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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0292B it is the complementary color #1FD6D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0292B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0292B shade: #E52926, #F63B39, #FF4D4C, #FF5F5F and #FF7172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0292B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0292B shade: #E0292B, #CF1718, #BE0505, #AD0000 and #9C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0292B shade: #E0282A and #E02828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0292B shade: #E0282A, #E0285C, #E0288D, #E028BF and #CF28E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0292B shade matches the following richer shades: #E0282A and #F41417

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0292B shade: #E0282A, #CC3C3E, #B85051, #A46464 and #917878

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0292B shade: #E0288D, #E0285C, #E0282B, #E05628 and #E08728

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0292B shade: #9F1618, #C31B1D, #E0282A, #E54C4E and #EA7172

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0292B shade: #E0292B, #BEE028 and #2875E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0292B shade: #E0292B, #2BE028 and #282BE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0292B shade: #E0292B, #BEE028, #28E0DD and #4A28E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0292B shade: #E0292B, #87E028, #28E0DD and #8128E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 81 / 12

HEX #E0292B

RGB 224 41 43

HSL 359.34, 0.75%, 0.52%

LAB 49.02, 67.48, 45.62

 

Complementary color

CMYK 86 / 0 / 1 / 16

HEX #1FD6D4

RGB 31 214 212

HSL 179.34, 0.75%, 0.48%

LAB 77.96, -41.57, -11.13

 

CMYK 0 / 82 / 83 / 10

HEX #E52926

RGB 229 41 38

HSL 0.94, 0.79%, 0.52%

LAB 49.96, 68.73, 49.42

 

CMYK 0 / 76 / 77 / 4

HEX #F63B39

RGB 246 59 57

HSL 0.63, 0.91%, 0.59%

LAB 55.09, 69.24, 45.67

 

CMYK 0 / 70 / 70 / 0

HEX #FF4D4C

RGB 255 77 76

HSL 0.34, 1%, 0.65%

LAB 59.06, 66.75, 40.13

 

CMYK 0 / 63 / 63 / 0

HEX #FF5F5F

RGB 255 95 95

HSL 0, 1%, 0.69%

LAB 61.89, 60.78, 32.93

 

CMYK 0 / 56 / 55 / 0

HEX #FF7172

RGB 255 113 114

HSL 359.58, 1%, 0.72%

LAB 65.19, 54.17, 26.49

 

CMYK 0 / 82 / 81 / 12

HEX #E0292B

RGB 224 41 43

HSL 359.34, 0.75%, 0.52%

LAB 49.02, 67.48, 45.62

 

CMYK 0 / 89 / 88 / 19

HEX #CF1718

RGB 207 23 24

HSL 359.67, 0.8%, 0.45%

LAB 44.15, 66.14, 49.45

 

CMYK 0 / 97 / 97 / 25

HEX #BE0505

RGB 190 5 5

HSL 0, 0.95%, 0.38%

LAB 39.69, 63.73, 52.06

 

CMYK 0 / 100 / 100 / 32

HEX #AD0000

RGB 173 0 0

HSL 0, 1%, 0.34%

LAB 35.76, 59.89, 50.12

 

CMYK 0 / 100 / 100 / 39

HEX #9C0000

RGB 156 0 0

HSL 0, 1%, 0.31%

LAB 31.96, 55.5, 45.93

 

CMYK 0 / 82 / 81 / 12

HEX #E0282A

RGB 224 40 42

HSL 359.35, 0.75%, 0.52%

LAB 48.92, 67.69, 46.05

 

CMYK 0 / 82 / 82 / 12

HEX #E02828

RGB 224 40 40

HSL 0, 0.75%, 0.52%

LAB 48.91, 67.64, 47.08

 

CMYK 0 / 82 / 81 / 12

HEX #E0282A

RGB 224 40 42

HSL 359.35, 0.75%, 0.52%

LAB 48.92, 67.69, 46.05

 

CMYK 0 / 82 / 59 / 12

HEX #E0285C

RGB 224 40 92

HSL 343.04, 0.75%, 0.52%

LAB 49.66, 69.92, 17.69

 

CMYK 0 / 82 / 37 / 12

HEX #E0288D

RGB 224 40 141

HSL 327.07, 0.75%, 0.52%

LAB 51.02, 73.9, -10.11

 

CMYK 0 / 82 / 15 / 12

HEX #E028BF

RGB 224 40 191

HSL 310.76, 0.75%, 0.52%

LAB 53.09, 79.7, -36.42

 

CMYK 8 / 82 / 0 / 12

HEX #CF28E0

RGB 207 40 224

HSL 294.46, 0.75%, 0.52%

LAB 52.02, 81.32, -57.21

 

CMYK 0 / 82 / 81 / 12

HEX #E0282A

RGB 224 40 42

HSL 359.35, 0.75%, 0.52%

LAB 48.92, 67.69, 46.05

 

CMYK 0 / 92 / 91 / 4

HEX #F41417

RGB 244 20 23

HSL 359.2, 0.91%, 0.52%

LAB 51.6, 76.01, 58.65

 

CMYK 0 / 82 / 81 / 12

HEX #E0282A

RGB 224 40 42

HSL 359.35, 0.75%, 0.52%

LAB 48.92, 67.69, 46.05

 

CMYK 0 / 71 / 70 / 20

HEX #CC3C3E

RGB 204 60 62

HSL 359.17, 0.59%, 0.52%

LAB 47.52, 56.47, 32.23

 

