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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E02EB6 it is the complementary color #1FD149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E02EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E02EB6 shade: #E52EB1, #F640C4, #FF52D7, #FF64EA and #FF76FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E02EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E02EB6 shade: #E02EB6, #CF1CA3, #BE0A90, #AD007D and #9C006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E02EB6 shade: #E02EB6, #E02E86, #E02E56 and #E02E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E02EB6 shade: #E02EB6, #DA2EE0, #AA2EE0, #7A2EE0 and #4A2EE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E02EB6 shade matches the following richer shades: #E02EB6 and #F31BC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E02EB6 shade: #E02EB6, #CC42AC, #B955A2, #A66997 and #927C8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E02EB6 shade: #AB2EE0, #DA2EE0, #E02EB6, #E02E87 and #E02E58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E02EB6 shade: #A31883, #C71E9F, #E02EB6, #E552C3 and #EB76CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E02EB6 shade: #E02EB6, #E07B2E and #2EE0C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E02EB6 shade: #E02EB6, #B6E02E and #2EB6E0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E02EB6 shade: #E02EB6, #E07B2E, #2EE058 and #2E93E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E02EB6 shade: #E02EB6, #E0B12E, #2EE058 and #2E5EE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 19 / 12

HEX #E02EB6

RGB 224 46 182

HSL 314.16, 0.74%, 0.53%

LAB 53.14, 77.16, -31.1

 

Complementary color

CMYK 85 / 0 / 65 / 18

HEX #1FD149

RGB 31 209 73

HSL 134.16, 0.74%, 0.47%

LAB 73.79, -68.51, 53.96

 

CMYK 0 / 80 / 23 / 10

HEX #E52EB1

RGB 229 46 177

HSL 317.05, 0.78%, 0.54%

LAB 53.8, 77.62, -27.1

 

CMYK 0 / 74 / 20 / 4

HEX #F640C4

RGB 246 64 196

HSL 316.48, 0.91%, 0.61%

LAB 59.2, 78.96, -29.49

 

CMYK 0 / 68 / 16 / 0

HEX #FF52D7

RGB 255 82 215

HSL 313.87, 1%, 0.66%

LAB 63.51, 77.76, -33.47

 

CMYK 0 / 61 / 8 / 0

HEX #FF64EA

RGB 255 100 234

HSL 308.13, 1%, 0.7%

LAB 66.76, 73.73, -39.02

 

CMYK 0 / 54 / 1 / 0

HEX #FF76FD

RGB 255 118 253

HSL 300.88, 1%, 0.73%

LAB 70.39, 69.15, -43.79

 

CMYK 0 / 79 / 19 / 12

HEX #E02EB6

RGB 224 46 182

HSL 314.16, 0.74%, 0.53%

LAB 53.14, 77.16, -31.1

 

CMYK 0 / 86 / 21 / 19

HEX #CF1CA3

RGB 207 28 163

HSL 314.75, 0.76%, 0.46%

LAB 47.93, 75, -28.27

 

CMYK 0 / 95 / 24 / 25

HEX #BE0A90

RGB 190 10 144

HSL 315.33, 0.9%, 0.39%

LAB 43.03, 71.7, -24.71

 

CMYK 0 / 100 / 28 / 32

HEX #AD007D

RGB 173 0 125

HSL 316.65, 1%, 0.34%

LAB 38.49, 67.09, -20.31

 

CMYK 0 / 100 / 32 / 39

HEX #9C006A

RGB 156 0 106

HSL 319.23, 1%, 0.31%

LAB 34.21, 61.45, -15.19

 

CMYK 0 / 79 / 19 / 12

HEX #E02EB6

RGB 224 46 182

HSL 314.16, 0.74%, 0.53%

LAB 53.14, 77.16, -31.1

 

CMYK 0 / 79 / 40 / 12

HEX #E02E86

RGB 224 46 134

HSL 330.34, 0.74%, 0.53%

LAB 51.29, 71.78, -5.5

 

