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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E047CE it is the complementary color #1FB831. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E047CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E047CE shade: #E547C9, #F659DC, #FF6BEF, #FF7DFF and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E047CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E047CE shade: #E047CE, #CF35BB, #BE23A8, #AD1195 and #9C0082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E047CE shade: #E048CE, #E048A5, #E0487C, #E04853 and #E04848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E047CE shade: #E048CE, #C948E0, #A048E0, #7748E0 and #4E48E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E047CE shade matches the following richer shades: #E048CE and #F137DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E047CE shade: #E048CE, #CF59C1, #BD6BB4, #AC7CA6 and #9B8D99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E047CE shade: #A148E0, #C948E0, #E048CE, #E048A6 and #E0487D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E047CE shade: #B61FA5, #DA25C4, #E048CE, #E66BD7 and #EC8EE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E047CE shade: #E047CE, #E07848 and #48E0B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E047CE shade: #E047CE, #CEE048 and #48CEE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E047CE shade: #E047CE, #E07848, #48E05A and #48B0E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E047CE shade: #E047CE, #E0A648, #48E05A and #4882E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 8 / 12

HEX #E047CE

RGB 224 71 206

HSL 307.06, 0.71%, 0.58%

LAB 56.89, 73, -39.07

 

Complementary color

CMYK 83 / 0 / 73 / 28

HEX #1FB831

RGB 31 184 49

HSL 127.06, 0.71%, 0.42%

LAB 65.59, -63.16, 54.66

 

CMYK 0 / 69 / 12 / 10

HEX #E547C9

RGB 229 71 201

HSL 310.63, 0.75%, 0.59%

LAB 57.45, 73.44, -35.29

 

CMYK 0 / 64 / 11 / 4

HEX #F659DC

RGB 246 89 220

HSL 309.94, 0.9%, 0.66%

LAB 63.26, 73.73, -36.77

 

CMYK 0 / 58 / 6 / 0

HEX #FF6BEF

RGB 255 107 239

HSL 306.49, 1%, 0.71%

LAB 68.03, 71.63, -39.8

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 0 / 68 / 8 / 12

HEX #E047CE

RGB 224 71 206

HSL 307.06, 0.71%, 0.58%

LAB 56.89, 73, -39.07

 

CMYK 0 / 74 / 10 / 19

HEX #CF35BB

RGB 207 53 187

HSL 307.79, 0.62%, 0.51%

LAB 51.15, 72.23, -37.34

 

CMYK 0 / 82 / 12 / 25

HEX #BE23A8

RGB 190 35 168

HSL 308.52, 0.69%, 0.44%

LAB 45.6, 70.71, -35.11

 

CMYK 0 / 90 / 14 / 32

HEX #AD1195

RGB 173 17 149

HSL 309.23, 0.82%, 0.37%

LAB 40.34, 68.11, -32.2

 

CMYK 0 / 100 / 17 / 39

HEX #9C0082

RGB 156 0 130

HSL 310, 1%, 0.31%

LAB 35.36, 64.36, -28.56

 

CMYK 0 / 68 / 8 / 12

HEX #E048CE

RGB 224 72 206

HSL 307.11, 0.71%, 0.58%

LAB 57.02, 72.65, -38.87

 

CMYK 0 / 68 / 26 / 12

HEX #E048A5

RGB 224 72 165

HSL 323.29, 0.71%, 0.58%

LAB 55.28, 67, -17.89

 

CMYK 0 / 68 / 45 / 12

HEX #E0487C

RGB 224 72 124

HSL 339.47, 0.71%, 0.58%

LAB 53.96, 62.53, 4.39

 

CMYK 0 / 68 / 63 / 12

HEX #E04853

RGB 224 72 83

HSL 355.66, 0.71%, 0.58%

LAB 53.07, 59.38, 27.56

 

CMYK 0 / 68 / 68 / 12

HEX #E04848

RGB 224 72 72

HSL 0, 0.71%, 0.58%

LAB 52.89, 58.77, 33.74

 

CMYK 0 / 68 / 8 / 12

HEX #E048CE

RGB 224 72 206

HSL 307.11, 0.71%, 0.58%

LAB 57.02, 72.65, -38.87

 

CMYK 10 / 68 / 0 / 12

HEX #C948E0

RGB 201 72 224

HSL 290.92, 0.71%, 0.58%

LAB 54.48, 70.44, -53.32

 

CMYK 29 / 68 / 0 / 12

HEX #A048E0

RGB 160 72 224

HSL 274.74, 0.71%, 0.58%

LAB 48.87, 61.83, -62.64

 

CMYK 47 / 68 / 0 / 12

HEX #7748E0

RGB 119 72 224

HSL 258.55, 0.71%, 0.58%

LAB 44.14, 54.04, -70.53

 

CMYK 65 / 68 / 0 / 12

HEX #4E48E0

RGB 78 72 224

HSL 242.37, 0.71%, 0.58%

LAB 40.63, 47.81, -76.42

 

CMYK 0 / 68 / 8 / 12

HEX #E048CE

RGB 224 72 206

HSL 307.11, 0.71%, 0.58%

LAB 57.02, 72.65, -38.87

 

CMYK 0 / 77 / 9 / 5

HEX #F137DB

RGB 241 55 219

HSL 307.1, 0.87%, 0.58%

LAB 58.55, 83.43, -43.65

 

CMYK 0 / 68 / 8 / 12

HEX #E048CE

RGB 224 72 206

HSL 307.11, 0.71%, 0.58%

LAB 57.02, 72.65, -38.87

 

