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Color name
HEX #E09897

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E09897 it is the complementary color #1F6768. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E09897. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E09897 shade: #E59892, #F6AAA5, #FFBCB8, #FFCECB and #FFE0DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E09897. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E09897 shade: #E09897, #CF8684, #BE7471, #AD625E and #9C504B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E09897 shade: #E19A99 and #E19999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E09897 shade: #E19A99, #E1AD99, #E1C099, #E1D499 and #DAE199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E09897 shade matches the following richer shades: #E19A99, #EB8F8E and #F68583

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E09897 shade: #E19A99, #D6A4A4, #CBAFAE, #C0B9B9 and #B6C4C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E09897 shade: #E199BF, #E199AC, #E19999, #E1AC99 and #E1BF99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E09897 shade: #CE5B59, #D77A79, #E19A99, #EAB9B9 and #F3D9D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E09897 shade: #E09897, #D2E199 and #99B6E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E09897 shade: #E09897, #99E199 and #9999E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E09897 shade: #E09897, #D2E199, #99E1E1 and #A799E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E09897 shade: #E09897, #BDE199, #99E1E1 and #BD99E1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 33 / 12

HEX #E09897

RGB 224 152 151

HSL 0.82, 0.54%, 0.74%

LAB 69.85, 26.89, 11.54

 

Complementary color

CMYK 70 / 1 / 0 / 59

HEX #1F6768

RGB 31 103 104

HSL 180.82, 0.54%, 0.26%

LAB 39.57, -21.17, -7.03

 

CMYK 0 / 34 / 36 / 10

HEX #E59892

RGB 229 152 146

HSL 4.34, 0.61%, 0.74%

LAB 70.31, 28.16, 15.04

 

CMYK 0 / 31 / 33 / 4

HEX #F6AAA5

RGB 246 170 165

HSL 3.7, 0.82%, 0.81%

LAB 76.71, 27.3, 13.88

 

CMYK 0 / 26 / 28 / 0

HEX #FFBCB8

RGB 255 188 184

HSL 3.38, 1%, 0.86%

LAB 82.21, 23.6, 11.52

 

CMYK 0 / 19 / 20 / 0

HEX #FFCECB

RGB 255 206 203

HSL 3.46, 1%, 0.9%

LAB 86.86, 16.82, 8.03

 

CMYK 0 / 12 / 13 / 0

HEX #FFE0DE

RGB 255 224 222

HSL 3.64, 1%, 0.94%

LAB 91.62, 10.34, 4.89

 

CMYK 0 / 32 / 33 / 12

HEX #E09897

RGB 224 152 151

HSL 0.82, 0.54%, 0.74%

LAB 69.85, 26.89, 11.54

 

CMYK 0 / 35 / 36 / 19

HEX #CF8684

RGB 207 134 132

HSL 1.6, 0.44%, 0.66%

LAB 63.33, 27.77, 12.73

 

CMYK 0 / 39 / 41 / 25

HEX #BE7471

RGB 190 116 113

HSL 2.34, 0.37%, 0.59%

LAB 56.71, 28.75, 14.06

 

CMYK 0 / 43 / 46 / 32

HEX #AD625E

RGB 173 98 94

HSL 3.04, 0.33%, 0.52%

LAB 50.01, 29.83, 15.58

 

CMYK 0 / 49 / 52 / 39

HEX #9C504B

RGB 156 80 75

HSL 3.7, 0.35%, 0.45%

LAB 43.23, 31.02, 17.37

 

CMYK 0 / 32 / 32 / 12

HEX #E19A99

RGB 225 154 153

HSL 0.83, 0.55%, 0.74%

LAB 70.47, 26.45, 11.32

 

CMYK 0 / 32 / 32 / 12

HEX #E19999

RGB 225 153 153

HSL 0, 0.55%, 0.74%

LAB 70.24, 26.98, 11

 

CMYK 0 / 32 / 32 / 12

HEX #E19A99

RGB 225 154 153

HSL 0.83, 0.55%, 0.74%

LAB 70.47, 26.45, 11.32

 

CMYK 0 / 23 / 32 / 12

HEX #E1AD99

RGB 225 173 153

HSL 16.67, 0.55%, 0.74%

LAB 74.95, 16.25, 17.6

 

CMYK 0 / 15 / 32 / 12

HEX #E1C099

RGB 225 192 153

HSL 32.5, 0.55%, 0.74%

LAB 79.62, 6.15, 24.03

 

CMYK 0 / 6 / 32 / 12

HEX #E1D499

RGB 225 212 153

HSL 49.17, 0.55%, 0.74%

LAB 84.69, -4.26, 30.86

 

CMYK 3 / 0 / 32 / 12

HEX #DAE199

RGB 218 225 153

HSL 65.83, 0.55%, 0.74%

LAB 87.51, -13.5, 34.51

 

CMYK 0 / 32 / 32 / 12

HEX #E19A99

RGB 225 154 153

HSL 0.83, 0.55%, 0.74%

LAB 70.47, 26.45, 11.32

 

CMYK 0 / 39 / 40 / 8

HEX #EB8F8E

RGB 235 143 142

HSL 0.65, 0.7%, 0.74%

LAB 68.94, 34.71, 15.46

 

CMYK 0 / 46 / 47 / 4

HEX #F68583

RGB 246 133 131

HSL 1.04, 0.86%, 0.74%

LAB 68.03, 42.76, 20.56

 

CMYK 0 / 32 / 32 / 12

HEX #E19A99

RGB 225 154 153

HSL 0.83, 0.55%, 0.74%

LAB 70.47, 26.45, 11.32

 

