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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E02A7B it is the complementary color #1FD584. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E02A7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E02A7B shade: #E52A76, #F63C89, #FF4E9C, #FF60AF and #FF72C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E02A7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E02A7B shade: #E02A7B, #CF1868, #BE0655, #AD0042 and #9C002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E02A7B shade: #E0297B, #E02949 and #E02929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E02A7B shade: #E0297B, #E029AC, #E029DE, #B229E0 and #8029E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E02A7B shade matches the following richer shades: #E0297B and #F41578

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E02A7B shade: #E0297B, #CD3D7D, #B9507F, #A56481 and #917883

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E02A7B shade: #E029DD, #E029AC, #E0297B, #E0294A and #E03829

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E02A7B shade: #A01754, #C41C67, #E0297B, #E64D91 and #EB71A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E02A7B shade: #E02A7B, #E0B329 and #29C5E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E02A7B shade: #E02A7B, #7BE029 and #297BE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E02A7B shade: #E02A7B, #E0B329, #29E08E and #2957E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E02A7B shade: #E02A7B, #D7E029, #29E08E and #3229E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 45 / 12

HEX #E02A7B

RGB 224 42 123

HSL 333.3, 0.75%, 0.52%

LAB 50.61, 71.76, 0.14

 

Complementary color

CMYK 85 / 0 / 38 / 16

HEX #1FD584

RGB 31 213 132

HSL 153.3, 0.75%, 0.48%

LAB 75.79, -60.89, 28.28

 

CMYK 0 / 82 / 48 / 10

HEX #E52A76

RGB 229 42 118

HSL 335.61, 0.78%, 0.53%

LAB 51.41, 72.59, 4.44

 

CMYK 0 / 76 / 44 / 4

HEX #F63C89

RGB 246 60 137

HSL 335.16, 0.91%, 0.6%

LAB 56.71, 73.77, 1.14

 

CMYK 0 / 69 / 39 / 0

HEX #FF4E9C

RGB 255 78 156

HSL 333.56, 1%, 0.65%

LAB 60.88, 72.16, -3.72

 

CMYK 0 / 62 / 31 / 0

HEX #FF60AF

RGB 255 96 175

HSL 330.19, 1%, 0.69%

LAB 63.93, 67.41, -10.13

 

CMYK 0 / 55 / 24 / 0

HEX #FF72C2

RGB 255 114 194

HSL 325.96, 1%, 0.72%

LAB 67.42, 62.07, -15.66

 

CMYK 0 / 81 / 45 / 12

HEX #E02A7B

RGB 224 42 123

HSL 333.3, 0.75%, 0.52%

LAB 50.61, 71.76, 0.14

 

CMYK 0 / 88 / 50 / 19

HEX #CF1868

RGB 207 24 104

HSL 333.77, 0.79%, 0.45%

LAB 45.52, 69.71, 4.01

 

CMYK 0 / 97 / 55 / 25

HEX #BE0655

RGB 190 6 85

HSL 334.24, 0.94%, 0.38%

LAB 40.79, 66.53, 8.74

 

CMYK 0 / 100 / 62 / 32

HEX #AD0042

RGB 173 0 66

HSL 337.11, 1%, 0.34%

LAB 36.51, 61.93, 14.5

 

CMYK 0 / 100 / 70 / 39

HEX #9C002F

RGB 156 0 47

HSL 341.92, 1%, 0.31%

LAB 32.42, 56.74, 20.85

 

CMYK 0 / 82 / 45 / 12

HEX #E0297B

RGB 224 41 123

HSL 333.11, 0.75%, 0.52%

LAB 50.53, 72, 0.02

 

CMYK 0 / 82 / 67 / 12

HEX #E02949

RGB 224 41 73

HSL 349.51, 0.75%, 0.52%

LAB 49.39, 68.62, 28.85

 

CMYK 0 / 82 / 82 / 12

HEX #E02929

RGB 224 41 41

HSL 0, 0.75%, 0.52%

LAB 49, 67.43, 46.65

 

CMYK 0 / 82 / 45 / 12

HEX #E0297B

RGB 224 41 123

HSL 333.11, 0.75%, 0.52%

LAB 50.53, 72, 0.02

 

CMYK 0 / 82 / 23 / 12

HEX #E029AC

RGB 224 41 172

HSL 317.05, 0.75%, 0.52%

LAB 52.3, 77.09, -26.57

 

CMYK 0 / 82 / 1 / 12

HEX #E029DE

RGB 224 41 222

HSL 300.66, 0.75%, 0.52%

LAB 54.77, 83.84, -51.52

 

CMYK 21 / 82 / 0 / 12

HEX #B229E0

RGB 178 41 224

HSL 284.92, 0.75%, 0.52%

LAB 47.54, 76.16, -64.67

 

CMYK 43 / 82 / 0 / 12

HEX #8029E0

RGB 128 41 224

HSL 268.52, 0.75%, 0.52%

LAB 40.5, 68.7, -76.44

 

CMYK 0 / 82 / 45 / 12

HEX #E0297B

RGB 224 41 123

HSL 333.11, 0.75%, 0.52%

LAB 50.53, 72, 0.02

 

CMYK 0 / 91 / 51 / 4

HEX #F41578

RGB 244 21 120

HSL 333.36, 0.91%, 0.52%

LAB 53.09, 79.9, 6.02

 

CMYK 0 / 82 / 45 / 12

HEX #E0297B

RGB 224 41 123

HSL 333.11, 0.75%, 0.52%

LAB 50.53, 72, 0.02

 

