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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0557C it is the complementary color #1FAA83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0557C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0557C shade: #E55577, #F6678A, #FF799D, #FF8BB0 and #FF9DC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0557C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0557C shade: #E0557C, #CF4369, #BE3156, #AD1F43 and #9C0D30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0557C shade: #E0577D, #E05758 and #E05757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0557C shade: #E0577D, #E057A2, #E057C7, #D457E0 and #AF57E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0557C shade matches the following richer shades: #E0577D and #F04776

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0557C shade: #E0577D, #D06784, #C0778C, #B08793 and #A0979A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0557C shade: #E057C7, #E057A2, #E0577E, #E05759 and #E07957

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0557C shade: #C12350, #DA3463, #E0577D, #E77A98 and #ED9DB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0557C shade: #E0557C, #E0D557 and #57B5E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0557C shade: #E0557C, #7EE057 and #577EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0557C shade: #E0557C, #E0D557, #57E0B9 and #5762E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0557C shade: #E0557C, #C2E057, #57E0B9 and #7557E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 45 / 12

HEX #E0557C

RGB 224 85 124

HSL 343.17, 0.69%, 0.61%

LAB 55.89, 57.28, 7.16

 

Complementary color

CMYK 82 / 0 / 23 / 33

HEX #1FAA83

RGB 31 170 131

HSL 163.17, 0.69%, 0.39%

LAB 62.24, -44.68, 10.19

 

CMYK 0 / 63 / 48 / 10

HEX #E55577

RGB 229 85 119

HSL 345.83, 0.73%, 0.62%

LAB 56.57, 58.39, 11.19

 

CMYK 0 / 58 / 44 / 4

HEX #F6678A

RGB 246 103 138

HSL 345.31, 0.89%, 0.68%

LAB 62.62, 57.77, 9.04

 

CMYK 0 / 53 / 38 / 0

HEX #FF799D

RGB 255 121 157

HSL 343.88, 1%, 0.74%

LAB 67.55, 54.39, 5.43

 

CMYK 0 / 45 / 31 / 0

HEX #FF8BB0

RGB 255 139 176

HSL 340.86, 1%, 0.77%

LAB 71.46, 47.87, 0.42

 

CMYK 0 / 38 / 24 / 0

HEX #FF9DC3

RGB 255 157 195

HSL 336.73, 1%, 0.81%

LAB 75.65, 41.26, -3.95

 

CMYK 0 / 62 / 45 / 12

HEX #E0557C

RGB 224 85 124

HSL 343.17, 0.69%, 0.61%

LAB 55.89, 57.28, 7.16

 

CMYK 0 / 68 / 49 / 19

HEX #CF4369

RGB 207 67 105

HSL 343.71, 0.59%, 0.54%

LAB 49.86, 57.65, 9.57

 

CMYK 0 / 74 / 55 / 25

HEX #BE3156

RGB 190 49 86

HSL 344.26, 0.59%, 0.47%

LAB 43.97, 57.61, 12.54

 

CMYK 0 / 82 / 61 / 32

HEX #AD1F43

RGB 173 31 67

HSL 344.79, 0.7%, 0.4%

LAB 38.32, 56.85, 16.28

 

CMYK 0 / 92 / 69 / 39

HEX #9C0D30

RGB 156 13 48

HSL 345.31, 0.85%, 0.33%

LAB 33.07, 54.97, 21.02

 

CMYK 0 / 61 / 44 / 12

HEX #E0577D

RGB 224 87 125

HSL 343.36, 0.69%, 0.61%

LAB 56.23, 56.51, 7.06

 

CMYK 0 / 61 / 61 / 12

HEX #E05758

RGB 224 87 88

HSL 359.56, 0.69%, 0.61%

LAB 55.45, 53.49, 27.7

 

CMYK 0 / 61 / 61 / 12

HEX #E05757

RGB 224 87 87

HSL 0, 0.69%, 0.61%

LAB 55.43, 53.42, 28.26

 

CMYK 0 / 61 / 44 / 12

HEX #E0577D

RGB 224 87 125

HSL 343.36, 0.69%, 0.61%

LAB 56.23, 56.51, 7.06

 

CMYK 0 / 61 / 28 / 12

HEX #E057A2

RGB 224 87 162

HSL 327.15, 0.69%, 0.61%

LAB 57.34, 60.66, -13.01

 

CMYK 0 / 61 / 11 / 12

HEX #E057C7

RGB 224 87 199

HSL 310.95, 0.69%, 0.61%

LAB 58.78, 65.81, -32.13

 

CMYK 5 / 61 / 0 / 12

HEX #D457E0

RGB 212 87 224

HSL 294.74, 0.69%, 0.61%

LAB 58.22, 66.91, -47.28

 

CMYK 22 / 61 / 0 / 12

HEX #AF57E0

RGB 175 87 224

HSL 278.54, 0.69%, 0.61%

LAB 53.29, 58.15, -55.43

 

CMYK 0 / 61 / 44 / 12

HEX #E0577D

RGB 224 87 125

HSL 343.36, 0.69%, 0.61%

LAB 56.23, 56.51, 7.06

 

CMYK 0 / 70 / 51 / 6

HEX #F04776

RGB 240 71 118

HSL 343.31, 0.85%, 0.61%

LAB 56.43, 67.01, 11.85

 

CMYK 0 / 61 / 44 / 12

HEX #E0577D

RGB 224 87 125

HSL 343.36, 0.69%, 0.61%

LAB 56.23, 56.51, 7.06

 

