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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0ADE7 it is the complementary color #1F5218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0ADE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0ADE7 shade: #E5ADE2, #F6BFF5, #FFD1FF, #FFE3FF and #FFF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0ADE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0ADE7 shade: #E0ADE7, #CF9BD4, #BE89C1, #AD77AE and #9C659B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0ADE7 shade: #E0ACE7, #E7ACDE, #E7ACCE, #E7ACBE and #E7ACAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0ADE7 shade: #E0ACE7, #D0ACE7, #C0ACE7, #B0ACE7 and #ACACE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0ADE7 shade matches the following richer shades: #E0ACE7, #E6A3F0 and #ED9BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0ADE7 shade: #E0ACE7, #D9B5DE, #D3BDD6, #CCC6CD and #C6CFC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0ADE7 shade: #C0ACE7, #CFACE7, #DFACE7, #E7ACDF and #E7ACCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0ADE7 shade: #C86CD4, #D48CDE, #E0ACE7, #ECCCF0 and #F8ECF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0ADE7 shade: #E0ADE7, #E7B0AC and #ACE7C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0ADE7 shade: #E0ADE7, #E7DFAC and #ACE7DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0ADE7 shade: #E0ADE7, #E7B0AC, #B4E7AC and #ACE3E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0ADE7 shade: #E0ADE7, #E7C2AC, #B4E7AC and #ACD1E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 25 / 0 / 9

HEX #E0ADE7

RGB 224 173 231

HSL 292.76, 0.55%, 0.79%

LAB 76.98, 28.38, -21.92

 

Complementary color

CMYK 62 / 0 / 71 / 68

HEX #1F5218

RGB 31 82 24

HSL 112.76, 0.55%, 0.21%

LAB 30.38, -29.74, 28.09

 

CMYK 0 / 24 / 1 / 10

HEX #E5ADE2

RGB 229 173 226

HSL 303.21, 0.52%, 0.79%

LAB 77.3, 29.08, -18.68

 

CMYK 0 / 22 / 0 / 4

HEX #F6BFF5

RGB 246 191 245

HSL 301.09, 0.75%, 0.86%

LAB 83.68, 28.5, -19.11

 

CMYK 0 / 18 / 0 / 0

HEX #FFD1FF

RGB 255 209 255

HSL 300, 1%, 0.91%

LAB 88.96, 23.75, -16.36

 

CMYK 0 / 11 / 0 / 0

HEX #FFE3FF

RGB 255 227 255

HSL 300, 1%, 0.95%

LAB 93.2, 14.35, -10.03

 

CMYK 0 / 4 / 0 / 0

HEX #FFF5FF

RGB 255 245 255

HSL 300, 1%, 0.98%

LAB 97.55, 5.08, -3.61

 

CMYK 3 / 25 / 0 / 9

HEX #E0ADE7

RGB 224 173 231

HSL 292.76, 0.55%, 0.79%

LAB 76.98, 28.38, -21.92

 

CMYK 2 / 27 / 0 / 17

HEX #CF9BD4

RGB 207 155 212

HSL 294.74, 0.4%, 0.72%

LAB 70.5, 29, -21.56

 

CMYK 2 / 29 / 0 / 24

HEX #BE89C1

RGB 190 137 193

HSL 296.79, 0.31%, 0.65%

LAB 63.91, 29.66, -21.18

 

CMYK 1 / 32 / 0 / 32

HEX #AD77AE

RGB 173 119 174

HSL 298.91, 0.25%, 0.57%

LAB 57.21, 30.36, -20.79

 

CMYK 0 / 35 / 1 / 39

HEX #9C659B

RGB 156 101 155

HSL 301.09, 0.22%, 0.5%

LAB 50.38, 31.12, -20.36

 

CMYK 3 / 26 / 0 / 9

HEX #E0ACE7

RGB 224 172 231

HSL 292.88, 0.55%, 0.79%

LAB 76.75, 28.92, -22.27

 

CMYK 0 / 26 / 4 / 9

HEX #E7ACDE

RGB 231 172 222

HSL 309.15, 0.55%, 0.79%

LAB 77.14, 29.56, -16.74

 

