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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E07E3C it is the complementary color #1F81C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E07E3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E07E3C shade: #E57E37, #F6904A, #FFA25D, #FFB470 and #FFC683

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E07E3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E07E3C shade: #E07E3C, #CF6C29, #BE5A16, #AD4803 and #9C3600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E07E3C shade: #E17F3D, #E1533D and #E13D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E07E3C shade: #E17F3D, #E1AB3D, #E1D73D, #BEE13D and #92E13D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E07E3C shade matches the following richer shades: #E17F3D and #F37B2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E07E3C shade: #E17F3D, #CF824F, #BC8661, #AA8973 and #988D86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E07E3C shade: #E13D53, #E1533D, #E17E3D, #E1AA3D and #E1D63D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E07E3C shade: #B0571B, #D36921, #E17F3D, #E69661 and #ECAE84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E07E3C shade: #E07E3C, #7EE13D and #3D3DE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E07E3C shade: #E07E3C, #3DE17E and #7E3DE1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E07E3C shade: #E07E3C, #7EE13D, #3D9FE1 and #9F3DE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E07E3C shade: #E07E3C, #4DE13D, #3D9FE1 and #D03DE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 73 / 12

HEX #E07E3C

RGB 224 126 60

HSL 24.15, 0.73%, 0.56%

LAB 62.59, 32.86, 50.97

Complementary color

CMYK 84 / 34 / 0 / 24

HEX #1F81C3

RGB 31 129 195

HSL 204.15, 0.73%, 0.44%

LAB 51.76, -3.53, -41.98

 

CMYK 0 / 45 / 76 / 10

HEX #E57E37

RGB 229 126 55

HSL 24.48, 0.77%, 0.56%

LAB 63.22, 34.66, 54.13

 

CMYK 0 / 41 / 70 / 4

HEX #F6904A

RGB 246 144 74

HSL 24.42, 0.91%, 0.63%

LAB 69.49, 33, 52.56

 

CMYK 0 / 36 / 64 / 0

HEX #FFA25D

RGB 255 162 93

HSL 25.56, 1%, 0.68%

LAB 74.76, 28.32, 49.54

 

CMYK 0 / 29 / 56 / 0

HEX #FFB470

RGB 255 180 112

HSL 28.53, 1%, 0.72%

LAB 79.08, 20.23, 45.22

 

CMYK 0 / 22 / 49 / 0

HEX #FFC683

RGB 255 198 131

HSL 32.42, 1%, 0.76%

LAB 83.59, 12.43, 41.23

 

CMYK 0 / 44 / 73 / 12

HEX #E07E3C

RGB 224 126 60

HSL 24.15, 0.73%, 0.56%

LAB 62.59, 32.86, 50.97

HEX #E07E3C

CMYK 0 / 48 / 80 / 19

HEX #CF6C29

RGB 207 108 41

HSL 24.22, 0.67%, 0.49%

LAB 56.24, 34.62, 52.46

HEX #CF6C29

CMYK 0 / 53 / 88 / 25

HEX #BE5A16

RGB 190 90 22

HSL 24.29, 0.79%, 0.42%

LAB 49.88, 36.55, 53.35

HEX #BE5A16

CMYK 0 / 58 / 98 / 32

HEX #AD4803

RGB 173 72 3

HSL 24.35, 0.97%, 0.35%

LAB 43.54, 38.58, 53.02

HEX #AD4803

CMYK 0 / 65 / 100 / 39

HEX #9C3600

RGB 156 54 0

HSL 20.77, 1%, 0.31%

LAB 37.31, 40.59, 48.92

HEX #9C3600

CMYK 0 / 44 / 73 / 12

HEX #E17F3D

RGB 225 127 61

HSL 24.15, 0.73%, 0.56%

LAB 62.95, 32.78, 50.91

 

CMYK 0 / 63 / 73 / 12

HEX #E1533D

RGB 225 83 61

HSL 8.05, 0.73%, 0.56%

LAB 54.59, 54.09, 41.89

 

