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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E02EDA it is the complementary color #1FD125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E02EDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E02EDA shade: #E52ED5, #F640E8, #FF52FB, #FF64FF and #FF76FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E02EDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E02EDA shade: #E02EDA, #CF1CC7, #BE0AB4, #AD00A1 and #9C008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E02EDA shade: #E02EDA, #E02EAA, #E02E7A, #E02E4A and #E02E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E02EDA shade: #E02EDA, #B62EE0, #862EE0, #562EE0 and #2E2EE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E02EDA shade matches the following richer shades: #E02EDA and #F31BEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E02EDA shade: #E02EDA, #CC42C8, #B955B6, #A669A4 and #927C92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E02EDA shade: #872EE0, #B62EE0, #E02EDA, #E02EAB and #E02E7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E02EDA shade: #A3189F, #C71EC2, #E02EDA, #E552E0 and #EB76E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E02EDA shade: #E02EDA, #E0582E and #2EE09F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E02EDA shade: #E02EDA, #DAE02E and #2EDAE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E02EDA shade: #E02EDA, #E0582E, #2EE034 and #2EB6E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E02EDA shade: #E02EDA, #E08D2E, #2EE034 and #2E81E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 3 / 12

HEX #E02EDA

RGB 224 46 218

HSL 302.02, 0.74%, 0.53%

LAB 54.93, 82.14, -49

 

Complementary color

CMYK 85 / 0 / 82 / 18

HEX #1FD125

RGB 31 209 37

HSL 122.02, 0.74%, 0.47%

LAB 73.56, -71.34, 66.07

 

CMYK 0 / 80 / 7 / 10

HEX #E52ED5

RGB 229 46 213

HSL 305.25, 0.78%, 0.54%

LAB 55.5, 82.38, -45.2

 

CMYK 0 / 74 / 6 / 4

HEX #F640E8

RGB 246 64 232

HSL 304.62, 0.91%, 0.61%

LAB 60.86, 83.87, -47.27

 

CMYK 0 / 68 / 2 / 0

HEX #FF52FB

RGB 255 82 251

HSL 301.39, 1%, 0.66%

LAB 65.17, 83, -50.92

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 0 / 54 / 0 / 0

HEX #FF76FF

RGB 255 118 255

HSL 300, 1%, 0.73%

LAB 70.48, 69.48, -44.74

 

CMYK 0 / 79 / 3 / 12

HEX #E02EDA

RGB 224 46 218

HSL 302.02, 0.74%, 0.53%

LAB 54.93, 82.14, -49

 

CMYK 0 / 86 / 4 / 19

HEX #CF1CC7

RGB 207 28 199

HSL 302.68, 0.76%, 0.46%

LAB 49.76, 79.83, -46.5

 

CMYK 0 / 95 / 5 / 25

HEX #BE0AB4

RGB 190 10 180

HSL 303.33, 0.9%, 0.39%

LAB 44.88, 76.41, -43.35

 

CMYK 0 / 100 / 7 / 32

HEX #AD00A1

RGB 173 0 161

HSL 304.16, 1%, 0.34%

LAB 40.34, 71.71, -39.45

 

CMYK 0 / 100 / 9 / 39

HEX #9C008E

RGB 156 0 142

HSL 305.38, 1%, 0.31%

LAB 36.02, 66.01, -34.94

 

CMYK 0 / 79 / 3 / 12

HEX #E02EDA

RGB 224 46 218

HSL 302.02, 0.74%, 0.53%

LAB 54.93, 82.14, -49

 

CMYK 0 / 79 / 24 / 12

HEX #E02EAA

RGB 224 46 170

HSL 318.2, 0.74%, 0.53%

LAB 52.62, 75.67, -24.89

 

CMYK 0 / 79 / 46 / 12

HEX #E02E7A

RGB 224 46 122

HSL 334.38, 0.74%, 0.53%

LAB 50.93, 70.68, 1.21

 

CMYK 0 / 79 / 67 / 12

HEX #E02E4A

RGB 224 46 74

HSL 350.56, 0.74%, 0.53%

LAB 49.85, 67.41, 28.83

 

CMYK 0 / 79 / 79 / 12

HEX #E02E2E

RGB 224 46 46

HSL 0, 0.74%, 0.53%

LAB 49.49, 66.29, 44.49

 

CMYK 0 / 79 / 3 / 12

HEX #E02EDA

RGB 224 46 218

HSL 302.02, 0.74%, 0.53%

LAB 54.93, 82.14, -49

 

CMYK 19 / 79 / 0 / 12

HEX #B62EE0

RGB 182 46 224

HSL 285.84, 0.74%, 0.53%

LAB 48.61, 75.47, -62.91

 

CMYK 40 / 79 / 0 / 12

HEX #862EE0

RGB 134 46 224

HSL 269.66, 0.74%, 0.53%

LAB 41.85, 67.82, -74.21

 

CMYK 62 / 79 / 0 / 12

HEX #562EE0

RGB 86 46 224

HSL 253.48, 0.74%, 0.53%

LAB 36.58, 61.91, -83.06

 

CMYK 79 / 79 / 0 / 12

HEX #2E2EE0

RGB 46 46 224

HSL 240, 0.74%, 0.53%

LAB 33.81, 58.82, -87.74

 

CMYK 0 / 79 / 3 / 12

HEX #E02EDA

RGB 224 46 218

HSL 302.02, 0.74%, 0.53%

LAB 54.93, 82.14, -49

 

CMYK 0 / 89 / 3 / 5

HEX #F31BEC

RGB 243 27 236

HSL 301.94, 0.9%, 0.53%

LAB 57.94, 91.54, -54.18

 

