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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0213D it is the complementary color #1FDEC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0213D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E0213D shade: #E52138, #F6334B, #FF455E, #FF5771 and #FF6984

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0213D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E0213D shade: #E0213D, #CF0F2A, #BE0017, #AD0004 and #9C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E0213D shade: #DF203C and #DF2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E0213D shade: #DF203C, #DF206F, #DF20A3, #DF20D7 and #B420DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E0213D shade matches the following richer shades: #DF203C and #F40B2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E0213D shade: #DF203C, #CA354B, #B64959, #A15E68 and #8D7276

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E0213D shade: #DF20A3, #DF2070, #DF203D, #DF3620 and #DF6920

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E0213D shade: #971629, #BB1B32, #DF203C, #E4445B and #E9687B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E0213D shade: #E0213D, #D6DF20 and #2089DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E0213D shade: #E0213D, #3DDF20 and #203DDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E0213D shade: #E0213D, #D6DF20, #20DFC2 and #2920DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E0213D shade: #E0213D, #9CDF20, #20DFC2 and #6320DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 73 / 12

HEX #E0213D

RGB 224 33 61

HSL 351.2, 0.75%, 0.5%

LAB 48.6, 69.84, 35.04

 

Complementary color

CMYK 86 / 0 / 13 / 13

HEX #1FDEC2

RGB 31 222 194

HSL 171.2, 0.75%, 0.5%

LAB 79.86, -50, 1.29

 

CMYK 0 / 86 / 76 / 10

HEX #E52138

RGB 229 33 56

HSL 352.96, 0.79%, 0.51%

LAB 49.53, 70.96, 39.27

 

CMYK 0 / 79 / 70 / 4

HEX #F6334B

RGB 246 51 75

HSL 352.62, 0.92%, 0.58%

LAB 54.52, 72.16, 34.92

 

CMYK 0 / 73 / 63 / 0

HEX #FF455E

RGB 255 69 94

HSL 351.94, 1%, 0.64%

LAB 58.34, 70.37, 29

 

CMYK 0 / 66 / 56 / 0

HEX #FF5771

RGB 255 87 113

HSL 350.71, 1%, 0.67%

LAB 61.02, 65.17, 21.5

 

CMYK 0 / 59 / 48 / 0

HEX #FF6984

RGB 255 105 132

HSL 349.2, 1%, 0.71%

LAB 64.18, 59.23, 14.9

 

CMYK 0 / 85 / 73 / 12

HEX #E0213D

RGB 224 33 61

HSL 351.2, 0.75%, 0.5%

LAB 48.6, 69.84, 35.04

 

CMYK 0 / 93 / 80 / 19

HEX #CF0F2A

RGB 207 15 42

HSL 351.56, 0.86%, 0.44%

LAB 43.91, 67.68, 39.93

 

CMYK 0 / 100 / 88 / 25

HEX #BE0017

RGB 190 0 23

HSL 352.74, 1%, 0.37%

LAB 39.6, 64.49, 44.83

 

CMYK 0 / 100 / 98 / 32

HEX #AD0004

RGB 173 0 4

HSL 358.61, 1%, 0.34%

LAB 35.78, 59.94, 48.5

 

CMYK 0 / 100 / 100 / 39

HEX #9C0000

RGB 156 0 0

HSL 0, 1%, 0.31%

LAB 31.96, 55.5, 45.93

 

CMYK 0 / 86 / 73 / 13

HEX #DF203C

RGB 223 32 60

HSL 351.2, 0.75%, 0.5%

LAB 48.32, 69.74, 35.25

 

CMYK 0 / 86 / 86 / 13

HEX #DF2020

RGB 223 32 32

HSL 0, 0.75%, 0.5%

LAB 48.04, 68.91, 50.21

 

CMYK 0 / 86 / 73 / 13

HEX #DF203C

RGB 223 32 60

HSL 351.2, 0.75%, 0.5%

LAB 48.32, 69.74, 35.25

 

CMYK 0 / 86 / 50 / 13

HEX #DF206F

RGB 223 32 111

HSL 335.18, 0.75%, 0.5%

LAB 49.34, 72.68, 5.58

 

CMYK 0 / 86 / 27 / 13

HEX #DF20A3

RGB 223 32 163

HSL 318.85, 0.75%, 0.5%

LAB 51.11, 77.64, -23.11

 

CMYK 0 / 86 / 4 / 13

HEX #DF20D7

RGB 223 32 215

HSL 302.51, 0.75%, 0.5%

LAB 53.63, 84.35, -49.37

 

CMYK 19 / 86 / 0 / 13

HEX #B420DF

RGB 180 32 223

HSL 286.49, 0.75%, 0.5%

LAB 47.06, 78.4, -64.87

 

CMYK 0 / 86 / 73 / 13

HEX #DF203C

RGB 223 32 60

HSL 351.2, 0.75%, 0.5%

LAB 48.32, 69.74, 35.25

 

CMYK 0 / 95 / 82 / 4

HEX #F40B2D

RGB 244 11 45

HSL 351.24, 0.91%, 0.5%

LAB 51.45, 77.28, 48.29

 

CMYK 0 / 86 / 73 / 13

HEX #DF203C

RGB 223 32 60

HSL 351.2, 0.75%, 0.5%

LAB 48.32, 69.74, 35.25

 

CMYK 0 / 74 / 63 / 21

HEX #CA354B

RGB 202 53 75

HSL 351.14, 0.58%, 0.5%

LAB 46.46, 59.06, 23.05

 

