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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0466C it is the complementary color #1FB993. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0466C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0466C shade: #E54667, #F6587A, #FF6A8D, #FF7CA0 and #FF8EB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0466C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0466C shade: #E0466C, #CF3459, #BE2246, #AD1033 and #9C0020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0466C shade: #E0486D and #E04848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0466C shade: #E0486D, #E04896, #E048BF, #D748E0 and #AE48E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0466C shade matches the following richer shades: #E0486D and #F13765

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0466C shade: #E0486D, #CF5976, #BD6B7F, #AC7C88 and #9B8D90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0466C shade: #E048BF, #E04896, #E0486E, #E04A48 and #E07348

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0466C shade: #B61F44, #DA2552, #E0486D, #E66B89 and #EC8EA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0466C shade: #E0466C, #E0D848 and #48ABE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0466C shade: #E0466C, #6EE048 and #486EE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0466C shade: #E0466C, #E0D848, #48E0BA and #484FE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0466C shade: #E0466C, #BAE048, #48E0BA and #6E48E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 52 / 12

HEX #E0466C

RGB 224 70 108

HSL 345.19, 0.71%, 0.58%

LAB 53.29, 61.89, 13

 

Complementary color

CMYK 83 / 0 / 21 / 27

HEX #1FB993

RGB 31 185 147

HSL 165.19, 0.71%, 0.42%

LAB 67.35, -46.87, 8.63

 

CMYK 0 / 69 / 55 / 10

HEX #E54667

RGB 229 70 103

HSL 347.55, 0.75%, 0.59%

LAB 54.05, 63, 17.17

 

CMYK 0 / 64 / 50 / 4

HEX #F6587A

RGB 246 88 122

HSL 347.09, 0.9%, 0.65%

LAB 59.87, 62.7, 14.45

 

CMYK 0 / 58 / 45 / 0

HEX #FF6A8D

RGB 255 106 141

HSL 345.91, 1%, 0.71%

LAB 64.56, 59.61, 10.26

 

CMYK 0 / 51 / 37 / 0

HEX #FF7CA0

RGB 255 124 160

HSL 343.51, 1%, 0.74%

LAB 68.18, 53.3, 4.64

 

CMYK 0 / 44 / 30 / 0

HEX #FF8EB3

RGB 255 142 179

HSL 340.35, 1%, 0.78%

LAB 72.14, 46.75, -0.26

 

CMYK 0 / 69 / 52 / 12

HEX #E0466C

RGB 224 70 108

HSL 345.19, 0.71%, 0.58%

LAB 53.29, 61.89, 13

 

CMYK 0 / 75 / 57 / 19

HEX #CF3459

RGB 207 52 89

HSL 345.68, 0.62%, 0.51%

LAB 47.55, 61.77, 16.11

 

CMYK 0 / 82 / 63 / 25

HEX #BE2246

RGB 190 34 70

HSL 346.15, 0.7%, 0.44%

LAB 42.05, 60.96, 19.95

 

CMYK 0 / 91 / 71 / 32

HEX #AD1033

RGB 173 16 51

HSL 346.62, 0.83%, 0.37%

LAB 36.92, 59.12, 24.67

 

CMYK 0 / 100 / 79 / 39

HEX #9C0020

RGB 156 0 32

HSL 347.69, 1%, 0.31%

LAB 32.2, 56.14, 30.2

 

CMYK 0 / 68 / 51 / 12

HEX #E0486D

RGB 224 72 109

HSL 345.39, 0.71%, 0.58%

LAB 53.59, 61.22, 12.82

 

CMYK 0 / 68 / 68 / 12

HEX #E04848

RGB 224 72 72

HSL 0, 0.71%, 0.58%

LAB 52.89, 58.77, 33.74

 

CMYK 0 / 68 / 51 / 12

HEX #E0486D

RGB 224 72 109

HSL 345.39, 0.71%, 0.58%

LAB 53.59, 61.22, 12.82

 

CMYK 0 / 68 / 33 / 12

HEX #E04896

RGB 224 72 150

HSL 329.21, 0.71%, 0.58%

LAB 54.75, 65.22, -9.88

 

CMYK 0 / 68 / 15 / 12

HEX #E048BF

RGB 224 72 191

HSL 313.03, 0.71%, 0.58%

LAB 56.33, 70.46, -31.35

 

CMYK 4 / 68 / 0 / 12

HEX #D748E0

RGB 215 72 224

HSL 296.45, 0.71%, 0.58%

LAB 56.55, 73.48, -49.91

 

CMYK 22 / 68 / 0 / 12

HEX #AE48E0

RGB 174 72 224

HSL 280.26, 0.71%, 0.58%

LAB 50.71, 64.71, -59.59

 

CMYK 0 / 68 / 51 / 12

HEX #E0486D

RGB 224 72 109

HSL 345.39, 0.71%, 0.58%

LAB 53.59, 61.22, 12.82

 

CMYK 0 / 77 / 58 / 5

HEX #F13765

RGB 241 55 101

HSL 345.16, 0.87%, 0.58%

LAB 54.42, 71.13, 19.23

 

CMYK 0 / 68 / 51 / 12

HEX #E0486D

RGB 224 72 109

HSL 345.39, 0.71%, 0.58%

LAB 53.59, 61.22, 12.82

 

CMYK 0 / 57 / 43 / 19

HEX #CF5976

RGB 207 89 118

HSL 345.25, 0.55%, 0.58%

LAB 53.73, 49.36, 7.26

 

