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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E06320 it is the complementary color #1F9CDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E06320. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E06320 shade: #E5631B, #F6752E, #FF8741, #FF9954 and #FFAB67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E06320. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E06320 shade: #E06320, #CF510D, #BE3F00, #AD2D00 and #9C1B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E06320 shade: #E0621F, #E02E1F and #E01F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E06320 shade: #E0621F, #E0961F, #E0CB1F, #C2E01F and #8EE01F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E06320 shade matches the following richer shades: #E0621F and #F55C0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E06320 shade: #E0621F, #CC6833, #B76F48, #A3755C and #8E7B71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E06320 shade: #E01F45, #E02C1F, #E05F1F, #E0931F and #E0C71F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E06320 shade: #984215, #BC521A, #E0621F, #E57C43 and #EA9567

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E06320 shade: #E06320, #79E01F and #1F2CE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E06320 shade: #E06320, #1FE05F and #5F1FE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E06320 shade: #E06320, #79E01F, #1FA0E0 and #861FE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E06320 shade: #E06320, #3FE01F, #1FA0E0 and #C01FE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 86 / 12

HEX #E06320

RGB 224 99 32

HSL 20.94, 0.76%, 0.5%

LAB 56.95, 45.5, 57.68

 

Complementary color

CMYK 86 / 30 / 0 / 13

HEX #1F9CDF

RGB 31 156 223

HSL 200.94, 0.76%, 0.5%

LAB 61.13, -8.83, -42.96

 

CMYK 0 / 57 / 88 / 10

HEX #E5631B

RGB 229 99 27

HSL 21.39, 0.8%, 0.5%

LAB 57.71, 47.26, 60.38

 

CMYK 0 / 52 / 81 / 4

HEX #F6752E

RGB 246 117 46

HSL 21.3, 0.92%, 0.57%

LAB 63.76, 45.48, 59.38

 

CMYK 0 / 47 / 75 / 0

HEX #FF8741

RGB 255 135 65

HSL 22.11, 1%, 0.63%

LAB 68.73, 40.71, 56.33

 

CMYK 0 / 40 / 67 / 0

HEX #FF9954

RGB 255 153 84

HSL 24.21, 1%, 0.66%

LAB 72.68, 32.45, 51.59

 

CMYK 0 / 33 / 60 / 0

HEX #FFAB67

RGB 255 171 103

HSL 26.84, 1%, 0.7%

LAB 76.9, 24.28, 47.1

 

CMYK 0 / 56 / 86 / 12

HEX #E06320

RGB 224 99 32

HSL 20.94, 0.76%, 0.5%

LAB 56.95, 45.5, 57.68

 

CMYK 0 / 61 / 94 / 19

HEX #CF510D

RGB 207 81 13

HSL 21.03, 0.88%, 0.43%

LAB 50.9, 47.28, 57.99

 

CMYK 0 / 67 / 100 / 25

HEX #BE3F00

RGB 190 63 0

HSL 19.89, 1%, 0.37%

LAB 44.94, 48.94, 56.23

 

CMYK 0 / 74 / 100 / 32

HEX #AD2D00

RGB 173 45 0

HSL 15.61, 1%, 0.34%

LAB 39.17, 50.22, 51.64

 

CMYK 0 / 83 / 100 / 39

HEX #9C1B00

RGB 156 27 0

HSL 10.38, 1%, 0.31%

LAB 33.67, 50.59, 47.01

 

CMYK 0 / 56 / 86 / 12

HEX #E0621F

RGB 224 98 31

HSL 20.83, 0.76%, 0.5%

LAB 56.76, 45.95, 57.9

 

CMYK 0 / 79 / 86 / 12

HEX #E02E1F

RGB 224 46 31

HSL 4.66, 0.76%, 0.5%

LAB 49.37, 65.92, 51.86

 

CMYK 0 / 86 / 86 / 12

HEX #E01F1F

RGB 224 31 31

HSL 0, 0.76%, 0.5%

LAB 48.17, 69.35, 50.88

 

CMYK 0 / 56 / 86 / 12

HEX #E0621F

RGB 224 98 31

HSL 20.83, 0.76%, 0.5%

LAB 56.76, 45.95, 57.9

 

CMYK 0 / 33 / 86 / 12

HEX #E0961F

RGB 224 150 31

HSL 36.99, 0.76%, 0.5%

LAB 67.84, 19.13, 66.89

 

CMYK 0 / 9 / 86 / 12

HEX #E0CB1F

RGB 224 203 31

HSL 53.47, 0.76%, 0.5%

LAB 81.1, -8.71, 77.61

 

CMYK 13 / 0 / 86 / 12

HEX #C2E01F

RGB 194 224 31

HSL 69.33, 0.76%, 0.5%

LAB 84.42, -31.52, 79.35

 

CMYK 37 / 0 / 86 / 12

HEX #8EE01F

RGB 142 224 31

HSL 85.49, 0.76%, 0.5%

LAB 81.38, -51.21, 75.58

 

CMYK 0 / 56 / 86 / 12

HEX #E0621F

RGB 224 98 31

HSL 20.83, 0.76%, 0.5%

LAB 56.76, 45.95, 57.9

 

CMYK 0 / 62 / 96 / 4

HEX #F55C0A

RGB 245 92 10

HSL 20.94, 0.92%, 0.5%

LAB 59.06, 55.92, 66.88

 

CMYK 0 / 56 / 86 / 12

HEX #E0621F

RGB 224 98 31

HSL 20.83, 0.76%, 0.5%

LAB 56.76, 45.95, 57.9

 