CMYK 0 / 57 / 56 / 28

HEX #B85051

RGB 184 80 81

HSL 359.42, 0.42%, 0.52%

LAB 47.65, 42.2, 20.41

 

CMYK 0 / 39 / 39 / 36

HEX #A46464

RGB 164 100 100

HSL 0, 0.26%, 0.52%

LAB 49.41, 25.84, 11

 

CMYK 0 / 17 / 17 / 43

HEX #917878

RGB 145 120 120

HSL 0, 0.1%, 0.52%

LAB 52.74, 9.69, 3.63

 

CMYK 0 / 82 / 37 / 12

HEX #E0288D

RGB 224 40 141

HSL 327.07, 0.75%, 0.52%

LAB 51.02, 73.9, -10.11

 

CMYK 0 / 82 / 59 / 12

HEX #E0285C

RGB 224 40 92

HSL 343.04, 0.75%, 0.52%

LAB 49.66, 69.92, 17.69

 

CMYK 0 / 82 / 81 / 12

HEX #E0282B

RGB 224 40 43

HSL 359.02, 0.75%, 0.52%

LAB 48.93, 67.72, 45.53

 

CMYK 0 / 62 / 82 / 12

HEX #E05628

RGB 224 86 40

HSL 15, 0.75%, 0.52%

LAB 54.72, 51.69, 52.45

 

CMYK 0 / 40 / 82 / 12

HEX #E08728

RGB 224 135 40

HSL 30.98, 0.75%, 0.52%

LAB 64.43, 27.37, 61.13

 

CMYK 0 / 86 / 85 / 38

HEX #9F1618

RGB 159 22 24

HSL 359.12, 0.76%, 0.35%

LAB 34.01, 53.15, 36.89

 

CMYK 0 / 86 / 85 / 24

HEX #C31B1D

RGB 195 27 29

HSL 359.29, 0.76%, 0.44%

LAB 41.96, 62.28, 44.23

 

CMYK 0 / 82 / 81 / 12

HEX #E0282A

RGB 224 40 42

HSL 359.35, 0.75%, 0.52%

LAB 48.92, 67.69, 46.05

 

CMYK 0 / 67 / 66 / 10

HEX #E54C4E

RGB 229 76 78

HSL 359.22, 0.75%, 0.6%

LAB 54.42, 59.12, 32.36

 

CMYK 0 / 52 / 51 / 8

HEX #EA7172

RGB 234 113 114

HSL 359.5, 0.74%, 0.68%

LAB 62.1, 46.83, 21.82

 

CMYK 0 / 82 / 81 / 12

HEX #E0292B

RGB 224 41 43

HSL 359.34, 0.75%, 0.52%

LAB 49.02, 67.48, 45.62

 

CMYK 15 / 0 / 82 / 12

HEX #BEE028

RGB 190 224 40

HSL 71.09, 0.75%, 0.52%

LAB 84.18, -32.88, 77.11

 

CMYK 82 / 48 / 0 / 12

HEX #2875E0

RGB 40 117 224

HSL 214.89, 0.75%, 0.52%

LAB 50.16, 15.6, -60.98

 

CMYK 0 / 82 / 81 / 12

HEX #E0292B

RGB 224 41 43

HSL 359.34, 0.75%, 0.52%

LAB 49.02, 67.48, 45.62

 

CMYK 81 / 0 / 82 / 12

HEX #2BE028

RGB 43 224 40

HSL 119.02, 0.75%, 0.52%

LAB 78.45, -74.28, 69.84

 

CMYK 82 / 81 / 0 / 12

HEX #282BE0

RGB 40 43 224

HSL 239.02, 0.75%, 0.52%

LAB 33.05, 59.93, -89.01

 

CMYK 0 / 82 / 81 / 12

HEX #E0292B

RGB 224 41 43

HSL 359.34, 0.75%, 0.52%

LAB 49.02, 67.48, 45.62

 

CMYK 15 / 0 / 82 / 12

HEX #BEE028

RGB 190 224 40

HSL 71.09, 0.75%, 0.52%

LAB 84.18, -32.88, 77.11

 

CMYK 82 / 0 / 1 / 12

HEX #28E0DD

RGB 40 224 221

HSL 179.02, 0.75%, 0.52%

LAB 81.28, -42.82, -10.96

 

CMYK 67 / 82 / 0 / 12

HEX #4A28E0

RGB 74 40 224

HSL 251.09, 0.75%, 0.52%

LAB 34.71, 63.33, -86.19

 

CMYK 0 / 82 / 81 / 12

HEX #E0292B

RGB 224 41 43

HSL 359.34, 0.75%, 0.52%

LAB 49.02, 67.48, 45.62

 

CMYK 40 / 0 / 82 / 12

HEX #87E028

RGB 135 224 40

HSL 89.02, 0.75%, 0.52%

LAB 81.08, -53.26, 73.2

 

CMYK 82 / 0 / 1 / 12

HEX #28E0DD

RGB 40 224 221

HSL 179.02, 0.75%, 0.52%

LAB 81.28, -42.82, -10.96

 

CMYK 42 / 82 / 0 / 12

HEX #8128E0

RGB 129 40 224

HSL 269.02, 0.75%, 0.52%

LAB 40.52, 69.16, -76.41

 

Description

Color code: HEX #E0292B | qconv.com Color code: HEX #E0292B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 41 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 41 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 81 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 81% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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