CMYK 0 / 43 / 33 / 26

HEX #BD6B7F

RGB 189 107 127

HSL 345.37, 0.38%, 0.58%

LAB 54.93, 34.96, 3.35

 

CMYK 0 / 28 / 21 / 33

HEX #AC7C88

RGB 172 124 136

HSL 345, 0.22%, 0.58%

LAB 57.04, 20.48, 0.9

 

CMYK 0 / 9 / 7 / 39

HEX #9B8D90

RGB 155 141 144

HSL 347.14, 0.07%, 0.58%

LAB 59.92, 5.76, 0.29

 

CMYK 0 / 68 / 15 / 12

HEX #E048BF

RGB 224 72 191

HSL 313.03, 0.71%, 0.58%

LAB 56.33, 70.46, -31.35

 

CMYK 0 / 68 / 33 / 12

HEX #E04896

RGB 224 72 150

HSL 329.21, 0.71%, 0.58%

LAB 54.75, 65.22, -9.88

 

CMYK 0 / 68 / 51 / 12

HEX #E0486E

RGB 224 72 110

HSL 345, 0.71%, 0.58%

LAB 53.61, 61.3, 12.25

 

CMYK 0 / 67 / 68 / 12

HEX #E04A48

RGB 224 74 72

HSL 0.79, 0.71%, 0.58%

LAB 53.18, 57.98, 34.09

 

CMYK 0 / 49 / 68 / 12

HEX #E07348

RGB 224 115 72

HSL 16.97, 0.71%, 0.58%

LAB 60.41, 39.14, 42.59

 

CMYK 0 / 83 / 63 / 29

HEX #B61F44

RGB 182 31 68

HSL 345.3, 0.71%, 0.42%

LAB 40.15, 59.4, 18.41

 

CMYK 0 / 83 / 62 / 15

HEX #DA2552

RGB 218 37 82

HSL 345.08, 0.71%, 0.5%

LAB 48.05, 68.44, 21.44

 

CMYK 0 / 68 / 51 / 12

HEX #E0486D

RGB 224 72 109

HSL 345.39, 0.71%, 0.58%

LAB 53.59, 61.22, 12.82

 

CMYK 0 / 53 / 40 / 10

HEX #E66B89

RGB 230 107 137

HSL 345.37, 0.71%, 0.66%

LAB 60.91, 50.56, 6.86

 

CMYK 0 / 40 / 30 / 7

HEX #EC8EA5

RGB 236 142 165

HSL 345.32, 0.71%, 0.74%

LAB 69.4, 38.37, 3.27

 

CMYK 0 / 69 / 52 / 12

HEX #E0466C

RGB 224 70 108

HSL 345.19, 0.71%, 0.58%

LAB 53.29, 61.89, 13

 

CMYK 0 / 4 / 68 / 12

HEX #E0D848

RGB 224 216 72

HSL 56.84, 0.71%, 0.58%

LAB 84.7, -13.74, 68.56

 

CMYK 68 / 24 / 0 / 12

HEX #48ABE0

RGB 72 171 224

HSL 200.92, 0.71%, 0.58%

LAB 66.43, -12.29, -35.15

 

CMYK 0 / 69 / 52 / 12

HEX #E0466C

RGB 224 70 108

HSL 345.19, 0.71%, 0.58%

LAB 53.29, 61.89, 13

 

CMYK 51 / 0 / 68 / 12

HEX #6EE048

RGB 110 224 72

HSL 105, 0.71%, 0.58%

LAB 80.23, -58.97, 61.84

 

CMYK 68 / 51 / 0 / 12

HEX #486EE0

RGB 72 110 224

HSL 225, 0.71%, 0.58%

LAB 49.39, 23.76, -62.17

 

CMYK 0 / 69 / 52 / 12

HEX #E0466C

RGB 224 70 108

HSL 345.19, 0.71%, 0.58%

LAB 53.29, 61.89, 13

 

CMYK 0 / 4 / 68 / 12

HEX #E0D848

RGB 224 216 72

HSL 56.84, 0.71%, 0.58%

LAB 84.7, -13.74, 68.56

 

CMYK 68 / 0 / 17 / 12

HEX #48E0BA

RGB 72 224 186

HSL 165, 0.71%, 0.58%

LAB 80.87, -48.58, 7.08

 

CMYK 68 / 65 / 0 / 12

HEX #484FE0

RGB 72 79 224

HSL 237.24, 0.71%, 0.58%

LAB 41.77, 42.95, -74.57

 

CMYK 0 / 69 / 52 / 12

HEX #E0466C

RGB 224 70 108

HSL 345.19, 0.71%, 0.58%

LAB 53.29, 61.89, 13

 

CMYK 17 / 0 / 68 / 12

HEX #BAE048

RGB 186 224 72

HSL 75, 0.71%, 0.58%

LAB 84.08, -33, 67.03

 

CMYK 68 / 0 / 17 / 12

HEX #48E0BA

RGB 72 224 186

HSL 165, 0.71%, 0.58%

LAB 80.87, -48.58, 7.08

 

CMYK 51 / 68 / 0 / 12

HEX #6E48E0

RGB 110 72 224

HSL 255, 0.71%, 0.58%

LAB 43.26, 52.51, -72.01

 

Description

Color code: HEX #E0466C | qconv.com Color code: HEX #E0466C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 70 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 70 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 52 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 52% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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