CMYK 0 / 50 / 37 / 18

HEX #D06784

RGB 208 103 132

HSL 343.43, 0.53%, 0.61%

LAB 56.86, 44.44, 3.53

 

CMYK 0 / 38 / 27 / 25

HEX #C0778C

RGB 192 119 140

HSL 342.74, 0.37%, 0.61%

LAB 58.31, 31.34, 0.73

 

CMYK 0 / 23 / 16 / 31

HEX #B08793

RGB 176 135 147

HSL 342.44, 0.21%, 0.61%

LAB 60.48, 17.56, -0.35

 

CMYK 0 / 6 / 4 / 37

HEX #A0979A

RGB 160 151 154

HSL 340, 0.05%, 0.61%

LAB 63.29, 3.85, -0.4

 

CMYK 0 / 61 / 11 / 12

HEX #E057C7

RGB 224 87 199

HSL 310.95, 0.69%, 0.61%

LAB 58.78, 65.81, -32.13

 

CMYK 0 / 61 / 28 / 12

HEX #E057A2

RGB 224 87 162

HSL 327.15, 0.69%, 0.61%

LAB 57.34, 60.66, -13.01

 

CMYK 0 / 61 / 44 / 12

HEX #E0577E

RGB 224 87 126

HSL 342.92, 0.69%, 0.61%

LAB 56.26, 56.61, 6.51

 

CMYK 0 / 61 / 60 / 12

HEX #E05759

RGB 224 87 89

HSL 359.12, 0.69%, 0.61%

LAB 55.47, 53.56, 27.14

 

CMYK 0 / 46 / 61 / 12

HEX #E07957

RGB 224 121 87

HSL 14.89, 0.69%, 0.61%

LAB 61.84, 36.99, 36.28

 

CMYK 0 / 82 / 59 / 24

HEX #C12350

RGB 193 35 80

HSL 342.91, 0.69%, 0.45%

LAB 42.94, 62.15, 14.97

 

CMYK 0 / 76 / 55 / 15

HEX #DA3463

RGB 218 52 99

HSL 343.01, 0.69%, 0.53%

LAB 49.81, 65.58, 13.44

 

CMYK 0 / 61 / 44 / 12

HEX #E0577D

RGB 224 87 125

HSL 343.36, 0.69%, 0.61%

LAB 56.23, 56.51, 7.06

 

CMYK 0 / 47 / 34 / 9

HEX #E77A98

RGB 231 122 152

HSL 343.49, 0.69%, 0.69%

LAB 64.3, 45.24, 3.16

 

CMYK 0 / 34 / 24 / 7

HEX #ED9DB3

RGB 237 157 179

HSL 343.5, 0.69%, 0.77%

LAB 73.14, 32.75, 0.94

 

CMYK 0 / 62 / 45 / 12

HEX #E0557C

RGB 224 85 124

HSL 343.17, 0.69%, 0.61%

LAB 55.89, 57.28, 7.16

 

CMYK 0 / 5 / 61 / 12

HEX #E0D557

RGB 224 213 87

HSL 55.18, 0.69%, 0.61%

LAB 84.03, -11.36, 61.83

 

CMYK 61 / 19 / 0 / 12

HEX #57B5E0

RGB 87 181 224

HSL 198.83, 0.69%, 0.61%

LAB 69.79, -15.18, -29.91

 

CMYK 0 / 62 / 45 / 12

HEX #E0557C

RGB 224 85 124

HSL 343.17, 0.69%, 0.61%

LAB 55.89, 57.28, 7.16

 

CMYK 44 / 0 / 61 / 12

HEX #7EE057

RGB 126 224 87

HSL 102.92, 0.69%, 0.61%

LAB 80.98, -53, 56.74

 

CMYK 61 / 44 / 0 / 12

HEX #577EE0

RGB 87 126 224

HSL 222.92, 0.69%, 0.61%

LAB 54.38, 16.36, -54.12

 

CMYK 0 / 62 / 45 / 12

HEX #E0557C

RGB 224 85 124

HSL 343.17, 0.69%, 0.61%

LAB 55.89, 57.28, 7.16

 

CMYK 0 / 5 / 61 / 12

HEX #E0D557

RGB 224 213 87

HSL 55.18, 0.69%, 0.61%

LAB 84.03, -11.36, 61.83

 

CMYK 61 / 0 / 17 / 12

HEX #57E0B9

RGB 87 224 185

HSL 162.92, 0.69%, 0.61%

LAB 81.2, -46.35, 8.14

 

CMYK 61 / 56 / 0 / 12

HEX #5762E0

RGB 87 98 224

HSL 235.18, 0.69%, 0.61%

LAB 47.16, 33.59, -65.74

 

CMYK 0 / 62 / 45 / 12

HEX #E0557C

RGB 224 85 124

HSL 343.17, 0.69%, 0.61%

LAB 55.89, 57.28, 7.16

 

CMYK 13 / 0 / 61 / 12

HEX #C2E057

RGB 194 224 87

HSL 73.14, 0.69%, 0.61%

LAB 84.72, -28.86, 61.93

 

CMYK 61 / 0 / 17 / 12

HEX #57E0B9

RGB 87 224 185

HSL 162.92, 0.69%, 0.61%

LAB 81.2, -46.35, 8.14

 

CMYK 48 / 61 / 0 / 12

HEX #7557E0

RGB 117 87 224

HSL 253.14, 0.69%, 0.61%

LAB 46.95, 45.57, -65.98

 

Description

Color code: HEX #E0557C | qconv.com Color code: HEX #E0557C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 85 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 85 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 45 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 45% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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