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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E07F5A it is the complementary color #1F80A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E07F5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E07F5A shade: #E57F55, #F69168, #FFA37B, #FFB58E and #FFC7A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E07F5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E07F5A shade: #E07F5A, #CF6D47, #BE5B34, #AD4921 and #9C370E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E07F5A shade: #E0815C, #E05D5C and #E05C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E07F5A shade: #E0815C, #E0A45C, #E0C85C, #D5E05C and #B1E05C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E07F5A shade matches the following richer shades: #E0815C and #F07A4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E07F5A shade: #E0815C, #D0886C, #C18F7C, #B1968B and #A19D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E07F5A shade: #E05C7F, #E05C5C, #E07F5C, #E0A25C and #E0C65C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E07F5A shade: #C45125, #D9663A, #E0815C, #E79C7F and #EDB6A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E07F5A shade: #E07F5A, #A2E05C and #5C6EE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E07F5A shade: #E07F5A, #5CE07F and #7F5CE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E07F5A shade: #E07F5A, #A2E05C, #5CBDE0 and #9A5CE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E07F5A shade: #E07F5A, #7BE05C, #5CBDE0 and #C15CE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 60 / 12

HEX #E07F5A

RGB 224 127 90

HSL 16.57, 0.68%, 0.62%

LAB 63.15, 34.09, 36.28

 

Complementary color

CMYK 81 / 22 / 0 / 35

HEX #1F80A5

RGB 31 128 165

HSL 196.57, 0.68%, 0.38%

LAB 50.03, -13.97, -27.41

 

CMYK 0 / 45 / 63 / 10

HEX #E57F55

RGB 229 127 85

HSL 17.5, 0.73%, 0.62%

LAB 63.75, 35.71, 39.84

 

CMYK 0 / 41 / 58 / 4

HEX #F69168

RGB 246 145 104

HSL 17.32, 0.89%, 0.69%

LAB 70.07, 34.34, 37.99

 

CMYK 0 / 36 / 52 / 0

HEX #FFA37B

RGB 255 163 123

HSL 18.18, 1%, 0.74%

LAB 75.38, 30.01, 34.88

 

CMYK 0 / 29 / 44 / 0

HEX #FFB58E

RGB 255 181 142

HSL 20.71, 1%, 0.78%

LAB 79.76, 22.37, 30.56

 

CMYK 0 / 22 / 37 / 0

HEX #FFC7A1

RGB 255 199 161

HSL 24.26, 1%, 0.82%

LAB 84.32, 15, 26.67

 

CMYK 0 / 43 / 60 / 12

HEX #E07F5A

RGB 224 127 90

HSL 16.57, 0.68%, 0.62%

LAB 63.15, 34.09, 36.28

 

CMYK 0 / 47 / 66 / 19

HEX #CF6D47

RGB 207 109 71

HSL 16.76, 0.59%, 0.55%

LAB 56.74, 35.52, 38.24

 

CMYK 0 / 52 / 73 / 25

HEX #BE5B34

RGB 190 91 52

HSL 16.96, 0.57%, 0.47%

LAB 50.31, 37.08, 40.37

 

CMYK 0 / 58 / 81 / 32

HEX #AD4921

RGB 173 73 33

HSL 17.14, 0.68%, 0.4%

LAB 43.89, 38.72, 42.54

 

CMYK 0 / 65 / 91 / 39

HEX #9C370E

RGB 156 55 14

HSL 17.32, 0.84%, 0.33%

LAB 37.54, 40.36, 44.21

 

CMYK 0 / 42 / 59 / 12

HEX #E0815C

RGB 224 129 92

HSL 16.82, 0.68%, 0.62%

LAB 63.61, 33.19, 35.76

 

CMYK 0 / 58 / 59 / 12

HEX #E05D5C

RGB 224 93 92

HSL 0.45, 0.68%, 0.62%

LAB 56.53, 51.07, 26.79

 

CMYK 0 / 59 / 59 / 12

HEX #E05C5C

RGB 224 92 92

HSL 0, 0.68%, 0.62%

LAB 56.36, 51.53, 26.57

 

CMYK 0 / 42 / 59 / 12

HEX #E0815C

RGB 224 129 92

HSL 16.82, 0.68%, 0.62%

LAB 63.61, 33.19, 35.76

 

CMYK 0 / 27 / 59 / 12

HEX #E0A45C

RGB 224 164 92

HSL 32.73, 0.68%, 0.62%

LAB 71.67, 14.52, 45.54

 

CMYK 0 / 11 / 59 / 12

HEX #E0C85C

RGB 224 200 92

HSL 49.09, 0.68%, 0.62%

LAB 80.7, -4.42, 55.96

 

CMYK 5 / 0 / 59 / 12

HEX #D5E05C

RGB 213 224 92

HSL 65, 0.68%, 0.62%

LAB 86.12, -20.94, 61.74

 

CMYK 21 / 0 / 59 / 12

HEX #B1E05C

RGB 177 224 92

HSL 81.36, 0.68%, 0.62%

LAB 83.67, -35.01, 58.33

 

CMYK 0 / 42 / 59 / 12

HEX #E0815C

RGB 224 129 92

HSL 16.82, 0.68%, 0.62%

LAB 63.61, 33.19, 35.76

 

CMYK 0 / 49 / 68 / 6

HEX #F07A4D

RGB 240 122 77

HSL 16.56, 0.84%, 0.62%

LAB 64.14, 42.02, 44.88

 

CMYK 0 / 42 / 59 / 12

HEX #E0815C

RGB 224 129 92

HSL 16.82, 0.68%, 0.62%

LAB 63.61, 33.19, 35.76

 

