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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E08C7C it is the complementary color #1F7383. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E08C7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E08C7C shade: #E58C77, #F69E8A, #FFB09D, #FFC2B0 and #FFD4C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E08C7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E08C7C shade: #E08C7C, #CF7A69, #BE6856, #AD5643 and #9C4430

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E08C7C shade: #E08B7B and #E07B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E08C7C shade: #E08B7B, #E0A67B, #E0C27B, #E0DD7B and #C8E07B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E08C7C shade matches the following richer shades: #E08B7B, #ED826E and #FA7960

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E08C7C shade: #E08B7B, #D39488, #C69D95, #B8A6A2 and #ABAFB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E08C7C shade: #E07BA2, #E07B87, #E08A7B, #E0A57B and #E0C07B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E08C7C shade: #D05038, #D86E59, #E08B7B, #E8A89C and #F0C6BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E08C7C shade: #E08C7C, #BDE07B and #7B94E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E08C7C shade: #E08C7C, #7BE08A and #8A7BE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E08C7C shade: #E08C7C, #BDE07B, #7BD1E0 and #9E7BE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E08C7C shade: #E08C7C, #9EE07B, #7BD1E0 and #BD7BE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 45 / 12

HEX #E08C7C

RGB 224 140 124

HSL 9.6, 0.62%, 0.68%

LAB 66.56, 30.19, 22.01

 

Complementary color

CMYK 76 / 12 / 0 / 49

HEX #1F7383

RGB 31 115 131

HSL 189.6, 0.62%, 0.32%

LAB 44.51, -18.68, -15.89

 

CMYK 0 / 39 / 48 / 10

HEX #E58C77

RGB 229 140 119

HSL 11.45, 0.68%, 0.68%

LAB 67.09, 31.63, 25.59

 

CMYK 0 / 36 / 44 / 4

HEX #F69E8A

RGB 246 158 138

HSL 11.11, 0.86%, 0.75%

LAB 73.47, 30.56, 24.1

 

CMYK 0 / 31 / 38 / 0

HEX #FFB09D

RGB 255 176 157

HSL 11.63, 1%, 0.81%

LAB 78.89, 26.58, 21.39

 

CMYK 0 / 24 / 31 / 0

HEX #FFC2B0

RGB 255 194 176

HSL 13.67, 1%, 0.85%

LAB 83.43, 19.42, 17.52

 

CMYK 0 / 17 / 24 / 0

HEX #FFD4C3

RGB 255 212 195

HSL 17, 1%, 0.88%

LAB 88.11, 12.55, 14.04

 

CMYK 0 / 38 / 45 / 12

HEX #E08C7C

RGB 224 140 124

HSL 9.6, 0.62%, 0.68%

LAB 66.56, 30.19, 22.01

 

CMYK 0 / 41 / 49 / 19

HEX #CF7A69

RGB 207 122 105

HSL 10, 0.52%, 0.61%

LAB 60.07, 31.3, 23.57

 

CMYK 0 / 45 / 55 / 25

HEX #BE6856

RGB 190 104 86

HSL 10.38, 0.44%, 0.54%

LAB 53.51, 32.53, 25.34

 

CMYK 0 / 50 / 61 / 32

HEX #AD5643

RGB 173 86 67

HSL 10.75, 0.44%, 0.47%

LAB 46.9, 33.87, 27.39

 

CMYK 0 / 56 / 69 / 39

HEX #9C4430

RGB 156 68 48

HSL 11.11, 0.53%, 0.4%

LAB 40.27, 35.3, 29.77

 

CMYK 0 / 38 / 45 / 12

HEX #E08B7B

RGB 224 139 123

HSL 9.5, 0.62%, 0.68%

LAB 66.32, 30.62, 22.24

 

CMYK 0 / 45 / 45 / 12

HEX #E07B7B

RGB 224 123 123

HSL 0, 0.62%, 0.68%

LAB 62.88, 39.01, 17.54

 

CMYK 0 / 38 / 45 / 12

HEX #E08B7B

RGB 224 139 123

HSL 9.5, 0.62%, 0.68%

LAB 66.32, 30.62, 22.24

 

CMYK 0 / 26 / 45 / 12

HEX #E0A67B

RGB 224 166 123

HSL 25.54, 0.62%, 0.68%

LAB 72.59, 16.17, 30.59

 

CMYK 0 / 13 / 45 / 12

HEX #E0C27B

RGB 224 194 123

HSL 42.18, 0.62%, 0.68%

LAB 79.53, 1.32, 39.54

 

CMYK 0 / 1 / 45 / 12

HEX #E0DD7B

RGB 224 221 123

HSL 58.22, 0.62%, 0.68%

LAB 86.5, -12.48, 48.22

 

CMYK 11 / 0 / 45 / 12

HEX #C8E07B

RGB 200 224 123

HSL 74.26, 0.62%, 0.68%

LAB 85.51, -23.32, 46.6

 

CMYK 0 / 38 / 45 / 12

HEX #E08B7B

RGB 224 139 123

HSL 9.5, 0.62%, 0.68%

LAB 66.32, 30.62, 22.24

 

CMYK 0 / 45 / 54 / 7

HEX #ED826E

RGB 237 130 110

HSL 9.45, 0.78%, 0.68%

LAB 65.82, 39.09, 29.08

 

CMYK 0 / 52 / 62 / 2

HEX #FA7960

RGB 250 121 96

HSL 9.74, 0.94%, 0.68%

LAB 65.63, 47.36, 36.89

 

CMYK 0 / 38 / 45 / 12

HEX #E08B7B

RGB 224 139 123

HSL 9.5, 0.62%, 0.68%

LAB 66.32, 30.62, 22.24

 

