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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E054EC it is the complementary color #1FAB13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E054EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E054EC shade: #E554E7, #F666FA, #FF78FF, #FF8AFF and #FF9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E054EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E054EC shade: #E054EC, #CF42D9, #BE30C6, #AD1EB3 and #9C0CA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E054EC shade: #E055EC, #EC55CF, #EC55A7, #EC557E and #EC5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E054EC shade: #E055EC, #B755EC, #8F55EC, #6655EC and #5555EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E054EC shade matches the following richer shades: #E055EC and #ED46FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E054EC shade: #E055EC, #D364DD, #C674CE, #BA83BE and #AD92AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E054EC shade: #8F55EC, #B755EC, #E055EC, #EC55D0 and #EC55A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E054EC shade: #C818D7, #D930E8, #E055EC, #E77AF0 and #EE9FF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E054EC shade: #E054EC, #EC6755 and #55ECA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E054EC shade: #E054EC, #ECE055 and #55ECE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E054EC shade: #E054EC, #EC6755, #62EC55 and #55DBEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E054EC shade: #E054EC, #EC9455, #62EC55 and #55ADEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 64 / 0 / 7

HEX #E054EC

RGB 224 84 236

HSL 295.26, 0.8%, 0.63%

LAB 60.11, 73, -50.91

 

Complementary color

CMYK 82 / 0 / 89 / 33

HEX #1FAB13

RGB 31 171 19

HSL 115.26, 0.8%, 0.37%

LAB 61.19, -61.04, 59.15

 

CMYK 1 / 64 / 0 / 9

HEX #E554E7

RGB 229 84 231

HSL 299.18, 0.75%, 0.62%

LAB 60.58, 73.31, -47.33

 

CMYK 2 / 59 / 0 / 2

HEX #F666FA

RGB 246 102 250

HSL 298.38, 0.94%, 0.69%

LAB 66.52, 73.27, -48.32

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 5 / 64 / 0 / 7

HEX #E054EC

RGB 224 84 236

HSL 295.26, 0.8%, 0.63%

LAB 60.11, 73, -50.91

 

CMYK 5 / 70 / 0 / 15

HEX #CF42D9

RGB 207 66 217

HSL 296.03, 0.67%, 0.55%

LAB 54.21, 72.71, -49.74

 

CMYK 4 / 76 / 0 / 22

HEX #BE30C6

RGB 190 48 198

HSL 296.8, 0.61%, 0.48%

LAB 48.43, 71.85, -48.21

 

CMYK 3 / 83 / 0 / 30

HEX #AD1EB3

RGB 173 30 179

HSL 297.58, 0.71%, 0.41%

LAB 42.86, 70.16, -46.16

 

CMYK 2 / 93 / 0 / 37

HEX #9C0CA0

RGB 156 12 160

HSL 298.38, 0.86%, 0.34%

LAB 37.61, 67.26, -43.39

 

CMYK 5 / 64 / 0 / 7

HEX #E055EC

RGB 224 85 236

HSL 295.23, 0.8%, 0.63%

LAB 60.25, 72.61, -50.68

 

CMYK 0 / 64 / 12 / 7

HEX #EC55CF

RGB 236 85 207

HSL 311.52, 0.8%, 0.63%

LAB 60.64, 70.87, -33.65

 

CMYK 0 / 64 / 29 / 7

HEX #EC55A7

RGB 236 85 167

HSL 327.42, 0.8%, 0.63%

LAB 59.09, 65.52, -13.1

 

CMYK 0 / 64 / 47 / 7

HEX #EC557E

RGB 236 85 126

HSL 343.71, 0.8%, 0.63%

LAB 57.88, 61.19, 9.08

 

CMYK 0 / 64 / 64 / 7

HEX #EC5555

RGB 236 85 85

HSL 0, 0.8%, 0.63%

LAB 57.06, 58.14, 31.88

 

CMYK 5 / 64 / 0 / 7

HEX #E055EC

RGB 224 85 236

HSL 295.23, 0.8%, 0.63%

LAB 60.25, 72.61, -50.68

 

CMYK 22 / 64 / 0 / 7

HEX #B755EC

RGB 183 85 236

HSL 278.94, 0.8%, 0.63%

LAB 54.68, 63.42, -59.9

 

CMYK 39 / 64 / 0 / 7

HEX #8F55EC

RGB 143 85 236

HSL 263.05, 0.8%, 0.63%

LAB 49.97, 55.01, -67.73

 

CMYK 57 / 64 / 0 / 7

HEX #6655EC

RGB 102 85 236

HSL 246.75, 0.8%, 0.63%

LAB 46.15, 47.57, -74.12

 

CMYK 64 / 64 / 0 / 7

HEX #5555EC

RGB 85 85 236

HSL 240, 0.8%, 0.63%

LAB 44.92, 45.04, -76.17

 

CMYK 5 / 64 / 0 / 7

HEX #E055EC

RGB 224 85 236

HSL 295.23, 0.8%, 0.63%

LAB 60.25, 72.61, -50.68

 

CMYK 6 / 72 / 0 / 2

HEX #ED46FB

RGB 237 70 251

HSL 295.36, 0.96%, 0.63%

LAB 61.09, 83.18, -57.56

 

CMYK 5 / 64 / 0 / 7

HEX #E055EC

RGB 224 85 236

HSL 295.23, 0.8%, 0.63%

LAB 60.25, 72.61, -50.68

 

CMYK 5 / 55 / 0 / 13

HEX #D364DD

RGB 211 100 221

HSL 295.04, 0.64%, 0.63%

LAB 60.05, 60.35, -42.71

 