CMYK 0 / 60 / 51 / 29

HEX #B64959

RGB 182 73 89

HSL 351.19, 0.43%, 0.5%

LAB 46.22, 45.53, 13.59

 

CMYK 0 / 42 / 35 / 37

HEX #A15E68

RGB 161 94 104

HSL 351.04, 0.26%, 0.5%

LAB 47.73, 28.53, 6.17

 

CMYK 0 / 19 / 16 / 45

HEX #8D7276

RGB 141 114 118

HSL 351.11, 0.11%, 0.5%

LAB 50.69, 11.26, 1.8

 

CMYK 0 / 86 / 27 / 13

HEX #DF20A3

RGB 223 32 163

HSL 318.85, 0.75%, 0.5%

LAB 51.11, 77.64, -23.11

 

CMYK 0 / 86 / 50 / 13

HEX #DF2070

RGB 223 32 112

HSL 334.87, 0.75%, 0.5%

LAB 49.36, 72.75, 5.01

 

CMYK 0 / 86 / 73 / 13

HEX #DF203D

RGB 223 32 61

HSL 350.89, 0.75%, 0.5%

LAB 48.33, 69.78, 34.68

 

CMYK 0 / 76 / 86 / 13

HEX #DF3620

RGB 223 54 32

HSL 6.91, 0.75%, 0.5%

LAB 50.01, 63.33, 51.86

 

CMYK 0 / 53 / 86 / 13

HEX #DF6920

RGB 223 105 32

HSL 22.93, 0.75%, 0.5%

LAB 57.94, 42.21, 58.43

 

CMYK 0 / 85 / 73 / 41

HEX #971629

RGB 151 22 41

HSL 351.16, 0.75%, 0.34%

LAB 32.51, 51.46, 24.6

 

CMYK 0 / 86 / 73 / 27

HEX #BB1B32

RGB 187 27 50

HSL 351.38, 0.75%, 0.42%

LAB 40.54, 60.77, 30.33

 

CMYK 0 / 86 / 73 / 13

HEX #DF203C

RGB 223 32 60

HSL 351.2, 0.75%, 0.5%

LAB 48.32, 69.74, 35.25

 

CMYK 0 / 70 / 60 / 11

HEX #E4445B

RGB 228 68 91

HSL 351.38, 0.75%, 0.58%

LAB 53.37, 62.6, 23.36

 

CMYK 0 / 55 / 47 / 9

HEX #E9687B

RGB 233 104 123

HSL 351.16, 0.75%, 0.66%

LAB 60.48, 51.59, 14.41

 

CMYK 0 / 85 / 73 / 12

HEX #E0213D

RGB 224 33 61

HSL 351.2, 0.75%, 0.5%

LAB 48.6, 69.84, 35.04

 

CMYK 4 / 0 / 86 / 13

HEX #D6DF20

RGB 214 223 32

HSL 62.83, 0.75%, 0.5%

LAB 85.59, -22.81, 80.71

 

CMYK 86 / 39 / 0 / 13

HEX #2089DF

RGB 32 137 223

HSL 207.02, 0.75%, 0.5%

LAB 55.61, 2.28, -51.7

 

CMYK 0 / 85 / 73 / 12

HEX #E0213D

RGB 224 33 61

HSL 351.2, 0.75%, 0.5%

LAB 48.6, 69.84, 35.04

 

CMYK 73 / 0 / 86 / 13

HEX #3DDF20

RGB 61 223 32

HSL 110.89, 0.75%, 0.5%

LAB 78.39, -71.89, 71.73

 

CMYK 86 / 73 / 0 / 13

HEX #203DDF

RGB 32 61 223

HSL 230.89, 0.75%, 0.5%

LAB 35.93, 49.82, -83.67

 

CMYK 0 / 85 / 73 / 12

HEX #E0213D

RGB 224 33 61

HSL 351.2, 0.75%, 0.5%

LAB 48.6, 69.84, 35.04

 

CMYK 4 / 0 / 86 / 13

HEX #D6DF20

RGB 214 223 32

HSL 62.83, 0.75%, 0.5%

LAB 85.59, -22.81, 80.71

 

CMYK 86 / 0 / 13 / 13

HEX #20DFC2

RGB 32 223 194

HSL 170.89, 0.75%, 0.5%

LAB 80.17, -50.35, 1.74

 

CMYK 82 / 86 / 0 / 13

HEX #2920DF

RGB 41 32 223

HSL 242.83, 0.75%, 0.5%

LAB 31.42, 64.29, -91.14

 

CMYK 0 / 85 / 73 / 12

HEX #E0213D

RGB 224 33 61

HSL 351.2, 0.75%, 0.5%

LAB 48.6, 69.84, 35.04

 

CMYK 30 / 0 / 86 / 13

HEX #9CDF20

RGB 156 223 32

HSL 81.05, 0.75%, 0.5%

LAB 81.81, -45.78, 76.03

 

CMYK 86 / 0 / 13 / 13

HEX #20DFC2

RGB 32 223 194

HSL 170.89, 0.75%, 0.5%

LAB 80.17, -50.35, 1.74

 

CMYK 56 / 86 / 0 / 13

HEX #6320DF

RGB 99 32 223

HSL 261.05, 0.75%, 0.5%

LAB 36.01, 68.08, -83.39

 

Description

Color code: HEX #E0213D | qconv.com Color code: HEX #E0213D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 33 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 33 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 73 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 73% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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