CMYK 0 / 79 / 62 / 12

HEX #E02E56

RGB 224 46 86

HSL 346.52, 0.74%, 0.53%

LAB 50.07, 68.06, 21.87

 

CMYK 0 / 79 / 79 / 12

HEX #E02E2E

RGB 224 46 46

HSL 0, 0.74%, 0.53%

LAB 49.49, 66.29, 44.49

 

CMYK 0 / 79 / 19 / 12

HEX #E02EB6

RGB 224 46 182

HSL 314.16, 0.74%, 0.53%

LAB 53.14, 77.16, -31.1

 

CMYK 3 / 79 / 0 / 12

HEX #DA2EE0

RGB 218 46 224

HSL 297.98, 0.74%, 0.53%

LAB 54.28, 81.92, -53.49

 

CMYK 24 / 79 / 0 / 12

HEX #AA2EE0

RGB 170 46 224

HSL 281.8, 0.74%, 0.53%

LAB 46.82, 73.44, -65.9

 

CMYK 46 / 79 / 0 / 12

HEX #7A2EE0

RGB 122 46 224

HSL 265.62, 0.74%, 0.53%

LAB 40.37, 66.15, -76.7

 

CMYK 67 / 79 / 0 / 12

HEX #4A2EE0

RGB 74 46 224

HSL 249.44, 0.74%, 0.53%

LAB 35.58, 60.79, -84.75

 

CMYK 0 / 79 / 19 / 12

HEX #E02EB6

RGB 224 46 182

HSL 314.16, 0.74%, 0.53%

LAB 53.14, 77.16, -31.1

 

CMYK 0 / 89 / 21 / 5

HEX #F31BC0

RGB 243 27 192

HSL 314.17, 0.9%, 0.53%

LAB 55.73, 85.84, -32.62

 

CMYK 0 / 79 / 19 / 12

HEX #E02EB6

RGB 224 46 182

HSL 314.16, 0.74%, 0.53%

LAB 53.14, 77.16, -31.1

 

CMYK 0 / 68 / 16 / 20

HEX #CC42AC

RGB 204 66 172

HSL 313.91, 0.58%, 0.53%

LAB 51.51, 64.97, -28.06

 

CMYK 0 / 54 / 12 / 27

HEX #B955A2

RGB 185 85 162

HSL 313.8, 0.42%, 0.53%

LAB 51.17, 50.04, -22.94

 

CMYK 0 / 37 / 9 / 35

HEX #A66997

RGB 166 105 151

HSL 314.75, 0.26%, 0.53%

LAB 52.34, 31.53, -14.92

 

CMYK 0 / 15 / 3 / 43

HEX #927C8D

RGB 146 124 141

HSL 313.64, 0.09%, 0.53%

LAB 54.5, 11.57, -6.04

 

CMYK 24 / 79 / 0 / 12

HEX #AB2EE0

RGB 171 46 224

HSL 282.13, 0.74%, 0.53%

LAB 46.97, 73.6, -65.65

 

CMYK 3 / 79 / 0 / 12

HEX #DA2EE0

RGB 218 46 224

HSL 297.98, 0.74%, 0.53%

LAB 54.28, 81.92, -53.49

 

CMYK 0 / 79 / 19 / 12

HEX #E02EB6

RGB 224 46 182

HSL 314.16, 0.74%, 0.53%

LAB 53.14, 77.16, -31.1

 

CMYK 0 / 79 / 40 / 12

HEX #E02E87

RGB 224 46 135

HSL 330, 0.74%, 0.53%

LAB 51.33, 71.87, -6.05

 

CMYK 0 / 79 / 61 / 12

HEX #E02E58

RGB 224 46 88

HSL 345.84, 0.74%, 0.53%

LAB 50.1, 68.18, 20.71

 