CMYK 0 / 23 / 23 / 16

HEX #D6A4A4

RGB 214 164 164

HSL 0, 0.38%, 0.74%

LAB 71.91, 18.43, 7.14

 

CMYK 0 / 14 / 14 / 20

HEX #CBAFAE

RGB 203 175 174

HSL 2.07, 0.22%, 0.74%

LAB 73.81, 9.94, 4.24

 

CMYK 0 / 4 / 4 / 25

HEX #C0B9B9

RGB 192 185 185

HSL 0, 0.05%, 0.74%

LAB 75.7, 2.47, 0.87

 

CMYK 7 / 0 / 0 / 23

HEX #B6C4C4

RGB 182 196 196

HSL 180, 0.11%, 0.74%

LAB 78.12, -4.77, -1.65

 

CMYK 0 / 32 / 15 / 12

HEX #E199BF

RGB 225 153 191

HSL 328.33, 0.55%, 0.74%

LAB 71.25, 32.46, -8.63

 

CMYK 0 / 32 / 24 / 12

HEX #E199AC

RGB 225 153 172

HSL 344.17, 0.55%, 0.74%

LAB 70.71, 29.57, 1.12

 

CMYK 0 / 32 / 32 / 12

HEX #E19999

RGB 225 153 153

HSL 0, 0.55%, 0.74%

LAB 70.24, 26.98, 11

 

CMYK 0 / 24 / 32 / 12

HEX #E1AC99

RGB 225 172 153

HSL 15.83, 0.55%, 0.74%

LAB 74.71, 16.79, 17.27

 

CMYK 0 / 15 / 32 / 12

HEX #E1BF99

RGB 225 191 153

HSL 31.67, 0.55%, 0.74%

LAB 79.37, 6.68, 23.69

 

CMYK 0 / 56 / 57 / 19

HEX #CE5B59

RGB 206 91 89

HSL 1.03, 0.54%, 0.58%

LAB 53.3, 45.44, 23.78

 

CMYK 0 / 43 / 44 / 16

HEX #D77A79

RGB 215 122 121

HSL 0.64, 0.54%, 0.66%

LAB 61.43, 35.97, 16.5

 

CMYK 0 / 32 / 32 / 12

HEX #E19A99

RGB 225 154 153

HSL 0.83, 0.55%, 0.74%

LAB 70.47, 26.45, 11.32

 

CMYK 0 / 21 / 21 / 8

HEX #EAB9B9

RGB 234 185 185

HSL 0, 0.54%, 0.82%

LAB 79.44, 17.63, 6.75

 

CMYK 0 / 11 / 11 / 5

HEX #F3D9D8

RGB 243 217 216

HSL 2.22, 0.53%, 0.9%

LAB 88.75, 8.81, 3.76

 

CMYK 0 / 32 / 33 / 12

HEX #E09897

RGB 224 152 151

HSL 0.82, 0.54%, 0.74%

LAB 69.85, 26.89, 11.54

 

CMYK 7 / 0 / 32 / 12

HEX #D2E199

RGB 210 225 153

HSL 72.5, 0.55%, 0.74%

LAB 86.92, -16.51, 33.63

 

CMYK 32 / 19 / 0 / 12

HEX #99B6E1

RGB 153 182 225

HSL 215.83, 0.55%, 0.74%

LAB 73.33, 0.16, -24.76

 

CMYK 0 / 32 / 33 / 12

HEX #E09897

RGB 224 152 151

HSL 0.82, 0.54%, 0.74%

LAB 69.85, 26.89, 11.54

 

CMYK 32 / 0 / 32 / 12

HEX #99E199

RGB 153 225 153

HSL 120, 0.55%, 0.74%

LAB 83.4, -36.43, 28.3

 

CMYK 32 / 32 / 0 / 12

HEX #9999E1

RGB 153 153 225

HSL 240, 0.55%, 0.74%

LAB 65.74, 16.39, -36.46

 

CMYK 0 / 32 / 33 / 12

HEX #E09897

RGB 224 152 151

HSL 0.82, 0.54%, 0.74%

LAB 69.85, 26.89, 11.54

 

CMYK 7 / 0 / 32 / 12

HEX #D2E199

RGB 210 225 153

HSL 72.5, 0.55%, 0.74%

LAB 86.92, -16.51, 33.63

 

CMYK 32 / 0 / 0 / 12

HEX #99E1E1

RGB 153 225 225

HSL 180, 0.55%, 0.74%

LAB 85.03, -22.23, -7.15

 

CMYK 26 / 32 / 0 / 12

HEX #A799E1

RGB 167 153 225

HSL 251.67, 0.55%, 0.74%

LAB 66.85, 20.43, -34.65

 

CMYK 0 / 32 / 33 / 12

HEX #E09897

RGB 224 152 151

HSL 0.82, 0.54%, 0.74%

LAB 69.85, 26.89, 11.54

 

CMYK 16 / 0 / 32 / 12

HEX #BDE199

RGB 189 225 153

HSL 90, 0.55%, 0.74%

LAB 85.49, -24.2, 31.46

 

CMYK 32 / 0 / 0 / 12

HEX #99E1E1

RGB 153 225 225

HSL 180, 0.55%, 0.74%

LAB 85.03, -22.23, -7.15

 

CMYK 16 / 32 / 0 / 12

HEX #BD99E1

RGB 189 153 225

HSL 270, 0.55%, 0.74%

LAB 68.78, 27.05, -31.51

 

Description

Color code: HEX #E09897 | qconv.com Color code: HEX #E09897 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 152 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 152 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 33 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 33% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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