CMYK 0 / 30 / 36 / 17

HEX #D39488

RGB 211 148 136

HSL 9.6, 0.46%, 0.68%

LAB 67.13, 22.2, 15.86

 

CMYK 0 / 21 / 25 / 22

HEX #C69D95

RGB 198 157 149

HSL 9.8, 0.3%, 0.68%

LAB 68.23, 14.01, 9.98

 

CMYK 0 / 10 / 12 / 28

HEX #B8A6A2

RGB 184 166 162

HSL 10.91, 0.13%, 0.68%

LAB 69.52, 5.84, 4.43

 

CMYK 3 / 1 / 0 / 31

HEX #ABAFB0

RGB 171 175 176

HSL 192, 0.03%, 0.68%

LAB 71.18, -1.21, -1.01

 

CMYK 0 / 45 / 28 / 12

HEX #E07BA2

RGB 224 123 162

HSL 336.83, 0.62%, 0.68%

LAB 63.85, 43.6, -3.31

 

CMYK 0 / 45 / 40 / 12

HEX #E07B87

RGB 224 123 135

HSL 352.87, 0.62%, 0.68%

LAB 63.15, 40.28, 11.07

 

CMYK 0 / 38 / 45 / 12

HEX #E08A7B

RGB 224 138 123

HSL 8.91, 0.62%, 0.68%

LAB 66.1, 31.15, 21.94

 

CMYK 0 / 26 / 45 / 12

HEX #E0A57B

RGB 224 165 123

HSL 24.95, 0.62%, 0.68%

LAB 72.35, 16.7, 30.28

 

CMYK 0 / 14 / 45 / 12

HEX #E0C07B

RGB 224 192 123

HSL 40.99, 0.62%, 0.68%

LAB 79.03, 2.37, 38.9

 

CMYK 0 / 62 / 73 / 18

HEX #D05038

RGB 208 80 56

HSL 9.47, 0.62%, 0.52%

LAB 51.19, 49.28, 40.02

 

CMYK 0 / 49 / 59 / 15

HEX #D86E59

RGB 216 110 89

HSL 9.92, 0.62%, 0.6%

LAB 58.48, 39.7, 30.75

 

CMYK 0 / 38 / 45 / 12

HEX #E08B7B

RGB 224 139 123

HSL 9.5, 0.62%, 0.68%

LAB 66.32, 30.62, 22.24

 

CMYK 0 / 28 / 33 / 9

HEX #E8A89C

RGB 232 168 156

HSL 9.47, 0.62%, 0.76%

LAB 74.55, 21.98, 15.52

 

CMYK 0 / 18 / 21 / 6

HEX #F0C6BE

RGB 240 198 190

HSL 9.6, 0.63%, 0.84%

LAB 83.25, 13.68, 9.59

 

CMYK 0 / 38 / 45 / 12

HEX #E08C7C

RGB 224 140 124

HSL 9.6, 0.62%, 0.68%

LAB 66.56, 30.19, 22.01

 

CMYK 16 / 0 / 45 / 12

HEX #BDE07B

RGB 189 224 123

HSL 80.79, 0.62%, 0.68%

LAB 84.77, -27.48, 45.52

 

CMYK 45 / 34 / 0 / 12

HEX #7B94E0

RGB 123 148 224

HSL 225.15, 0.62%, 0.68%

LAB 62.32, 11.04, -41.42

 

CMYK 0 / 38 / 45 / 12

HEX #E08C7C

RGB 224 140 124

HSL 9.6, 0.62%, 0.68%

LAB 66.56, 30.19, 22.01

 

CMYK 45 / 0 / 38 / 12

HEX #7BE08A

RGB 123 224 138

HSL 128.91, 0.62%, 0.68%

LAB 81.49, -47.36, 33.17

 

CMYK 38 / 45 / 0 / 12

HEX #8A7BE0

RGB 138 123 224

HSL 248.91, 0.62%, 0.68%

LAB 57.03, 29.47, -49.7

 

CMYK 0 / 38 / 45 / 12

HEX #E08C7C

RGB 224 140 124

HSL 9.6, 0.62%, 0.68%

LAB 66.56, 30.19, 22.01

 

CMYK 16 / 0 / 45 / 12

HEX #BDE07B

RGB 189 224 123

HSL 80.79, 0.62%, 0.68%

LAB 84.77, -27.48, 45.52

 

CMYK 45 / 7 / 0 / 12

HEX #7BD1E0

RGB 123 209 224

HSL 188.91, 0.62%, 0.68%

LAB 79.15, -22.11, -15.53

 

CMYK 29 / 45 / 0 / 12

HEX #9E7BE0

RGB 158 123 224

HSL 260.79, 0.62%, 0.68%

LAB 58.8, 34.71, -46.77

 

CMYK 0 / 38 / 45 / 12

HEX #E08C7C

RGB 224 140 124

HSL 9.6, 0.62%, 0.68%

LAB 66.56, 30.19, 22.01

 

CMYK 29 / 0 / 45 / 12

HEX #9EE07B

RGB 158 224 123

HSL 99.21, 0.62%, 0.68%

LAB 82.92, -38.62, 42.81

 

CMYK 45 / 7 / 0 / 12

HEX #7BD1E0

RGB 123 209 224

HSL 188.91, 0.62%, 0.68%

LAB 79.15, -22.11, -15.53

 

CMYK 16 / 45 / 0 / 12

HEX #BD7BE0

RGB 189 123 224

HSL 279.21, 0.62%, 0.68%

LAB 61.97, 43.32, -41.56

 

Description

Color code: HEX #E08C7C | qconv.com Color code: HEX #E08C7C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 140 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 140 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 45 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 45% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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