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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E08DBC it is the complementary color #1F7243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E08DBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E08DBC shade: #E58DB7, #F69FCA, #FFB1DD, #FFC3F0 and #FFD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E08DBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E08DBC shade: #E08DBC, #CF7BA9, #BE6996, #AD5783 and #9C4570

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E08DBC shade: #E08FBD, #E08FA7, #E08F91 and #E08F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E08DBC shade: #E08FBD, #E08FD3, #D88FE0, #C28FE0 and #AC8FE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E08DBC shade matches the following richer shades: #E08FBD, #EC83BF and #F778C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E08DBC shade: #E08FBD, #D59ABB, #C9A6BA, #BEB2B8 and #B2BDB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E08DBC shade: #D88FE0, #E08FD3, #E08FBD, #E08FA7 and #E08F92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E08DBC shade: #CF4E97, #D76FAA, #E08FBD, #E9AFD0 and #F2D0E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E08DBC shade: #E08DBC, #E0C28F and #8FDEE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E08DBC shade: #E08DBC, #BDE08F and #8FBDE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E08DBC shade: #E08DBC, #E0C28F, #8FE0B2 and #8FADE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E08DBC shade: #E08DBC, #E0DB8F, #8FE0B2 and #8F94E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 16 / 12

HEX #E08DBC

RGB 224 141 188

HSL 326.02, 0.57%, 0.72%

LAB 68.41, 38.02, -11.21

 

Complementary color

CMYK 73 / 0 / 41 / 55

HEX #1F7243

RGB 31 114 67

HSL 146.02, 0.57%, 0.28%

LAB 42.36, -36.17, 19.12

 

CMYK 0 / 38 / 20 / 10

HEX #E58DB7

RGB 229 141 183

HSL 331.36, 0.63%, 0.73%

LAB 68.84, 38.96, -7.71

 

CMYK 0 / 35 / 18 / 4

HEX #F69FCA

RGB 246 159 202

HSL 330.34, 0.83%, 0.79%

LAB 75.24, 38.19, -8.51

 

CMYK 0 / 31 / 13 / 0

HEX #FFB1DD

RGB 255 177 221

HSL 326.15, 1%, 0.85%

LAB 80.7, 34.76, -10.61

 

CMYK 0 / 24 / 6 / 0

HEX #FFC3F0

RGB 255 195 240

HSL 315, 1%, 0.88%

LAB 85.29, 28.46, -13.93

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 37 / 16 / 12

HEX #E08DBC

RGB 224 141 188

HSL 326.02, 0.57%, 0.72%

LAB 68.41, 38.02, -11.21

 

CMYK 0 / 41 / 18 / 19

HEX #CF7BA9

RGB 207 123 169

HSL 327.14, 0.47%, 0.65%

LAB 61.91, 38.81, -10.42

 

CMYK 0 / 45 / 21 / 25

HEX #BE6996

RGB 190 105 150

HSL 328.24, 0.4%, 0.58%

LAB 55.33, 39.62, -9.52

 

CMYK 0 / 50 / 24 / 32

HEX #AD5783

RGB 173 87 131

HSL 329.3, 0.34%, 0.51%

LAB 48.68, 40.42, -8.47

 

CMYK 0 / 56 / 28 / 39

HEX #9C4570

RGB 156 69 112

HSL 330.34, 0.39%, 0.44%

LAB 41.99, 41.17, -7.18

 

CMYK 0 / 36 / 16 / 12

HEX #E08FBD

RGB 224 143 189

HSL 325.93, 0.57%, 0.72%

LAB 68.87, 37.12, -11.08

 

CMYK 0 / 36 / 25 / 12

HEX #E08FA7

RGB 224 143 167

HSL 342.22, 0.57%, 0.72%

LAB 68.23, 33.84, 0.28

 

CMYK 0 / 36 / 35 / 12

HEX #E08F91

RGB 224 143 145

HSL 358.52, 0.57%, 0.72%

LAB 67.68, 30.95, 11.82

 

