 134 92

HSL 19.09, 0.68%, 0.62%

LAB 64.7, 30.55, 37.12

 

CMYK 0 / 25 / 59 / 12

HEX #E0A95C

RGB 224 169 92

HSL 35, 0.68%, 0.62%

LAB 72.89, 11.85, 46.97

 

CMYK 0 / 9 / 59 / 12

HEX #E0CC5C

RGB 224 204 92

HSL 50.91, 0.68%, 0.62%

LAB 81.73, -6.47, 57.12

 

CMYK 7 / 0 / 59 / 12

HEX #D1E05C

RGB 209 224 92

HSL 66.82, 0.68%, 0.62%

LAB 85.83, -22.55, 61.33

 

CMYK 23 / 0 / 59 / 12

HEX #ADE05C

RGB 173 224 92

HSL 83.18, 0.68%, 0.62%

LAB 83.43, -36.51, 57.99

 

CMYK 0 / 12 / 81 / 23

HEX #C4AD25

RGB 196 173 37

HSL 51.32, 0.68%, 0.46%

LAB 70.7, -5.24, 66.41

 

CMYK 0 / 11 / 73 / 15

HEX #D9C23A

RGB 217 194 58

HSL 51.32, 0.68%, 0.54%

LAB 78.25, -6.24, 67.17

 

CMYK 0 / 8 / 59 / 12

HEX #E0CD5C

RGB 224 205 92

HSL 51.36, 0.68%, 0.62%

LAB 81.99, -6.98, 57.41

 

CMYK 0 / 7 / 45 / 9

HEX #E7D77F

RGB 231 215 127

HSL 50.77, 0.68%, 0.7%

LAB 85.57, -6.29, 45.24

 

CMYK 0 / 5 / 32 / 7

HEX #EDE2A2

RGB 237 226 162

HSL 51.2, 0.68%, 0.78%

LAB 89.4, -5.7, 32.7

 

CMYK 0 / 8 / 58 / 12

HEX #E0CD5E

RGB 224 205 94

HSL 51.23, 0.68%, 0.62%

LAB 82.01, -6.84, 56.53

 

CMYK 59 / 0 / 56 / 12

HEX #5CE063

RGB 92 224 99

HSL 123.18, 0.68%, 0.62%

LAB 79.89, -60.76, 49.86

 

CMYK 32 / 59 / 0 / 12

HEX #985CE0

RGB 152 92 224

HSL 267.27, 0.68%, 0.62%

LAB 51.51, 50.31, -58.44

 

CMYK 0 / 8 / 58 / 12

HEX #E0CD5E

RGB 224 205 94

HSL 51.23, 0.68%, 0.62%

LAB 82.01, -6.84, 56.53

 

CMYK 59 / 0 / 9 / 12

HEX #5CE0CC

RGB 92 224 204

HSL 170.91, 0.68%, 0.62%

LAB 81.81, -40.85, -1.04

 

CMYK 9 / 59 / 0 / 12

HEX #CC5CE0

RGB 204 92 224

HSL 290.91, 0.68%, 0.62%

LAB 57.92, 62.79, -47.84

 

CMYK 0 / 8 / 58 / 12

HEX #E0CD5E

RGB 224 205 94

HSL 51.23, 0.68%, 0.62%

LAB 82.01, -6.84, 56.53

 

CMYK 59 / 0 / 56 / 12

HEX #5CE063

RGB 92 224 99

HSL 123.18, 0.68%, 0.62%

LAB 79.89, -60.76, 49.86

 

CMYK 59 / 50 / 0 / 12

HEX #5C70E0

RGB 92 112 224

HSL 230.91, 0.68%, 0.62%

LAB 50.97, 25.86, -59.57

 

CMYK 0 / 59 / 3 / 12

HEX #E05CD9

RGB 224 92 217

HSL 303.18, 0.68%, 0.62%

LAB 60.35, 66.56, -39.88

 

CMYK 0 / 8 / 58 / 12

HEX #E0CD5E

RGB 224 205 94

HSL 51.23, 0.68%, 0.62%

LAB 82.01, -6.84, 56.53

 

CMYK 59 / 0 / 38 / 12

HEX #5CE08A

RGB 92 224 138

HSL 140.91, 0.68%, 0.62%

LAB 80.42, -54.98, 31.55

 

CMYK 59 / 50 / 0 / 12

HEX #5C70E0

RGB 92 112 224

HSL 230.91, 0.68%, 0.62%

LAB 50.97, 25.86, -59.57

 

CMYK 0 / 59 / 21 / 12

HEX #E05CB2

RGB 224 92 178

HSL 320.91, 0.68%, 0.62%

LAB 58.71, 60.63, -20.2

 

Description

Color code: HEX #E0CD5E | qconv.com Color code: HEX #E0CD5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 205 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 205 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 58 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 58% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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