CMYK 0 / 26 / 11 / 9

HEX #E7ACCE

RGB 231 172 206

HSL 325.42, 0.55%, 0.79%

LAB 76.65, 26.81, -8.77

 

CMYK 0 / 26 / 18 / 9

HEX #E7ACBE

RGB 231 172 190

HSL 341.69, 0.55%, 0.79%

LAB 76.2, 24.24, -0.71

 

CMYK 0 / 26 / 25 / 9

HEX #E7ACAE

RGB 231 172 174

HSL 357.97, 0.55%, 0.79%

LAB 75.79, 21.88, 7.44

 

CMYK 3 / 26 / 0 / 9

HEX #E0ACE7

RGB 224 172 231

HSL 292.88, 0.55%, 0.79%

LAB 76.75, 28.92, -22.27

 

CMYK 10 / 26 / 0 / 9

HEX #D0ACE7

RGB 208 172 231

HSL 276.61, 0.55%, 0.79%

LAB 75.25, 23.79, -24.69

 

CMYK 17 / 26 / 0 / 9

HEX #C0ACE7

RGB 192 172 231

HSL 260.34, 0.55%, 0.79%

LAB 73.86, 18.76, -26.96

 

CMYK 24 / 26 / 0 / 9

HEX #B0ACE7

RGB 176 172 231

HSL 244.07, 0.55%, 0.79%

LAB 72.56, 13.87, -29.05

 

CMYK 26 / 26 / 0 / 9

HEX #ACACE7

RGB 172 172 231

HSL 240, 0.55%, 0.79%

LAB 72.26, 12.68, -29.55

 

CMYK 3 / 26 / 0 / 9

HEX #E0ACE7

RGB 224 172 231

HSL 292.88, 0.55%, 0.79%

LAB 76.75, 28.92, -22.27

 

CMYK 4 / 32 / 0 / 6

HEX #E6A3F0

RGB 230 163 240

HSL 292.21, 0.72%, 0.79%

LAB 75.64, 37.35, -28.8

 

CMYK 4 / 38 / 0 / 3

HEX #ED9BF8

RGB 237 155 248

HSL 292.9, 0.87%, 0.79%

LAB 74.97, 45.21, -34.11

 

CMYK 3 / 26 / 0 / 9

HEX #E0ACE7

RGB 224 172 231

HSL 292.88, 0.55%, 0.79%

LAB 76.75, 28.92, -22.27

 

CMYK 2 / 18 / 0 / 13

HEX #D9B5DE

RGB 217 181 222

HSL 292.68, 0.38%, 0.79%

LAB 77.92, 20.07, -15.7

 

CMYK 1 / 12 / 0 / 16

HEX #D3BDD6

RGB 211 189 214

HSL 292.8, 0.23%, 0.79%

LAB 79.1, 12.23, -9.66

 

CMYK 0 / 3 / 0 / 20

HEX #CCC6CD

RGB 204 198 205

HSL 291.43, 0.07%, 0.79%

LAB 80.53, 3.36, -2.76

 

CMYK 4 / 0 / 5 / 19

HEX #C6CFC4

RGB 198 207 196

HSL 109.09, 0.1%, 0.79%

LAB 82.17, -5.08, 4.39

 

CMYK 17 / 26 / 0 / 9

HEX #C0ACE7

RGB 192 172 231

HSL 260.34, 0.55%, 0.79%

LAB 73.86, 18.76, -26.96

 

CMYK 10 / 26 / 0 / 9

HEX #CFACE7

RGB 207 172 231

HSL 275.59, 0.55%, 0.79%

LAB 75.16, 23.48, -24.84

 

CMYK 3 / 26 / 0 / 9

HEX #DFACE7

RGB 223 172 231

HSL 291.86, 0.55%, 0.79%

LAB 76.66, 28.6, -22.43

 

CMYK 0 / 26 / 3 / 9

HEX #E7ACDF

RGB 231 172 223

HSL 308.14, 0.55%, 0.79%

LAB 77.17, 29.74, -17.23

 

