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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E097BF it is the complementary color #1F6840. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E097BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E097BF shade: #E597BA, #F6A9CD, #FFBBE0, #FFCDF3 and #FFDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E097BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E097BF shade: #E097BF, #CF85AC, #BE7399, #AD6186 and #9C4F73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E097BF shade: #E199C0, #E199AD, #E1999A and #E19999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E097BF shade: #E199C0, #E199D3, #DA99E1, #C799E1 and #B499E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E097BF shade matches the following richer shades: #E199C0, #EB8EC1 and #F683C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E097BF shade: #E199C0, #D6A4BF, #CBAEBE, #C0B9BD and #B6C4BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E097BF shade: #DB99E1, #E199D3, #E199C0, #E199AD and #E1999A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E097BF shade: #CE5999, #D779AD, #E199C0, #EAB9D4 and #F3D8E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E097BF shade: #E097BF, #E1C799 and #99DDE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E097BF shade: #E097BF, #C0E199 and #99C0E1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E097BF shade: #E097BF, #E1C799, #99E1B9 and #99B2E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E097BF shade: #E097BF, #E1DD99, #99E1B9 and #999CE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 15 / 12

HEX #E097BF

RGB 224 151 191

HSL 327.12, 0.54%, 0.74%

LAB 70.69, 33.18, -9.47

 

Complementary color

CMYK 70 / 0 / 38 / 59

HEX #1F6840

RGB 31 104 64

HSL 147.12, 0.54%, 0.26%

LAB 38.83, -32.5, 16.18

 

CMYK 0 / 34 / 19 / 10

HEX #E597BA

RGB 229 151 186

HSL 333.08, 0.6%, 0.75%

LAB 71.1, 34.13, -6.03

 

CMYK 0 / 31 / 17 / 4

HEX #F6A9CD

RGB 246 169 205

HSL 331.95, 0.81%, 0.81%

LAB 77.51, 33.4, -6.78

 

CMYK 0 / 27 / 12 / 0

HEX #FFBBE0

RGB 255 187 224

HSL 327.35, 1%, 0.87%

LAB 83.01, 30, -8.78

 

CMYK 0 / 20 / 5 / 0

HEX #FFCDF3

RGB 255 205 243

HSL 314.4, 1%, 0.9%

LAB 87.68, 23.72, -11.95

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 0 / 33 / 15 / 12

HEX #E097BF

RGB 224 151 191

HSL 327.12, 0.54%, 0.74%

LAB 70.69, 33.18, -9.47

 

CMYK 0 / 36 / 17 / 19

HEX #CF85AC

RGB 207 133 172

HSL 328.38, 0.44%, 0.67%

LAB 64.18, 33.93, -8.74

 

CMYK 0 / 39 / 19 / 25

HEX #BE7399

RGB 190 115 153

HSL 329.6, 0.37%, 0.6%

LAB 57.57, 34.73, -7.93

 

CMYK 0 / 44 / 23 / 32

HEX #AD6186

RGB 173 97 134

HSL 330.79, 0.32%, 0.53%

LAB 50.87, 35.56, -7

 

CMYK 0 / 49 / 26 / 39

HEX #9C4F73

RGB 156 79 115

HSL 331.95, 0.33%, 0.46%

LAB 44.09, 36.41, -5.9

 

CMYK 0 / 32 / 15 / 12

HEX #E199C0

RGB 225 153 192

HSL 327.5, 0.55%, 0.74%

LAB 71.28, 32.62, -9.14

 

CMYK 0 / 32 / 23 / 12

HEX #E199AD

RGB 225 153 173

HSL 343.33, 0.55%, 0.74%

LAB 70.74, 29.72, 0.61

 

CMYK 0 / 32 / 32 / 12

HEX #E1999A

RGB 225 153 154

HSL 359.17, 0.55%, 0.74%

LAB 70.26, 27.11, 10.48

 

CMYK 0 / 32 / 32 / 12

HEX #E19999

RGB 225 153 153

HSL 0, 0.55%, 0.74%

LAB 70.24, 26.98, 11

 

CMYK 0 / 32 / 15 / 12

HEX #E199C0

RGB 225 153 192

HSL 327.5, 0.55%, 0.74%

LAB 71.28, 32.62, -9.14

 

CMYK 0 / 32 / 6 / 12

HEX #E199D3

RGB 225 153 211

HSL 311.67, 0.55%, 0.74%

LAB 71.89, 35.8, -18.72

 

CMYK 3 / 32 / 0 / 12

HEX #DA99E1

RGB 218 153 225

HSL 294.17, 0.55%, 0.74%

LAB 71.64, 36.09, -26.87

 

CMYK 12 / 32 / 0 / 12

HEX #C799E1

RGB 199 153 225

HSL 278.33, 0.55%, 0.74%

LAB 69.73, 30.14, -29.97

 

CMYK 20 / 32 / 0 / 12

HEX #B499E1

RGB 180 153 225

HSL 262.5, 0.55%, 0.74%

LAB 67.96, 24.31, -32.84

 

CMYK 0 / 32 / 15 / 12

HEX #E199C0

RGB 225 153 192

HSL 327.5, 0.55%, 0.74%

LAB 71.28, 32.62, -9.14

 

CMYK 0 / 40 / 18 / 8

HEX #EB8EC1

RGB 235 142 193

HSL 327.1, 0.7%, 0.74%

LAB 70.08, 41.97, -11.37

 

CMYK 0 / 47 / 21 / 4

HEX #F683C2

RGB 246 131 194

HSL 327.13, 0.86%, 0.74%

LAB 69.27, 51.27, -13

 

CMYK 0 / 32 / 15 / 12

HEX #E199C0

RGB 225 153 192

HSL 327.5, 0.55%, 0.74%

LAB 71.28, 32.62, -9.14

 