CMYK 0 / 79 / 3 / 12

HEX #E02EDA

RGB 224 46 218

HSL 302.02, 0.74%, 0.53%

LAB 54.93, 82.14, -49

 

CMYK 0 / 68 / 2 / 20

HEX #CC42C8

RGB 204 66 200

HSL 301.74, 0.58%, 0.53%

LAB 52.84, 69.24, -42.22

 

CMYK 0 / 54 / 2 / 27

HEX #B955B6

RGB 185 85 182

HSL 301.8, 0.42%, 0.53%

LAB 52.05, 53.43, -33.27

 

CMYK 0 / 37 / 1 / 35

HEX #A669A4

RGB 166 105 164

HSL 301.97, 0.26%, 0.53%

LAB 52.83, 33.93, -21.78

 

CMYK 0 / 15 / 0 / 43

HEX #927C92

RGB 146 124 146

HSL 300, 0.09%, 0.53%

LAB 54.66, 12.56, -8.72

 

CMYK 40 / 79 / 0 / 12

HEX #872EE0

RGB 135 46 224

HSL 270, 0.74%, 0.53%

LAB 41.98, 67.96, -73.99

 

CMYK 19 / 79 / 0 / 12

HEX #B62EE0

RGB 182 46 224

HSL 285.84, 0.74%, 0.53%

LAB 48.61, 75.47, -62.91

 

CMYK 0 / 79 / 3 / 12

HEX #E02EDA

RGB 224 46 218

HSL 302.02, 0.74%, 0.53%

LAB 54.93, 82.14, -49

 

CMYK 0 / 79 / 24 / 12

HEX #E02EAB

RGB 224 46 171

HSL 317.87, 0.74%, 0.53%

LAB 52.67, 75.79, -25.41

 

CMYK 0 / 79 / 45 / 12

HEX #E02E7B

RGB 224 46 123

HSL 334.04, 0.74%, 0.53%

LAB 50.96, 70.77, 0.64

 

CMYK 0 / 85 / 2 / 36

HEX #A3189F

RGB 163 24 159

HSL 301.73, 0.74%, 0.37%

LAB 39.48, 66.38, -39.72

 

CMYK 0 / 85 / 3 / 22

HEX #C71EC2

RGB 199 30 194

HSL 301.78, 0.74%, 0.45%

LAB 48.22, 77.29, -46.15

 

CMYK 0 / 79 / 3 / 12

HEX #E02EDA

RGB 224 46 218

HSL 302.02, 0.74%, 0.53%

LAB 54.93, 82.14, -49

 

CMYK 0 / 64 / 2 / 10

HEX #E552E0

RGB 229 82 224

HSL 302.04, 0.74%, 0.61%

LAB 59.96, 72.93, -44.38

 

CMYK 0 / 50 / 2 / 8

HEX #EB76E7

RGB 235 118 231

HSL 302.05, 0.75%, 0.69%

LAB 66.82, 60.1, -37.47

 

CMYK 0 / 79 / 3 / 12

HEX #E02EDA

RGB 224 46 218

HSL 302.02, 0.74%, 0.53%

LAB 54.93, 82.14, -49

 

CMYK 0 / 61 / 79 / 12

HEX #E0582E

RGB 224 88 46

HSL 14.16, 0.74%, 0.53%

LAB 55.1, 50.98, 50.02

 

CMYK 79 / 0 / 29 / 12

HEX #2EE09F

RGB 46 224 159

HSL 158.09, 0.74%, 0.53%

LAB 79.84, -58.02, 19.77

 

CMYK 0 / 79 / 3 / 12

HEX #E02EDA

RGB 224 46 218

HSL 302.02, 0.74%, 0.53%

LAB 54.93, 82.14, -49

 

CMYK 3 / 0 / 79 / 12

HEX #DAE02E

RGB 218 224 46

HSL 62.02, 0.74%, 0.53%

LAB 86.21, -21.25, 78.17

 

CMYK 79 / 3 / 0 / 12

HEX #2EDAE0

RGB 46 218 224

HSL 182.02, 0.74%, 0.53%

LAB 79.67, -38.78, -14.96

 

CMYK 0 / 79 / 3 / 12

HEX #E02EDA

RGB 224 46 218

HSL 302.02, 0.74%, 0.53%

LAB 54.93, 82.14, -49

 

CMYK 0 / 61 / 79 / 12

HEX #E0582E

RGB 224 88 46

HSL 14.16, 0.74%, 0.53%

LAB 55.1, 50.98, 50.02

 

CMYK 79 / 0 / 77 / 12

HEX #2EE034

RGB 46 224 52

HSL 122.02, 0.74%, 0.53%

LAB 78.54, -73.24, 66.58

 

CMYK 79 / 19 / 0 / 12

HEX #2EB6E0

RGB 46 182 224

HSL 194.16, 0.74%, 0.53%

LAB 69.05, -21.3, -31.14

 

CMYK 0 / 79 / 3 / 12

HEX #E02EDA

RGB 224 46 218

HSL 302.02, 0.74%, 0.53%

LAB 54.93, 82.14, -49

 

CMYK 0 / 37 / 79 / 12

HEX #E08D2E

RGB 224 141 46

HSL 32.02, 0.74%, 0.53%

LAB 65.82, 24.37, 60.16

 

CMYK 79 / 0 / 77 / 12

HEX #2EE034

RGB 46 224 52

HSL 122.02, 0.74%, 0.53%

LAB 78.54, -73.24, 66.58

 

CMYK 79 / 42 / 0 / 12

HEX #2E81E0

RGB 46 129 224

HSL 212.02, 0.74%, 0.53%

LAB 53.67, 8.7, -55.34

 

Description

Color code: HEX #E02EDA | qconv.com Color code: HEX #E02EDA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 46 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 46 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 3 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 3% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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