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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E03E29 it is the complementary color #1FC1D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E03E29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E03E29 shade: #E53E24, #F65037, #FF624A, #FF745D and #FF8670

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E03E29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E03E29 shade: #E03E29, #CF2C16, #BE1A03, #AD0800 and #9C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E03E29 shade: #E03E29 and #E02929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E03E29 shade: #E03E29, #E06F29, #E0A129, #E0D229 and #BDE029

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E03E29 shade matches the following richer shades: #E03E29 and #F42F15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E03E29 shade: #E03E29, #CD4D3D, #B95C50, #A56C64 and #917B78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E03E29 shade: #E02978, #E02947, #E03B29, #E06C29 and #E09D29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E03E29 shade: #A02717, #C42F1C, #E03E29, #E65E4D and #EB7F71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E03E29 shade: #E03E29, #A9E029 and #2960E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E03E29 shade: #E03E29, #29E03B and #3B29E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E03E29 shade: #E03E29, #A9E029, #29CEE0 and #6029E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E03E29 shade: #E03E29, #72E029, #29CEE0 and #9729E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 82 / 12

HEX #E03E29

RGB 224 62 41

HSL 6.89, 0.75%, 0.52%

LAB 51.21, 61.23, 48.74

 

Complementary color

CMYK 86 / 10 / 0 / 16

HEX #1FC1D6

RGB 31 193 214

HSL 186.89, 0.75%, 0.48%

LAB 71.75, -31.22, -21.57

 

CMYK 0 / 73 / 84 / 10

HEX #E53E24

RGB 229 62 36

HSL 8.08, 0.79%, 0.52%

LAB 52.1, 62.64, 52.26

 

CMYK 0 / 67 / 78 / 4

HEX #F65037

RGB 246 80 55

HSL 7.85, 0.91%, 0.59%

LAB 57.66, 62.01, 49.38

 

CMYK 0 / 62 / 71 / 0

HEX #FF624A

RGB 255 98 74

HSL 7.96, 1%, 0.65%

LAB 62.07, 58.42, 44.69

 

CMYK 0 / 55 / 64 / 0

HEX #FF745D

RGB 255 116 93

HSL 8.52, 1%, 0.68%

LAB 65.39, 51.35, 38.39

 

CMYK 0 / 47 / 56 / 0

HEX #FF8670

RGB 255 134 112

HSL 9.23, 1%, 0.72%

LAB 69.1, 43.94, 32.7

 

CMYK 0 / 72 / 82 / 12

HEX #E03E29

RGB 224 62 41

HSL 6.89, 0.75%, 0.52%

LAB 51.21, 61.23, 48.74

 

CMYK 0 / 79 / 89 / 19

HEX #CF2C16

RGB 207 44 22

HSL 7.14, 0.81%, 0.45%

LAB 45.8, 61.38, 51.54

 

CMYK 0 / 86 / 98 / 25

HEX #BE1A03

RGB 190 26 3

HSL 7.38, 0.97%, 0.38%

LAB 40.72, 60.73, 53.25

 

CMYK 0 / 95 / 100 / 32

HEX #AD0800

RGB 173 8 0

HSL 2.77, 1%, 0.34%

LAB 36.1, 58.92, 50.28

 

CMYK 0 / 100 / 100 / 39

HEX #9C0000

RGB 156 0 0

HSL 0, 1%, 0.31%

LAB 31.96, 55.5, 45.93

 

CMYK 0 / 72 / 82 / 12

HEX #E03E29

RGB 224 62 41

HSL 6.89, 0.75%, 0.52%

LAB 51.21, 61.23, 48.74

 

CMYK 0 / 82 / 82 / 12

HEX #E02929

RGB 224 41 41

HSL 0, 0.75%, 0.52%

LAB 49, 67.43, 46.65

 

CMYK 0 / 72 / 82 / 12

HEX #E03E29

RGB 224 62 41

HSL 6.89, 0.75%, 0.52%

LAB 51.21, 61.23, 48.74

 

CMYK 0 / 50 / 82 / 12

HEX #E06F29

RGB 224 111 41

HSL 22.95, 0.75%, 0.52%

LAB 59.32, 39.85, 56.2

 

CMYK 0 / 28 / 82 / 12

HEX #E0A129

RGB 224 161 41

HSL 39.34, 0.75%, 0.52%

LAB 70.52, 13.51, 66.13

 

CMYK 0 / 6 / 82 / 12

HEX #E0D229

RGB 224 210 41

HSL 55.41, 0.75%, 0.52%

LAB 82.97, -11.99, 76.84

 

CMYK 16 / 0 / 82 / 12

HEX #BDE029

RGB 189 224 41

HSL 71.48, 0.75%, 0.52%

LAB 84.12, -33.25, 76.79

 

CMYK 0 / 72 / 82 / 12

HEX #E03E29

RGB 224 62 41

HSL 6.89, 0.75%, 0.52%

LAB 51.21, 61.23, 48.74

 

CMYK 0 / 81 / 91 / 4

HEX #F42F15

RGB 244 47 21

HSL 7, 0.91%, 0.52%

LAB 53.3, 71.12, 60.46

 

CMYK 0 / 72 / 82 / 12

HEX #E03E29

RGB 224 62 41

HSL 6.89, 0.75%, 0.52%

LAB 51.21, 61.23, 48.74

 

CMYK 0 / 62 / 70 / 20

HEX #CD4D3D

RGB 205 77 61

HSL 6.67, 0.59%, 0.52%

LAB 50.24, 49.8, 36.06

 

