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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0445B it is the complementary color #1FBBA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0445B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0445B shade: #E54456, #F65669, #FF687C, #FF7A8F and #FF8CA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0445B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0445B shade: #E0445B, #CF3248, #BE2035, #AD0E22 and #9C000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0445B shade: #E0425A and #E04242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0445B shade: #E0425A, #E04284, #E042AF, #E042D9 and #BD42E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0445B shade matches the following richer shades: #E0425A and #F2314D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0445B shade: #E0425A, #CF5466, #BD6673, #AB787F and #99898C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0445B shade: #E042AE, #E04284, #E0425A, #E05542 and #E07F42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0445B shade: #B31D33, #D7233D, #E0425A, #E66679 and #EC8998

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0445B shade: #E0445B, #D8E042 and #4299E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0445B shade: #E0445B, #5AE042 and #425AE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0445B shade: #E0445B, #D8E042, #42E0C9 and #4A42E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0445B shade: #E0445B, #A9E042, #42E0C9 and #7A42E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 59 / 12

HEX #E0445B

RGB 224 68 91

HSL 351.15, 0.72%, 0.57%

LAB 52.66, 61.39, 22.3

 

Complementary color

CMYK 83 / 0 / 12 / 27

HEX #1FBBA4

RGB 31 187 164

HSL 171.15, 0.72%, 0.43%

LAB 68.4, -43.26, 0.81

 

CMYK 0 / 70 / 62 / 10

HEX #E54456

RGB 229 68 86

HSL 353.29, 0.76%, 0.58%

LAB 53.45, 62.59, 26.47

 

CMYK 0 / 65 / 57 / 4

HEX #F65669

RGB 246 86 105

HSL 352.88, 0.9%, 0.65%

LAB 59.22, 62.22, 23.46

 

CMYK 0 / 59 / 51 / 0

HEX #FF687C

RGB 255 104 124

HSL 352.05, 1%, 0.7%

LAB 63.85, 58.99, 19.01

 

CMYK 0 / 52 / 44 / 0

HEX #FF7A8F

RGB 255 122 143

HSL 350.53, 1%, 0.74%

LAB 67.4, 52.47, 13.13

 

CMYK 0 / 45 / 36 / 0

HEX #FF8CA2

RGB 255 140 162

HSL 348.52, 1%, 0.77%

LAB 71.3, 45.7, 8

 

CMYK 0 / 70 / 59 / 12

HEX #E0445B

RGB 224 68 91

HSL 351.15, 0.72%, 0.57%

LAB 52.66, 61.39, 22.3

 

CMYK 0 / 76 / 65 / 19

HEX #CF3248

RGB 207 50 72

HSL 351.59, 0.62%, 0.5%

LAB 46.99, 61.34, 25.75

 

CMYK 0 / 83 / 72 / 25

HEX #BE2035

RGB 190 32 53

HSL 352.03, 0.71%, 0.44%

LAB 41.59, 60.58, 29.89

 

CMYK 0 / 92 / 80 / 32

HEX #AD0E22

RGB 173 14 34

HSL 352.45, 0.85%, 0.37%

LAB 36.58, 58.77, 34.74

 

CMYK 0 / 100 / 90 / 39

HEX #9C000F

RGB 156 0 15

HSL 354.23, 1%, 0.31%

LAB 32.04, 55.71, 39.65

 

CMYK 0 / 71 / 60 / 12

HEX #E0425A

RGB 224 66 90

HSL 350.89, 0.72%, 0.57%

LAB 52.38, 62.05, 22.52

 

CMYK 0 / 71 / 71 / 12

HEX #E04242

RGB 224 66 66

HSL 0, 0.72%, 0.57%

LAB 51.99, 60.72, 36.1

 

CMYK 0 / 71 / 60 / 12

HEX #E0425A

RGB 224 66 90

HSL 350.89, 0.72%, 0.57%

LAB 52.38, 62.05, 22.52

 

CMYK 0 / 71 / 41 / 12

HEX #E04284

RGB 224 66 132

HSL 334.94, 0.72%, 0.57%

LAB 53.39, 65.48, -1.2

 

CMYK 0 / 71 / 22 / 12

HEX #E042AF

RGB 224 66 175

HSL 318.61, 0.72%, 0.57%

LAB 54.91, 70.39, -24.3

 

CMYK 0 / 71 / 3 / 12

HEX #E042D9

RGB 224 66 217

HSL 302.66, 0.72%, 0.57%

LAB 56.83, 76.37, -45.41

 

CMYK 16 / 71 / 0 / 12

HEX #BD42E0

RGB 189 66 224

HSL 286.71, 0.72%, 0.57%

LAB 51.95, 70.19, -57.48

 

CMYK 0 / 71 / 60 / 12

HEX #E0425A

RGB 224 66 90

HSL 350.89, 0.72%, 0.57%

LAB 52.38, 62.05, 22.52

 

CMYK 0 / 80 / 68 / 5

HEX #F2314D

RGB 242 49 77

HSL 351.3, 0.88%, 0.57%

LAB 53.61, 71.68, 32.47

 

CMYK 0 / 71 / 60 / 12

HEX #E0425A

RGB 224 66 90

HSL 350.89, 0.72%, 0.57%

LAB 52.38, 62.05, 22.52

 

CMYK 0 / 59 / 51 / 19

HEX #CF5466

RGB 207 84 102

HSL 351.22, 0.56%, 0.57%

LAB 52.47, 50.15, 15.01

 