CMYK 0 / 36 / 36 / 12

HEX #E08F8F

RGB 224 143 143

HSL 0, 0.57%, 0.72%

LAB 67.63, 30.71, 12.88

 

CMYK 0 / 36 / 16 / 12

HEX #E08FBD

RGB 224 143 189

HSL 325.93, 0.57%, 0.72%

LAB 68.87, 37.12, -11.08

 

CMYK 0 / 36 / 6 / 12

HEX #E08FD3

RGB 224 143 211

HSL 309.63, 0.57%, 0.72%

LAB 69.61, 40.78, -22.2

 

CMYK 4 / 36 / 0 / 12

HEX #D88FE0

RGB 216 143 224

HSL 294.07, 0.57%, 0.72%

LAB 69.2, 40.63, -30.08

 

CMYK 13 / 36 / 0 / 12

HEX #C28FE0

RGB 194 143 224

HSL 277.78, 0.57%, 0.72%

LAB 66.9, 33.89, -33.83

 

CMYK 23 / 36 / 0 / 12

HEX #AC8FE0

RGB 172 143 224

HSL 261.48, 0.57%, 0.72%

LAB 64.8, 27.32, -37.25

 

CMYK 0 / 36 / 16 / 12

HEX #E08FBD

RGB 224 143 189

HSL 325.93, 0.57%, 0.72%

LAB 68.87, 37.12, -11.08

 

CMYK 0 / 44 / 19 / 7

HEX #EC83BF

RGB 236 131 191

HSL 325.71, 0.73%, 0.72%

LAB 67.89, 47.63, -13.52

 

CMYK 0 / 51 / 22 / 3

HEX #F778C0

RGB 247 120 192

HSL 325.98, 0.89%, 0.72%

LAB 67.29, 56.62, -14.85

 

CMYK 0 / 36 / 16 / 12

HEX #E08FBD

RGB 224 143 189

HSL 325.93, 0.57%, 0.72%

LAB 68.87, 37.12, -11.08

 

CMYK 0 / 28 / 12 / 16

HEX #D59ABB

RGB 213 154 187

HSL 326.44, 0.41%, 0.72%

LAB 70.07, 27.1, -8.31

 

CMYK 0 / 17 / 7 / 21

HEX #C9A6BA

RGB 201 166 186

HSL 325.71, 0.24%, 0.72%

LAB 71.71, 16.15, -5.44

 

CMYK 0 / 6 / 3 / 25

HEX #BEB2B8

RGB 190 178 184

HSL 330, 0.08%, 0.72%

LAB 73.71, 5.35, -1.52

 

CMYK 6 / 0 / 3 / 26

HEX #B2BDB7

RGB 178 189 183

HSL 147.27, 0.08%, 0.72%

LAB 75.62, -4.93, 1.71

 

CMYK 4 / 36 / 0 / 12

HEX #D88FE0

RGB 216 143 224

HSL 294.07, 0.57%, 0.72%

LAB 69.2, 40.63, -30.08

 

CMYK 0 / 36 / 6 / 12

HEX #E08FD3

RGB 224 143 211

HSL 309.63, 0.57%, 0.72%

LAB 69.61, 40.78, -22.2

 

CMYK 0 / 36 / 16 / 12

HEX #E08FBD

RGB 224 143 189

HSL 325.93, 0.57%, 0.72%

LAB 68.87, 37.12, -11.08

 

CMYK 0 / 36 / 25 / 12

HEX #E08FA7

RGB 224 143 167

HSL 342.22, 0.57%, 0.72%

LAB 68.23, 33.84, 0.28

 

CMYK 0 / 36 / 35 / 12

HEX #E08F92

RGB 224 143 146

HSL 357.78, 0.57%, 0.72%

LAB 67.7, 31.08, 11.29

 