CMYK 0 / 50 / 57 / 27

HEX #B95C50

RGB 185 92 80

HSL 6.86, 0.43%, 0.52%

LAB 50.15, 36.42, 24.32

 

CMYK 0 / 35 / 39 / 35

HEX #A56C64

RGB 165 108 100

HSL 7.38, 0.27%, 0.52%

LAB 51.43, 21.73, 13.83

 

CMYK 0 / 15 / 17 / 43

HEX #917B78

RGB 145 123 120

HSL 7.2, 0.1%, 0.52%

LAB 53.54, 7.96, 4.78

 

CMYK 0 / 82 / 46 / 12

HEX #E02978

RGB 224 41 120

HSL 334.1, 0.75%, 0.52%

LAB 50.44, 71.74, 1.71

 

CMYK 0 / 82 / 68 / 12

HEX #E02947

RGB 224 41 71

HSL 350.16, 0.75%, 0.52%

LAB 49.36, 68.52, 30.01

 

CMYK 0 / 74 / 82 / 12

HEX #E03B29

RGB 224 59 41

HSL 5.9, 0.75%, 0.52%

LAB 50.85, 62.24, 48.39

 

CMYK 0 / 52 / 82 / 12

HEX #E06C29

RGB 224 108 41

HSL 21.97, 0.75%, 0.52%

LAB 58.73, 41.35, 55.66

 

CMYK 0 / 30 / 82 / 12

HEX #E09D29

RGB 224 157 41

HSL 38.03, 0.75%, 0.52%

LAB 69.56, 15.65, 65.29

 

CMYK 0 / 76 / 86 / 37

HEX #A02717

RGB 160 39 23

HSL 7.01, 0.75%, 0.36%

LAB 35.96, 48.49, 39.26

 

CMYK 0 / 76 / 86 / 23

HEX #C42F1C

RGB 196 47 28

HSL 6.79, 0.75%, 0.44%

LAB 44.02, 57.28, 46.58

 

CMYK 0 / 72 / 82 / 12

HEX #E03E29

RGB 224 62 41

HSL 6.89, 0.75%, 0.52%

LAB 51.21, 61.23, 48.74

 

CMYK 0 / 59 / 67 / 10

HEX #E65E4D

RGB 230 94 77

HSL 6.67, 0.75%, 0.6%

LAB 57.43, 51.76, 36.62

 

CMYK 0 / 46 / 52 / 8

HEX #EB7F71

RGB 235 127 113

HSL 6.89, 0.75%, 0.68%

LAB 64.99, 40.12, 26.27

 

CMYK 0 / 72 / 82 / 12

HEX #E03E29

RGB 224 62 41

HSL 6.89, 0.75%, 0.52%

LAB 51.21, 61.23, 48.74

 

CMYK 25 / 0 / 82 / 12

HEX #A9E029

RGB 169 224 41

HSL 78.03, 0.75%, 0.52%

LAB 82.86, -41.06, 75.21

 

CMYK 82 / 57 / 0 / 12

HEX #2960E0

RGB 41 96 224

HSL 221.97, 0.75%, 0.52%

LAB 44.55, 29.07, -70.09

 

CMYK 0 / 72 / 82 / 12

HEX #E03E29

RGB 224 62 41

HSL 6.89, 0.75%, 0.52%

LAB 51.21, 61.23, 48.74

 

CMYK 82 / 0 / 74 / 12

HEX #29E03B

RGB 41 224 59

HSL 125.9, 0.75%, 0.52%

LAB 78.52, -73.3, 64.27

 

CMYK 74 / 82 / 0 / 12

HEX #3B29E0

RGB 59 41 224

HSL 245.9, 0.75%, 0.52%

LAB 33.77, 61.85, -87.79

 

CMYK 0 / 72 / 82 / 12

HEX #E03E29

RGB 224 62 41

HSL 6.89, 0.75%, 0.52%

LAB 51.21, 61.23, 48.74

 

CMYK 25 / 0 / 82 / 12

HEX #A9E029

RGB 169 224 41

HSL 78.03, 0.75%, 0.52%

LAB 82.86, -41.06, 75.21

 

CMYK 82 / 8 / 0 / 12

HEX #29CEE0

RGB 41 206 224

HSL 185.9, 0.75%, 0.52%

LAB 76.07, -33.61, -20.41

 

CMYK 57 / 82 / 0 / 12

HEX #6029E0

RGB 96 41 224

HSL 258.03, 0.75%, 0.52%

LAB 36.85, 64.94, -82.6

 

CMYK 0 / 72 / 82 / 12

HEX #E03E29

RGB 224 62 41

HSL 6.89, 0.75%, 0.52%

LAB 51.21, 61.23, 48.74

 

CMYK 49 / 0 / 82 / 12

HEX #72E029

RGB 114 224 41

HSL 96.07, 0.75%, 0.52%

LAB 80.21, -59.77, 71.84

 

CMYK 82 / 8 / 0 / 12

HEX #29CEE0

RGB 41 206 224

HSL 185.9, 0.75%, 0.52%

LAB 76.07, -33.61, -20.41

 

CMYK 33 / 82 / 0 / 12

HEX #9729E0

RGB 151 41 224

HSL 276.07, 0.75%, 0.52%

LAB 43.58, 71.93, -71.29

 

Description

Color code: HEX #E03E29 | qconv.com Color code: HEX #E03E29 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 62 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 62 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 82 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 82% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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