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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0AF78 it is the complementary color #1F5087. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0AF78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0AF78 shade: #E5AF73, #F6C186, #FFD399, #FFE5AC and #FFF7BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0AF78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0AF78 shade: #E0AF78, #CF9D65, #BE8B52, #AD793F and #9C672C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0AF78 shade: #E0AE76, #E09176 and #E07676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0AF78 shade: #E0AE76, #E0CA76, #D9E076, #BCE076 and #9FE076

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0AF78 shade matches the following richer shades: #E0AE76, #EDAF68 and #FBAF5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0AF78 shade: #E0AE76, #D2AD83, #C5AC91, #B7AC9F and #A9ABAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0AF78 shade: #E07678, #E09076, #E0AD76, #E0C976 and #DBE076

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0AF78 shade: #D18633, #D89A54, #E0AE76, #E7C297 and #EFD6B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0AF78 shade: #E0AF78, #94E076 and #8276E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0AF78 shade: #E0AF78, #76E0AD and #AD76E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0AF78 shade: #E0AF78, #94E076, #76A9E0 and #C276E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0AF78 shade: #E0AF78, #76E078, #76A9E0 and #E076DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 46 / 12

HEX #E0AF78

RGB 224 175 120

HSL 31.73, 0.63%, 0.67%

LAB 74.74, 11.06, 34.96

 

Complementary color

CMYK 77 / 41 / 0 / 47

HEX #1F5087

RGB 31 80 135

HSL 211.73, 0.63%, 0.33%

LAB 33.52, 3.91, -35.46

 

CMYK 0 / 24 / 50 / 10

HEX #E5AF73

RGB 229 175 115

HSL 31.58, 0.69%, 0.67%

LAB 75.17, 12.61, 38.23

 

CMYK 0 / 22 / 46 / 4

HEX #F6C186

RGB 246 193 134

HSL 31.61, 0.86%, 0.75%

LAB 81.54, 11.75, 36.89

 

CMYK 0 / 17 / 40 / 0

HEX #FFD399

RGB 255 211 153

HSL 34.12, 1%, 0.8%

LAB 87.07, 7.88, 34.5

 

CMYK 0 / 10 / 33 / 0

HEX #FFE5AC

RGB 255 229 172

HSL 41.2, 1%, 0.84%

LAB 91.81, 0.82, 31.08

 

CMYK 0 / 3 / 25 / 0

HEX #FFF7BF

RGB 255 247 191

HSL 52.5, 1%, 0.87%

LAB 96.63, -5.84, 27.95

 

CMYK 0 / 22 / 46 / 12

HEX #E0AF78

RGB 224 175 120

HSL 31.73, 0.63%, 0.67%

LAB 74.74, 11.06, 34.96

 

CMYK 0 / 24 / 51 / 19

HEX #CF9D65

RGB 207 157 101

HSL 31.7, 0.52%, 0.6%

LAB 68.26, 11.96, 36.34

 

CMYK 0 / 27 / 57 / 25

HEX #BE8B52

RGB 190 139 82

HSL 31.67, 0.45%, 0.53%

LAB 61.67, 13.01, 37.79

 

CMYK 0 / 30 / 64 / 32

HEX #AD793F

RGB 173 121 63

HSL 31.64, 0.47%, 0.46%

LAB 54.99, 14.24, 39.29

 

CMYK 0 / 34 / 72 / 39

HEX #9C672C

RGB 156 103 44

HSL 31.61, 0.56%, 0.39%

LAB 48.2, 15.72, 40.76

 

CMYK 0 / 22 / 47 / 12

HEX #E0AE76

RGB 224 174 118

HSL 31.7, 0.63%, 0.67%

LAB 74.46, 11.39, 35.66

 

CMYK 0 / 35 / 47 / 12

HEX #E09176

RGB 224 145 118

HSL 15.28, 0.63%, 0.67%

LAB 67.58, 26.93, 26.69

 

CMYK 0 / 47 / 47 / 12

HEX #E07676

RGB 224 118 118

HSL 0, 0.63%, 0.67%

LAB 61.75, 41.08, 18.83

 

CMYK 0 / 22 / 47 / 12

HEX #E0AE76

RGB 224 174 118

HSL 31.7, 0.63%, 0.67%

LAB 74.46, 11.39, 35.66

 

CMYK 0 / 10 / 47 / 12

HEX #E0CA76

RGB 224 202 118

HSL 47.55, 0.63%, 0.67%

LAB 81.51, -3.31, 44.52

 

CMYK 3 / 0 / 47 / 12

HEX #D9E076

RGB 217 224 118

HSL 63.96, 0.63%, 0.67%

LAB 86.69, -17.21, 50.71

 

CMYK 16 / 0 / 47 / 12

HEX #BCE076

RGB 188 224 118

HSL 80.38, 0.63%, 0.67%

LAB 84.64, -28.4, 47.76

 

CMYK 29 / 0 / 47 / 12

HEX #9FE076

RGB 159 224 118

HSL 96.79, 0.63%, 0.67%

LAB 82.91, -38.88, 45.23

 

CMYK 0 / 22 / 47 / 12

HEX #E0AE76

RGB 224 174 118

HSL 31.7, 0.63%, 0.67%

LAB 74.46, 11.39, 35.66

 

CMYK 0 / 26 / 56 / 7

HEX #EDAF68

RGB 237 175 104

HSL 32.03, 0.79%, 0.67%

LAB 75.86, 14.95, 44.88

 

CMYK 0 / 30 / 64 / 2

HEX #FBAF5B

RGB 251 175 91

HSL 31.5, 0.95%, 0.67%

LAB 77.24, 19.77, 53.24

 

