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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E03F3A it is the complementary color #1FC0C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E03F3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E03F3A: #E53F35, #F65148, #FF635B, #FF756E and #FF8781

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E03F3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E03F3A: #E03F3A, #CF2D27, #BE1B14, #AD0901 and #9C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 74 / 12

HEX #E03F3A

RGB 224 63 58

HSL 1.81, 0.73%, 0.55%

LAB 51.51, 61.45, 40.06

 

Complementary color

CMYK 84 / 3 / 0 / 23

HEX #1FC0C5

RGB 31 192 197

HSL 181.81, 0.73%, 0.45%

LAB 70.89, -36.01, -13.6

 

CMYK 0 / 72 / 77 / 10

HEX #E53F35

RGB 229 63 53

HSL 3.41, 0.77%, 0.55%

LAB 52.36, 62.79, 43.99

 

CMYK 0 / 67 / 71 / 4

HEX #F65148

RGB 246 81 72

HSL 3.1, 0.91%, 0.62%

LAB 57.99, 62.29, 40.7

 

CMYK 0 / 61 / 64 / 0

HEX #FF635B

RGB 255 99 91

HSL 2.93, 1%, 0.68%

LAB 62.46, 58.86, 35.88

 

CMYK 0 / 54 / 57 / 0

HEX #FF756E

RGB 255 117 110

HSL 2.9, 1%, 0.72%

LAB 65.83, 52.01, 29.58

 

CMYK 0 / 47 / 49 / 0

HEX #FF8781

RGB 255 135 129

HSL 2.86, 1%, 0.75%

LAB 69.59, 44.84, 24

 

CMYK 0 / 72 / 74 / 12

HEX #E03F3A

RGB 224 63 58

HSL 1.81, 0.73%, 0.55%

LAB 51.51, 61.45, 40.06

 

CMYK 0 / 78 / 81 / 19

HEX #CF2D27

RGB 207 45 39

HSL 2.14, 0.68%, 0.48%

LAB 46.03, 61.47, 43.68

 

CMYK 0 / 86 / 89 / 25

HEX #BE1B14

RGB 190 27 20

HSL 2.47, 0.81%, 0.41%

LAB 40.87, 60.73, 47.2

 

CMYK 0 / 95 / 99 / 32

HEX #AD0901

RGB 173 9 1

HSL 2.79, 0.99%, 0.34%

LAB 36.14, 58.81, 49.9

 

CMYK 0 / 100 / 100 / 39

HEX #9C0000

RGB 156 0 0

HSL 0, 1%, 0.31%

LAB 31.96, 55.5, 45.93

 

CMYK 0 / 72 / 74 / 12

HEX #E03F3A

RGB 224 63 58

HSL 1.81, 0.73%, 0.55%

LAB 51.51, 61.45, 40.06

 

CMYK 0 / 61 / 75 / 12

HEX #E05738

RGB 224 87 56

HSL 11.07, 0.73%, 0.55%

LAB 55.02, 51.79, 44.96

 

CMYK 0 / 49 / 75 / 12

HEX #E07338

RGB 224 115 56

HSL 21.07, 0.73%, 0.55%

LAB 60.24, 38.36, 50.42

 

CMYK 0 / 36 / 75 / 12

HEX #E08F38

RGB 224 143 56

HSL 31.07, 0.73%, 0.55%

LAB 66.35, 23.68, 56.6

 

CMYK 0 / 24 / 75 / 12

HEX #E0AA38

RGB 224 170 56

HSL 40.71, 0.73%, 0.55%

LAB 72.81, 9.26, 62.93

 

CMYK 0 / 72 / 74 / 12

HEX #E03F3A

RGB 224 63 58

HSL 1.81, 0.73%, 0.55%

LAB 51.51, 61.45, 40.06

 

CMYK 0 / 70 / 75 / 92

HEX #140605

RGB 20 6 5

HSL 4, 0.6%, 0.05%

LAB 2.62, 4.32, 1.95

 

CMYK 0 / 72 / 75 / 72

HEX #471412

RGB 71 20 18

HSL 2.26, 0.6%, 0.17%

LAB 14.86, 24.24, 14.47

 

CMYK 0 / 72 / 74 / 52

HEX #7A2220

RGB 122 34 32

HSL 1.33, 0.58%, 0.3%

LAB 27.81, 37.87, 23.3

 

CMYK 0 / 72 / 74 / 32

HEX #AD312D

RGB 173 49 45

HSL 1.88, 0.59%, 0.43%

LAB 40.03, 49.84, 32.02

 

CMYK 0 / 72 / 74 / 12

HEX #E03F3A

RGB 224 63 58

HSL 1.81, 0.73%, 0.55%

LAB 51.51, 61.45, 40.06

 

CMYK 17 / 0 / 75 / 12

HEX #BBE038

RGB 187 224 56

HSL 73.21, 0.73%, 0.55%

LAB 84.05, -33.46, 72.52

 

CMYK 75 / 46 / 0 / 12

HEX #3878E0

RGB 56 120 224

HSL 217.14, 0.73%, 0.55%

LAB 51.45, 15.36, -58.89

 

CMYK 0 / 72 / 74 / 12

HEX #E03F3A

RGB 224 63 58

HSL 1.81, 0.73%, 0.55%

LAB 51.51, 61.45, 40.06

 

CMYK 75 / 0 / 74 / 12

HEX #38E03B

RGB 56 224 59

HSL 121.07, 0.73%, 0.55%

LAB 78.73, -71.43, 64.55

 

CMYK 74 / 75 / 0 / 12

HEX #3B38E0

RGB 59 56 224

HSL 241.07, 0.73%, 0.55%

LAB 36.25, 54.67, -83.67

 

CMYK 0 / 72 / 74 / 12

HEX #E03F3A

RGB 224 63 58

HSL 1.81, 0.73%, 0.55%

LAB 51.51, 61.45, 40.06

 

CMYK 17 / 0 / 75 / 12

HEX #BBE038

RGB 187 224 56

HSL 73.21, 0.73%, 0.55%

LAB 84.05, -33.46, 72.52

 

CMYK 75 / 1 / 0 / 12

HEX #38DDE0

RGB 56 221 224

HSL 181.07, 0.73%, 0.55%

LAB 80.7, -39.21, -13.4

 

CMYK 59 / 75 / 0 / 12

HEX #5C38E0

RGB 92 56 224

HSL 252.86, 0.73%, 0.55%

LAB 38.7, 58.02, -79.55

 

CMYK 0 / 72 / 74 / 12

HEX #E03F3A

RGB 224 63 58

HSL 1.81, 0.73%, 0.55%

LAB 51.51, 61.45, 40.06

 

CMYK 39 / 0 / 75 / 12

HEX #89E038

RGB 137 224 56

HSL 91.07, 0.73%, 0.55%

LAB 81.24, -51.83, 68.86

 

CMYK 75 / 1 / 0 / 12

HEX #38DDE0

RGB 56 221 224

HSL 181.07, 0.73%, 0.55%

LAB 80.7, -39.21, -13.4

 

CMYK 36 / 75 / 0 / 12

HEX #8F38E0

RGB 143 56 224

HSL 271.07, 0.73%, 0.55%

LAB 44.3, 65.46, -70.15

 

Description

Color code: HEX #E03F3A | qconv.com Color code: HEX #E03F3A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 63 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 63 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 74 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 74% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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