CMYK 4 / 44 / 0 / 19

HEX #C674CE

RGB 198 116 206

HSL 294.67, 0.48%, 0.63%

LAB 60.74, 46.01, -33.32

 

CMYK 2 / 31 / 0 / 25

HEX #BA83BE

RGB 186 131 190

HSL 295.93, 0.31%, 0.63%

LAB 61.99, 31.08, -22.46

 

CMYK 1 / 17 / 0 / 31

HEX #AD92AF

RGB 173 146 175

HSL 295.86, 0.15%, 0.63%

LAB 63.78, 15.34, -11.39

 

CMYK 39 / 64 / 0 / 7

HEX #8F55EC

RGB 143 85 236

HSL 263.05, 0.8%, 0.63%

LAB 49.97, 55.01, -67.73

 

CMYK 22 / 64 / 0 / 7

HEX #B755EC

RGB 183 85 236

HSL 278.94, 0.8%, 0.63%

LAB 54.68, 63.42, -59.9

 

CMYK 5 / 64 / 0 / 7

HEX #E055EC

RGB 224 85 236

HSL 295.23, 0.8%, 0.63%

LAB 60.25, 72.61, -50.68

 

CMYK 0 / 64 / 12 / 7

HEX #EC55D0

RGB 236 85 208

HSL 311.13, 0.8%, 0.63%

LAB 60.68, 71.02, -34.15

 

CMYK 0 / 64 / 29 / 7

HEX #EC55A8

RGB 236 85 168

HSL 327.02, 0.8%, 0.63%

LAB 59.12, 65.64, -13.63

 

CMYK 7 / 89 / 0 / 16

HEX #C818D7

RGB 200 24 215

HSL 295.29, 0.8%, 0.47%

LAB 49.3, 81.67, -56.52

 

CMYK 6 / 79 / 0 / 9

HEX #D930E8

RGB 217 48 232

HSL 295.11, 0.8%, 0.55%

LAB 54.75, 82.51, -57.26

 

CMYK 5 / 64 / 0 / 7

HEX #E055EC

RGB 224 85 236

HSL 295.23, 0.8%, 0.63%

LAB 60.25, 72.61, -50.68

 

CMYK 4 / 49 / 0 / 6

HEX #E77AF0

RGB 231 122 240

HSL 295.42, 0.8%, 0.71%

LAB 67.43, 58.68, -41.53

 

CMYK 2 / 35 / 0 / 4

HEX #EE9FF4

RGB 238 159 244

HSL 295.76, 0.79%, 0.79%

LAB 75.76, 42.68, -30.71

 

CMYK 5 / 64 / 0 / 7

HEX #E054EC

RGB 224 84 236

HSL 295.26, 0.8%, 0.63%

LAB 60.11, 73, -50.91

 

CMYK 0 / 56 / 64 / 7

HEX #EC6755

RGB 236 103 85

HSL 7.15, 0.8%, 0.63%

LAB 60.06, 50.2, 35.59

 

CMYK 64 / 0 / 31 / 7

HEX #55ECA3

RGB 85 236 163

HSL 150.99, 0.8%, 0.63%

LAB 84.26, -56.36, 23.9

 

CMYK 5 / 64 / 0 / 7

HEX #E054EC

RGB 224 84 236

HSL 295.26, 0.8%, 0.63%

LAB 60.11, 73, -50.91

 

CMYK 0 / 5 / 64 / 7

HEX #ECE055

RGB 236 224 85

HSL 55.23, 0.8%, 0.63%

LAB 87.87, -12.03, 67.06

 

CMYK 64 / 0 / 5 / 7

HEX #55ECE0

RGB 85 236 224

HSL 175.23, 0.8%, 0.63%

LAB 85.66, -42.24, -5.97

 

CMYK 5 / 64 / 0 / 7

HEX #E054EC

RGB 224 84 236

HSL 295.26, 0.8%, 0.63%

LAB 60.11, 73, -50.91

 

CMYK 0 / 56 / 64 / 7

HEX #EC6755

RGB 236 103 85

HSL 7.15, 0.8%, 0.63%

LAB 60.06, 50.2, 35.59

 

CMYK 58 / 0 / 64 / 7

HEX #62EC55

RGB 98 236 85

HSL 114.83, 0.8%, 0.63%

LAB 83.57, -65.18, 60.17

 

CMYK 64 / 7 / 0 / 7

HEX #55DBEC

RGB 85 219 236

HSL 186.75, 0.8%, 0.63%

LAB 81.1, -31.1, -19.13

 

CMYK 5 / 64 / 0 / 7

HEX #E054EC

RGB 224 84 236

HSL 295.26, 0.8%, 0.63%

LAB 60.11, 73, -50.91

 

CMYK 0 / 37 / 64 / 7

HEX #EC9455

RGB 236 148 85

HSL 25.03, 0.8%, 0.63%

LAB 69.23, 27.5, 46.53

 

CMYK 58 / 0 / 64 / 7

HEX #62EC55

RGB 98 236 85

HSL 114.83, 0.8%, 0.63%

LAB 83.57, -65.18, 60.17

 

CMYK 64 / 27 / 0 / 7

HEX #55ADEC

RGB 85 173 236

HSL 205.03, 0.8%, 0.63%

LAB 67.93, -7.41, -39.37

 

Description

Color code: HEX #E054EC | qconv.com Color code: HEX #E054EC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 84 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 84 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 64 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 64% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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