CMYK 0 / 26 / 10 / 9

HEX #E7ACCF

RGB 231 172 207

HSL 324.41, 0.55%, 0.79%

LAB 76.68, 26.97, -9.27

 

CMYK 6 / 49 / 0 / 17

HEX #C86CD4

RGB 200 108 212

HSL 293.08, 0.55%, 0.63%

LAB 59.67, 51.83, -38.35

 

CMYK 5 / 37 / 0 / 13

HEX #D48CDE

RGB 212 140 222

HSL 292.68, 0.55%, 0.71%

LAB 68.04, 40.61, -30.81

 

CMYK 3 / 26 / 0 / 9

HEX #E0ACE7

RGB 224 172 231

HSL 292.88, 0.55%, 0.79%

LAB 76.75, 28.92, -22.27

 

CMYK 2 / 15 / 0 / 6

HEX #ECCCF0

RGB 236 204 240

HSL 293.33, 0.55%, 0.87%

LAB 85.66, 17.42, -13.55

 

CMYK 0 / 5 / 0 / 2

HEX #F8ECF9

RGB 248 236 249

HSL 295.38, 0.52%, 0.95%

LAB 94.65, 6.31, -4.83

 

CMYK 3 / 25 / 0 / 9

HEX #E0ADE7

RGB 224 173 231

HSL 292.76, 0.55%, 0.79%

LAB 76.98, 28.38, -21.92

 

CMYK 0 / 24 / 26 / 9

HEX #E7B0AC

RGB 231 176 172

HSL 4.07, 0.55%, 0.79%

LAB 76.69, 19.46, 9.82

 

CMYK 26 / 0 / 14 / 9

HEX #ACE7C7

RGB 172 231 199

HSL 147.46, 0.55%, 0.79%

LAB 87.02, -25.14, 9.56

 

CMYK 3 / 25 / 0 / 9

HEX #E0ADE7

RGB 224 173 231

HSL 292.76, 0.55%, 0.79%

LAB 76.98, 28.38, -21.92

 

CMYK 0 / 3 / 26 / 9

HEX #E7DFAC

RGB 231 223 172

HSL 51.86, 0.55%, 0.79%

LAB 88.32, -5.16, 26.03

 

CMYK 26 / 0 / 3 / 9

HEX #ACE7DF

RGB 172 231 223

HSL 171.86, 0.55%, 0.79%

LAB 87.61, -20.28, -2.18

 

CMYK 3 / 25 / 0 / 9

HEX #E0ADE7

RGB 224 173 231

HSL 292.76, 0.55%, 0.79%

LAB 76.98, 28.38, -21.92

 

CMYK 0 / 24 / 26 / 9

HEX #E7B0AC

RGB 231 176 172

HSL 4.07, 0.55%, 0.79%

LAB 76.69, 19.46, 9.82

 

CMYK 22 / 0 / 26 / 9

HEX #B4E7AC

RGB 180 231 172

HSL 111.86, 0.55%, 0.79%

LAB 86.92, -27.34, 23.53

 

CMYK 26 / 2 / 0 / 9

HEX #ACE3E7

RGB 172 227 231

HSL 184.07, 0.55%, 0.79%

LAB 86.74, -16.55, -7.67

 

CMYK 3 / 25 / 0 / 9

HEX #E0ADE7

RGB 224 173 231

HSL 292.76, 0.55%, 0.79%

LAB 76.98, 28.38, -21.92

 

CMYK 0 / 16 / 26 / 9

HEX #E7C2AC

RGB 231 194 172

HSL 22.37, 0.55%, 0.79%

LAB 81.04, 9.89, 15.97

 

CMYK 22 / 0 / 26 / 9

HEX #B4E7AC

RGB 180 231 172

HSL 111.86, 0.55%, 0.79%

LAB 86.92, -27.34, 23.53

 

CMYK 26 / 10 / 0 / 9

HEX #ACD1E7

RGB 172 209 231

HSL 202.37, 0.55%, 0.79%

LAB 81.91, -7.32, -14.87

 

Description

Color code: HEX #E0ADE7 | qconv.com Color code: HEX #E0ADE7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 173 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 173 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 25 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 25% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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