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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E07FC6 it is the complementary color #1F8039. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E07FC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E07FC6 shade: #E57FC1, #F691D4, #FFA3E7, #FFB5FA and #FFC7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E07FC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E07FC6 shade: #E07FC6, #CF6DB3, #BE5BA0, #AD498D and #9C377A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E07FC6 shade: #E080C6, #E080AC, #E08092 and #E08080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E07FC6 shade: #E080C6, #E080E0, #C680E0, #AC80E0 and #9280E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E07FC6 shade matches the following richer shades: #E080C6, #ED73CC and #FA66D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E07FC6 shade: #E080C6, #D38DC0, #C799BA, #BAA6B5 and #ADB3AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E07FC6 shade: #C680E0, #E080E0, #E080C6, #E080AD and #E08093

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E07FC6 shade: #D03DA9, #D85FB8, #E080C6, #E8A1D5 and #F0C2E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E07FC6 shade: #E07FC6, #E0AD80 and #80E0D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E07FC6 shade: #E07FC6, #C6E080 and #80C6E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E07FC6 shade: #E07FC6, #E0AD80, #80E099 and #80B3E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E07FC6 shade: #E07FC6, #E0CA80, #80E099 and #8096E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 12 / 12

HEX #E07FC6

RGB 224 127 198

HSL 316.08, 0.61%, 0.69%

LAB 65.83, 46.9, -20.71

 

Complementary color

CMYK 76 / 0 / 55 / 50

HEX #1F8039

RGB 31 128 57

HSL 136.08, 0.61%, 0.31%

LAB 47.01, -43.49, 30.51

 

CMYK 0 / 45 / 16 / 10

HEX #E57FC1

RGB 229 127 193

HSL 321.18, 0.66%, 0.7%

LAB 66.28, 47.7, -17.16

 

CMYK 0 / 41 / 14 / 4

HEX #F691D4

RGB 246 145 212

HSL 320.2, 0.85%, 0.77%

LAB 72.63, 46.95, -17.93

 

CMYK 0 / 36 / 9 / 0

HEX #FFA3E7

RGB 255 163 231

HSL 315.65, 1%, 0.82%

LAB 78.01, 43.65, -20.07

 

CMYK 0 / 29 / 2 / 0

HEX #FFB5FA

RGB 255 181 250

HSL 304.05, 1%, 0.85%

LAB 82.49, 37.55, -23.49

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 43 / 12 / 12

HEX #E07FC6

RGB 224 127 198

HSL 316.08, 0.61%, 0.69%

LAB 65.83, 46.9, -20.71

 

CMYK 0 / 47 / 14 / 19

HEX #CF6DB3

RGB 207 109 179

HSL 317.14, 0.51%, 0.62%

LAB 59.4, 47.63, -19.94

 

CMYK 0 / 52 / 16 / 25

HEX #BE5BA0

RGB 190 91 160

HSL 318.18, 0.43%, 0.55%

LAB 52.91, 48.32, -19.04

 

CMYK 0 / 58 / 18 / 32

HEX #AD498D

RGB 173 73 141

HSL 319.2, 0.41%, 0.48%

LAB 46.41, 48.88, -17.92

 

CMYK 0 / 65 / 22 / 39

HEX #9C377A

RGB 156 55 122

HSL 320.2, 0.48%, 0.41%

LAB 39.92, 49.18, -16.5

 

CMYK 0 / 43 / 12 / 12

HEX #E080C6

RGB 224 128 198

HSL 316.25, 0.61%, 0.69%

LAB 66.03, 46.39, -20.4

 

CMYK 0 / 43 / 23 / 12

HEX #E080AC

RGB 224 128 172

HSL 332.5, 0.61%, 0.69%

LAB 65.17, 42.42, -7.04

 

CMYK 0 / 43 / 35 / 12

HEX #E08092

RGB 224 128 146

HSL 348.75, 0.61%, 0.69%

LAB 64.45, 38.98, 6.67

 

CMYK 0 / 43 / 43 / 12

HEX #E08080

RGB 224 128 128

HSL 0, 0.61%, 0.69%

LAB 64.03, 36.93, 16.3

 

CMYK 0 / 43 / 12 / 12

HEX #E080C6

RGB 224 128 198

HSL 316.25, 0.61%, 0.69%

LAB 66.03, 46.39, -20.4

 

CMYK 0 / 43 / 0 / 12

HEX #E080E0

RGB 224 128 224

HSL 300, 0.61%, 0.69%

LAB 67.03, 50.84, -33.37

 

CMYK 12 / 43 / 0 / 12

HEX #C680E0

RGB 198 128 224

HSL 283.75, 0.61%, 0.69%

LAB 64.02, 43.23, -38.28

 

CMYK 23 / 43 / 0 / 12

HEX #AC80E0

RGB 172 128 224

HSL 267.5, 0.61%, 0.69%

LAB 61.3, 35.76, -42.74

 

CMYK 35 / 43 / 0 / 12

HEX #9280E0

RGB 146 128 224

HSL 251.25, 0.61%, 0.69%

LAB 58.91, 28.63, -46.67

 

CMYK 0 / 43 / 12 / 12

HEX #E080C6

RGB 224 128 198

HSL 316.25, 0.61%, 0.69%

LAB 66.03, 46.39, -20.4

 

CMYK 0 / 51 / 14 / 7

HEX #ED73CC

RGB 237 115 204

HSL 316.23, 0.77%, 0.69%

LAB 65.46, 57.72, -24.5

 

CMYK 0 / 59 / 16 / 2

HEX #FA66D2

RGB 250 102 210

HSL 316.22, 0.94%, 0.69%

LAB 65.34, 68.08, -27.89

 