CMYK 0 / 35 / 48 / 18

HEX #D0886C

RGB 208 136 108

HSL 16.8, 0.52%, 0.62%

LAB 63.43, 24.44, 26.36

 

CMYK 0 / 26 / 36 / 24

HEX #C18F7C

RGB 193 143 124

HSL 16.52, 0.36%, 0.62%

LAB 63.7, 16.37, 17.52

 

CMYK 0 / 15 / 21 / 31

HEX #B1968B

RGB 177 150 139

HSL 17.37, 0.2%, 0.62%

LAB 64.18, 8.28, 9.53

 

CMYK 0 / 2 / 4 / 37

HEX #A19D9B

RGB 161 157 155

HSL 20, 0.03%, 0.62%

LAB 65.01, 1.08, 1.55

 

CMYK 0 / 59 / 43 / 12

HEX #E05C7F

RGB 224 92 127

HSL 344.09, 0.68%, 0.62%

LAB 57.11, 54.5, 7.13

 

CMYK 0 / 59 / 59 / 12

HEX #E05C5C

RGB 224 92 92

HSL 0, 0.68%, 0.62%

LAB 56.36, 51.53, 26.57

 

CMYK 0 / 43 / 59 / 12

HEX #E07F5C

RGB 224 127 92

HSL 15.91, 0.68%, 0.62%

LAB 63.18, 34.23, 35.23

 

CMYK 0 / 28 / 59 / 12

HEX #E0A25C

RGB 224 162 92

HSL 31.82, 0.68%, 0.62%

LAB 71.19, 15.59, 44.96

 

CMYK 0 / 12 / 59 / 12

HEX #E0C65C

RGB 224 198 92

HSL 48.18, 0.68%, 0.62%

LAB 80.18, -3.39, 55.38

 

CMYK 0 / 59 / 81 / 23

HEX #C45125

RGB 196 81 37

HSL 16.6, 0.68%, 0.46%

LAB 49.2, 43.73, 47.02

 

CMYK 0 / 53 / 73 / 15

HEX #D9663A

RGB 217 102 58

HSL 16.6, 0.68%, 0.54%

LAB 56.64, 42.27, 45.34

 

CMYK 0 / 42 / 59 / 12

HEX #E0815C

RGB 224 129 92

HSL 16.82, 0.68%, 0.62%

LAB 63.61, 33.19, 35.76

 

CMYK 0 / 32 / 45 / 9

HEX #E79C7F

RGB 231 156 127

HSL 16.73, 0.68%, 0.7%

LAB 71.08, 24.7, 26.57

 

CMYK 0 / 23 / 32 / 7

HEX #EDB6A2

RGB 237 182 162

HSL 16, 0.68%, 0.78%

LAB 78.5, 17.19, 17.86

 

CMYK 0 / 43 / 60 / 12

HEX #E07F5A

RGB 224 127 90

HSL 16.57, 0.68%, 0.62%

LAB 63.15, 34.09, 36.28

 

CMYK 28 / 0 / 59 / 12

HEX #A2E05C

RGB 162 224 92

HSL 88.18, 0.68%, 0.62%

LAB 82.79, -40.53, 57.1

 

CMYK 59 / 51 / 0 / 12

HEX #5C6EE0

RGB 92 110 224

HSL 231.82, 0.68%, 0.62%

LAB 50.46, 27.09, -60.39

 

CMYK 0 / 43 / 60 / 12

HEX #E07F5A

RGB 224 127 90

HSL 16.57, 0.68%, 0.62%

LAB 63.15, 34.09, 36.28

 

CMYK 59 / 0 / 43 / 12

HEX #5CE07F

RGB 92 224 127

HSL 135.91, 0.68%, 0.62%

LAB 80.25, -56.81, 36.87

 

CMYK 43 / 59 / 0 / 12

HEX #7F5CE0

RGB 127 92 224

HSL 255.91, 0.68%, 0.62%

LAB 48.94, 44.79, -62.7

 

CMYK 0 / 43 / 60 / 12

HEX #E07F5A

RGB 224 127 90

HSL 16.57, 0.68%, 0.62%

LAB 63.15, 34.09, 36.28

 

CMYK 28 / 0 / 59 / 12

HEX #A2E05C

RGB 162 224 92

HSL 88.18, 0.68%, 0.62%

LAB 82.79, -40.53, 57.1

 

CMYK 59 / 16 / 0 / 12

HEX #5CBDE0

RGB 92 189 224

HSL 195.91, 0.68%, 0.62%

LAB 72.26, -18.46, -26.1

 

CMYK 31 / 59 / 0 / 12

HEX #9A5CE0

RGB 154 92 224

HSL 268.18, 0.68%, 0.62%

LAB 51.73, 50.77, -58.07

 

CMYK 0 / 43 / 60 / 12

HEX #E07F5A

RGB 224 127 90

HSL 16.57, 0.68%, 0.62%

LAB 63.15, 34.09, 36.28

 

CMYK 45 / 0 / 59 / 12

HEX #7BE05C

RGB 123 224 92

HSL 105.91, 0.68%, 0.62%

LAB 80.9, -53.41, 54.45

 

CMYK 59 / 16 / 0 / 12

HEX #5CBDE0

RGB 92 189 224

HSL 195.91, 0.68%, 0.62%

LAB 72.26, -18.46, -26.1

 

CMYK 14 / 59 / 0 / 12

HEX #C15CE0

RGB 193 92 224

HSL 285.91, 0.68%, 0.62%

LAB 56.46, 60.09, -50.24

 

Description

Color code: HEX #E07F5A | qconv.com Color code: HEX #E07F5A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 127 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 127 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 60 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 60% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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