CMYK 0 / 62 / 27 / 19

HEX #CF4E97

RGB 207 78 151

HSL 326.05, 0.57%, 0.56%

LAB 52.89, 58.13, -13.53

 

CMYK 0 / 48 / 21 / 16

HEX #D76FAA

RGB 215 111 170

HSL 325.96, 0.57%, 0.64%

LAB 60.53, 47.8, -12.96

 

CMYK 0 / 36 / 16 / 12

HEX #E08FBD

RGB 224 143 189

HSL 325.93, 0.57%, 0.72%

LAB 68.87, 37.12, -11.08

 

CMYK 0 / 25 / 11 / 9

HEX #E9AFD0

RGB 233 175 208

HSL 325.86, 0.57%, 0.8%

LAB 77.6, 26.22, -8.42

 

CMYK 0 / 14 / 6 / 5

HEX #F2D0E3

RGB 242 208 227

HSL 326.47, 0.57%, 0.88%

LAB 86.77, 15.01, -4.96

 

CMYK 0 / 37 / 16 / 12

HEX #E08DBC

RGB 224 141 188

HSL 326.02, 0.57%, 0.72%

LAB 68.41, 38.02, -11.21

 

CMYK 0 / 13 / 36 / 12

HEX #E0C28F

RGB 224 194 143

HSL 37.78, 0.57%, 0.72%

LAB 79.85, 3.49, 29.6

 

CMYK 36 / 1 / 0 / 12

HEX #8FDEE0

RGB 143 222 224

HSL 181.48, 0.57%, 0.72%

LAB 83.69, -23.64, -8.66

 

CMYK 0 / 37 / 16 / 12

HEX #E08DBC

RGB 224 141 188

HSL 326.02, 0.57%, 0.72%

LAB 68.41, 38.02, -11.21

 

CMYK 16 / 0 / 36 / 12

HEX #BDE08F

RGB 189 224 143

HSL 85.93, 0.57%, 0.72%

LAB 85.05, -25.07, 35.97

 

CMYK 36 / 16 / 0 / 12

HEX #8FBDE0

RGB 143 189 224

HSL 205.93, 0.57%, 0.72%

LAB 74.58, -6.66, -22.35

 

CMYK 0 / 37 / 16 / 12

HEX #E08DBC

RGB 224 141 188

HSL 326.02, 0.57%, 0.72%

LAB 68.41, 38.02, -11.21

 

CMYK 0 / 13 / 36 / 12

HEX #E0C28F

RGB 224 194 143

HSL 37.78, 0.57%, 0.72%

LAB 79.85, 3.49, 29.6

 

CMYK 36 / 0 / 21 / 12

HEX #8FE0B2

RGB 143 224 178

HSL 145.93, 0.57%, 0.72%

LAB 83.11, -34.57, 14.81

 

CMYK 36 / 23 / 0 / 12

HEX #8FADE0

RGB 143 173 224

HSL 217.78, 0.57%, 0.72%

LAB 70.25, 2.06, -28.98

 

CMYK 0 / 37 / 16 / 12

HEX #E08DBC

RGB 224 141 188

HSL 326.02, 0.57%, 0.72%

LAB 68.41, 38.02, -11.21

 

CMYK 0 / 2 / 36 / 12

HEX #E0DB8F

RGB 224 219 143

HSL 56.3, 0.57%, 0.72%

LAB 86.25, -9.39, 38.01

 

CMYK 36 / 0 / 21 / 12

HEX #8FE0B2

RGB 143 224 178

HSL 145.93, 0.57%, 0.72%

LAB 83.11, -34.57, 14.81

 

CMYK 36 / 34 / 0 / 12

HEX #8F94E0

RGB 143 148 224

HSL 236.3, 0.57%, 0.72%

LAB 63.67, 16.23, -39.19

 

Description

Color code: HEX #E08DBC | qconv.com Color code: HEX #E08DBC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 141 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 141 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 16 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 16% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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