CMYK 0 / 73 / 73 / 12

HEX #E13D3D

RGB 225 61 61

HSL 0, 0.73%, 0.56%

LAB 51.48, 62.56, 38.39

 

CMYK 0 / 44 / 73 / 12

HEX #E17F3D

RGB 225 127 61

HSL 24.15, 0.73%, 0.56%

LAB 62.95, 32.78, 50.91

 

CMYK 0 / 24 / 73 / 12

HEX #E1AB3D

RGB 225 171 61

HSL 40.24, 0.73%, 0.56%

LAB 73.2, 9.37, 61.38

 

CMYK 0 / 4 / 73 / 12

HEX #E1D73D

RGB 225 215 61

HSL 56.34, 0.73%, 0.56%

LAB 84.46, -13.35, 72.28

 

CMYK 16 / 0 / 73 / 12

HEX #BEE13D

RGB 190 225 61

HSL 72.8, 0.73%, 0.56%

LAB 84.55, -32.49, 71.46

 

CMYK 35 / 0 / 73 / 12

HEX #92E13D

RGB 146 225 61

HSL 88.9, 0.73%, 0.56%

LAB 82, -48.91, 68.1

 

CMYK 0 / 44 / 73 / 12

HEX #E17F3D

RGB 225 127 61

HSL 24.15, 0.73%, 0.56%

LAB 62.95, 32.78, 50.91

 

CMYK 0 / 49 / 82 / 5

HEX #F37B2B

RGB 243 123 43

HSL 24, 0.89%, 0.56%

LAB 64.48, 41.3, 61.05

 

CMYK 0 / 44 / 73 / 12

HEX #E17F3D

RGB 225 127 61

HSL 24.15, 0.73%, 0.56%

LAB 62.95, 32.78, 50.91

 

CMYK 0 / 37 / 62 / 19

HEX #CF824F

RGB 207 130 79

HSL 23.91, 0.57%, 0.56%

LAB 61.48, 24.86, 39.6

 

CMYK 0 / 29 / 48 / 26

HEX #BC8661

RGB 188 134 97

HSL 24.4, 0.4%, 0.56%

LAB 60.43, 16.28, 28.09

 

CMYK 0 / 19 / 32 / 33

HEX #AA8973

RGB 170 137 115

HSL 24, 0.24%, 0.56%

LAB 59.59, 9.28, 16.54

 

CMYK 0 / 7 / 12 / 40

HEX #988D86

RGB 152 141 134

HSL 23.33, 0.08%, 0.56%

LAB 59.39, 2.84, 5.2

 

CMYK 0 / 73 / 63 / 12

HEX #E13D53

RGB 225 61 83

HSL 351.95, 0.73%, 0.56%

LAB 51.8, 63.66, 25.98

 

CMYK 0 / 63 / 73 / 12

HEX #E1533D

RGB 225 83 61

HSL 8.05, 0.73%, 0.56%

LAB 54.59, 54.09, 41.89

 

CMYK 0 / 44 / 73 / 12

HEX #E17E3D

RGB 225 126 61

HSL 23.78, 0.73%, 0.56%

LAB 62.73, 33.31, 50.69

 

CMYK 0 / 24 / 73 / 12

HEX #E1AA3D

RGB 225 170 61

HSL 39.88, 0.73%, 0.56%

LAB 72.95, 9.9, 61.13

 

CMYK 0 / 5 / 73 / 12

HEX #E1D63D

RGB 225 214 61

HSL 55.98, 0.73%, 0.56%

LAB 84.19, -12.85, 72.03

 

CMYK 0 / 51 / 85 / 31

HEX #B0571B

RGB 176 87 27

HSL 24.16, 0.73%, 0.4%

LAB 47.14, 32.55, 48.35

 