CMYK 0 / 57 / 7 / 19

HEX #CF59C1

RGB 207 89 193

HSL 307.12, 0.55%, 0.58%

LAB 56.35, 59.48, -32.67

 

CMYK 0 / 43 / 5 / 26

HEX #BD6BB4

RGB 189 107 180

HSL 306.59, 0.38%, 0.58%

LAB 56.71, 43.19, -24.83

 

CMYK 0 / 28 / 3 / 33

HEX #AC7CA6

RGB 172 124 166

HSL 307.5, 0.22%, 0.58%

LAB 57.98, 25.68, -15.02

 

CMYK 0 / 9 / 1 / 39

HEX #9B8D99

RGB 155 141 153

HSL 308.57, 0.07%, 0.58%

LAB 60.18, 7.46, -4.46

 

CMYK 28 / 68 / 0 / 12

HEX #A148E0

RGB 161 72 224

HSL 275.13, 0.71%, 0.58%

LAB 49, 62.03, -62.42

 

CMYK 10 / 68 / 0 / 12

HEX #C948E0

RGB 201 72 224

HSL 290.92, 0.71%, 0.58%

LAB 54.48, 70.44, -53.32

 

CMYK 0 / 68 / 8 / 12

HEX #E048CE

RGB 224 72 206

HSL 307.11, 0.71%, 0.58%

LAB 57.02, 72.65, -38.87

 

CMYK 0 / 68 / 26 / 12

HEX #E048A6

RGB 224 72 166

HSL 322.89, 0.71%, 0.58%

LAB 55.31, 67.12, -18.42

 

CMYK 0 / 68 / 44 / 12

HEX #E0487D

RGB 224 72 125

HSL 339.08, 0.71%, 0.58%

LAB 53.99, 62.62, 3.84

 

CMYK 0 / 83 / 9 / 29

HEX #B61FA5

RGB 182 31 165

HSL 306.75, 0.71%, 0.42%

LAB 43.71, 69.55, -36.39

 

CMYK 0 / 83 / 10 / 15

HEX #DA25C4

RGB 218 37 196

HSL 307.29, 0.71%, 0.5%

LAB 52.08, 79.81, -40.97

 

CMYK 0 / 68 / 8 / 12

HEX #E048CE

RGB 224 72 206

HSL 307.11, 0.71%, 0.58%

LAB 57.02, 72.65, -38.87

 

CMYK 0 / 53 / 7 / 10

HEX #E66BD7

RGB 230 107 215

HSL 307.32, 0.71%, 0.66%

LAB 63.54, 61.18, -33.7

 

CMYK 0 / 40 / 5 / 7

HEX #EC8EE1

RGB 236 142 225

HSL 307.02, 0.71%, 0.74%

LAB 71.29, 47.48, -27.22

 

CMYK 0 / 68 / 8 / 12

HEX #E047CE

RGB 224 71 206

HSL 307.06, 0.71%, 0.58%

LAB 56.89, 73, -39.07

 

CMYK 0 / 46 / 68 / 12

HEX #E07848

RGB 224 120 72

HSL 18.95, 0.71%, 0.58%

LAB 61.44, 36.58, 43.77

 

CMYK 68 / 0 / 19 / 12

HEX #48E0B5

RGB 72 224 181

HSL 163.03, 0.71%, 0.58%

LAB 80.75, -49.77, 9.56

 

CMYK 0 / 68 / 8 / 12

HEX #E047CE

RGB 224 71 206

HSL 307.06, 0.71%, 0.58%

LAB 56.89, 73, -39.07

 

CMYK 8 / 0 / 68 / 12

HEX #CEE048

RGB 206 224 72

HSL 67.11, 0.71%, 0.58%

LAB 85.45, -25.04, 68.86

 

CMYK 68 / 8 / 0 / 12

HEX #48CEE0

RGB 72 206 224

HSL 187.11, 0.71%, 0.58%

LAB 76.62, -30.24, -19.52

 

CMYK 0 / 68 / 8 / 12

HEX #E047CE

RGB 224 71 206

HSL 307.06, 0.71%, 0.58%

LAB 56.89, 73, -39.07

 

CMYK 0 / 46 / 68 / 12

HEX #E07848

RGB 224 120 72

HSL 18.95, 0.71%, 0.58%

LAB 61.44, 36.58, 43.77

 

CMYK 68 / 0 / 60 / 12

HEX #48E05A

RGB 72 224 90

HSL 127.11, 0.71%, 0.58%

LAB 79.29, -65.9, 53.06

 

CMYK 68 / 21 / 0 / 12

HEX #48B0E0

RGB 72 176 224

HSL 198.95, 0.71%, 0.58%

LAB 67.88, -14.98, -32.91

 

CMYK 0 / 68 / 8 / 12

HEX #E047CE

RGB 224 71 206

HSL 307.06, 0.71%, 0.58%

LAB 56.89, 73, -39.07

 

CMYK 0 / 26 / 68 / 12

HEX #E0A648

RGB 224 166 72

HSL 37.11, 0.71%, 0.58%

LAB 71.95, 12.17, 55.37

 

CMYK 68 / 0 / 60 / 12

HEX #48E05A

RGB 72 224 90

HSL 127.11, 0.71%, 0.58%

LAB 79.29, -65.9, 53.06

 

CMYK 68 / 42 / 0 / 12

HEX #4882E0

RGB 72 130 224

HSL 217.11, 0.71%, 0.58%

LAB 54.79, 11.39, -53.51

 

Description

Color code: HEX #E047CE | qconv.com Color code: HEX #E047CE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 71 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 71 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 8 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 8% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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