CMYK 0 / 49 / 75 / 20

HEX #CC6833

RGB 204 104 51

HSL 20.78, 0.6%, 0.5%

LAB 55.05, 35.88, 46.55

 

CMYK 0 / 39 / 61 / 28

HEX #B76F48

RGB 183 111 72

HSL 21.08, 0.44%, 0.5%

LAB 53.93, 24.76, 33.54

 

CMYK 0 / 28 / 44 / 36

HEX #A3755C

RGB 163 117 92

HSL 21.13, 0.28%, 0.5%

LAB 53.26, 14.84, 20.93

 

CMYK 0 / 13 / 20 / 44

HEX #8E7B71

RGB 142 123 113

HSL 20.69, 0.11%, 0.5%

LAB 53.07, 5.61, 8.15

 

CMYK 0 / 86 / 69 / 12

HEX #E01F45

RGB 224 31 69

HSL 348.19, 0.76%, 0.5%

LAB 48.58, 70.56, 30.25

 

CMYK 0 / 80 / 86 / 12

HEX #E02C1F

RGB 224 44 31

HSL 4.04, 0.76%, 0.5%

LAB 49.19, 66.45, 51.71

 

CMYK 0 / 58 / 86 / 12

HEX #E05F1F

RGB 224 95 31

HSL 19.9, 0.76%, 0.5%

LAB 56.22, 47.37, 57.45

 

CMYK 0 / 34 / 86 / 12

HEX #E0931F

RGB 224 147 31

HSL 36.06, 0.76%, 0.5%

LAB 67.14, 20.73, 66.32

 

CMYK 0 / 11 / 86 / 12

HEX #E0C71F

RGB 224 199 31

HSL 52.23, 0.76%, 0.5%

LAB 80.06, -6.68, 76.77

 

CMYK 0 / 57 / 86 / 40

HEX #984215

RGB 152 66 21

HSL 20.61, 0.76%, 0.34%

LAB 38.94, 33.57, 42.24

 

CMYK 0 / 56 / 86 / 26

HEX #BC521A

RGB 188 82 26

HSL 20.74, 0.76%, 0.42%

LAB 48.01, 39.88, 50.23

 

CMYK 0 / 56 / 86 / 12

HEX #E0621F

RGB 224 98 31

HSL 20.83, 0.76%, 0.5%

LAB 56.76, 45.95, 57.9

 

CMYK 0 / 46 / 71 / 10

HEX #E57C43

RGB 229 124 67

HSL 21.11, 0.76%, 0.58%

LAB 62.91, 36.23, 48.13

 

CMYK 0 / 36 / 56 / 8

HEX #EA9567

RGB 234 149 103

HSL 21.07, 0.76%, 0.66%

LAB 69.45, 27.44, 37.43

 

CMYK 0 / 56 / 86 / 12

HEX #E06320

RGB 224 99 32

HSL 20.94, 0.76%, 0.5%

LAB 56.95, 45.5, 57.68

 

CMYK 46 / 0 / 86 / 12

HEX #79E01F

RGB 121 224 31

HSL 92.02, 0.76%, 0.5%

LAB 80.45, -58.06, 74.41

 

CMYK 86 / 80 / 0 / 12

HEX #1F2CE0

RGB 31 44 224

HSL 235.96, 0.76%, 0.5%

LAB 32.86, 59.1, -89.33

 

CMYK 0 / 56 / 86 / 12

HEX #E06320

RGB 224 99 32

HSL 20.94, 0.76%, 0.5%

LAB 56.95, 45.5, 57.68

 

CMYK 86 / 0 / 58 / 12

HEX #1FE05F

RGB 31 224 95

HSL 139.9, 0.76%, 0.5%

LAB 78.71, -70.53, 50.01

 

CMYK 58 / 86 / 0 / 12

HEX #5F1FE0

RGB 95 31 224

HSL 259.9, 0.76%, 0.5%

LAB 35.59, 68.27, -84.68

 

CMYK 0 / 56 / 86 / 12

HEX #E06320

RGB 224 99 32

HSL 20.94, 0.76%, 0.5%

LAB 56.95, 45.5, 57.68

 

CMYK 46 / 0 / 86 / 12

HEX #79E01F

RGB 121 224 31

HSL 92.02, 0.76%, 0.5%

LAB 80.45, -58.06, 74.41

 

CMYK 86 / 29 / 0 / 12

HEX #1FA0E0

RGB 31 160 224

HSL 199.9, 0.76%, 0.5%

LAB 62.35, -10.71, -41.59

 

CMYK 40 / 86 / 0 / 12

HEX #861FE0

RGB 134 31 224

HSL 272.02, 0.76%, 0.5%

LAB 40.3, 72.39, -76.76

 

CMYK 0 / 56 / 86 / 12

HEX #E06320

RGB 224 99 32

HSL 20.94, 0.76%, 0.5%

LAB 56.95, 45.5, 57.68

 

CMYK 72 / 0 / 86 / 12

HEX #3FE01F

RGB 63 224 31

HSL 110.05, 0.76%, 0.5%

LAB 78.73, -71.91, 72.25

 

CMYK 86 / 29 / 0 / 12

HEX #1FA0E0

RGB 31 160 224

HSL 199.9, 0.76%, 0.5%

LAB 62.35, -10.71, -41.59

 

CMYK 14 / 86 / 0 / 12

HEX #C01FE0

RGB 192 31 224

HSL 290.05, 0.76%, 0.5%

LAB 48.97, 80.66, -62.25

 

Description

Color code: HEX #E06320 | qconv.com Color code: HEX #E06320 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 99 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 99 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 86 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 86% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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