CMYK 0 / 50 / 84 / 17

HEX #D36921

RGB 211 105 33

HSL 24.27, 0.73%, 0.48%

LAB 56.15, 37.53, 55.83

 

CMYK 0 / 44 / 73 / 12

HEX #E17F3D

RGB 225 127 61

HSL 24.15, 0.73%, 0.56%

LAB 62.95, 32.78, 50.91

 

CMYK 0 / 35 / 58 / 10

HEX #E69661

RGB 230 150 97

HSL 23.91, 0.73%, 0.64%

LAB 69.11, 24.84, 40.06

 

CMYK 0 / 26 / 44 / 7

HEX #ECAE84

RGB 236 174 132

HSL 24.23, 0.73%, 0.72%

LAB 75.93, 17.6, 30.42

 

CMYK 0 / 44 / 73 / 12

HEX #E07E3C

RGB 224 126 60

HSL 24.15, 0.73%, 0.56%

LAB 62.59, 32.86, 50.97

HEX #E07E3C

CMYK 44 / 0 / 73 / 12

HEX #7EE13D

RGB 126 225 61

HSL 96.22, 0.73%, 0.56%

LAB 81.08, -55.46, 66.89

HEX #7EE13D

CMYK 73 / 73 / 0 / 12

HEX #3D3DE1

RGB 61 61 225

HSL 240, 0.73%, 0.56%

LAB 37.42, 52.47, -82.31

HEX #3D3DE1

CMYK 0 / 44 / 73 / 12

HEX #E07E3C

RGB 224 126 60

HSL 24.15, 0.73%, 0.56%

LAB 62.59, 32.86, 50.97

HEX #E07E3C

CMYK 73 / 0 / 44 / 12

HEX #3DE17E

RGB 61 225 126

HSL 143.78, 0.73%, 0.56%

LAB 79.81, -62.93, 36.67

HEX #3DE17E

CMYK 44 / 73 / 0 / 12

HEX #7E3DE1

RGB 126 61 225

HSL 263.78, 0.73%, 0.56%

LAB 43.08, 60.79, -72.81

HEX #7E3DE1

CMYK 0 / 44 / 73 / 12

HEX #E07E3C

RGB 224 126 60

HSL 24.15, 0.73%, 0.56%

LAB 62.59, 32.86, 50.97

HEX #E07E3C

CMYK 44 / 0 / 73 / 12

HEX #7EE13D

RGB 126 225 61

HSL 96.22, 0.73%, 0.56%

LAB 81.08, -55.46, 66.89

HEX #7EE13D

CMYK 73 / 29 / 0 / 12

HEX #3D9FE1

RGB 61 159 225

HSL 204.15, 0.73%, 0.56%

LAB 62.7, -6.86, -41.56

HEX #3D9FE1

CMYK 29 / 73 / 0 / 12

HEX #9F3DE1

RGB 159 61 225

HSL 275.85, 0.73%, 0.56%

LAB 47.16, 66.49, -65.98

HEX #9F3DE1

CMYK 0 / 44 / 73 / 12

HEX #E07E3C

RGB 224 126 60

HSL 24.15, 0.73%, 0.56%

LAB 62.59, 32.86, 50.97

HEX #E07E3C

CMYK 66 / 0 / 73 / 12

HEX #4DE13D

RGB 77 225 61

HSL 114.15, 0.73%, 0.56%

LAB 79.48, -68.02, 64.76

HEX #4DE13D

CMYK 73 / 29 / 0 / 12

HEX #3D9FE1

RGB 61 159 225

HSL 204.15, 0.73%, 0.56%

LAB 62.7, -6.86, -41.56

HEX #3D9FE1

CMYK 8 / 73 / 0 / 12

HEX #D03DE1

RGB 208 61 225

HSL 293.78, 0.73%, 0.56%

LAB 54.22, 75.95, -54.25

HEX #D03DE1

Description

Color code: HEX #E07E3C | qconv.com Color code: HEX #E07E3C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 126 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 126 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 73 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 73% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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