CMYK 0 / 46 / 39 / 26

HEX #BD6673

RGB 189 102 115

HSL 351.03, 0.4%, 0.57%

LAB 53.56, 36.14, 8.44

 

CMYK 0 / 30 / 26 / 33

HEX #AB787F

RGB 171 120 127

HSL 351.76, 0.23%, 0.57%

LAB 55.71, 20.98, 4.18

 

CMYK 0 / 10 / 8 / 40

HEX #99898C

RGB 153 137 140

HSL 348.75, 0.07%, 0.57%

LAB 58.56, 6.55, 0.58

 

CMYK 0 / 71 / 22 / 12

HEX #E042AE

RGB 224 66 174

HSL 318.99, 0.72%, 0.57%

LAB 54.87, 70.26, -23.77

 

CMYK 0 / 71 / 41 / 12

HEX #E04284

RGB 224 66 132

HSL 334.94, 0.72%, 0.57%

LAB 53.39, 65.48, -1.2

 

CMYK 0 / 71 / 60 / 12

HEX #E0425A

RGB 224 66 90

HSL 350.89, 0.72%, 0.57%

LAB 52.38, 62.05, 22.52

 

CMYK 0 / 62 / 71 / 12

HEX #E05542

RGB 224 85 66

HSL 7.22, 0.72%, 0.57%

LAB 54.8, 53.11, 39.36

 

CMYK 0 / 43 / 71 / 12

HEX #E07F42

RGB 224 127 66

HSL 23.16, 0.72%, 0.57%

LAB 62.86, 32.62, 48.37

 

CMYK 0 / 84 / 72 / 30

HEX #B31D33

RGB 179 29 51

HSL 351.2, 0.72%, 0.41%

LAB 39.07, 58.15, 27.58

 

CMYK 0 / 84 / 72 / 16

HEX #D7233D

RGB 215 35 61

HSL 351.33, 0.72%, 0.49%

LAB 46.96, 67.04, 32.66

 

CMYK 0 / 71 / 60 / 12

HEX #E0425A

RGB 224 66 90

HSL 350.89, 0.72%, 0.57%

LAB 52.38, 62.05, 22.52

 

CMYK 0 / 56 / 47 / 10

HEX #E66679

RGB 230 102 121

HSL 351.09, 0.72%, 0.65%

LAB 59.62, 51.33, 14.31

 

CMYK 0 / 42 / 36 / 7

HEX #EC8998

RGB 236 137 152

HSL 350.91, 0.72%, 0.73%

LAB 68.01, 39.35, 8.58

 

CMYK 0 / 70 / 59 / 12

HEX #E0445B

RGB 224 68 91

HSL 351.15, 0.72%, 0.57%

LAB 52.66, 61.39, 22.3

 

CMYK 4 / 0 / 71 / 12

HEX #D8E042

RGB 216 224 66

HSL 63.04, 0.72%, 0.57%

LAB 86.16, -21.27, 71.96

 

CMYK 71 / 32 / 0 / 12

HEX #4299E0

RGB 66 153 224

HSL 206.96, 0.72%, 0.57%

LAB 61.07, -3.12, -43.56

 

CMYK 0 / 70 / 59 / 12

HEX #E0445B

RGB 224 68 91

HSL 351.15, 0.72%, 0.57%

LAB 52.66, 61.39, 22.3

 

CMYK 60 / 0 / 71 / 12

HEX #5AE042

RGB 90 224 66

HSL 110.89, 0.72%, 0.57%

LAB 79.54, -64.52, 63.16

 

CMYK 71 / 60 / 0 / 12

HEX #425AE0

RGB 66 90 224

HSL 230.89, 0.72%, 0.57%

LAB 44.02, 35.47, -70.9

 

CMYK 0 / 70 / 59 / 12

HEX #E0445B

RGB 224 68 91

HSL 351.15, 0.72%, 0.57%

LAB 52.66, 61.39, 22.3

 

CMYK 4 / 0 / 71 / 12

HEX #D8E042

RGB 216 224 66

HSL 63.04, 0.72%, 0.57%

LAB 86.16, -21.27, 71.96

 

CMYK 71 / 0 / 10 / 12

HEX #42E0C9

RGB 66 224 201

HSL 171.27, 0.72%, 0.57%

LAB 81.12, -45.66, -0.53

 

CMYK 67 / 71 / 0 / 12

HEX #4A42E0

RGB 74 66 224

HSL 243.04, 0.72%, 0.57%

LAB 39.13, 50.71, -78.9

 

CMYK 0 / 70 / 59 / 12

HEX #E0445B

RGB 224 68 91

HSL 351.15, 0.72%, 0.57%

LAB 52.66, 61.39, 22.3

 

CMYK 25 / 0 / 71 / 12

HEX #A9E042

RGB 169 224 66

HSL 80.89, 0.72%, 0.57%

LAB 82.99, -39.88, 67.77

 

CMYK 71 / 0 / 10 / 12

HEX #42E0C9

RGB 66 224 201

HSL 171.27, 0.72%, 0.57%

LAB 81.12, -45.66, -0.53

 

CMYK 46 / 71 / 0 / 12

HEX #7A42E0

RGB 122 66 224

HSL 261.27, 0.72%, 0.57%

LAB 43.38, 57.54, -71.76

 

Description

Color code: HEX #E0445B | qconv.com Color code: HEX #E0445B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 68 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 68 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 59 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 59% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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