CMYK 0 / 85 / 20 / 36

HEX #A31883

RGB 163 24 131

HSL 313.81, 0.74%, 0.37%

LAB 37.98, 62.35, -24.97

 

CMYK 0 / 85 / 20 / 22

HEX #C71E9F

RGB 199 30 159

HSL 314.2, 0.74%, 0.45%

LAB 46.41, 72.46, -28.36

 

CMYK 0 / 79 / 19 / 12

HEX #E02EB6

RGB 224 46 182

HSL 314.16, 0.74%, 0.53%

LAB 53.14, 77.16, -31.1

 

CMYK 0 / 64 / 15 / 10

HEX #E552C3

RGB 229 82 195

HSL 313.88, 0.74%, 0.61%

LAB 58.63, 68.53, -30.01

 

CMYK 0 / 50 / 12 / 8

HEX #EB76CF

RGB 235 118 207

HSL 314.36, 0.75%, 0.69%

LAB 65.85, 56.16, -25.61

 

CMYK 0 / 79 / 19 / 12

HEX #E02EB6

RGB 224 46 182

HSL 314.16, 0.74%, 0.53%

LAB 53.14, 77.16, -31.1

 

CMYK 0 / 45 / 79 / 12

HEX #E07B2E

RGB 224 123 46

HSL 25.96, 0.74%, 0.53%

LAB 61.84, 33.87, 56.45

 

CMYK 79 / 0 / 13 / 12

HEX #2EE0C2

RGB 46 224 194

HSL 169.89, 0.74%, 0.53%

LAB 80.62, -49.68, 2.42

 

CMYK 0 / 79 / 19 / 12

HEX #E02EB6

RGB 224 46 182

HSL 314.16, 0.74%, 0.53%

LAB 53.14, 77.16, -31.1

 

CMYK 19 / 0 / 79 / 12

HEX #B6E02E

RGB 182 224 46

HSL 74.16, 0.74%, 0.53%

LAB 83.68, -35.85, 74.96

 

CMYK 79 / 19 / 0 / 12

HEX #2EB6E0

RGB 46 182 224

HSL 194.16, 0.74%, 0.53%

LAB 69.05, -21.3, -31.14

 

CMYK 0 / 79 / 19 / 12

HEX #E02EB6

RGB 224 46 182

HSL 314.16, 0.74%, 0.53%

LAB 53.14, 77.16, -31.1

 

CMYK 0 / 45 / 79 / 12

HEX #E07B2E

RGB 224 123 46

HSL 25.96, 0.74%, 0.53%

LAB 61.84, 33.87, 56.45

 

CMYK 79 / 0 / 61 / 12

HEX #2EE058

RGB 46 224 88

HSL 134.16, 0.74%, 0.53%

LAB 78.81, -69.96, 53.26

 

CMYK 79 / 34 / 0 / 12

HEX #2E93E0

RGB 46 147 224

HSL 205.96, 0.74%, 0.53%

LAB 58.82, -2.06, -47.15

 

CMYK 0 / 79 / 19 / 12

HEX #E02EB6

RGB 224 46 182

HSL 314.16, 0.74%, 0.53%

LAB 53.14, 77.16, -31.1

 

CMYK 0 / 21 / 79 / 12

HEX #E0B12E

RGB 224 177 46

HSL 44.16, 0.74%, 0.53%

LAB 74.5, 5.17, 68.03

 

CMYK 79 / 0 / 61 / 12

HEX #2EE058

RGB 46 224 88

HSL 134.16, 0.74%, 0.53%

LAB 78.81, -69.96, 53.26

 

CMYK 79 / 58 / 0 / 12

HEX #2E5EE0

RGB 46 94 224

HSL 223.82, 0.74%, 0.53%

LAB 44.19, 30.78, -70.66

 

Description

Color code: HEX #E02EB6 | qconv.com Color code: HEX #E02EB6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 46 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 46 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 19 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 19% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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