CMYK 0 / 23 / 11 / 16

HEX #D6A4BF

RGB 214 164 191

HSL 327.6, 0.38%, 0.74%

LAB 72.63, 22.69, -6.7

 

CMYK 0 / 14 / 6 / 20

HEX #CBAEBE

RGB 203 174 190

HSL 326.9, 0.22%, 0.74%

LAB 73.99, 13.2, -4.26

 

CMYK 0 / 4 / 2 / 25

HEX #C0B9BD

RGB 192 185 189

HSL 325.71, 0.05%, 0.74%

LAB 75.81, 3.19, -1.15

 

CMYK 7 / 0 / 4 / 23

HEX #B6C4BC

RGB 182 196 188

HSL 145.71, 0.11%, 0.74%

LAB 77.91, -6.3, 2.36

 

CMYK 3 / 32 / 0 / 12

HEX #DB99E1

RGB 219 153 225

HSL 295, 0.55%, 0.74%

LAB 71.74, 36.41, -26.7

 

CMYK 0 / 32 / 6 / 12

HEX #E199D3

RGB 225 153 211

HSL 311.67, 0.55%, 0.74%

LAB 71.89, 35.8, -18.72

 

CMYK 0 / 32 / 15 / 12

HEX #E199C0

RGB 225 153 192

HSL 327.5, 0.55%, 0.74%

LAB 71.28, 32.62, -9.14

 

CMYK 0 / 32 / 23 / 12

HEX #E199AD

RGB 225 153 173

HSL 343.33, 0.55%, 0.74%

LAB 70.74, 29.72, 0.61

 

CMYK 0 / 32 / 32 / 12

HEX #E1999A

RGB 225 153 154

HSL 359.17, 0.55%, 0.74%

LAB 70.26, 27.11, 10.48

 

CMYK 0 / 57 / 26 / 19

HEX #CE5999

RGB 206 89 153

HSL 327.18, 0.54%, 0.58%

LAB 54.62, 53.21, -12.12

 

CMYK 0 / 44 / 20 / 16

HEX #D779AD

RGB 215 121 173

HSL 326.81, 0.54%, 0.66%

LAB 62.62, 43.16, -11.53

 

CMYK 0 / 32 / 15 / 12

HEX #E199C0

RGB 225 153 192

HSL 327.5, 0.55%, 0.74%

LAB 71.28, 32.62, -9.14

 

CMYK 0 / 21 / 9 / 8

HEX #EAB9D4

RGB 234 185 212

HSL 326.94, 0.54%, 0.82%

LAB 80.15, 21.9, -6.8

 

CMYK 0 / 11 / 5 / 5

HEX #F3D8E7

RGB 243 216 231

HSL 326.67, 0.53%, 0.9%

LAB 88.89, 11.84, -3.93

 

CMYK 0 / 33 / 15 / 12

HEX #E097BF

RGB 224 151 191

HSL 327.12, 0.54%, 0.74%

LAB 70.69, 33.18, -9.47

 

CMYK 0 / 12 / 32 / 12

HEX #E1C799

RGB 225 199 153

HSL 38.33, 0.55%, 0.74%

LAB 81.38, 2.47, 26.42

 

CMYK 32 / 2 / 0 / 12

HEX #99DDE1

RGB 153 221 225

HSL 183.33, 0.55%, 0.74%

LAB 83.92, -20.25, -8.79

 

CMYK 0 / 33 / 15 / 12

HEX #E097BF

RGB 224 151 191

HSL 327.12, 0.54%, 0.74%

LAB 70.69, 33.18, -9.47

 

CMYK 15 / 0 / 32 / 12

HEX #C0E199

RGB 192 225 153

HSL 87.5, 0.55%, 0.74%

LAB 85.68, -23.12, 31.76

 

CMYK 32 / 15 / 0 / 12

HEX #99C0E1

RGB 153 192 225

HSL 207.5, 0.55%, 0.74%

LAB 76.01, -5.25, -20.67

 

CMYK 0 / 33 / 15 / 12

HEX #E097BF

RGB 224 151 191

HSL 327.12, 0.54%, 0.74%

LAB 70.69, 33.18, -9.47

 

CMYK 0 / 12 / 32 / 12

HEX #E1C799

RGB 225 199 153

HSL 38.33, 0.55%, 0.74%

LAB 81.38, 2.47, 26.42

 

CMYK 32 / 0 / 18 / 12

HEX #99E1B9

RGB 153 225 185

HSL 146.67, 0.55%, 0.74%

LAB 84.03, -30.74, 12.51

 

CMYK 32 / 21 / 0 / 12

HEX #99B2E1

RGB 153 178 225

HSL 219.17, 0.55%, 0.74%

LAB 72.26, 2.35, -26.39

 

CMYK 0 / 33 / 15 / 12

HEX #E097BF

RGB 224 151 191

HSL 327.12, 0.54%, 0.74%

LAB 70.69, 33.18, -9.47

 

CMYK 0 / 2 / 32 / 12

HEX #E1DD99

RGB 225 221 153

HSL 56.67, 0.55%, 0.74%

LAB 87.01, -8.84, 33.94

 

CMYK 32 / 0 / 18 / 12

HEX #99E1B9

RGB 153 225 185

HSL 146.67, 0.55%, 0.74%

LAB 84.03, -30.74, 12.51

 

CMYK 32 / 31 / 0 / 12

HEX #999CE1

RGB 153 156 225

HSL 237.5, 0.55%, 0.74%

LAB 66.51, 14.68, -35.27

 

Description

Color code: HEX #E097BF | qconv.com Color code: HEX #E097BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 151 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 151 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 15 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 15% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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