CMYK 0 / 22 / 47 / 12

HEX #E0AE76

RGB 224 174 118

HSL 31.7, 0.63%, 0.67%

LAB 74.46, 11.39, 35.66

 

CMYK 0 / 18 / 38 / 18

HEX #D2AD83

RGB 210 173 131

HSL 31.9, 0.47%, 0.67%

LAB 73.04, 7.68, 26.64

 

CMYK 0 / 13 / 26 / 23

HEX #C5AC91

RGB 197 172 145

HSL 31.15, 0.31%, 0.67%

LAB 71.84, 4.89, 17.23

 

CMYK 0 / 6 / 13 / 28

HEX #B7AC9F

RGB 183 172 159

HSL 32.5, 0.14%, 0.67%

LAB 70.92, 1.7, 8.09

 

CMYK 2 / 1 / 0 / 33

HEX #A9ABAC

RGB 169 171 172

HSL 200, 0.02%, 0.67%

LAB 69.85, -0.51, -0.77

 

CMYK 0 / 47 / 46 / 12

HEX #E07678

RGB 224 118 120

HSL 358.87, 0.63%, 0.67%

LAB 61.79, 41.28, 17.75

 

CMYK 0 / 36 / 47 / 12

HEX #E09076

RGB 224 144 118

HSL 14.72, 0.63%, 0.67%

LAB 67.35, 27.46, 26.38

 

CMYK 0 / 23 / 47 / 12

HEX #E0AD76

RGB 224 173 118

HSL 31.13, 0.63%, 0.67%

LAB 74.22, 11.93, 35.34

 

CMYK 0 / 10 / 47 / 12

HEX #E0C976

RGB 224 201 118

HSL 46.98, 0.63%, 0.67%

LAB 81.25, -2.79, 44.2

 

CMYK 2 / 0 / 47 / 12

HEX #DBE076

RGB 219 224 118

HSL 62.83, 0.63%, 0.67%

LAB 86.84, -16.42, 50.93

 

CMYK 0 / 36 / 76 / 18

HEX #D18633

RGB 209 134 51

HSL 31.52, 0.63%, 0.51%

LAB 62.38, 21.97, 54.18

 

CMYK 0 / 29 / 61 / 15

HEX #D89A54

RGB 216 154 84

HSL 31.82, 0.63%, 0.59%

LAB 68.28, 15.98, 45.32

 

CMYK 0 / 22 / 47 / 12

HEX #E0AE76

RGB 224 174 118

HSL 31.7, 0.63%, 0.67%

LAB 74.46, 11.39, 35.66

 

CMYK 0 / 16 / 35 / 9

HEX #E7C297

RGB 231 194 151

HSL 32.25, 0.63%, 0.75%

LAB 80.63, 7.18, 26.55

 

CMYK 0 / 10 / 23 / 6

HEX #EFD6B9

RGB 239 214 185

HSL 32.22, 0.63%, 0.83%

LAB 86.97, 4.23, 17.49

 

CMYK 0 / 22 / 46 / 12

HEX #E0AF78

RGB 224 175 120

HSL 31.73, 0.63%, 0.67%

LAB 74.74, 11.06, 34.96

 

CMYK 34 / 0 / 47 / 12

HEX #94E076

RGB 148 224 118

HSL 103.02, 0.63%, 0.67%

LAB 82.33, -42.59, 44.39

 

CMYK 42 / 47 / 0 / 12

HEX #8276E0

RGB 130 118 224

HSL 246.79, 0.63%, 0.67%

LAB 55.16, 30.42, -52.71

 

CMYK 0 / 22 / 46 / 12

HEX #E0AF78

RGB 224 175 120

HSL 31.73, 0.63%, 0.67%

LAB 74.74, 11.06, 34.96

 

CMYK 47 / 0 / 23 / 12

HEX #76E0AD

RGB 118 224 173

HSL 151.13, 0.63%, 0.67%

LAB 81.94, -42.3, 15.64

 

CMYK 23 / 47 / 0 / 12

HEX #AD76E0

RGB 173 118 224

HSL 271.13, 0.63%, 0.67%

LAB 59.18, 41.58, -46.07

 

CMYK 0 / 22 / 46 / 12

HEX #E0AF78

RGB 224 175 120

HSL 31.73, 0.63%, 0.67%

LAB 74.74, 11.06, 34.96

 

CMYK 34 / 0 / 47 / 12

HEX #94E076

RGB 148 224 118

HSL 103.02, 0.63%, 0.67%

LAB 82.33, -42.59, 44.39

 

CMYK 47 / 25 / 0 / 12

HEX #76A9E0

RGB 118 169 224

HSL 211.13, 0.63%, 0.67%

LAB 67.73, -2.14, -32.99

 

CMYK 13 / 47 / 0 / 12

HEX #C276E0

RGB 194 118 224

HSL 283.02, 0.63%, 0.67%

LAB 61.49, 47.38, -42.28

 

CMYK 0 / 22 / 46 / 12

HEX #E0AF78

RGB 224 175 120

HSL 31.73, 0.63%, 0.67%

LAB 74.74, 11.06, 34.96

 

CMYK 47 / 0 / 46 / 12

HEX #76E078

RGB 118 224 120

HSL 121.13, 0.63%, 0.67%

LAB 81.03, -51.44, 41.5

 

CMYK 47 / 25 / 0 / 12

HEX #76A9E0

RGB 118 169 224

HSL 211.13, 0.63%, 0.67%

LAB 67.73, -2.14, -32.99

 

CMYK 0 / 47 / 1 / 12

HEX #E076DE

RGB 224 118 222

HSL 301.13, 0.63%, 0.67%

LAB 65.02, 55.47, -35.37

 

Description

Color code: HEX #E0AF78 | qconv.com Color code: HEX #E0AF78 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 175 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 175 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 46 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 46% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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