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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E095E3 it is the complementary color #1F6A1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E095E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E095E3 shade: #E595DE, #F6A7F1, #FFB9FF, #FFCBFF and #FFDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E095E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E095E3 shade: #E095E3, #CF83D0, #BE71BD, #AD5FAA and #9C4D97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E095E3 shade: #E096E3, #E396D1, #E396BC, #E396A7 and #E39696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E095E3 shade: #E096E3, #CB96E3, #B696E3, #A196E3 and #9696E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E095E3 shade matches the following richer shades: #E096E3, #EA8BED and #F380F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E095E3 shade: #E096E3, #D6A0D8, #CCABCD, #C2B6C2 and #B8C1B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E095E3 shade: #B696E3, #CA96E3, #DF96E3, #E396D2 and #E396BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E095E3 shade: #CD55D1, #D675DA, #E096E3, #E9B6EB and #F3D7F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E095E3 shade: #E095E3, #E3A196 and #96E3C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E095E3 shade: #E095E3, #E3DF96 and #96E3DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E095E3 shade: #E095E3, #E3A196, #9AE396 and #96D7E3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E095E3 shade: #E095E3, #E3B896, #9AE396 and #96C0E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 34 / 0 / 11

HEX #E095E3

RGB 224 149 227

HSL 297.69, 0.58%, 0.74%

LAB 71.48, 40.48, -28.15

 

Complementary color

CMYK 71 / 0 / 74 / 58

HEX #1F6A1C

RGB 31 106 28

HSL 117.69, 0.58%, 0.26%

LAB 39.04, -38.95, 35.53

 

CMYK 0 / 35 / 3 / 10

HEX #E595DE

RGB 229 149 222

HSL 305.25, 0.61%, 0.74%

LAB 71.84, 41.14, -24.8

 

CMYK 0 / 32 / 2 / 4

HEX #F6A7F1

RGB 246 167 241

HSL 303.8, 0.81%, 0.81%

LAB 78.22, 40.43, -25.25

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 1 / 34 / 0 / 11

HEX #E095E3

RGB 224 149 227

HSL 297.69, 0.58%, 0.74%

LAB 71.48, 40.48, -28.15

 

CMYK 0 / 37 / 0 / 18

HEX #CF83D0

RGB 207 131 208

HSL 299.22, 0.45%, 0.66%

LAB 65, 41.22, -27.75

 

CMYK 0 / 41 / 1 / 25

HEX #BE71BD

RGB 190 113 189

HSL 300.78, 0.37%, 0.59%

LAB 58.44, 41.97, -27.31

 

CMYK 0 / 45 / 2 / 32

HEX #AD5FAA

RGB 173 95 170

HSL 302.31, 0.32%, 0.53%

LAB 51.8, 42.72, -26.79

 

CMYK 0 / 51 / 3 / 39

HEX #9C4D97

RGB 156 77 151

HSL 303.8, 0.34%, 0.46%

LAB 45.1, 43.42, -26.15

 

CMYK 1 / 34 / 0 / 11

HEX #E096E3

RGB 224 150 227

HSL 297.66, 0.58%, 0.74%

LAB 71.69, 39.95, -27.82

 

CMYK 0 / 34 / 8 / 11

HEX #E396D1

RGB 227 150 209

HSL 314.03, 0.58%, 0.74%

LAB 71.38, 37.7, -18.36

 

CMYK 0 / 34 / 17 / 11

HEX #E396BC

RGB 227 150 188

HSL 330.39, 0.58%, 0.74%

LAB 70.72, 34.28, -7.74

 

CMYK 0 / 34 / 26 / 11

HEX #E396A7

RGB 227 150 167

HSL 346.75, 0.58%, 0.74%

LAB 70.13, 31.19, 3.09

 

CMYK 0 / 34 / 34 / 11

HEX #E39696

RGB 227 150 150

HSL 0, 0.58%, 0.74%

LAB 69.71, 28.96, 11.96

 

CMYK 1 / 34 / 0 / 11

HEX #E096E3

RGB 224 150 227

HSL 297.66, 0.58%, 0.74%

LAB 71.69, 39.95, -27.82

 

CMYK 11 / 34 / 0 / 11

HEX #CB96E3

RGB 203 150 227

HSL 281.3, 0.58%, 0.74%

LAB 69.51, 33.43, -31.37

 

CMYK 20 / 34 / 0 / 11

HEX #B696E3

RGB 182 150 227

HSL 264.94, 0.58%, 0.74%

LAB 67.5, 27.04, -34.64

 

CMYK 29 / 34 / 0 / 11

HEX #A196E3

RGB 161 150 227

HSL 248.57, 0.58%, 0.74%

LAB 65.7, 20.88, -37.59

 

CMYK 34 / 34 / 0 / 11

HEX #9696E3

RGB 150 150 227

HSL 240, 0.58%, 0.74%

LAB 64.84, 17.79, -38.99

 

CMYK 1 / 34 / 0 / 11

HEX #E096E3

RGB 224 150 227

HSL 297.66, 0.58%, 0.74%

LAB 71.69, 39.95, -27.82

 

CMYK 1 / 41 / 0 / 7

HEX #EA8BED

RGB 234 139 237

HSL 298.16, 0.73%, 0.74%

LAB 70.92, 50.54, -34.41

 

CMYK 2 / 48 / 0 / 3

HEX #F380F8

RGB 243 128 248

HSL 297.5, 0.9%, 0.74%

LAB 70.36, 60.49, -41.21

 

CMYK 1 / 34 / 0 / 11

HEX #E096E3

RGB 224 150 227

HSL 297.66, 0.58%, 0.74%

LAB 71.69, 39.95, -27.82

 