CMYK 0 / 43 / 12 / 12

HEX #E080C6

RGB 224 128 198

HSL 316.25, 0.61%, 0.69%

LAB 66.03, 46.39, -20.4

 

CMYK 0 / 33 / 9 / 17

HEX #D38DC0

RGB 211 141 192

HSL 316.29, 0.44%, 0.69%

LAB 67.05, 34.29, -15.63

 

CMYK 0 / 23 / 7 / 22

HEX #C799BA

RGB 199 153 186

HSL 316.96, 0.29%, 0.69%

LAB 68.37, 22.58, -10.44

 

CMYK 0 / 11 / 3 / 27

HEX #BAA6B5

RGB 186 166 181

HSL 315, 0.13%, 0.69%

LAB 70.21, 9.93, -5.06

 

CMYK 3 / 0 / 2 / 30

HEX #ADB3AF

RGB 173 179 175

HSL 140, 0.04%, 0.69%

LAB 72.38, -2.85, 1.3

 

CMYK 12 / 43 / 0 / 12

HEX #C680E0

RGB 198 128 224

HSL 283.75, 0.61%, 0.69%

LAB 64.02, 43.23, -38.28

 

CMYK 0 / 43 / 0 / 12

HEX #E080E0

RGB 224 128 224

HSL 300, 0.61%, 0.69%

LAB 67.03, 50.84, -33.37

 

CMYK 0 / 43 / 12 / 12

HEX #E080C6

RGB 224 128 198

HSL 316.25, 0.61%, 0.69%

LAB 66.03, 46.39, -20.4

 

CMYK 0 / 43 / 23 / 12

HEX #E080AD

RGB 224 128 173

HSL 331.88, 0.61%, 0.69%

LAB 65.2, 42.56, -7.56

 

CMYK 0 / 43 / 34 / 12

HEX #E08093

RGB 224 128 147

HSL 348.13, 0.61%, 0.69%

LAB 64.48, 39.1, 6.14

 

CMYK 0 / 71 / 19 / 18

HEX #D03DA9

RGB 208 61 169

HSL 315.92, 0.61%, 0.53%

LAB 51.4, 67.35, -26.42

 

CMYK 0 / 56 / 15 / 15

HEX #D85FB8

RGB 216 95 184

HSL 315.87, 0.61%, 0.61%

LAB 58.27, 57.86, -24.43

 

CMYK 0 / 43 / 12 / 12

HEX #E080C6

RGB 224 128 198

HSL 316.25, 0.61%, 0.69%

LAB 66.03, 46.39, -20.4

 

CMYK 0 / 31 / 8 / 9

HEX #E8A1D5

RGB 232 161 213

HSL 316.06, 0.61%, 0.77%

LAB 74.48, 34.2, -15.84

 

CMYK 0 / 19 / 5 / 6

HEX #F0C2E4

RGB 240 194 228

HSL 315.65, 0.61%, 0.85%

LAB 83.29, 21.9, -10.67

 

CMYK 0 / 43 / 12 / 12

HEX #E07FC6

RGB 224 127 198

HSL 316.08, 0.61%, 0.69%

LAB 65.83, 46.9, -20.71

 

CMYK 0 / 23 / 43 / 12

HEX #E0AD80

RGB 224 173 128

HSL 28.13, 0.61%, 0.69%

LAB 74.38, 12.94, 30.27

 

CMYK 43 / 0 / 6 / 12

HEX #80E0D3

RGB 128 224 211

HSL 171.88, 0.61%, 0.69%

LAB 83.23, -31.46, -2.52

 

CMYK 0 / 43 / 12 / 12

HEX #E07FC6

RGB 224 127 198

HSL 316.08, 0.61%, 0.69%

LAB 65.83, 46.9, -20.71

 

CMYK 12 / 0 / 43 / 12

HEX #C6E080

RGB 198 224 128

HSL 76.25, 0.61%, 0.69%

LAB 85.44, -23.54, 44.05

 

CMYK 43 / 12 / 0 / 12

HEX #80C6E0

RGB 128 198 224

HSL 196.25, 0.61%, 0.69%

LAB 76.29, -15.3, -19.83

 

CMYK 0 / 43 / 12 / 12

HEX #E07FC6

RGB 224 127 198

HSL 316.08, 0.61%, 0.69%

LAB 65.83, 46.9, -20.71

 

CMYK 0 / 23 / 43 / 12

HEX #E0AD80

RGB 224 173 128

HSL 28.13, 0.61%, 0.69%

LAB 74.38, 12.94, 30.27

 

CMYK 43 / 0 / 32 / 12

HEX #80E099

RGB 128 224 153

HSL 135.63, 0.61%, 0.69%

LAB 81.95, -43.45, 26.14

 

CMYK 43 / 20 / 0 / 12

HEX #80B3E0

RGB 128 179 224

HSL 208.13, 0.61%, 0.69%

LAB 71.02, -5.19, -27.88

 

CMYK 0 / 43 / 12 / 12

HEX #E07FC6

RGB 224 127 198

HSL 316.08, 0.61%, 0.69%

LAB 65.83, 46.9, -20.71

 

CMYK 0 / 10 / 43 / 12

HEX #E0CA80

RGB 224 202 128

HSL 46.25, 0.61%, 0.69%

LAB 81.65, -2.33, 39.68

 

CMYK 43 / 0 / 32 / 12

HEX #80E099

RGB 128 224 153

HSL 135.63, 0.61%, 0.69%

LAB 81.95, -43.45, 26.14

 

CMYK 43 / 33 / 0 / 12

HEX #8096E0

RGB 128 150 224

HSL 226.25, 0.61%, 0.69%

LAB 63.16, 11.13, -40.06

 

Description

Color code: HEX #E07FC6 | qconv.com Color code: HEX #E07FC6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 127 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 127 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 12 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 12% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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