CMYK 0 / 70 / 39 / 20

HEX #CD3D7D

RGB 205 61 125

HSL 333.33, 0.59%, 0.52%

LAB 49.25, 61.24, -3.47

 

CMYK 0 / 57 / 31 / 27

HEX #B9507F

RGB 185 80 127

HSL 333.14, 0.43%, 0.52%

LAB 48.99, 47.37, -5.43

 

CMYK 0 / 39 / 22 / 35

HEX #A56481

RGB 165 100 129

HSL 333.23, 0.27%, 0.52%

LAB 50.33, 30.27, -4.94

 

CMYK 0 / 17 / 10 / 43

HEX #917883

RGB 145 120 131

HSL 333.6, 0.1%, 0.52%

LAB 53.05, 11.63, -2.36

 

CMYK 0 / 82 / 1 / 12

HEX #E029DD

RGB 224 41 221

HSL 300.98, 0.75%, 0.52%

LAB 54.71, 83.69, -51.05

 

CMYK 0 / 82 / 23 / 12

HEX #E029AC

RGB 224 41 172

HSL 317.05, 0.75%, 0.52%

LAB 52.3, 77.09, -26.57

 

CMYK 0 / 82 / 45 / 12

HEX #E0297B

RGB 224 41 123

HSL 333.11, 0.75%, 0.52%

LAB 50.53, 72, 0.02

 

CMYK 0 / 82 / 67 / 12

HEX #E0294A

RGB 224 41 74

HSL 349.18, 0.75%, 0.52%

LAB 49.41, 68.67, 28.27

 

CMYK 0 / 75 / 82 / 12

HEX #E03829

RGB 224 56 41

HSL 4.92, 0.75%, 0.52%

LAB 50.49, 63.22, 48.06

 

CMYK 0 / 86 / 48 / 37

HEX #A01754

RGB 160 23 84

HSL 333.28, 0.75%, 0.36%

LAB 35.45, 56.6, 0.93

 

CMYK 0 / 86 / 47 / 23

HEX #C41C67

RGB 196 28 103

HSL 333.21, 0.75%, 0.44%

LAB 43.57, 66.24, 1.54

 

CMYK 0 / 82 / 45 / 12

HEX #E0297B

RGB 224 41 123

HSL 333.11, 0.75%, 0.52%

LAB 50.53, 72, 0.02

 

CMYK 0 / 67 / 37 / 10

HEX #E64D91

RGB 230 77 145

HSL 333.33, 0.75%, 0.6%

LAB 56.26, 64.46, -4.57

 

CMYK 0 / 52 / 29 / 8

HEX #EB71A7

RGB 235 113 167

HSL 333.44, 0.75%, 0.68%

LAB 63.56, 52.86, -6.43

 

CMYK 0 / 81 / 45 / 12

HEX #E02A7B

RGB 224 42 123

HSL 333.3, 0.75%, 0.52%

LAB 50.61, 71.76, 0.14

 

CMYK 0 / 20 / 82 / 12

HEX #E0B329

RGB 224 179 41

HSL 45.25, 0.75%, 0.52%

LAB 74.98, 3.96, 70

 

CMYK 82 / 12 / 0 / 12

HEX #29C5E0

RGB 41 197 224

HSL 188.85, 0.75%, 0.52%

LAB 73.41, -29.27, -24.46

 

CMYK 0 / 81 / 45 / 12

HEX #E02A7B

RGB 224 42 123

HSL 333.3, 0.75%, 0.52%

LAB 50.61, 71.76, 0.14

 

CMYK 45 / 0 / 82 / 12

HEX #7BE029

RGB 123 224 41

HSL 93.11, 0.75%, 0.52%

LAB 80.56, -57.07, 72.29

 

CMYK 82 / 45 / 0 / 12

HEX #297BE0

RGB 41 123 224

HSL 213.11, 0.75%, 0.52%

LAB 51.86, 11.93, -58.25

 

CMYK 0 / 81 / 45 / 12

HEX #E02A7B

RGB 224 42 123

HSL 333.3, 0.75%, 0.52%

LAB 50.61, 71.76, 0.14

 

CMYK 0 / 20 / 82 / 12

HEX #E0B329

RGB 224 179 41

HSL 45.25, 0.75%, 0.52%

LAB 74.98, 3.96, 70

 

CMYK 82 / 0 / 37 / 12

HEX #29E08E

RGB 41 224 142

HSL 153.11, 0.75%, 0.52%

LAB 79.46, -62.01, 28.06

 

CMYK 82 / 61 / 0 / 12

HEX #2957E0

RGB 41 87 224

HSL 224.92, 0.75%, 0.52%

LAB 42.26, 34.82, -73.82

 

CMYK 0 / 81 / 45 / 12

HEX #E02A7B

RGB 224 42 123

HSL 333.3, 0.75%, 0.52%

LAB 50.61, 71.76, 0.14

 

CMYK 4 / 0 / 82 / 12

HEX #D7E029

RGB 215 224 41

HSL 62.95, 0.75%, 0.52%

LAB 85.97, -22.65, 79.11

 

CMYK 82 / 0 / 37 / 12

HEX #29E08E

RGB 41 224 142

HSL 153.11, 0.75%, 0.52%

LAB 79.46, -62.01, 28.06

 

CMYK 78 / 82 / 0 / 12

HEX #3229E0

RGB 50 41 224

HSL 242.95, 0.75%, 0.52%

LAB 33.23, 61.32, -88.69

 

Description

Color code: HEX #E02A7B | qconv.com Color code: HEX #E02A7B | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 42 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 42 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 45 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 45% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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