CMYK 1 / 26 / 0 / 15

HEX #D6A0D8

RGB 214 160 216

HSL 297.86, 0.42%, 0.74%

LAB 72.49, 29.33, -20.66

 

CMYK 0 / 17 / 0 / 20

HEX #CCABCD

RGB 204 171 205

HSL 298.24, 0.25%, 0.74%

LAB 73.79, 17.92, -12.77

 

CMYK 0 / 6 / 0 / 24

HEX #C2B6C2

RGB 194 182 194

HSL 300, 0.09%, 0.74%

LAB 75.34, 6.43, -4.55

 

CMYK 5 / 0 / 5 / 24

HEX #B8C1B8

RGB 184 193 184

HSL 120, 0.07%, 0.74%

LAB 77.16, -4.78, 3.44

 

CMYK 20 / 34 / 0 / 11

HEX #B696E3

RGB 182 150 227

HSL 264.94, 0.58%, 0.74%

LAB 67.5, 27.04, -34.64

 

CMYK 11 / 34 / 0 / 11

HEX #CA96E3

RGB 202 150 227

HSL 280.52, 0.58%, 0.74%

LAB 69.41, 33.13, -31.53

 

CMYK 2 / 34 / 0 / 11

HEX #DF96E3

RGB 223 150 227

HSL 296.88, 0.58%, 0.74%

LAB 71.59, 39.64, -28

 

CMYK 0 / 34 / 7 / 11

HEX #E396D2

RGB 227 150 210

HSL 313.25, 0.58%, 0.74%

LAB 71.42, 37.88, -18.86

 

CMYK 0 / 34 / 17 / 11

HEX #E396BD

RGB 227 150 189

HSL 329.61, 0.58%, 0.74%

LAB 70.75, 34.43, -8.25

 

CMYK 2 / 59 / 0 / 18

HEX #CD55D1

RGB 205 85 209

HSL 298.06, 0.57%, 0.58%

LAB 56.17, 63.42, -42.11

 

CMYK 2 / 46 / 0 / 15

HEX #D675DA

RGB 214 117 218

HSL 297.62, 0.58%, 0.66%

LAB 63.41, 52.4, -35.75

 

CMYK 1 / 34 / 0 / 11

HEX #E096E3

RGB 224 150 227

HSL 297.66, 0.58%, 0.74%

LAB 71.69, 39.95, -27.82

 

CMYK 1 / 23 / 0 / 8

HEX #E9B6EB

RGB 233 182 235

HSL 297.74, 0.57%, 0.82%

LAB 80.05, 27.23, -19.34

 

CMYK 0 / 12 / 0 / 4

HEX #F3D7F4

RGB 243 215 244

HSL 297.93, 0.57%, 0.9%

LAB 89.01, 14.67, -10.6

 

CMYK 1 / 34 / 0 / 11

HEX #E095E3

RGB 224 149 227

HSL 297.69, 0.58%, 0.74%

LAB 71.48, 40.48, -28.15

 

CMYK 0 / 29 / 34 / 11

HEX #E3A196

RGB 227 161 150

HSL 8.57, 0.58%, 0.74%

LAB 72.24, 23.07, 15.51

 

CMYK 34 / 0 / 15 / 11

HEX #96E3C0

RGB 150 227 192

HSL 152.73, 0.58%, 0.74%

LAB 84.6, -31.18, 9.62

 

CMYK 1 / 34 / 0 / 11

HEX #E095E3

RGB 224 149 227

HSL 297.69, 0.58%, 0.74%

LAB 71.48, 40.48, -28.15

 

CMYK 0 / 2 / 34 / 11

HEX #E3DF96

RGB 227 223 150

HSL 56.88, 0.58%, 0.74%

LAB 87.63, -9.44, 36.32

 

CMYK 34 / 0 / 2 / 11

HEX #96E3DF

RGB 150 227 223

HSL 176.88, 0.58%, 0.74%

LAB 85.38, -24.48, -5.59

 

CMYK 1 / 34 / 0 / 11

HEX #E095E3

RGB 224 149 227

HSL 297.69, 0.58%, 0.74%

LAB 71.48, 40.48, -28.15

 

CMYK 0 / 29 / 34 / 11

HEX #E3A196

RGB 227 161 150

HSL 8.57, 0.58%, 0.74%

LAB 72.24, 23.07, 15.51

 

CMYK 32 / 0 / 34 / 11

HEX #9AE396

RGB 154 227 150

HSL 116.88, 0.58%, 0.74%

LAB 83.97, -37.49, 30.61

 

CMYK 34 / 5 / 0 / 11

HEX #96D7E3

RGB 150 215 227

HSL 189.35, 0.58%, 0.74%

LAB 82.18, -17.57, -12.47

 

CMYK 1 / 34 / 0 / 11

HEX #E095E3

RGB 224 149 227

HSL 297.69, 0.58%, 0.74%

LAB 71.48, 40.48, -28.15

 

CMYK 0 / 19 / 34 / 11

HEX #E3B896

RGB 227 184 150

HSL 26.49, 0.58%, 0.74%

LAB 77.76, 10.78, 23.13

 

CMYK 32 / 0 / 34 / 11

HEX #9AE396

RGB 154 227 150

HSL 116.88, 0.58%, 0.74%

LAB 83.97, -37.49, 30.61

 

CMYK 34 / 15 / 0 / 11

HEX #96C0E3

RGB 150 192 227

HSL 207.27, 0.58%, 0.74%

LAB 75.9, -5.59, -21.93

 

Description

Color code: HEX #E095E3 | qconv.com Color code: HEX #E095E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 149 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 149 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 34 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 34% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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